Norse Tales and Sketches Part 2
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One rushes through these eleven papers (or is it thirteen?--it is certainly the most infamous number that the college authorities have been able to devise)--like an unhappy _debutant_ in a circus. He stands on the back of a galloping horse, with his life in his hands and a silly circus smile on his lips; and so he must leap eleven (or is it thirteen?) times through one of these confounded paper-covered hoops.
The unhappy mortal who pa.s.ses--or tries to pa.s.s--his law examination, finds himself in precisely the same situation, only he does not gallop round a ring, under brilliant gaslight, to the music of a full band. He sits upon a hard chair in semi-darkness with his face to the wall, and the only sound he hears is the creaking of the inspectors' boots. For in all the wide, wide world there are no such creaky boots as those of law examination inspectors.
And so comes the dreadful moment when the black-robed tormentor from the Collegium Juridic.u.m brings in the examination-paper. He plants himself in the doorway, and reads. Coldly, impa.s.sively, with a cruel mockery of the horror of the situation, he raises aloft this fateful doc.u.ment--this wretched paper-covered hoop, through which we must all spring, or dismount and wend our way back--on foot!
The candidates settle themselves in the saddle. Some seem quite unable to get firmly seated; they rock uneasily hither and thither, and one rider dismounts. He is followed to the door by all eyes, and a sigh runs through the a.s.sembled students. 'You to-day; I to-morrow.'
Meanwhile one begins to hear a light trotting over the paper; they are leaping.
Some few individuals sit firmly and gracefully through it all, and come out on the other side 'standing for Laud.' Others think that leaping straight is too easy; therefore, they turn in the air and alight with backs first. These also get through, but backwards; and it is said that their agility does not win from the judges its deserved meed of appreciation.
Again, others leap, but miss the hoop. They spring underneath, to one side--some even high over the top, alighting safe and sound on the other side. These latter generally find the paper extremely simple, and continue the wild ride quite unconcernedly.
But if one is not fond of riding, and has had no practice in leaping, he is much to be pitied--unless, indeed, he has a monkey on page 496.
I do not know how many hoops I had pa.s.sed when I found myself face to face with the process-paper.
It was an unhealthy life that we then led: leaping by day and reading by night. I sat at midnight half-way through Schweigaard's Process, alternately putting my head out of the window and into the washhand basin, and, between whiles, rus.h.i.+ng like a whirlwind through the withered leaves of the musty volume.
However, even the most violent wind must eventually fall; and, indeed, this was my heartfelt wish. But the juridical momentum was strong within me. I sat stiffly, peering and reading for the eleventh time: 'One might thus certainly a.s.sume'--'One--might--thus--certainly,'-- combine the useful with the agreeable--and lean back--a little in the chair. I can read just as well; the lamp doesn't bother me in the least.
'One--might--thus--'
But all manner of non-juridical images rose up from the book, entwined themselves about the lamp, and threatened to completely overshadow my clear legal brain. I could yet dimly see the white paper. 'One--might-- thus--'. The rest disappeared in a myriad of small dark characters that flowed down the closely-printed pages; in dull despair my eyes followed the stream, and then I saw, towards the bottom of the right-hand page, a face.
It was a monkey that was drawn on the margin. It was excellently drawn, I thought, the brown colouring of the face being especially remarkable.
I am ashamed to say that my interest in this work of art proved stronger than Schweigaard himself. I roused myself a little, and leant forward in order to see better.
By turning the leaf, I discovered that the remarkable brown colouring of the face was due to the fact that the whole monkey, after all, was only a coffee-stain. The artist had merely added a pair of eyes and a little hair; the genial expression of the picture was really to be credited to the individual who had spilt the coffee.
'Cuc.u.mis couldn't draw,' thought I; that I knew. 'But, by Jove! he _could_ do his process!'
And now I came to think of Cuc.u.mis, of his handsome degree, of his triumphant home-coming, and of how much he must have read in order to become so learned. And, while I thought of all this, my consciousness awoke little by little, until my own ignorance suddenly stood clearly before me in all its horrible nakedness.
I pictured to myself the shame of having to 'dismount,' or, still worse, of being that one unfortunate of whom it is invariably said with sinister anonymity, 'One of the candidates received _non contemnendus_'.
And as it sometimes happens that people lose their reason through much learning, so I grew half crazy with terror at my ignorance.
Up I jumped, and dipped my head in the wash-basin. Scarcely taking time to dry myself, I began to read with an energy that fixed every word in my memory.
Down the left page I hurried, with unabated vigour down the right; I reached the monkey, rushed past him, turned the leaf, and read bravely on.
I was not conscious of the fact that my strength was now completely exhausted. Although I caught a glimpse of a new section (usually so strong an incentive to increased effort), I could not help getting entangled in one of those artful propositions that one reads over and over again in illusory profundity.
I groped about for a way of escape, but there was none. Incoherent thoughts began to whirl through my brain. 'Where is the monkey?--a spot of coffee--one cannot be genial on both sides--everything in life has a right and a wrong side--for example, the university clock--but if I cannot swim, let me come out--I am going to the circus--I know very well that you are standing there grinning at me, Cuc.u.mis--but I can leap through the hoop, I can--and if that professor who is standing smoking at my paraffin lamp had only conscientiously referred to _corpus juris_, I should not now be lying here--in my night-s.h.i.+rt in the middle of Karl Johan's Gade [Footnote: A princ.i.p.al street of Christiania.]--but--' Then I sank into that deep, dreamless slumber which only falls to the lot of an evil conscience when one is very young.
I was in the saddle early next morning.
I don't know if the devil ever had shoes on, but I must suppose he had, for his inspectors were in their boots, and they creaked past me, where I sat in my misery with my face to the wall.
A professor walked round the rooms and looked at the victims.
Occasionally he nodded and smiled encouragingly, as his eye fell on one of those miserable lick-spittles who frequent the lectures; but when he discovered me, the smile vanished, and his ice-cold stare seemed to write upon the wall over my head: 'Mene, mene! [Footnote: Dan. v. 25.]
Wretch, I know thee not!'
A pair of inspectors walked creakily up to the professor and fawned upon him; I heard them whispering behind my chair. I ground my teeth in silent wrath at the thought that these contemptible creatures were paid for--yes, actually made their living by torturing me and some of my best friends.
The door opened; a glimmering yellow light fell upon the white faces; it called to mind 'The Victims of Terrorism' in Luxembourg. Then all again became dark, and the black-robed emissary of the College flitted through the room like a bat, with the famous white doc.u.ment in his claws.
He began to read.
Never in my life had I been less inclined for leaping; and yet I started violently at the first words. 'The monkey!' I had almost shouted; for he it was--it was evidently the coffee-stain on page 496. The paper bore precisely upon what I had read with so much energy the preceding night.
And I began to write. After a short, but superior and a.s.sured preamble, I introduced the high-sounding words of Schweigaard, 'One might thus certainly a.s.sume,' etc., and hurried down the left page, with unabated vigour down the right, reached the monkey, dashed past him, began to grope and fumble, and then I found I could not write a word more.
I felt that something was wanting, but I knew that it was useless to speculate; what a man can't do, he can't. I therefore made a full stop, and went away long before any of the others were half finished.
He has dismounted, thought my fellow-sufferers, or he may have leaped wide of the hoop. For it was a difficult paper.
'Why,' said the advocate, as he read, 'you are better than I thought.
This is pure Schweigaard. You have left out the last point, but that doesn't matter very much; one can see that you are well up in these things. But why, then, were you so pitiably afraid of the process yesterday?'
'I didn't know a thing.'
He laughed. 'Was it last night, then, that you learned your process?'
'Yes.'
'Did anyone help you?'
'Yes.'
'He must be a devil of a crammer who could put so much law into your head in one night. May I ask what wizard it was?'
'A monkey!' I replied.
A TALE OF THE SEA.
Once there lay in a certain haven a large number of vessels. They had lain there very long, not exactly on account of storm, but rather because of a dead calm; and at last they had lain there until they no longer heeded the weather.
All the captains had gradually become good friends; they visited from s.h.i.+p to s.h.i.+p, and called one another 'Cousin.'
They were in no hurry to depart. Now and then a youthful steersman might chance to let fall a word about a good wind and a smooth sea. But such remarks were not tolerated; order had to be maintained on a s.h.i.+p. Those, therefore, who could not hold their tongues were set ash.o.r.e.
Norse Tales and Sketches Part 2
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Norse Tales and Sketches Part 2 summary
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- Norse Tales and Sketches Part 1
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