Christmas Stories And Legends Part 12

That evening, at seven, as the moon was rising over the eastern hills, a short, portly Santa Claus stepped out of the dry reeds by the river bank and walked with wonderfully nimble feet, right into the McGinnis'

little back yard. As he neared the small back porch, a dark figure rose to greet him, one hand held up in warning, the other holding at arm's length, a bulky grain sack, full to the brim.

"Here's yer pack, Santy," he whispered, gleefully. "They're all waitin' in the front room yonder. I'll slip in the back way, whilst you go round and give a good thump at the front door and mom'll let you in."

Trembling with eagerness, Tom tiptoed round the house, managing to slip an oblong package into the capacious depths of the big sack as he did so. Thump, thump! how his knock reechoed in the frosty air! The door swung wide, and Mrs. McGinnis' gaunt figure stood before him.

"Good evenin', Santy, come right in," she said.

Tom had always thought what a homely woman Harvey's mother was when he happened to meet her at the grocery, with her thin red hair drawn severely back from her gaunt face, and a black shawl over her head.

But as he looked up into her big, kind face, so full of Christmas suns.h.i.+ne, he wondered he could ever have thought her anything but lovely. The room was small and bare, but wonderfully gay with pine and bits of red and green crepe paper, saved from the 'fixins' at the store. And on a large bed in the corner sat the three little girls, Kitty with her bright curls bobbing, Josephine with her black braids sticking straight out, and the baby with tiny blue eyes that twinkled and shone like Harvey's.

The fine speech that Tom had been saying over to himself for the past two hours seemed to vanish into thin air before this excited little audience. But in faltering, stammering tones, which everyone was too excited to notice, he managed to say something about "Merry Christmas"

and "good children" and then proceeded to open the magic sack. "Miss Kitty McGinnis!" he called, in deep, gruff tones. Kitty took the box he offered with shy embarra.s.sment, slowly drew back the lid and gave a cry of amazement and delight. "A doll, O the loveliest doll that ever was!" she cried. Then turning to her brother, she whispered as softly as excitement would permit, "O Harvey, I'm afeard ye paid too much!"

"Aw, go on!" said Harvey, his face more like a full moon than ever.

"Don't ye know that Santy kin do whatever he wants to?"

The other dolls were received with raptures, Josephine stroking the golden curls of the Lady Matilda with wondering fingers, and the baby dancing round and round, waving the pink-robed Lady Clarabel above her head.

"Mr. Harvey McGinnis!" came the gruff tones of Santa Claus; and Harvey smiled over to his mother as he drew out a pair of stout cloth gloves.

"Mrs. McGinnis!" And that good lady smiled back, as she shook out a dainty white ap.r.o.n with a coa.r.s.e embroidery ruffle.

"I reckon Santy wanted you to wear that of a Sunday afternoon," said Harvey, awkwardly.

"And I'll be proud to do it!" said his mother.

Little sacks of candy were next produced and everyone settled down to enjoy it, thinking that the bottom of the big sack must be reached, when Santa called out in tones that trembled beneath the gruffness, "Another package for Mr. Harvey McGinnis!"

"Fer me--why--what--" said Harvey, taking the heavy oblong bundle; then, as the sparkling "Club House" skates met his view, his face lit up with a glory that Tom never forgot. The glory lasted but a moment, then he turned a troubled face toward the bulky old saint.

"You never ought to a done it," he said. "These must have cost a lot!"

"Aw, go on," was the reply in a distinctly boyish tone, "don't you know that Santy can do whatever he wants to?" and, with a prodigious bow, old Santa was gone.

A few minutes later, a slender boy with a bundle under his arm, was skating swiftly down the s.h.i.+ning river in the moonlight. As he rounded the bend, a tall figure in a fur-trimmed coat came skimming slowly toward him, and a voice called out in Ralph Evans' condescending tones, "Well, how are the 'Jolly Ramblers' doing tonight?"

But the answer, this time, was clear and glad and triumphant. "The best in the world," said Tom, "and isn't this the glorious night for skating?"

THE WORKER IN SANDALWOOD[*]

By Marjorie L. C. Pickthall

The good cure of Terminaison says that this tale of Hyacinthe's is all a dream. But then Madame points triumphantly to the little cabinet of sandalwood in the corner of her room. It had stood there for many years now, and the dust has gathered in the fine lines of the little birds' feathers, and softened the petals of the lilies carved at the corners. And the wood has taken on a golden gleam like the memory of a sunset.

"What of that, my friend?" says Madame, pointing to the cabinet. And the old cure bows his head.

"It may be so. G.o.d is very good," he says gently. But he is never quite sure what he may believe.

On that winter day long ago, Hyacinthe was quite sure of one thing and that was that the workshop was very cold. There was no fire in it, and only one little lamp when the early dark drew on. The tools were so cold they scorched his fingers, and feet were so cold he danced clumsily in the shavings to warm them. He was a great clumsy boy of fourteen, dark-faced, dull-eyed, and uncared for. He was clumsy because it is impossible to be graceful when you are growing very fast and have not enough to eat. He was dull-eyed because all eyes met his unlovingly. He was uncared for because no one knew the beauty of his soul. But his heavy young hands could carve things like birds and flowers perfectly. On this winter evening he was just wondering if he might lay aside the tools, and creep home to the cold loft where he slept, when he heard Pierre L'Oreillard's voice shouting outside.

"Be quick, be quick, and open the door, thou _imbecile_. It is I, thy master."

"_Oui, mon maitre_," said Hyacinthe, and he shambled to the door and opened it.

"Slow worm!" cried Pierre, and he cuffed Hyacinthe as he pa.s.sed in.

Hyacinthe rubbed his head and said nothing. He was used to blows. He wondered why his master was in the workshop at that time of day instead of drinking brandy at the Cinq Chateaux.

Pierre L'Oreillard had a small heavy bundle under his arm, wrapped in sacking, and then in burlap, and then in fine soft cloths. He laid it on a pile of shavings, and unfolded it carefully; and a dim sweetness filled the dark shed and hung heavily in the thin winter sunbeams.

"It is a piece of wood," said Hyacinthe in slow surprise. He knew that such wood had never been seen in Terminaison.

Pierre L'Oreillard rubbed the wood respectfully with his k.n.o.bby fingers.

"It is sandalwood," he explained to Hyacinthe, pride of knowledge making him quite amiable, "a most precious wood that grows in warm countries, thou great goblin. Smell it, idiot. It is sweeter than cedar. It is to make a cabinet for the old Madame at the big house."

"_Oui, mon maitre_," said the dull Hyacinthe.

"Thy great hands shall shape and smooth the wood, _nigaud_, and I will render it beautiful," said Pierre, puffing out his chest.

"Yes, Master," answered Hyacinthe humbly, "and when is it to be ready for Madame?"

"Madame will want it perhaps next week, for that is Christmas. It is to be finished and ready on the holy festival, great sluggard. Hearest thou?" and he cuffed Hyacinthe's ears again furiously.

Hyacinthe knew that the making of the cabinet would fall to him, as most of the other work did. When Pierre L'Oreillard was gone he touched the strange sweet wood and at last laid his cheek against it, while the fragrance caught his breath. "How it is beautiful!" said Hyacinthe, and for a moment his eyes glowed, and he was happy. Then the light pa.s.sed and with bent head he shuffled back to his bench through a foam of white shavings curling almost to his knees.

"Madame will want the cabinet for Christmas," repeated Hyacinthe to himself, and fell to work harder than ever, though it was so cold in the shed that his breath hung in the air like a little silvery cloud.

There was a tiny window on his right, through which, when it was clear of frost, one looked on Terminaison; and that was cheerful, and made him whistle. But to the left, through the c.h.i.n.k of the ill-fitting door, there was nothing to be seen but the forest, and the road dying under the snow.

Brandy was good at the Cinq Chateaux and Pierre L'Oreillard gave Hyacinthe plenty of directions, but no further help with the cabinet.

"That is to be finished for Madame at the festival, sluggard," said he every day, cuffing Hyacinthe about the head, "finished, and with a prettiness about the corners, hearest thou, _ourson_?"

"Yes, Monsieur," said Hyacinthe in his slow way; "I will try to finish it. But if I hurry I shall spoil it."

Pierre's little eyes flickered. "See that it is done, and done properly. I suffer from a delicacy of the const.i.tution and a little feebleness of the legs these days, so that I cannot handle the tools properly. I must leave this work to thee, _gacheur_. And stand up and touch a hand to thy cap when I speak to thee, slow-worm."

"Yes, monsieur," said Hyacinthe wearily.

It is hard to do all the work and to be beaten into the bargain. And fourteen is not very old. Hyacinthe worked on at the cabinet with his slow and exquisite skill. But on Christmas eve he was still at work, and the cabinet unfinished.

"The master will beat me," thought Hyacinthe, and he trembled a little, for Pierre's beatings were cruel. "But if I hurry, I shall spoil the wood, and it is too beautiful to be spoiled."

But he trembled again when Pierre came into the workshop, and he stood up and touched his cap.