Moon-Face and Other Stories Part 18

"I have a feeling myself that you are safer on Ban," Lute laughed. "It is strange. My trust in Dolly is as implicit as ever. I feel confident so far as I am concerned, but I should never care to see you on her back again. Now with Ban, my faith is still unshaken. Look at that neck!

Isn't he handsome! He'll be as wise as Dolly when he is as old as she."

"I feel the same way," Chris laughed back. "Ban could never possibly betray me."

They turned their horses out of the stream. Dolly stopped to brush a fly from her knee with her nose, and Ban urged past into the narrow way of the path. The s.p.a.ce was too restricted to make him return, save with much trouble, and Chris allowed him to go on. Lute, riding behind, dwelt with her eyes upon her lover's back, pleasuring in the lines of the bare neck and the sweep out to the muscular shoulders.

Suddenly she reined in her horse. She could do nothing but look, so brief was the duration of the happening. Beneath and above was the almost perpendicular bank. The path itself was barely wide enough for footing. Yet Washoe Ban, whirling and rearing at the same time, toppled for a moment in the air and fell backward off the path.

So unexpected and so quick was it, that the man was involved in the fall. There had been no time for him to throw himself to the path. He was falling ere he knew it, and he did the only thing possible--slipped the stirrups and threw his body into the air, to the side, and at the same time down. It was twelve feet to the rocks below. He maintained an upright position, his head up and his eyes fixed on the horse above him and falling upon him.

Chris struck like a cat, on his feet, on the instant making a leap to the side. The next instant Ban crashed down beside him. The animal struggled little, but sounded the terrible cry that horses sometimes sound when they have received mortal hurt. He had struck almost squarely on his back, and in that position he remained, his head twisted partly under, his hind legs relaxed and motionless, his fore legs futilely striking the air.

Chris looked up rea.s.suringly.

"I am getting used to it," Lute smiled down to him. "Of course I need not ask if you are hurt. Can I do anything?"

He smiled back and went over to the fallen beast, letting go the girths of the saddle and getting the head straightened out.

"I thought so," he said, after a cursory examination. "I thought so at the time. Did you hear that sort of crunching snap?"

She shuddered.

"Well, that was the punctuation of life, the final period dropped at the end of Ban's usefulness." He started around to come up by the path.

"I've been astride of Ban for the last time. Let us go home."

At the top of the bank Chris turned and looked down.

"Good-by, Washoe Ban!" he called out. "Good-by, old fellow."

The animal was struggling to lift its head. There were tears in Chris's eyes as he turned abruptly away, and tears in Lute's eyes as they met his. She was silent in her sympathy, though the pressure of her hand was firm in his as he walked beside her horse down the dusty road.

"It was done deliberately," Chris burst forth suddenly. "There was no warning. He deliberately flung himself over backward."

"There was no warning," Lute concurred. "I was looking. I saw him. He whirled and threw himself at the same time, just as if you had done it yourself, with a tremendous jerk and backward pull on the bit."

"It was not my hand, I swear it. I was not even thinking of him. He was going up with a fairly loose rein, as a matter of course."

"I should have seen it, had you done it," Lute said. "But it was all done before you had a chance to do anything. It was not your hand, not even your unconscious hand."

"Then it was some invisible hand, reaching out from I don't know where."

He looked up whimsically at the sky and smiled at the conceit.

Martin stepped forward to receive Dolly, when they came into the stable end of the grove, but his face expressed no surprise at sight of Chris coming in on foot. Chris lingered behind Lute for moment.

"Can you shoot a horse?" he asked.

The groom nodded, then added, "Yes, sir," with a second and deeper nod.

"How do you do it?"

"Draw a line from the eyes to the ears--I mean the opposite ears, sir.

And where the lines cross--"

"That will do," Chris interrupted. "You know the watering place at the second bend. You'll find Ban there with a broken back."

"Oh, here you are, sir. I have been looking for you everywhere since dinner. You are wanted immediately."

Chris tossed his cigar away, then went over and pressed his foot on its glowing fire.

"You haven't told anybody about it?--Ban?" he queried.

Lute shook her head. "They'll learn soon enough. Martin will mention it to Uncle Robert tomorrow."

"But don't feel too bad about it," she said, after a moment's pause, slipping her hand into his.

"He was my colt," he said. "n.o.body has ridden him but you. I broke him myself. I knew him from the time he was born. I knew every bit of him, every trick, every caper, and I would have staked my life that it was impossible for him to do a thing like this. There was no warning, no fighting for the bit, no previous unruliness. I have been thinking it over. He didn't fight for the bit, for that matter. He wasn't unruly, nor disobedient. There wasn't time. It was an impulse, and he acted upon it like lightning. I am astounded now at the swiftness with which it took place. Inside the first second we were over the edge and falling.

"It was deliberate--deliberate suicide. And attempted murder. It was a trap. I was the victim. He had me, and he threw himself over with me.

Yet he did not hate me. He loved me... as much as it is possible for a horse to love. I am confounded. I cannot understand it any more than you can understand Dolly's behavior yesterday."

"But horses go insane, Chris," Lute said. "You know that. It's merely coincidence that two horses in two days should have spells under you."

"That's the only explanation," he answered, starting off with her. "But why am I wanted urgently?"

"Planchette."

"Oh, I remember. It will be a new experience to me. Somehow I missed it when it was all the rage long ago."

"So did all of us," Lute replied, "except Mrs. Grantly. It is her favorite phantom, it seems."

"A weird little thing," he remarked. "Bundle of nerves and black eyes. I'll wager she doesn't weigh ninety pounds, and most of that's magnetism."

"Positively uncanny... at times." Lute s.h.i.+vered involuntarily. "She gives me the creeps."

"Contact of the healthy with the morbid," he explained dryly. "You will notice it is the healthy that always has the creeps. The morbid never has the creeps. It gives the creeps. That's its function. Where did you people pick her up, anyway?"

"I don't know--yes, I do, too. Aunt Mildred met her in Boston, I think--oh, I don't know. At any rate, Mrs. Grantly came to California, and of course had to visit Aunt Mildred. You know the open house we keep."

They halted where a pa.s.sageway between two great redwood trunks gave entrance to the dining room. Above, through lacing boughs, could be seen the stars. Candles lighted the tree-columned s.p.a.ce. About the table, examining the Planchette contrivance, were four persons. Chris's gaze roved over them, and he was aware of a guilty sorrow-pang as he paused for a moment on Lute's Aunt Mildred and Uncle Robert, mellow with ripe middle age and genial with the gentle buffets life had dealt them. He pa.s.sed amusedly over the black-eyed, frail-bodied Mrs. Grantly, and halted on the fourth person, a portly, ma.s.sive-headed man, whose gray temples belied the youthful solidity of his face.

"Who's that?" Chris whispered.

"A Mr. Barton. The train was late. That's why you didn't see him at dinner. He's only a capitalist--water-power-long-distance-electricity transmitter, or something like that."

"Doesn't look as though he could give an ox points on imagination."