The Goose Man Part 62

Once he said: "Can you explain to me, my good woman, why I am alive? Can you throw any light on such a preposterous paradox as my present existence? My son-a wretch, vanished without a trace, so far as I am concerned no longer living. My daughters, both of them, in the grave; my dear wife also. I have been a man, a husband, and a father; that is, I have _been_ a father! My existence scorns the laws and purposes of nature. To eat, to drink, to sleep-oh, what repulsive occupations! And yet, if I do not eat, I get hungry; if I do not drink, I get thirsty; if I do not sleep, I get sick. How simple, how aimless it all is! For me the birds no longer sing, the bells no longer ring, the musicians have no more music."

Owing to her desire to find consolation of some kind and at any price, she turned to Eberhard and Sylvia; they were now visiting Daniel almost every day. She liked them; there was so much consideration for other people in their behaviour, so much delicacy and refinement in their conversation. Sylvia was not in the least offended by Daniel's sullen silence; she treated him with a respect and deference that made Marian feel good; for it was proof to her that in the eyes of good and n.o.ble people Daniel stood in high esteem. The Baron seemed in some mysterious way to be continually talking about Eleanore, though he never mentioned her name. There was a sadness in his eyes that reminded her of Eleanore; there was something supersensuous in its power. Marian often felt as though this strange n.o.bleman and her son were brothers and at the same time enemies, as seen in the light of painful memories. Sylvia also seemed to have the same feeling; but she found nothing objectionable in the relation.

One day, as Marian accompanied the two to the hall door, she decided to pick up her courage; and she did. "Well, how do you think he is going to make out?" she asked; "he has no work; as a matter of fact he never speaks of work. What will that lead to?"

"We have been thinking about that," replied Sylvia, "and I believe a way has been found to help him. He will hear about it in a short while. But he must not suspect that we have anything to do with it." She looked at her fiance; he nodded approvingly.

Eberhard and Sylvia knew perfectly well from the very beginning that there could be no thought of lending Daniel money. Gifts, large or small, merely humiliated him; they disgraced him. It was a case where eagerness to serve on the part of those who have meets with insurmountable obstacles, whether they wish to be lavish in their generosity or of seeming calculation. There was no use to appeal to delicacy; attenuating provisos would not help; small deceptions practised in the spirit of love would prove ineffectual. Riches stood face to face with poverty, and was as helpless as poverty usually is when obliged to enter the lists against riches. The case was striking, but not unique.

Having made up her mind to come to the a.s.sistance of the musician, Sylvia turned to her mother. But it was idle to count on the backing of the Baroness: Andreas Doderlein had so poisoned her mind against Daniel that the mere mention of his name caused her brow to wrinkle, her lips to drop.

Agatha von Erfft got in touch, by letter, with some business people who were in a position to give her some practical advice. Their a.s.sistance was helpful in that it at least saved her the invaluable time she might have lost by appealing to the wrong people. One day she appeared before Eberhard and Sylvia with her plans all drawn up.

One of the most reputable music houses of Mayence had been nursing the idea for years of bringing out a pretentious collection of mediaeval church music. A great deal of material had already been a.s.sembled under the supervision of a writer on musical subjects who had recently died.

But there was still much to be collected. To do this, it would be necessary to go on long journeys, and these would entail the expenditure of a good deal of money. Moreover, it was necessary to find a man who would not be afraid of the work attached to the undertaking, and on whose judgment one could rely without doubt or cavil. Owing to the fact that the expenses up to the present had far exceeded the initial calculations, and since it seemed impossible to engage the right sort of man to place in charge of the work, the publisher had become first sceptical and then positive; positive that he would invest no more money in it.

Agatha had heard of this some time ago. That the enterprise might be revived she learned from direct inquiry; indirect investigation confirmed what she had been told. But the publisher was unwilling to a.s.sume all the financial responsibility; he was looking for a patron who would be disposed to invest capital in the plan. If such a person could be found, he was willing to place Daniel Nothafft, whose name was now known to him, in the responsible position of making the collections and editing them. There would be a good deal of work connected with the undertaking: the treasures of the archives, libraries, and convents would have to be investigated; corrections would have to be made; notes would have to be written; and the entire work would have to be seen through the press. To do this would take several years. The publisher consequently insisted that whoever was placed in charge should sign a contract to remain until the work had been finished, he in turn agreeing to pay the editor a salary of three thousand marks a year.

Eberhard made careful inquiries as to the standing of the firm, and finding that it enjoyed a rating well above the average, he agreed to furnish the requisite capital.

A few days after the conversation between Sylvia and Marian, Daniel received a letter in the morning mail from Philander and Sons, requesting him to accept the position, a detailed description of which was given. In the event of his acceptance, all he had to do was to sign the enclosed contract.

He read the letter carefully and quietly from beginning to end. His face did not brighten up. He walked back and forth in the room a few times, and then went to the window and looked out. "It seems to rain every day this summer," he said.

Marian had returned to the table. She took the letter with the enclosed contract and read both of them. Her heart beat with joy, but she was exceedingly careful not to betray her state of mind to Daniel: she was afraid of his contradictory and crotchety disposition. She hardly dared look at him, as she waited in anxious suspense to see what he would do.

Finally he came back to the table, made a wry face, stared at the letter, and then said quite laconically: "Church music? Yes, I will do it." With that he took his pen, and scrawled his name to the contract.

"Thank G.o.d," whispered Marian.

That afternoon they left Daniel. Eva hung on her father's neck, quite unwilling to leave him. Without the least display of shyness, she kissed him many times, laughing as she did so. She was overflowing with a natural and whole-hearted love for him. Daniel offered no resistance. He looked serious. As his eye caught that of the child, he shuddered at the abundant fulness of her life; but he was aware at the same time of a promise, and against this he struggled with all the power there was in him.

XII

It was a sunny day in September. Eberhard, who had spent the entire August at Erfft, had returned to the city to attend to some urgent business-and also to hasten the arrangements for his coming wedding.

As the streets were filled with playing children, he sauntered along on his way up to the Castle on the hill. He wanted to look up his little house; he had not been in it for months. He had a feeling that he would enjoy the quiet up there; he longed to look back over and into scenes from the past; he wanted to pa.s.s in review the shadowy pictures of his former self; pictures he saw before him wherever he went, wherever he was. One of these was always with him; if he found himself in a certain room it was there; if he went on a long journey it was with him. He even found it on the faded pages of books he had taken to himself as companions in his loneliness.

He hesitated from time to time, stopped, and seemed quite irresolute.

All of a sudden he turned around, and started back with hasty steps to aegydius Place. Just as he was entering the hall of Daniel's apartment, he met Daniel coming out. He greeted Eberhard and gave him his hand.

"I was just going to call for you," said the Baron. "Won't you come with me up to my old hermitage?"

Daniel looked out through his gla.s.ses at a swallow that was just then circling around over the square; there was something fabulous in its flight. "To tell you the truth, Baron, I have very little inclination to gossip at present." He made the remark with as much consideration for the laws of human courtesy as lay within his power.

"There must be no gossiping," said Eberhard. "I have a great secret, one that I can tell you without saying a word."

Daniel went along with him.

The air in the little house was dead, stuffy. But Eberhard did not open the windows; he wished to have it as quiet as it was when they entered.

Daniel took a seat on one of the chairs in the former living room of the Baron. Eberhard thought he had sat down because he was tired; he therefore took a seat opposite him. The evening sun cast a slanting ray on an old copper engraving based on a scene from pastoral life. A mouse played around in the corner.

"Well, what is your secret?" asked Daniel brusquely, after they had sat in perfect silence for some time.

Eberhard got up, and made a gesture which meant that Daniel was to follow him. They crossed the narrow hall, climbed up a pair of small steps, and then Eberhard opened a door leading into the attic room.

A stupefying, deadening odour of decayed flowers struck them in the face. Involuntarily Daniel turned to go, but the Baron pointed at the walls in absolute silence.

"What is this? What kind of a room is this?" asked Daniel, rather forcibly.

The four walls of the room were completely covered with bouquets, garlands, and wreaths of withered flowers. The leaves had fallen from most of them, and were now lying scattered about the floor. Leaves that had once been green had turned brown; the gra.s.ses and mosses were in shreds, the twigs were dry and brittle. Many of the bouquets had had ribbons attached to them; these, once red or blue, were now faded.

Others had been bound with gold tinsel; this had rusted. The slanting rays of the sun fell on others, and lighted them as it had shone on the copper engraving in the room below. Through the purple rays could be seen a dancing stream of dust.

It was a flower mausoleum; a vault of bouquets, a death-house of memories. Daniel suspected what it all meant. He felt his tongue cleaving to the roof of his mouth; a chill ran over him. And when Eberhard at last began to speak, his eyes filled with hot, gus.h.i.+ng tears.

"The flowers were all picked and bound by her hands, by Eleanore's hands," said Eberhard. And then, after a pause: "She prepared the bouquets for a florist, and I bought them; she had no idea who bought them." That was all he said.

Daniel looked back into his past life, as if an invisible arm were drawing him to the pinnacle of some high mountain. He looked, and his soul was dissolved in anxiety, torture, and repentance.

What had he left? Two graves: that was all. No, he had, aside from the two graves, a broken harp, some withered flowers, and a mask of terracotta.

He looked at the dead stems and withered chalices: Eleanore's fingers had once touched all of these. Her fingers were even then hovering over the dead buds like figures from the realm of spirits. In the dusty spider webs hung caught at present unused moments, kind words that were never spoken, consolation that was never expressed, encouragement, consideration, and happiness that were allowed to pa.s.s unclaimed and unapplied. Oh, this living and not knowing what the present contains!

Oh, this being with a living life, and remaining unaware of it! This failure to avail one's self of a wonderful day, a breathing, pulsing hour! This dragging, falling, plunging into the night of desire and delusion, this proud, vain, criminal discontent! O winged creature, winged creature, where art thou! Where can one call out to thee!

There was nothing left but two graves, a broken harp, withered flowers, and a mask! And a fair child here, a foul one there, and a third that had come into life only to die! And up above all this, up above even the tip of the mountain top, the gigantic, the inexpressible, the sea of dreams and dreamed melodies, the breath of G.o.d, the annunciation of infernal darkness, the message of eternity, the wonders of temporal existence, dance and dancing pipes, peals of thunder, and sweet weavings of sound-Music!

It was evening. The Baron closed the door. Daniel reached him his hand in silence, and then went home.

THE PROMETHEAN SYMPHONY

I

During the following autumn and winter, Daniel lived a quiet, lonely life. In the spring, Sylvia von Auffenberg wrote him a letter, asking him to come over to Siegmundshof and spend a few weeks with her and Eberhard. He declined, though he promised to come later.

Old Herold visited him occasionally. He told all about the friction in the conservatory since Doderlein had been in charge, and contended that the world was on the point of turning into a pig-stye.

Herr Seelenfromm also came in from time to time, while among other visitors were the architect who had a defect in his speech and Martha Rubsam. Toward the close of the winter Herr Carovius also called.

Socially he had become more nearly possible than he had been in former years. He still held, however, some very remarkable views about music.

Whatever any of the visitors said went in one of Daniel's ears and out of the other. It would often happen that there would be a number of people in his presence, and he would seem to be listening to them; and yet if you watched his face, you could see that he was completely absent-minded. If some one turned to him with a question, he would not infrequently smile like a child, and make no effort whatsoever to respond. No one had ever noticed him smile this way before.

He returned the money Philippina had loaned him at the time the piano was p.a.w.ned. Philippina said: "Oi, oi, Daniel, you seem to be swimming in money!" She brought him the receipt, and then took the money to her room, where she did a lot of figuring to see whether the interest had been accurately calculated.