The Goose Man Part 80
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Daniel called down to know if his breakfast was ready; n.o.body answered.
Thereupon he went to the kitchen, and got himself a bottle of milk and a loaf of bread. Philippina came in a little later. Her hair looked as though a hurricane had struck it; she was in her worst humour. She snarled at Daniel, asking him why in the name of G.o.d he couldn't wait till the coffee had been boiled.
"Leave me in peace, Philippina," he said, "I need peace."
"Peace!" she roared, "peace, the same old story: you want peace!" She threw a wild, contemptuous glance at the open chest containing Daniel's scores, leaned against the table, put the tips of her dirty fingers on the score he was then studying, and shrieked: "There is the cause of the whole _malheur_! The whole _malheur_, I say, comes from this d.a.m.ned note-smearing of yours! The idea of a man settin' down and dabbing them pot-hooks on good white paper, day after day, year in and year out! What does it all mean? Tell me! While you're doin' it, everything else is moving-like a crab, backwards. Jesus, you're a man, and yet you spend your time at that kind of stuff! I'd be ashamed to admit it."
Not prepared for this enigmatic outburst of anger and hate, Daniel looked at Philippina utterly dazed. "Get out of here," he cried indignantly. "Get out of here, I say," and pointed to the door.
She got out. "The d.a.m.ned dabbery!" she bellowed with reinforced maliciousness.
From ten to twelve, Daniel had to lecture at the conservatory. His heart beat violently, though he was unable to explain his excitement. It was more than a foreboding: he felt as if he had heard a piece of terribly bad news and the real nature of it had slipped his memory.
He did not go home for luncheon; he ate in the cafe at the Carthusian Gate. Then he took a long walk out over the fields and meadows. It had stopped raining, and the brisk wind refreshed him. He stood for a long while on the banks of the ca.n.a.l, and watched some men piling bricks at a brick-kiln. From time to time he took a piece of paper from his pocket, and wrote something on it with his pencil: it was notes.
Once he wrote alongside of a motif: "Farewell, my music!" His eyes were filled with dreadful tears.
He returned to the city just as the sun was setting; it looked like a huge ball of fire in the west. The sky shone out between two great black clouds like the forge of a smithy. He could not help but think of Eleanore.
He entered his living room, and paced back and forth. Philippina came in, and asked him whether she should warm up his soup for him. Her unnatural, singing tone attracted his attention; he looked at her very closely.
"Where is my wife?" he asked.
Philippina's face betrayed an abysmally mean smile, but she never said a word.
"Where is my wife?" he asked a second time, after a pause.
Philippina's smile became brighter. "Is it cold out?" she asked, and in a moment she had left the room. Daniel stared at her as if he feared she had lost her mind. In a few minutes she came back. In the meantime she had put on a cloak that was much too short for her, and beneath which the loud, freakish skirt of her checkered dress could be seen.
"Daniel, come along with me," she said in an anxious voice. To Daniel her voice sounded mysterious and fearful. "Come along with me, Daniel! I want to show you something."
He turned pale, put on his hat, and followed her. They crossed the square in silence, went through Binder Street, Town Hall Street, and across the Market. Daniel stopped. "What are you up to?" he asked with a hoa.r.s.e voice.
"Come along! You'll see," whispered Philippina.
They walked on, crossed the Meat Bridge, went through Kaiser Street and the White Tower to St. James's Place. Some people looked at the odd couple in amazement. When they reached Frau Hadebusch's little house, it was dark. "Listen, Philippina, are you ever going to talk?" said Daniel, gritting his teeth.
"Ps.h.!.+" Philippina knew what she was doing. She put her mouth to Daniel's ear, and whispered: "Go up two flights, quick, you know the house, bang on the door, and if it's locked, bust it in. In the meantime I'll go to Frau Hadebusch so that she can't interfere."
Then Daniel understood.
VII
Everything became blood-red before his eyes; he was seized with a feverish chill.
He had followed Philippina with a dejected, limp feeling of disgust, fear and coercion. Now he knew what it was all about. At the very beginning of the events he saw the middle and the end. He saw before the bolted door what was going on behind it. His soul was seized with horror, rage, woe, contempt, and terror. He felt dizzy; he feared lie might lose consciousness.
He sprang up the creaking stairs by leaps and bounds. He stood before the door behind which he had gone hungry, been cold, and glowed with enthusiasm as a young man. Silence should have reigned there now, so that the devotion of retrospective spirits might not be molested on the grave of so many, many hopes.
He jerked at the latch; a scream was heard from within. The door was bolted. He pressed his body against the fragile wood so violently that both hinges, and the latch, gave way, and the door fell on to the middle of the floor with a mighty crash.
The scream was repeated, this time in a more piercing tone. Dorothea was lying on a big bed with nothing on but a flimsy chemise. Frau Hadebusch, pimp always, had rented the bed from a second-hand dealer; it covered a half of the room. Before Dorothea was a plate of cherries; she had been amusing herself by shooting the pits at her lover. He likewise was lacking nearly all the garments ordinarily worn by men when in the presence of women. He was sitting astride on a chair, smoking a short-stemmed pipe.
When Daniel, with b.l.o.o.d.y hands-he had scratched himself while breaking in the door-with his hair flying wild about his face, panting, and pale as death, stepped over the door, Dorothea again began to scream; she screamed seven or eight times. She was filled with despair and terrible anxiety.
Daniel rushed at the young man, and seized him by the throat. While he held the American in a death-like grip, while he saw Dorothea, as if in a roseate haze, with uplifted arms, leave the bed screaming at the top of her voice, while an extraordinary power of observation, despite his insane rage, came over him, while he watched the cherries as they rolled across the bed and saw the green stems, some of which were withered, showing that the cherries were half rotten, while he felt a taste on his tongue as if he too had eaten cherries-while he saw all these things and had this sensation, he thought to himself without either doubt or relief: "This is the downfall; this is chaos."
The American-it later became known that he was a wandering artist who had, with an equal amount of nerve and adroitness, worked his way into the private social life of the city-thrust his antagonist back with all his might, and struck up the position of a professional boxer. Daniel, however, gave him no time to strike; he fell on him, wrapped his arms tight about him, threw him to the floor, and was trying to choke him. He groaned, struggled, got his fist loose, struck Daniel in the face, and cried, "You d.a.m.ned fool!" But it was the cry of a whipped man.
Loud noise broke out downstairs. A crowd of people collected on the sidewalk. "Police, police!" shrieked the shrill voice of a woman. The people began to make their way up the stairs.
"Oh, oh, oh!" moaned Dorothea. In half a minute she had her dress on.
"Out of this place and away," she said, as she looked for her gloves and umbrella.
Frau Hadebusch appeared in the hall, wringing her hands. Behind her stood Philippina. Two men forced their way in, ran up to Daniel and the American, and tried to separate them. But they had bitten into each other like two mad dogs; and it was necessary to call for help. A soldier and the milkman gave a hand; and finally two policemen appeared on the scene.
"I must go home," cried Dorothea, while the other women shrieked and carried on. "I must go home, and get my things and leave."
With the face of one possessed and at the same time dumb, Philippina stole out from among the excited crowd and followed Dorothea. She did not feel that she was walking; she could not feel the pavement under her feet; she was unconscious of the air. That wild inspiration returned to her which she had experienced once before in her life-the time she went up in the attic and saw Gertrude's lifeless body hanging from a rafter.
Her veins pulsed with a hot l.u.s.t for destruction. "Swing the torch!"
That was the cry she heard running through her brain. "Swing the torch!"
But she wanted to do something much more pretentious this time than merely start a fire in some rubbish. The farther she went the more rapidly she walked. Finally she began to run and sing with a loud, coa.r.s.e voice. Her cloak was not b.u.t.toned; it flew in the air. The people who saw her stopped and looked at her, amazed.
VIII
Herr Carovius and Jordan were sitting in the Paradise Cafe.
"How things change, and how everything clears up and straightens out!"
remarked Jordan.
"Yes, the open graves are gaping again," said Herr Carovius cynically.
"So far as I am concerned," continued Jordan, without noticing the aversion his affability had aroused in Herr Carovius, "I can now face death with perfect peace of mind. My mission is ended; my work is done."
"That sounds as if you had discovered the philosopher's stone," remarked Herr Carovius sarcastically.
"Perhaps," replied Jordan gently and bent over the table. "You are after all not entirely wrong, my honoured friend. Do you wish to be convinced?
Will you honour me with a visit?"
Herr Carovius had become curious. They paid their bills and left for aegydius Place.
Having entered Jordan's room, the old man lighted a lamp and bolted the door. He then opened the door of the great cabinet by the wall, and took out a big doll. It was dressed like a Swiss maid, had on a flowered skirt, a linen waist, and a little pink ap.r.o.n. Its yellow hair was done up in braids, and on its head was a little felt hat.
"All that is my handiwork," said Jordan, with much show of pride. "I myself took all the measurements and made the clothes, including even the shoes. And now watch, my dear friend."
He placed the doll in the middle of the room. "She will speak," he continued, his face radiant with joy, "she will sing. She will sing a song native to her beloved Tyrol. Will you be so good as to take this chair? I would rather not have you so close to it, if I may, for there are certain noises which I still have to correct. The illusion is stronger when you are some distance away."
The Goose Man Part 80
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The Goose Man Part 80 summary
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