Ecclesiastical Curiosities Part 3

Of one work of construction the eighteenth century was also guilty; the year 1704 gave birth to that abortion among English cathedrals known as S. Peter's, Liverpool; with which, for nearly twenty years, the population of one of the wealthiest cities in the empire has been content! Something in the way of restoration was attempted in this century, but it was for the most part done ignorantly, and no small part of the restoration of the nineteenth century has consisted in undoing so far as possible the work of the eighteenth.

The present century has seen the commencement, on n.o.ble lines, of the Cathedral of Truro; and the beautifying of not a few of our old minsters, which had been stript almost bare by the destroyers of past times. Happily, the guardians of these treasures of art and devotion have for the most part been conscious of the greatness of their trust, and the fabrics have been dealt with reverently and with judgment.

Amongst others, Bristol, Chichester, St. Albans, and Peterborough have required more or less extensive measures of re-building.

Ye Chappell of Oure Ladye.

By the Rev. J. H. Stamp.

The sacred buildings designated by this t.i.tle were dedicated to the service of G.o.d, in mediaeval times, in honour of the Mother of our Lord.

The veneration of S. Mary, the Blessed Virgin, had been growing up in the Church from the fifth century, when the reality of the incarnation of the Son of G.o.d was first called into question by men who professed and called themselves Christians. The defence of the true doctrine brought clearly into view the high dignity which G.o.d had conferred on the humble maiden of Nazareth, and so reverence for her memory, as the most blessed among women, grew into veneration for her person as the Mother of G.o.d. The faithful of the Middle Ages were, therefore, not content with simply retaining her name at the head of the list of saints, but raised the human mother to a position which was almost, if not quite, equal to that of her Divine Son. They conferred on her the t.i.tle of "Our Lady," and hailed her as "The Queen of Heaven," just as they were accustomed to address the Saviour as "Our Lord" and wors.h.i.+p Him as "The King of Heaven." This t.i.tle still survives in the terms which are so familiar to us, namely, "Lady Day" and "Lady Chapel."

We see evidences of this growth of the _cultus_ of the Blessed Virgin in the erection and elaborate ornamentation of Lady Chapels throughout Christendom. It does not seem probable, however, that our pious forefathers in the ancient Church of England intended to encourage Mariolatry, by the introduction of these buildings into this country; for it is a singular and significant fact that in Spain, where this heretical and superst.i.tious practice chiefly prevailed, Lady Chapels are very rare, because the church itself has been made to serve the purpose.

English Churchmen, in their desire to honour the Mother of Christ, were careful to avoid this evil example. The erection of smaller buildings, and the setting apart, for the purpose, of one of the side aisles rather than the sanctuary itself, tend to show that they did not a.s.sign to the Blessed Virgin that _divine_ honour which was due only to her Son and Lord. The usual position of the Lady Chapel, beyond the choir, has, indeed, been considered as a proof that the honour paid to "Our Lady"

exceeded that which was rendered unto our Lord, since the altar dedicated to her was set up beyond the High Altar in the most sacred portion of the church, and, in that position, might be said to overshadow it. But the usual situation of the Lady Chapel, at the east end of the choir or presbytery, proves nothing of the kind. One celebrated writer on the subject disclaims the idea in the following words, "Poole princ.i.p.ally objects to the position of the Lady Chapel at the east end, 'above,' as he expresses it 'the High Altar.' Now we believe the Lady Chapel to have occupied the place merely on grounds of convenience, and not from any design--which is shocking to imagine--of exalting the Blessed Virgin to any partic.i.p.ation in the honours of the Deity."[6]

[Footnote 6: Durandus Symbol. lx.x.xviii.]

It is true that the Lady Chapel was generally erected at the extreme east end, or one of the aisles near the choir was used for the purpose, because it was considered the most sacred part of the church next to the sanctuary. It was erected at the east end of the Abbey Churches of Westminster and S. Albans; in the Cathedral Churches of Winchester, Salisbury, Chichester, Exeter, Gloucester, Worcester, Wells, Hereford, Chester and Manchester; at Christ Church, Hants, where there is a chantry above, called S. Michael's Loft, which once served as the Chapter House of the Priory, but in modern times has been converted into a schoolroom; and also at the parish church of S. Mary Redcliffe, Bristol, where it is situated over a thoroughfare, after the example of several churches in Exeter. But the ecclesiastics and architects of the Middle Ages did not consider themselves bound, by a hard and fast rule, to set up the Lady Chapel at the east end. If an available site could be found beyond the Choir the Chapel was erected in that position, otherwise, the north aisle of the Church, or a convenient site near the Choir, was utilised for the purpose. The building has been erected on the north or south side of the Choir or Nave, and even at the west end when deemed expedient. It was erected on the _north_ side at the Cathedrals of Canterbury, Oxford, Bristol, and Peterborough; at the Abbeys of Glas...o...b..ry, Bury St. Edmunds, Walsingham, Thetford, Wymondham, Belvoir, Llanthony, Hulme, and Croyland, where there was a second Lady Chapel with a lofty screen, in the south transept.[7] It is on the _south_ side at Kilkenny and at Elgin Cathedral. It stands in a similar position over the Chapter House at Ripon Minster. Sometimes it was placed above the chancel, as in Compton Church, Surrey; Compton Martin, Somerset; and Darenth, Kent; or over the porch, as at Fordham, Cambs. At Ely Cathedral it is connected with the extremity of the north transept. At Wimborne Minster it stands in the south transept, whilst at Rochester Cathedral and at Waltham Abbey, Ess.e.x, it was erected at the west of the south transept. At Durham Cathedral an attempt was made to build a Lady Chapel at the east end, but owing, it is said, to the supernatural intervention of S. Cuthbert, whose relics were deposited in the Choir, the building was erected instead at the west end, where it stands under the name of the Galilee Chapel. The original Lady Chapel at Canterbury also stood in this unusual position, until the days of Archbishop Lanfranc, 1070-1089, when it was removed and the present building set up at the east end. The _aisles_ were also frequently used as "ye Chappell of oure Ladye," as at Haddenham, Cambs.

[Footnote 7: "Gough's History of Croyland. 1783."]

The practice of dedicating Chapels to the Blessed Virgin was introduced into this country during the twelfth century, shortly after the monastic orders had gained the supremacy over the parochial clergy. These buildings were generally founded not only to satisfy the spirit of the age, which demanded the veneration of the Mother of our Lord, but also to afford the necessary accommodation at the east end for the increased number of clergy. The founders, moreover, hoped to secure an augmentation of the revenues, by the offerings of the faithful at the shrines of the new Chapels, as appears to have been the case at Walsingham, Norfolk; All Hallows, Barking; and S. Stephen's, Westminster. The building, in many instances, became the depository of the relics of a saint. The Galilee Chapel at Durham, dedicated to S. Mary the Virgin in 1175, contains the bones of the Venerable Bede, the earliest historian of the Church of England, who died at Jarrow-on-Tyne, on the eve of Ascension Day, A.D. 735. These relics were translated, in 1370, from the tomb of S. Cuthbert, and placed in the Chapel, in a magnificent shrine of gold and silver. The Lady Chapel at Oxford contains the shrine of S. Frideswide, the daughter of the founder of the convent, and its first prioress, whose relics were translated from the north choir aisle in 1289. This Chapel is now called the Dormitory, as the remains of several deans and canons have been laid to rest within its walls.

The Lady Chapel has frequently served as the mausoleum of saints, princes, n.o.blemen, and dignitaries of the Church. The stately and magnificent edifice at Westminster, known as Henry the Seventh's Chapel, was built for this purpose in 1502, by the first Tudor monarch, on the site of the original Lady Chapel, erected by Henry III. in 1220. The royal founder, his wife, and other royal personages now await the resurrection in the tomb set up in this famous building. The Lady Chapel at S. Mary's, Warwick, which is said to be the chief ornament of that church, was also built as a tomb-house in 1443, by Richard Beauchamp, Earl of Warwick. Their desire to rest in the chapel, dedicated to the blessed Virgin, was closely a.s.sociated with the idea which chiefly moved our forefathers to erect these buildings. They had been taught to believe in the invocation of saints, and were anxious to secure, for themselves and their dear ones, the mediation and intercession of the Mother of our Lord, whose influence with her Divine Son, they supposed, was all prevailing. So they founded these chapels in her honour, and solicited her good offices on their behalf by frequent services and prostrations before her image, which occupied the place of honour above "oure Ladye's Altar" crowned as the Queen of Heaven, and profusely adorned with splendid jewels and exquisite embroidery. They believed, moreover, that as she could succour the living, so she would prevail with her Son on behalf of the dead. These sacred buildings were, accordingly, used also as chantries, where ma.s.ses were offered daily, and the intervention of "oure Ladye S. Mary" was solicited to secure the release of the souls of the faithful departed from the flames of purgatory, through which, it was supposed, they must pa.s.s, to be purified from all the defilements of their earthly course, and "made meet for the inheritance of the saints in light." In frescoes on the walls, and in paintings on the windows, the Virgin was represented, interceding for the souls of the faithful as they came forth to judgment.

After the dissolution of monasteries by Henry VIII., and the suppression of chantries by Edward VI., many of these buildings shared the fate of the conventual churches to which they were attached. In some places the Lady Chapel was left to decay, and disappeared in the course of a few years, like that at Norwich, which fell into a ruinous condition as early as 1569. In other localities it was allowed to stand until the turbulent days of the Commonwealth, as at Peterborough, where it was taken down to supply materials for the reparation of the Cathedral, which had been greatly injured by Cromwell's soldiers. In several places it was appropriated to other uses, and even divested of its sacred character. The elegant chapel at Ely, erected 1321-49, and said to have been one of the most perfect buildings of that age, was a.s.signed at the Reformation to the paris.h.i.+oners of Holy Trinity to serve as their Parish Church, and is now called Trinity Church. The splendid specimen at S. Albans was separated from the presbytery by a public thoroughfare, which was made through the antechapel, and a charter of Edward VI.

transferred the sacred building to the authorities of the ancient Grammar School, and it was used as a schoolroom until the restoration in 1870. At S. Mary Redcliffe, Bristol, the Lady Chapel has also been used for scholastic purposes, and at Waltham Abbey it has accommodated not only parochial schools but public meetings and petty sessions.

Among existing Lady Chapels, King Henry the Seventh's Chapel occupies the first place for magnificence. The first Tudor monarch, in his anxiety to make his peace with G.o.d before his death, and to commemorate the union of the houses of York and Lancaster, determined to found a chapel in honour of the blessed Virgin, "in whom," he declares in his will, "hath ever been my most singulier trust and confidence, ... and by whom I have hitherto in al myne adversities ever had my special comforte and relief." He also made due provision for the celebration of ma.s.ses and the distribution of alms "perpetually, for ever, while the world shall endure" for the welfare of his soul. The laying of the foundation stone is recorded by the ancient chronicler as follows: "On the 24th daie of January 1502/3 a quarter of an houre afore three of the clocke at after noone of the same daie, the first stone of our Ladie Chapell, within the monasterie of Westminster, was laid by the hands of John Islip, Abbot of the same monasterie ... and diverse others."[8] After its completion it was so universally admired, that Leland the antiquary describes it as "_orbis miraculum_"--the wonder of the world. About fifty years after its dedication the services, for which it was specially designed by its royal founder, were brought to an end by the Act of Parliament which suppressed the chantries throughout the kingdom, and then followed three centuries of gross neglect which reduced it to "an almost shapeless ma.s.s of ruins," as it was described in 1803. Four years later, in 1807, Dean Vincent obtained a parliamentary grant for the restoration of the building, and the necessary repairs were completed in 1822. The Chapel still retains much of its ancient splendour, and the elegant and elaborate ceiling is a marvel of architectural skill. It has been used since the year 1725 for the installation of the Knights of the Bath, and their banners are suspended over the old carved _misereres_ or _misericordes_ of the monks.

[Footnote 8: Holinshed.]

"Ye Chappell of oure Ladye" at S. Alban's is also a most elegant specimen of the buildings, dedicated to the blessed Virgin. The foundations appear to have been laid by John de Hertford, abbot from 1235 to 1260. But at the election of Hugh de Eversdone, in 1308, the walls had only reached the level of the underside of the window sills, a height of ten feet above the ground. During his rule he laboured so a.s.siduously to complete the work, that in a short time he finished it.

The building, at its dedication, was so rich in detail that it is described by ancient writers as "a magnificent sight." The work of Abbot Hugh included the exquisite carvings in stone, which represent about seventy different specimens of forms in nature. During its use as a Grammar School, from 1553 to 1870, the interior suffered much injury from the hands of the schoolboys, and was allowed to fall into a state of ruin and decay. Shortly after the removal of the School in 1870, a restoration was undertaken by the ladies of Hertfords.h.i.+re, but their good intentions were not carried into effect, through lack of the necessary funds. Lord Grimthorp then generously came to the rescue, and through his munificence the Chapel has been thoroughly and judiciously restored. It now stands once more in all its glory, as a perfect gem of architecture and one of the most elegant Lady Chapels in Christendom.

"Ye Chappell of oure Ladye" at Waltham Abbey is said to be one of the richest specimens of mediaeval architecture in Ess.e.x. The building has been greatly defaced since the suppression of chantries, but still bears traces of its original glory. "The Lady Chapel," says the late Professor Freeman, "must have been a most beautiful specimen of its style, but few ancient structures have been more sedulously disfigured." It was erected before A.D. 1292, as, during that year, Roger Levenoth, an inhabitant, endowed the chantry, with a house and 100 acres of land in Roydon. The Chapel was in a flouris.h.i.+ng condition in the reign of Edward III., as we find from the return made in obedience to the royal order, which was issued to the master of the ceremonies of every guild and chantry in the King's dominions. In the Court language of that period, which was Norman French, Roger Harrof and John de Poley, the chantry priests, are described as "meisters de la pet.i.t compaignie ordeigne al honor de Dieu et ure Donne seyncte Marie en la Ville de Waltham seynte croice." The architect selected, as the site of the building, the s.p.a.ce formed by the easternmost bay of the south aisle of the nave and the western side of the south transept. This peculiar position indicates that it was not the work of the monks, but that of the paris.h.i.+oners, who were allowed the use of the nave as their parish church from the days of King Harold II., the founder. A well-known antiquarian writes: "It seems to have been built by the paris.h.i.+oners, and not by the abbot and convent, and its position is due to its occupying the only available spot, and where only two walls wanted building. A similar case occurs at Rochester. Where the Abbey built the Lady Chapel it was usually east of the transept--at the east end if there was room, at the north side if otherwise."[9] The paris.h.i.+oners could not erect their Lady Chapel at the east end, because the choir or presbytery had been used as the monastic church from the days of Henry II., who, to atone for the ma.s.sacre of Thomas a Becket, Archbishop of Canterbury, changed the secular foundation of Harold, and introduced an abbot and monks of the Augustinian order. Another Lady Chapel had probably been erected at the east end for the use of the monks, in accordance with the custom of the age, but this shared the destruction which befell the whole of the eastern portion of the church after the dissolution of the monastery in 1540. The preservation of the parish Lady Chapel is therefore due to its position at the west of the presbytery. In a transcript by Peter le Neve, Norroy King at Arms, 1698, it is stated that a chapel was dedicated at Waltham in the year 1188, by William de Vere, Bishop of Hereford, "in honore Dei [et gloriosae Virginis Mariae] et B. Martyris atque pontificis Thomae nomine."[10]

This has led to the conjecture that reference is made to the existing building,[11] or to that which formerly stood at the east end.[12] But the original Waltham ma.n.u.script shows that it does not refer to a Lady Chapel at all, but to the Chapel of S. Thomas of Canterbury.[13]

[Footnote 9: W. H. St. John Hope, F.S.A.]

[Footnote 10: Harl. MS. 6974, fol. 106.]

[Footnote 11: Gentleman's Magazine, April, 1860, and May, 1864.]

[Footnote 12: The Builder, April 2, 1898.]

[Footnote 13: Harl. MS. 391, fol. 100.]

The masonry of the exterior of the two walls erected when the Chapel was founded, consists of alternating bands of stone, squared bricks, and flint, so that it produces a "poly-chromatic effect."[14] There are three large b.u.t.tresses of considerable projection, with pedimented sets-off and slopes, one being situated at the south-west angle, and the other two on the south of the building. Two smaller b.u.t.tresses also occupy a place on the south. Niches, with pedestals for images, are still standing in the primary b.u.t.tresses.

[Footnote 14: Professor Freeman.]

The interior of the Chapel measures 41 feet 7 inches in length, 23 feet in breadth, and 23 feet in height. It is approached by a steep ascent of nine long narrow stone steps, which are situated near the south-west b.u.t.tress. The ancient doorway is beautifully decorated with ball flowers. The floor stands at an elevation of nearly five feet above the floor of the chancel, an arrangement which appears to be peculiar to Waltham. It was apparently built at this high level to add to the loftiness of the crypt below, which was a capacious chamber of much importance in olden times, and consists of two wide bays of quadripart.i.te vaulting. There is no way of access from the interior of the Church, but "the chapel is connected with the south aisle by a single arch of poor and ordinary architecture, a sad contrast to the glorious Romanesque work of the nave."[15] At the west end there is a large and beautiful six-light, square-headed window, with a rich and peculiar arrangement of a double plane of tracery, the inner plane consisting of three arches. This window, and the four elegant windows of three lights on the south side, are supposed to have been filled with stained gla.s.s, like that of the Chapter House at York Minster, and other buildings of the same period. At the extreme south-east of the building the remains of the ancient sedilia and piscina may still be seen. The walls were adorned with distemper paintings, chocolate coloured vine-leaves on a yellow ground running round the spandrels and windows.

This decoration probably included a series of paintings, representing scenes in the life of the Mother of our Lord, and concluding with her a.s.sumption and coronation as the Queen of Heaven. There was also a representation of the Last Judgment in which "Our Lady" occupied the place of honour near her Divine Son and Lord, interceding for the faithful as they appeared before their Judge. On the removal of the plaster from the east wall during the restoration in 1875, the remains of a fresco of "the Doom" were discovered, and here are depicted the Judge of all mankind in the scarlet robes of majesty, the Virgin as intercessor, S. Michael the Archangel, presiding over the balances in which souls are weighed, the Apostles as a.s.sessors, bishops and abbots with the keys of S. Peter, admitting the faithful into the Holy Catholic Church, human forms emerging from the grave, the path of life, the chains of everlasting darkness, demons clothed in flames, and the jaws of h.e.l.l. The s.p.a.ce under this fresco was probably occupied by beautiful statuary, the image of the blessed Virgin standing in the centre, immediately above the altar of "Our Ladye." At the dissolution of the monastery "a table of imagery of the xii. apostles," belonging to this Chapel, was valued at ten s.h.i.+llings. A few fragments of statuary, supposed to have formed part of this decoration, were discovered during the restoration of the Abbey Church in 1860, and have been inserted in the south-east wall of the chancel. These relics of the splendid past include the mutilated stone figures of four saints, probably the evangelists, beautifully carved, and a representation of the crucifixion in black marble, but the ornament of precious metal, with which it was adorned, has long since disappeared.

[Footnote 15: Professor Freeman.]

The altars, desks, and tables in the Lady Chapel were covered with plates of silver, as in the crypt beneath, which was also, in those days, a splendid chantry, served by its own priest, who was called "the Charnel Priest." The sacramental vessels and plate, which were of great value, were sold after the suppression. Dr. Thomas Fuller, Inc.u.mbent of Waltham Abbey in 1648, gives the following extracts from the churchwarden's accounts: "1549. _Imprimis._--Sold the silver plate which was on the desk in the charnel, weighing five ounces, for twenty-five s.h.i.+llings. Guess," adds the historian, "the gallantry of our church by this (presuming all the rest in proportionable equipage) when the desk whereon the priest read was inlaid with plate of silver." "1551.

_Item._--Received for two hundred seventy-one ounces of plate, sold at several times for the best advantage, sixty-seven pound fourteen s.h.i.+llings and ninepence."[16] The inventory of goods made by order of Henry VIII. also mentions "iiii. tables [of oure Ladye] plated with sylver and gylte, every one of them with ii. folding leves." The Chapel was furnished besides with "a lytell payre of organes," valued at xxs., at the dissolution of the monastery, when Thomas Tallis, the father of English church music, was organist of the Abbey Church, and presided at the "greate large payre of organes" in the Choir. He was a.s.sisted by John Boston, of Waltham, who probably performed on the smaller instrument in the Lady Chapel. Both names are mentioned in the pension list, Tallis receiving xxs. for wages and xxs. reward, and Boston iiis.

for wages and iiis. reward.

[Footnote 16: History of Waltham Abbey, cap. 5.]

A large number of wax tapers and candles was consumed annually at the various services held in the Lady Chapel and Crypt. In the return made by Sir Roger Harrop and Sir John de Poley, masters of the two chantries in the reign of Edward III., it is stated that every man and woman in this guild paid a yearly subscription of sixpence towards the expenses, and at the feasts of "oure Ladye" all "Christiens" of the company gave five burning tapers (_tapres ardant_); in honour of our Lord four large torches; and on other special occasions fifteen tapers. Lights were also kept burning during the solemn requiem and funeral services, when prayers were offered that perpetual light might s.h.i.+ne upon the souls of the departed. It is most likely that this impressive ceremonial had been observed in both chantries, when the body of Queen Eleanor rested for the night in the Abbey Church on its way to Westminster, and again when the remains of her royal consort, Edward I., were deposited for three months before the tomb of Harold. The wax in stock for these memorial services at the suppression was sold by the churchwardens as follows: "_Item._--Sold so much wax as amounts to twenty six s.h.i.+llings."

Dr. Fuller remarks on this transaction, "So thrifty the wardens that they bought not candles and tapers ready made, but bought the wax at the best hand and paid poor people for the making of them. Now they sold their magazine of wax as useless. Under the Reformation more light and fewer candles."[17]

[Footnote 17: History of Waltham Abbey, cap. v.]

In the days of the chantry, lands, tenements, and other gifts were presented and bequeathed that "obits" or prayers for the dead might be offered before the altar and image of "oure Ladye." Dr. Fuller gives the following account of "obits" at Waltham: "The charge of an obit was two s.h.i.+llings and two pence; and, if any be curious to have the particulars thereof, it was thus expended: to the parish priest, three pence; to our Lady's priest, three pence; to the charnel priest, threepence; to the two clerks, four pence; to the children (these I conceive choristers) three pence; to the s.e.xton, two pence; to the bellman, two pence; for two tapers, two pence; for oblation, two pence. O, the reasonable rates at Waltham! Two s.h.i.+llings and two pence for an obit, the price whereof in S. Paul's, in London, was forty s.h.i.+llings! For, forsooth, the higher the church, the holier the service, the dearer the price, though he had given too much that had given but thanks for such vanities. To defray the expenses of these obits, the parties prayed for, or their executors, left lands, houses, or stock to the churchwardens."[18] These obits were abolished when the chantries were suppressed in the first year of the reign of King Edward VI. "Now," says Dr. Fuller, "was the brotherhood in the church dissolved, consisting as formerly of three priests, three choristers, and two s.e.xtons; and the rich plate belonging to them was sold for the good of the parish. Superst.i.tion by degrees being banished out of the church, we hear no more of prayers and ma.s.ses for the dead.

Every obit now had its own obit, and fully expired; the lands formerly given thereunto being employed to more charitable uses."[19]

[Footnote 18: Cap. iv.]

[Footnote 19: Cap. v.]

Since the suppression both chantries have been stripped of almost all their glory. The beautiful statuary in the Lady Chapel has disappeared, the decorated walls were covered with plaster, the west window blocked up, three of the elegant south windows were partly bricked up, and the fourth was converted into a door-way. The building was entirely separated from the Church by a wall of lath and plaster, and the west front obscured by the erection of an unsightly porch, which also concealed from view the grand south Norman entrance to the Abbey Church.

The exterior walls were covered with cement, in imitation of cla.s.sic rustic work. The Chapel has been used during the last three centuries for various purposes, some of which were degrading in the extreme to its sacred character. It has been used as a vestry, parochial schoolroom and lending library, also for public meetings and petty sessions, and, in its darkest days, as a store-room. The crypt has also pa.s.sed through many changes, and has been stripped of its original splendour. It retained much of its beauty for a century after the suppression, as Dr.

Fuller writes during his inc.u.mbency:--"To the south side of the Church is joined a chapel, formerly our Lady's, now a school-house, and under it an arched charnel-house, the fairest that I ever saw."[20] This beautiful chantry, which is partly underground, has been used since as a sepulchre for the dead, a prison cell for the living,[21] a receptacle for human bones, a coal cellar and heating chamber.

[Footnote 20: History of Waltham Abbey, cap. I., 9.]

[Footnote 21: The Quakers were incarcerated here during the reign of Charles II.]

The Lady Chapel resumed its sacred character in 1876, after it had been carefully restored by Sir T. Fowell Buxton, Bart., K.C.M.G.[22] whose seat, Warlies Park, is situated in the parish. The modern porch was removed from the west end, the large arch in the south wall of the Church re-opened, and the five elegant windows were made good. A splendidly carved memorial screen has since been erected under the arch by the paris.h.i.+oners, and some beautifully carved altar rails set up at the east end. The arms of the Abbey and Parish of Waltham Holy Cross are represented on the screen, namely, two angels exalting the Cross. The appearance of the interior is, however, still mean and bare, when compared with its former magnificence, although so much has been done to rescue from a state of degradation and neglect, this interesting relic of mediaeval times, "ye Chappell of oure Ladye."

[Footnote 22: Now Governor General of South Australia.]

Some Famous Spires.

By John T. Page.

It is practically impossible to point to the exact date when spires first a.s.sumed a place in the category of ecclesiastical architecture.

They belong to the Gothic style, and like the pointed arch were evolved rather than created. The low pointed roof of the tower gradually gave place to a more tapering finish, but the transition was by no means progressive, and cannot be clearly traced. Some of the earliest attempts at spire-building were uncouth and ungraceful, and even in these days the addition of a spire to a modern church does not necessarily add to its beauty. This is nearly always the case where an undue regard is paid to ornamentation, either at the base, or on the surface of the spire itself. Undoubtedly the most beautiful spires are those which at once spring clear from the summit of the tower and gradually rise needle-like towards the blue vault of heaven.

By far the greater number of our princ.i.p.al spires date from the fourteenth century--a time when spire-building appears to have reached the zenith of its glory. Splendour and loftiness combine to render the examples of this period distinguished above those of any other.

Northamptons.h.i.+re has been well termed the county of "Squires and Spires," and it is probably within its borders that the largest number of really beautiful spires may be found. A journey from Northampton to Peterborough along the Nene Valley is never to be forgotten for the continually recurring spires which greet the eye of the traveller at almost every point. Rushden, Higham Ferrers, Irchester, Raunds, Stanwick, Oundle, Finedon, Aldwinckle S. Peter's, Barnwell S. Andrew, and many others all combine to render the term "Valley of Spires"