Tom Brown at Rugby Part 4

[94] #Mysteries#: rude dramatic plays of a religious character, once very popular.

[95] #Lieges#: loyal subjects.

THE OLD BOY ABUSETH MOVING ON.

I have been credibly informed, and am inclined to believe, that the various Boards of Directors of Railway Companies, those gigantic jobbers[96] and bribers, while quarrelling about everything else, agreed together some ten years back to buy up the learned profession of medicine, body and soul. To this end they set apart several millions of money, which they continually distribute judiciously among the doctors, stipulating only this one thing, that they shall prescribe change of air to every patient who can pay, or borrow money to pay, a railway fare, and see their prescription carried out. If it be not for this, why is it that none of us can be well at home for a year together? It wasn't so twenty years ago,--not a bit of it. The Browns didn't go out of the county once in five years. A visit to Reading or Abingdon twice a year, at a.s.sizes or Quarter Sessions[97]

which the Squire made on his horse, with a pair of saddle-bags containing his wardrobe--a stay of a day or two at some country neighbor's--or an expedition to a county ball or the yeomanry review--[98] made up the sum of the Brown locomotion in most years. A stray Brown from some distant county dropped in every now and then; or from Oxford, on grave nag, an old don[99] contemporary of the Squire; and were looked upon by the Brown household and the villagers with the same sort of feeling with which we now regard a man who has crossed the Rocky Mountains, or launched a boat on the great lake in Central Africa. The White Horse Vale, remember, was traversed by no great road; nothing but country parish roads, and these very bad. Only one coach ran there, and this one only from Wantage to London, so that the western part of the vale was without regular means of moving on, and certainly didn't seem to want them. There was the ca.n.a.l, by the way, which supplied the country-side with coal, and up and down which continually went the long barges with the big black men lounging by the side of the horses along the towing-path, and the women in bright-colored handkerchiefs standing in the sterns steering.

Standing, I say, but you could never see whether they were standing or sitting, all but their heads and shoulders being out of sight in the cozy little cabins which occupied some eight feet of the stern and which Tom Brown pictured to himself as the most desirable of residences. His nurse told him that those good-natured-looking women were in the constant habit of enticing children into the barges and taking them up to London and selling them, which Tom wouldn't believe, and which made him resolve as soon as possible to accept the oft-proffered invitation of these sirens[100] to "young master," to come in and have a ride. But as yet the nurse was too much for Tom.

[96] #Jobbers#: speculators or members of corrupt political rings.

[97] #a.s.sizes or Quarter Sessions#: sessions of courts of justice.

[98] #Yeomanry review#: a review of the county militia.

[99] #Don#: a nickname for a university professor.

[100] #Sirens#: sea-nymphs who enticed sailors into their power by their singing, and then devoured them.

THE OLD BOY APPROVETH MOVING ON.

Yet why should I, after all, abuse the gadabout propensities of my countrymen? We are a vagabond nation now, that's certain, for better, for worse. I am a vagabond; I have been away from home no less than five distinct times in the last year. The Queen sets us the example--we are moving on from top to bottom. Little dirty Jack, who abides in Clement's Inn[101] gateway, and blacks my boots for a penny, takes his month's hop-picking[102] every year as a matter of course. Why shouldn't he? I am delighted at it. I love vagabonds, only I prefer poor to rich ones;-couriers[103] and ladies' maids, imperials[104] and travelling carriages are an abomination unto me--I cannot away with them. But for dirty Jack, and every good fellow who, in the words of the capital French song, moves about,

"Comme le limacon, Portant tout son bagage, Ses meubles, sa maison,"[105]

on his own back, why, good luck to them, and many a merry road-side adventure, and steaming supper in the chimney-corners of road-side inns, Swiss chalets,[106] Hottentot kraals,[107] or wherever else they like to go. So having succeeded in contradicting myself in my first chapter (which gives me great hopes that you will all go on, and think me a good fellow, notwithstanding my crotchets), I shall here shut up for the present, and consider my ways; having resolved to "sar' it out,"[108] as we say in the Vale, "holus bolus,"[109] just as it comes, and then you'll probably get the truth out of me.

[101] #Clement's Inn#: formerly a college and residence for law students in London. It is now given up to law offices.

[102] #Hop-picking#: all the vagabonds of London go to Kent and Surrey in the autumn to pick hops for the farmers, regarding the work as a kind of vacation frolic.

[103] #Courier#: a person hired by wealthy travellers to go in advance and engage rooms at hotels, etc.

[104] #Imperial#: the best seat on a French diligence or stage-coach.

[105] #Comme le limacon#, etc.: like the snail, carrying all his baggage, his furniture, and his house.

[106] #Chalet# (shal-ay'): a Swiss herdsman's hut.

[107] #Kraal#: a Hottentot hut or village.

[108] #"Sar' it out"#: deal it out.

[109] #"Holus bolus"#: all at once.

CHAPTER II.

THE "VEAST."

"And the King commandeth and forbiddeth, that from henceforth neither fairs nor markets be kept in church-yards, for the honor of the church."--_Statutes_: 13 Edw. I. Stat. II. Chap.

VI.

As that venerable and learned poet[1] (whose voluminous works we all think it the correct thing to admire and talk about, but don't read often) most truly says, "The child is father to the man;" _a fortiori_,[2] therefore he must be father to the boy." So, as we are going at any rate to see Tom Brown through his boyhood, supposing we never get any farther (which, if you show a proper sense of the value of this history, there is no knowing but what we may), let us have a look at the life and environments[3] of the child, in the quiet country village to which we were introduced in the last chapter.

[1] #Learned poet#: Wordsworth; the quotation, which follows, is from "My heart leaps up."

[2] #A fortiori#: for a stronger reason.

[3] #Environments#: surroundings.

TOM BROWN'S NURSE.

Tom, as has been already said, was a robust and combative urchin, and at the age of four began to struggle against the yoke and authority of his nurse. That functionary[4] was a good-hearted, tearful, scatter-brain[5] girl, lately taken by Tom's mother, Madam Brown, as she was called, from the village school to be trained as nursery-maid.

Madam Brown was a rare trainer of servants, and spent herself freely in the profession; for profession it was, and gave her more trouble by half than many people take to earn a good income. Her servants were known and sought after for miles round. Almost all the girls who attained a certain place in the village school were taken by her, one or two at a time, as house-maids, laundry-maids, nursery-maids, or kitchen-maids, and, after a year or two's drilling, were started in life amongst the neighboring families, with good principles and wardrobes. One of the results of this system was the perpetual despair of Mrs. Brown's cook and own maid, who no sooner had a notable[6] girl made to their hands, than missus was sure to find a good place for her and send her off, taking in fresh importations from the school.

Another was, that the house was always full of young girls with clean, s.h.i.+ning faces; who broke plates and scorched linen, but made an atmosphere of cheerful homely life about the place, good for every one who came within its influence. Mrs. Brown loved young people, and in fact human creatures in general, above plates and linen. They were more like a lot of elder children than servants, and felt to her more as a mother or aunt than as a mistress.

[4] #Functionary#: one charged with the performance of a duty.

[5] #Scatter-brain#: thoughtless.

[6] #N[)o]table#: industrious, smart.

Tom's nurse was one who took in her instruction very slowly,--she seemed to have two left hands and no head; and so Mrs. Brown kept her on longer than usual that she might expend her awkwardness and forgetfulness upon those who would not judge and punish her too strictly for them.

Charity Lamb was her name. It had been the immemorial habit of the village to christen children either by Bible names, or by those of the cardinal[7] and other virtues; so that one was forever hearing in the village street, or on the green, shrill sounds of "Prudence! Prudence!

thee c.u.m' out o' the gutter"; or "Mercy! drat[8] the girl, what bist[9] thee a doin' wi' little Faith?" and there were Ruths, Rachels, Keziahs, in every corner. The same with the boys; they were Benjamins, Jacobs, Noahs, Enochs. I suppose the custom has come down from puritan[10] times--there it is, at any rate, very strong still in the Vale.

[7] #Cardinal#: chief.

[8] #Drat#: plague take.

[9] #Bist#: art.

[10] #Puritan#: the Puritans were those who were dissatisfied with the English Church and wished to _purify_ it, as they said, from certain ceremonies. They quite generally gave their children Bible names.

TOM BROWN'S FIRST REBELLION.

Well, from early morn till dewy eve, when she had it out of him in the cold tub before putting him to bed, Charity and Tom were pitted against one another. Physical power was as yet on the side of Charity, but she hadn't a chance with him wherever head-work was wanted. This war of independence began every morning before breakfast, when Charity escorted her charge to a neighboring farm-house which supplied the Browns, and where by his mother's wish, Master Tom went to drink whey,[11] before breakfast. Tom had no sort of objection to whey, but he had a decided liking for curds, which were forbidden as unwholesome, and there was seldom a morning that he did not manage to secure a handful of hard curds, in defiance of Charity and the farmer's wife. The latter good soul was a gaunt angular woman, who, with an old black bonnet on the top of her head, the strings dangling about her shoulders, and her gown tucked through her pocket holes, went clattering about the dairy, cheese-room, and yard, in high pattens.[12] Charity was some sort of niece of the old lady's, and was consequently free of the farm-house and garden, into which she could not resist going for the purposes of gossip and flirtation with the heir-apparent,[13] who was a dawdling fellow, never out at work as he ought to have been. The moment Charity had found her cousin, or any other occupation, Tom would slip away; and in a minute shrill cries would be heard from the dairy: "Charity, Charity, thee lazy huzzy, where bist?" and Tom would break cover,[14] hands and mouth full of curds, and take refuge on the shaky surface of the great muck reservoir in the middle of the yard, disturbing the repose of the great pigs. Here he was in safety, as no grown person could follow without getting over his knees; and the luckless Charity, while her aunt scolded her from the dairy-door, for being "allus hankering about arter our Willum, instead of minding Master Tom," would descend from threats to coaxing, to lure Tom out of the muck, which was rising over his shoes and would soon tell a tale on his stockings for which she would be sure to catch it from missus's maid.

[11] #Whey#: in making cheese the milk separates, the thick part forming curd, and the watery portion whey.