The Master of Warlock Part 4
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When Agatha reached The Oaks, mounted upon Baillie Pegram's mare, her reception at the hands of her aunts was one of almost stunned astonishment. The two good ladies had learned an hour before her coming that she had ridden away alone that morning while yet they had slept, and they had carefully prepared a lecture upon that exceeding impropriety, for delivery on the young woman's return.
But when they saw her dismount from Baillie Pegram's mare, they were well-nigh speechless with horror at her depravity. The deliverance that had been so carefully prepared for her chastening no longer met the requirements of the case. A new and far severer rebuke must be extemporised, and the necessity of that was an additional offence on the part of the young woman who had forced it upon them. They were not accustomed to speak extemporaneously on any subject of importance. To do so involved the danger of saying too much, or saying it less effectively than they wished, or--worse still--leaving unsaid things that they very much wished to say. In response to their horrified questionings, Agatha made the simplest and most direct statement possible.
"The morning was fine, and I wanted to ride. I rode as far as Dogwood Branch. There my poor horse--the one that my grandfather sent down for me to ride while here--met with a mishap. His foot went through a hole in the bridge, and in his struggle to extricate it, he broke his leg.
Mr. Pegram came along and released the poor beastie's foot, but it was too late. So he insisted upon my taking his mare, and showed me that I couldn't refuse. He sent his servant to ride on a mule behind me in case I should have trouble with his only partially broken mare. He promised to put my poor horse out of his misery. There. That's all there is to tell."
The little speech was made in a tone and with a manner that suggested difficult self-restraint. When it was ended the two good aunts sat for a full minute looking at the girl with eyes that were eloquent of reproach--a reproach that for the moment could find no fit words for its expression. At last the torrent came--not with a rus.h.i.+ng violence of speech, but with a steady, overwhelming flow. The girl stood still, seemingly impa.s.sive.
"Will you not be seated?" presently asked Aunt Sarah.
"If you don't mind, I prefer to stand," she answered, in the gentlest, most submissive tone imaginable, for Agatha--angry and outraged--was determined to maintain her self-control to the end. Her gentle submissiveness of seeming deceived her censors to their undoing.
Satisfied that they might rebuke her to their hearts' content, they proceeded, adding one word of bitter reproach and condemnation to another, and waxing steadily stronger in their righteous wrath. Still the girl stood like a soldier under a fire which he is forbidden to return. Still she controlled her countenance and restrained herself from speech. Only a slight flus.h.i.+ng of the face, and now and then a tremor of the lip, gave indication of emotion of any kind.
Not until the storm had completely expended its wrath upon her head did Agatha Ronald open her lips. Then she spoke as Agatha Ronald:
"Will you please order my carriage to be ready for me on Sat.u.r.day morning, Aunt Sarah? My maid is too ill to travel to-morrow or the next day. But by Sat.u.r.day morning she will be well enough, and I shall begin my journey to Willoughby at nine o'clock, if you will kindly order a cup of coffee served half an hour before the usual breakfast-time on Sat.u.r.day."
She departed instantly from the room, giving no time or opportunity for reply or remonstrance.
"Perhaps we have spoken too severely, Jane," said Aunt Sarah.
Perhaps they had. At any rate, it had been Agatha's purpose to remain a full month longer at The Oaks before beginning the long homeward carriage journey which alone Colonel Archer permitted to his grandchild.
Railroads were new in those days, and Colonel Archer had not reconciled himself to them.
"They are convenient for carrying freight," he said, "but a young lady isn't freight. She should travel in her own carriage."
Later in the day Agatha reappeared, as gentle and smiling as usual, and as attentive as ever to the comfort of her aunts. Her manner was perfect in its docility, for she had decided that so long as she should remain under their roof, it was her duty to herself, and incidentally to her aunts, to minister in every way she could to their pleasure, and to obey their slightest indicated wishes implicitly. They were misled somewhat by her manner, which they construed to be an indication of submission.
"You will surely not think of leaving us on Sat.u.r.day, dear, now that you have thought the matter over calmly," said Aunt Sarah; "and perhaps we spoke too severely this morning. But you will overlook that, I am sure, in view of the concern we naturally feel for your bringing up."
A bitter and convincing speech was on the girl's lips ready for delivery,--a speech in which she should declare her independence, and a.s.sert her right as a woman fully grown to determine her conduct for herself within the limits of perfect innocence,--but she drove it back into her heart, and restrained her utterance to the single sentence:
"I shall begin my journey on Sat.u.r.day morning."
Agatha Ronald was in revolt against an authority which she deemed oppressive, and such revolt was natural enough on the part of a daughter of Virginia whose ancestry included three signers of the Declaration of Independence, and at least half a dozen fighting soldiers of the Revolution. It was in her blood to resent and resist injustice and to defy the authority that decreed injustice. But after the fas.h.i.+on of those revolutionary ancestors of hers, she would do everything with due attention to "a decent respect for the opinions of mankind." She had decided to quit The Oaks because she could not and would not longer submit to a discipline which she felt to be arbitrary, unreasonable, and unjust. But she was determined to be as gentle and as gentlewomanly as possible in the manner of her leaving. It was her fixed purpose never again to visit that plantation--her birthplace--until she should be summoned thither to take possession as its sole inheritor, but she let slip no hint of this determination to distress her aunts, who, after all, meant only kindness to her by their severity.
"I'll say nothing about it," she resolved. "I'll just go back to Chummie. He understands me, and I'll never leave him again."
V
_AT THE OAKS_
When Baillie Pegram rode into The Oaks grounds on that third Friday of April, 1861, the first person he encountered was none other than Agatha.
She was gowned all in white, except that she had tied a cherry-coloured ribbon about her neck. She was wholly unbonneted, and was armed with a little gardening implement--hoe on one side and miniature rake on the other. She was busy over a flower-bed, and the young man, rounding a curve in the shrubbery, came upon her, to the complete surprise of both.
The situation might have been embarra.s.sing but for the ease and perfect self-possession with which the girl accepted it. She greeted her visitor, to his astonishment, without any of the hauteur that had marked her demeanour on the occasion of their last previous meeting. Here at The Oaks she felt herself under the entirely adequate protection of her aunts. She had therefore no occasion to stand upon the defensive. Out there at the bridge she had been herself solely responsible for her conduct, and dependent upon herself for the maintenance of her dignity.
Here Mr. Baillie Pegram was the guest of her people, while out there he had been a person casually and unwillingly encountered, and not on any account to be permitted any liberty of intercourse. Besides all these conclusive differences of circ.u.mstance, there was the additional fact that Agatha was in revolt against authority, and very strongly disposed to maintain her perfect freedom of innocent action. So she gave her visitor a garden-gloved hand as he dismounted, and slowly walked with him toward the house.
"I attended an opera once," she chattered, "when I was a very little girl. I remember that I thought the ba.s.so a porpoise, and the tenor a conceited popinjay, and the prima donna a fat woman, but I fell completely in love with the haymakers in the chorus. So whenever I go gardening I find myself instinctively trying to make myself look as like them as I can. That, I suppose, is why I tied a red ribbon about my neck this morning."
Here Baillie Pegram missed an opportunity to make a particularly gallant and flattering speech. To any other woman, under like circ.u.mstances, he would have said something of her success in making a charmingly attractive picture of herself. But there was much of reverence in his admiration for Agatha, and he felt that a merely complimentary speech addressed to her would be a frivolous impertinence. So instead he asked:
"Do you often go out gardening?"
"O, yes, always when the weather permits, and sometimes when it forbids.
At Willoughby I've often gone out in a waterproof to train my flowers and vines. I'm just going away from The Oaks, and I've been digging up a hideously formal bed which the gardener's soul delights in, and sowing mixed portulaca instead of the priggish plants. Portulaca smiles at you, you know, when you get up soon enough in the morning to see it in its glory. But I'll never see the smiles in this case."
"But why not?"
"Why, I'm leaving The Oaks on Sat.u.r.day, you know,--or rather you do not know,--and I'm not coming back for a long, long time."
"May I again presume to ask why not?"
"O, well, I must go to my grandfather. If I don't he'll enlist or join a company, or get a commission, or whatever else it is that a man does when he makes a soldier out of himself. You see I'm the only person who can manage my grandfather."
"But surely, at his age--"
"O, yes, I know. He's over eighty now, but you don't know him very well, or you'd understand. He was a soldier under Jackson at New Orleans, and a colonel in the Mexican War, and he'll go into this war, too, if I don't go home and tell him he mustn't. I'm going to-morrow morning."
Manifestly the girl wanted to chatter. Women often do that when they are anxious to avoid serious conversation. If men never do it, it is only because they lack the intellectual alertness necessary. They hem and haw, and make stupid remarks about the weather instead, and succeed only in emphasising the embarra.s.sment which a woman would completely bury under charming chatter.
"You haven't seen my aunts yet, I suppose?" Miss Agatha presently asked.
"No. I'm just arriving at The Oaks. I dine here, you know, on the third Friday of every month."
"Yes--so I've heard. I don't think the aunties expected you to-day.
They'll be glad to see you, of course, but I think they thought you were still in Richmond."
Baillie wondered if this was a covert rebuke to him for having ventured upon the premises while Agatha was still there. The girl was not altogether an easy person to understand. In any case her remark revealed the fact that the question of his coming had been discussed in the house and decided in the negative. It was with some embarra.s.sment, therefore, that he presented himself to those formidable personages, The Oaks ladies, and tried to treat his own coming quite as a matter of course.
But if his presence was in any wise unwelcome to them, there was nothing in their demeanour to suggest the fact. They expressed no surprise whatever, and only a placid, well-bred self-congratulation that absence had not deprived them of the pleasure of his company at dinner, as they had feared that it might. Then one of them added:
"It is unfortunate that Agatha is to dine at The Forest to-day, with our cousins, the Misses Blair. By the way," tinkling a bell, "it is time to order the carriage, and for you to change your gown, Agatha, dear."
Baillie Pegram happened to catch sight of the young girl's face as these words were spoken, and he read there enough of surprise to convince him that if it had been previously arranged for her to drive to The Forest for dinner, she at least had heard nothing of the matter until now. But whether the surprise reflected in her face was one of pleasure or the reverse, she gave him no chance to guess. She merely glanced at the tall and slowly ticking clock, and said:
"I'll go at once, auntie. I did not know it was so late. Excuse the abruptness of my leave-taking, Mr. Pegram, and let me say good-bye, for I leave for Willoughby to-morrow morning."
It was all an admirable bit of acting--the more admirable, Baillie thought, for the reason that the scene had been suddenly extemporised and not rehea.r.s.ed--for he was satisfied that Agatha at least had been completely surprised by the announcement that she was to dine at The Forest that day.
Unfortunately the acting was destined to be wasted, for almost immediately after Agatha's departure for her chamber, a carriage drove up, and Baillie gallantly a.s.sisted Miss Blair herself to alight from it.
She greeted her cousins of The Oaks effusively in the ceaseless speech with which it was her practice to meet and greet her friends.
"Isn't it good of me, Cousin Sarah and Cousin Jane? I had a positive headache to-day, but I was determined to drive over and dine with you, so as to bid Agatha good-bye. Where is the dear child? You see we heard only this morning that she had changed her plans and was going to leave us to-morrow. So I just had to come and dine"--and so forth, through a speech that fortunately gave The Oaks ladies time a-plenty in which to collect their wits and avoid all appearance of discomfiture.
The Master of Warlock Part 4
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The Master of Warlock Part 4 summary
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