The Dark Flower Part 20
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"If you can't gather that from looking, it must be a failure."
"Not at all. If I am right, you want something for it to tread on, don't you, to get your full effect?"
Lennan touched the base of the clay.
"The broken curve here"--then, with sudden disgust at this fencing, was silent. What had the man come for? He must want something. And, as if answering, Cramier said:
"To pa.s.s to another subject--you see a good deal of my wife. I just wanted to tell you that I don't very much care that you should. It is as well to be quite frank, I think."
Lennan bowed.
"Is that not," he said, "perhaps rather a matter for HER decision?"
That heavy figure--those threatening eyes! The whole thing was like a dream come true!
"I do not feel it so. I am not one of those who let things drift. Please understand me. You come between us at your peril."
Lennan kept silence for a moment, then he said quietly:
"Can one come between two people who have ceased to have anything in common?"
The veins in Cramier's forehead were swollen, his face and neck had grown crimson. And Lennan thought with strange elation: Now he's going to hit me! He could hardly keep his hands from shooting out and seizing in advance that great strong neck. If he could strangle, and have done with him!
But, quite suddenly, Cramier turned on his heel. "I have warned you," he said, and went.
Lennan took a long breath. So! That was over, and he knew where he was.
If Cramier had struck out, he would surely have seized his neck and held on till life was gone. Nothing should have shaken him off. In fancy he could see himself swaying, writhing, reeling, battered about by those heavy fists, but always with his hands on the thick neck, squeezing out its life. He could feel, absolutely feel, the last reel and stagger of that great bulk cras.h.i.+ng down, dragging him with it, till it lay upturned, still. He covered his eyes with his hands.... Thank G.o.d! The fellow had not hit out!
He went to the door, opened it, and stood leaning against the door-post.
All was still and drowsy out there in that quiet backwater of a street.
Not a soul in sight! How still, for London! Only the birds. In a neighbouring studio someone was playing Chopin. Queer! He had almost forgotten there was such a thing as Chopin. A mazurka! Spinning like some top thing, round and round--weird little tune!... Well, and what now? Only one thing certain. Sooner give up life than give her up! Far sooner! Love her, achieve her--or give up everything, and drown to that tune going on and on, that little dancing dirge of summer!
XVI
At her cottage Olive stood often by the river.
What lay beneath all that bright water--what strange, deep, swaying, life so far below the ruffling of wind, and the shadows of the willow trees? Was love down there, too? Love between sentient things, where it was almost dark; or had all pa.s.sion climbed up to rustle with the reeds, and float with the water-flowers in the sunlight? Was there colour? Or had colour been drowned? No scent and no music; but movement there would be, for all the dim groping things bending one way to the current--movement, no less than in the aspen-leaves, never quite still, and the winged droves of the clouds. And if it were dark down there, it was dark, too, above the water; and hearts ached, and eyes just as much searched for that which did not come.
To watch it always flowing by to the sea; never looking back, never swaying this way or that; drifting along, quiet as Fate--dark, or glamorous with the gold and moonlight of these beautiful days and nights, when every flower in her garden, in the fields, and along the river banks, was full of sweet life; when dog-roses starred the lanes, and in the wood the bracken was nearly a foot high.
She was not alone there, though she would much rather have been; two days after she left London her Uncle and Aunt had joined her. It was from Cramier they had received their invitation. He himself had not yet been down.
Every night, having parted from Mrs. Ercott and gone up the wide shallow stairs to her room, she would sit down at the window to write to Lennan, one candle beside her--one pale flame for comrade, as it might be his spirit. Every evening she poured out to him her thoughts, and ended always: "Have patience!" She was still waiting for courage to pa.s.s that dark hedge of impalpable doubts and fears and scruples, of a dread that she could not make articulate even to herself. Having finished, she would lean out into the night. The Colonel, his black figure cloaked against the dew, would be pacing up and down the lawn, with his good-night cigar, whose fiery spark she could just discern; and, beyond, her ghostly dove-house; and, beyond, the river--flowing. Then she would clasp herself close--afraid to stretch out her arms, lest she should be seen.
Each morning she rose early, dressed, and slipped away to the village to post her letter. From the woods across the river wild pigeons would be calling--as though Love itself pleaded with her afresh each day. She was back well before breakfast, to go up to her room and come down again as if for the first time. The Colonel, meeting her on the stairs, or in the hall, would say: "Ah, my dear! just beaten you! Slept well?" And, while her lips touched his cheek, slanted at the proper angle for uncles, he never dreamed that she had been three miles already through the dew.
Now that she was in the throes of an indecision, whose ending, one way or the other, must be so tremendous, now that she was in the very swirl, she let no sign at all escape her; the Colonel and even his wife were deceived into thinking that after all no great harm had been done. It was grateful to them to think so, because of that stewards.h.i.+p at Monte Carlo, of which they could not render too good account. The warm sleepy days, with a little croquet and a little paddling on the river, and much sitting out of doors, when the Colonel would read aloud from Tennyson, were very pleasant. To him--if not to Mrs. Ercott--it was especially jolly to be out of Town 'this confounded crowded time of year.' And so the days of early June went by, each finer than the last.
And then Cramier came down, without warning on a Friday evening. It was hot in London...the session dull.... The Jubilee turning everything upside down.... They were lucky to be out of Town!
A silent dinner--that!
Mrs. Ercott noticed that he drank wine like water, and for minutes at a time fixed his eyes, that looked heavy as if he had not been sleeping, not on his wife's face but on her neck. If Olive really disliked and feared him--as John would have it--she disguised her feelings very well!
For so pale a woman she was looking brilliant that night. The sun had caught her cheeks, perhaps. That black low-cut frock suited her, with old Milanese-point lace matching her skin so well, and one carnation, of darkest red, at her breast. Her eyes were really sometimes like black velvet. It suited pale women to have those eyes, that looked so black at night! She was talking, too, and laughing more than usual. One would have said: A wife delighted to welcome her husband! And yet there was something--something in the air, in the feel of things--the lowering fixity of that man's eyes, or--thunder coming, after all this heat!
Surely the night was unnaturally still and dark, hardly a breath of air, and so many moths out there, pa.s.sing the beam of light, like little pale spirits crossing a river! Mrs. Ercott smiled, pleased at that image.
Moths! Men were like moths; there were women from whom they could not keep away. Yes, there was something about Olive that drew men to her.
Not meretricious--to do her justice, not that at all; but something soft, and-fatal; like one of these candle-flames to the poor moths.
John's eyes were never quite as she knew them when he was looking at Olive; and Robert Cramier's--what a queer, drugged look they had! As for that other poor young fellow--she had never forgotten his face when they came on him in the Park!
And when after dinner they sat on the veranda, they were all more silent still, just watching, it seemed, the smoke of their cigarettes, rising quite straight, as though wind had been withdrawn from the world. The Colonel twice endeavoured to speak about the moon: It ought to be up by now! It was going to be full.
And then Cramier said: "Put on that scarf thing, Olive, and come round the garden with me."
Mrs. Ercott admitted to herself now that what John said was true. Just one gleam of eyes, turned quickly this way and that, as a bird looks for escape; and then Olive had got up and quietly gone with him down the path, till their silent figures were lost to sight.
Disturbed to the heart, Mrs. Ercott rose and went over to her husband's chair. He was frowning, and staring at his evening shoe balanced on a single toe. He looked up at her and put out his hand. Mrs. Ercott gave it a squeeze; she wanted comfort.
The Colonel spoke:
"It's heavy to-night, Dolly. I don't like the feel of it."
XVII
They had pa.s.sed without a single word spoken, down through the laurels and guelder roses to the river bank; then he had turned to the right, and gone along it under the dove-house, to the yew-trees. There he had stopped, in the pitch darkness of that foliage. It seemed to her dreadfully still; if only there had been the faintest breeze, the faintest lisping of reeds on the water, one bird to make a sound; but nothing, nothing save his breathing, deep, irregular, with a quiver in it. What had he brought her here for? To show her how utterly she was his? Was he never going to speak, never going to say whatever it was he had in mind to say? If only he would not touch her!
Then he moved, and a stone dislodged fell with a splash into the water.
She could not help a little gasp. How black the river looked! But slowly, beyond the dim shape of the giant poplar, a s.h.i.+ver of light stole outwards across the blackness from the far bank--the moon, whose rim she could now see rising, of a thick gold like a coin, above the woods. Her heart went out to that warm light. At all events there was one friendly inhabitant of this darkness.
Suddenly she felt his hands on her waist. She did not move, her heart beat too furiously; but a sort of prayer fluttered up from it against her lips. In the grip of those heavy hands was such quivering force!
His voice sounded very husky and strange: "Olive, this can't go on. I suffer. My G.o.d! I suffer!"
A pang went through her, a sort of surprise. Suffer! She might wish him dead, but she did not want him to suffer--G.o.d knew! And yet, gripped by those hands, she could not say: I am sorry!
He made a sound that was almost a groan, and dropped on his knees.
Feeling herself held fast, she tried to push his forehead back from her waist. It was fiery hot; and she heard him mutter: "Have mercy! Love me a little!" But the clutch of his hands, never still on the thin silk of her dress, turned her faint. She tried to writhe away, but could not; stood still again, and at last found her voice.
"Mercy? Can I MAKE myself love? No one ever could since the world began.
Please, please get up. Let me go!"
But he was pulling her down to him so that she was forced on to her knees on the gra.s.s, with her face close to his. A low moaning was coming from him. It was horrible--so horrible! And he went on pleading, the words all confused, not looking in her face. It seemed to her that it would never end, that she would never get free of that grip, away from that stammering, whispering voice. She stayed by instinct utterly still, closing her eyes. Then she felt his gaze for the first time that evening on her face, and realized that he had not dared to look until her eyes were closed, for fear of reading what was in them. She said very gently:
"Please let me go. I think I'm going to faint."
The Dark Flower Part 20
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The Dark Flower Part 20 summary
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