G. K. Chesterton, A Critical Study Part 9

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When we read this poem, with its proclamation of a faith restored, Chesterton's temporary absence from the field of letters appears even more lamentable. For even before his breakdown he had given other signs of a resurrection. Between the overworked descriptions of _The Flying Inn_ and the little book _The Barbarism of Berlin_ which closely followed it, there is a fine difference of style, as if in the interval Chesterton had taken a tonic. Thus there is a jolly pa.s.sage in which, describing German barbarism, he refers to the different ways of treating women.

The two extremes of the treatment of women might be represented by what are called the respectable cla.s.ses in America and in France. In America they choose the risk of comrades.h.i.+p; in France the compensation of courtesy. In America it is practically possible for any young gentleman to take any young lady for what he calls (I deeply regret to say) a joy-ride; but at least the man goes with the woman as much as the woman with the man. In France the young woman is protected like a nun while she is unmarried; but when she is a mother she is really a holy woman; and when she is a grandmother she is a holy terror. By both extremes the woman gets something back out of life. France and America aim alike at equality--America by similarity; France by dissimilarity. But North Germany does actually aim at inequality. The woman stands up, with no more irritation than a butler; the man sits down, with no more embarra.s.sment than a guest.

And so on. It runs very easily; we recognize the old touch; the epigrams are not worked to death; and the chains of argument are not mere strings of damped brilliancies. And before 1914 had come to its end, in another pamphlet, _Letters to an Old Garibaldian_, the same style, the same freshness of thought, and the same resurgent strength were once again in evidence. Then illness overcame.

Of all futures, the future of literature and its professors is the least predictable. We have all, so to speak, turned a corner since August, 1914, but we have not all turned the same way. Chesterton would seem to have felt the great change early in the war. Soon he will break his silence, and we shall know whether we have amongst us a giant with strength renewed or a querulous Nonconformist Crusader, agreeing with no man, while claiming to speak for every man. Early in the course of this study a distinction was drawn between Christians and Crusaders.

Chesterton has been throughout his career essentially a Crusader. He set out to put wrongs to rights in the same spirit; in much the same spirit, too, he incidentally chivvied about the Jews he met in his path, just as the Crusaders had done. He fought for the Holy Sepulchre, and gained it.



Like the Crusaders, he professed orthodoxy, and, like them, fell between several "orthodoxies." He shared their visions and their faith, so far as they had any. But one thing is true of all Crusaders, they are not necessarily Christians. And there is that about Chesterton which sometimes makes me wonder whether, after all, he is not "a child of the French Revolution" in a sense he himself does not suspect. He has cursed the barren fig-tree of modern religious movements. But there comes a suspicion that he denies too much; that from between those supple sentences and those too plausible arguments one may catch a glimpse of the features of a mocking spirit. Chesterton has given us the keenest enjoyment, and he has provoked thought, even in the silly atheist. We all owe him grat.i.tude, but no two readers of his works are likely to agree as to the causes of their grat.i.tude. That, in itself, is a tribute. Wherefore let it be understood that in writing this study I have been speaking entirely for myself, and if any man think me misguided, inappreciative, hypercritical, frivolous, or anything else, why, he is welcome.

FOOTNOTE:

[3] _All Things Considered._

_UNIFORM WITH THIS VOLUME:_

W. B. YEATS BY FORREST REID

J. M. SYNGE BY P. P. HOWE

HENRY JAMES BY FORD MADOX HUEFFER

HENRIK IBSEN BY R. ELLIS ROBERTS

THOMAS HARDY BY LASCELLES ABERCROMBIE

BERNARD SHAW BY P. P. HOWE

WALTER PATER BY EDWARD THOMAS

WALT WHITMAN BY BASIL DE SELINCOURT

SAMUEL BUTLER BY GILBERT CANNAN

A. C. SWINBURNE BY EDWARD THOMAS

GEORGE GISSING BY FRANK SWINNERTON

R. L. STEVENSON BY FRANK SWINNERTON

RUDYARD KIPLING BY CYRIL FALLS

WILLIAM MORRIS BY JOHN DRINKWATER

ROBERT BRIDGES BY F. E. BRETT YOUNG

FYODOR DOSTOIEVSKY BY J. MIDDLETON MURRY

MAURICE MAETERLINCK BY UNA TAYLOR

_General Literature_

ART OF BALLET, THE. _By Mark E. Perugini._ ART OF SILHOUETTE, THE. _By Desmond c.o.ke._ BATTLE OF THE BOYNE, THE. _By D. C. Boulger._ BEHIND THE RANGES. _By F. G. Aflalo._ BIRDS IN THE CALENDAR. _By F. G. Aflalo._ CAMILLE DESMOULINS. _By Violet Methley._ CARRIAGES AND COACHES. _By Ralph Straus._ CHRISTMAS CARD, A. _By Filson Young._ c.u.mBERLAND LETTERS, THE. _By Clementina Black._ DRAMATIC PORTRAITS. _By P. P. Howe._ FEMININE INFLUENCE ON THE POETS. _By E. Thomas._ GRAHAME OF CLAVERHOUSE. _By Michael Barrington._ HIEROGLYPHICS. _By Arthur Machen._ HISTORY OF THE HARLEQUINADE, THE. _By M. Sand._ LEADERS OF THE PEOPLE. _By Joseph Clayton._ LETTERS FROM GREECE. _By John Mavrogordato._ LINLEYS OF BATH, THE. _By Clementina Black._ MAHOMET. _By G. M. Draycott._ MARY WOLLSTONECRAFT. _By G. R. Stirling Taylor._ NEW LEAVES. _By Filson Young._ PEOPLE AND QUESTIONS. _By G. S. Street._ PERSONALITY IN LITERATURE. _By R. A. Scott-James._ PSYCHOLOGY OF THE GREAT WAR. _By Stirling Taylor._ REAL CAPTAIN CLEVELAND, THE. _By Allan Fea._ REGILDING THE CRESCENT. _By F. G. Aflalo._ ROBERT KETT. _By Joseph Clayton._ SOCIAL HISTORY OF SMOKING, THE. _By G. L. Apperson._ SOME ECCENTRICS AND A WOMAN. _By Lewis Melville._ SPECULATIVE DIALOGUES. _By Lascelles Abercrombie._ STUPOR MUNDI. _By Lionel Allsborn._ TENTH MUSE, THE. _By Edward Thomas._ THOSE UNITED STATES. _By Arnold Bennett._ VIE DE BOHeME. _By Orlo Williams._ WILDE MYTH, THE. _By Lord Alfred Douglas._ WINDMILLS. _By Gilbert Cannan._

_Verse_

COLLECTED POEMS OF J. E. FLECKER.

COLLECTED POEMS OF F. M. HUEFFER.

CARMINA VARIA. _By C. Kennett Burrow._ CORONAL, A. A New Anthology. _By L. M. Lamont._ GOLDEN JOURNEY TO SAMARKAND, THE. _By J. E. Flecker._ (See Collected Poems.) KENSINGTON RHYMES. _By Compton Mackenzie._

_Drama_

DRAMATIC WORKS OF ST. JOHN HANKIN. _3 vols._ DRAMATIC WORKS OF GERHART HAUPTMANN. _6 vols._ Ca.s.sANDRA IN TROY. _By John Mavrogordato._ MAGIC. _By G. K. Chesterton._ MODERN DRAMA, THE. _By L. Lewisohn._ PEER GYNT. _Translated by R. Ellis Roberts._ REPERTORY THEATRE, THE. _By P. P. Howe._ THOMPSON. _By St. John Hankin and G. Calderon._

_Travel_

AUSTRALASIAN WANDER YEAR, AN. _By H. M. Vaughan._ EGYPTIAN aeSTHETICS. _By Rene Francis._ FOUNTAINS IN THE SAND. _By Norman Douglas._ NOOKS AND CORNERS OF OLD ENGLAND. _By Allan Fea._ OLD CALABRIA. _By Norman Douglas._ OLD ENGLISH HOUSES. _By Allan Fea._ PERFUMES OF ARABY. _By Harold Jacob._

_Martin Secker's Series of Critical Studies_

ROBERT BRIDGES. _By F. E. Brett Young._ SAMUEL BUTLER. _By Gilbert Cannan._ G. K. CHESTERTON. _By Julius West._ FEODOR DOSTOEVSKY. _By J. Middleton Murry._ GEORGE GISSING. _By Frank Swinnerton._ THOMAS HARDY. _By Lascelles Abercrombie._ HENRIK IBSEN. _By R. Ellis Roberts._ HENRY JAMES. _By Ford Madox Hueffer._ RUDYARD KIPLING. _By Cyril Falls._ MAURICE MAETERLINCK. _By Una Taylor._ GEORGE MEREDITH. _By Orlo Williams._ WILLIAM MORRIS. _By John Drinkwater._ WALTER PATER. _By Edward Thomas._ D. G. ROSSETTI. _By John Drinkwater._ BERNARD SHAW. _By P. P. Howe._ R. L. STEVENSON. _By Frank Swinnerton._ A. C. SWINBURNE. _By Edward Thomas._ J. M. SYNGE. _By P. P. Howe._ LEO TOLSTOI. _By R. Ellis Roberts._ WALT WHITMAN. _By Basil de Selincourt._ W. B. YEATS. _By Forrest Reid._

_The Art and Craft of Letters_

BALLAD, THE. _By Frank Sidgwick._ COMEDY. _By John Palmer._ CRITICISM. _By P. P. Howe._ EPIC, THE. _By Lascelles Abercrombie._ ESSAY, THE. _By Orlo Williams._ HISTORY. _By R. H. Gretton._ LYRIC, THE. _By John Drinkwater._ PARODY. _By Christopher Stone._ PUNCTUATION. _By Filson Young._ SATIRE. _By Gilbert Cannan._ SHORT STORY, THE. _By Barry Pain._

_Fiction_

ALTAR OF THE DEAD, THE. _By Henry James._ ASPERN PAPERS, THE. _By Henry James._ BANKRUPT, THE. _By Horace Horsnell._ BANNER OF THE BULL, THE. _By Rafael Sabatini._ BATTLES OF LIFE. _By Austin Philips._ BEAST IN THE JUNGLE, THE. _By Henry James._ BREAKING-POINT. _By Michael Artzibashef._ BURNT HOUSE, THE. _By Christopher Stone._ CARNIVAL. _By Compton Mackenzie._ CASUALS OF THE SEA. _By William McFee._ COLLECTED TALES: Vol. I. _By Barry Pain._ COLLECTED TALES: Vol. II. _By Barry Pain._ COLUMBINE. _By Viola Meynell._ COMMON CHORD, THE. _By Phyllis Bottome._ c.o.xON FUND, THE. _By Henry James._ CREATED LEGEND, THE. _By Feodor Sologub._ DAISY MILLER. _By Henry James._ DARK TOWER, THE. _By E. Brett Young._ DEATH OF THE LION, THE. _By Henry James._ DEBIT ACCOUNT, THE. _By Oliver Onions._ DEEP SEA. _By F. Brett Young._ d.u.c.h.eSS OF WREXE, THE. _By Hugh Walpole._ FIGURE IN THE CARPET, THE. _By Henry James._ FOOL'S TRAGEDY, THE. _By A. Scott Craven._ FORt.i.tUDE. _By Hugh Walpole._ GLa.s.sES. _By Henry James._ GOLIGHTLYS, THE. _By Laurence North._ GUY AND PAULINE. _By Compton Mackenzie._ IMPATIENT GRISELDA. _By Laurence North._ IMPERFECT BRANCH, THE. _By Richard Lluellyn._ IN ACCORDANCE WITH THE EVIDENCE. _By O. Onions._ IRON AGE, THE. _By F. Brett Young._ KING'S MEN, THE. _By John Palmer._ L.S.D. _By Bohun Lynch._ LESSON OF THE MASTER, THE. _By Henry James._ LITTLE DEMON, THE. _By Feodor Sologub._ LOT BARROW. _By Viola Meynell._ MARRIAGE OF QUIXOTE, THE. _By Donald Armstrong._ MAKING MONEY. _By Owen Johnson._ MELEAGER. _By H. M. Vaughan._ MILLIONAIRE, THE. _By Michael Artzibashef._ MODERN LOVERS. _By Viola Meynell._ NARCISSUS. _By Viola Meynell._ OLD MOLE. _By Gilbert Cannan._ OLD HOUSE, THE. _By Feodor Sologub._ ONE KIND AND ANOTHER. _By Barry Pain._ OUTWARD APPEARANCE, THE. _By Stanley V. Makower._ Pa.s.sIONATE ELOPEMENT, THE. _By Compton Mackenzie._ PETER PARAGON. _By John Palmer._ PUPIL, THE. _By Henry James._ QUESTING BEAST, THE. _By Ivy Low._ RECORD OF A SILENT LIFE, THE. _By Anna Preston._ REVERBERATOR, THE. _By Henry James._ ROUND THE CORNER. _By Gilbert Cannan._ SALAMANDER, THE. _By Owen Johnson._ SANINE. _By Michael Artzibashef._ SEA HAWK, THE. _By Rafael Sabatini._ SECURITY. _By Ivor Brown._ SINISTER STREET. I. _By Compton Mackenzie._ SINISTER STREET. II. _By Compton Mackenzie._ STORY OF LOUIE, THE. _By Oliver Onions._ TALES OF THE REVOLUTION. _By M. Artzibashef._ TELLING THE TRUTH. _By William Hewlett._ TRUE DIMENSION, THE. _By Warrington Dawson._ TURN OF THE SCREW, THE. _By Henry James._ UNCLE'S ADVICE. _By William Hewlett._ UNDERGROWTH. _By F. & E. Brett Young._ UNDERMAN, THE. _By Joseph Clayton._ UNOFFICIAL. _By Bohun Lynch._ WIDDERs.h.i.+NS. _By Oliver Onions._ YEARS OF PLENTY. _By Ivor Brown._ YOUNG EARNEST. _By Gilbert Cannan._

G. K. Chesterton, A Critical Study Part 9

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