A War-Time Wooing Part 7

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"Strictly _entre nous_, major--something d.a.m.nably wrong. He was all mixed up on meeting you, we are told. He claimed to have known and been in correspondence with you, did he not?"

"Yes; he did. But--"

"That is only one of several trips he made. There are extraordinary rumors coming in about spies around Frederick, and there seems to be an organized gang. It is this very matter the general is overhauling now, and he gave orders that he should be uninterrupted until he had finished the correspondence. Will you wait?"

"Thank you, no. I believed it my duty to show him this despatch, but he knows as much as, or more than, I do. May I ask if you have any inkling of Hollins's whereabouts."

"Not even a suspicion. He simply dropped out of sight, and no man in the army appears to have set eyes on him since the night before Antietam.

Colonel Putnam is investigating his accounts at Point of Hocks, and is most eager to get him."

Major Abbot turns away with a heavy weight at heart. All of a sudden there has burst upon him a complication of injustice and mystery, of annoyance and perplexity that is hard to bear. In some way he feels that the disappearance of the quartermaster is a connecting link in the chain of circ.u.mstance. He a.s.sociates him, vaguely, with each and every one of the incidents which have puzzled him within the month past--with Rix, with Doctor Warren's coming, with that cold and bitter letter from Miss Winthrop, and finally with the shock and faintness that overcame this fair young girl at sight of him.

To his father he has shown Miss Winthrop's letter, and briefly sketched the visit of Doctor Warren, and the sudden meeting with his daughter the evening previous. Mr. Abbot is in a whirl of indignation over the letter, which he considers an insult, but is all aflame with curiosity about the doctor and the young lady. He has been preparing to return to Boston this very week, but is now determined to wait until he can see these mysterious people, who are so oddly mixed up in his son's affairs.

It is with some difficulty that the major prevails upon him not to write to Miss Winthrop, and overwhelm her with reproaches. That letter must be answered only by the man to whom it was written, says Abbot, and it is evident that he does not mean to be precipitate. He has much to think of, and so drives back to Willard's and betakes himself to his room, where his father awaits him, and where they are speedily joined by an official of the secret service, who has a host of singular questions to ask about Hollins. Some of them have a tendency to make the young major wonder if he really has been the possessor of eyes and ears, or powers of discernment, during the past winter. Then come some inquiries about Rix. Abbot is forced to confess that he knows nothing of his antecedents, and that he was made quartermaster-sergeant at Hollins's request, at a time when n.o.body had a very adequate idea of what his duties might be.

"Who had charge of the distribution of the regimental mail all winter and spring?" asks the secret-service man, after looking over some memoranda.

"The quartermaster, ordinarily. The mail-bag was carried to and from the railway about thrice a week, while we were at Edward's Ferry in the fall. Rix looked after it then, and when we came down in front of Was.h.i.+ngton the matter still remained in his hands. There was never any complaint, that I can remember."

"Did any of your officers besides Mr. Hollins have civilian dress or disguise of any kind?"

"I did not know that he did--much less any of the others."

"He wore his uniform coming to the city, but would soon turn out in 'cits,' and in that way avoided all question from patrols. As he gambled and drank a good deal then, we thought, perhaps, it was a rule in the regiment that officers must not wear their uniforms when on a lark of any kind; but he was always alone, and seemed to have no a.s.sociates among the officers. What use could he have had for false beard and wig?"

"None whatever that I know of."

"He bought them here, as we know, and, presumably, took them down to camp with him. If he has deserted, he is probably masquerading in that rig now. I tell you this knowing you will say nothing of it, Major Abbot, and because I feel that you have had no idea of the real character of this man, and it is time you had."

Abbot bows silently. If the detective only knew what was going on at home, how much the more would he deem the missing quartermaster a suspicious character.

Then there comes a knock at the door, and, opening it, Major Abbot finds himself face to face with the nurse whom he had seen the previous afternoon in Doctor Warren's room. She looks up into his face with a smile that betokens a new and lively interest.

"The doctor left us but a few minutes ago," she says, "and he tells me my patient is on the mend. Of course, we have said nothing to him as yet about Miss Bessie's fainting yesterday, but--I thought you might be anxious to know how they are."

"I am indeed," says Abbot, cordially, "and thank you for coming. How is Miss Warren to-day?"

"She keeps her room, as is natural after one has been so agitated, and, of course, she does not like to speak of the matter, and has forbidden my telling the doctor--her father, I mean. But he will be sitting up to-morrow, probably, and--I thought you might like to see them. He is sleeping quietly now."

"Yes, I want very much to see him, as soon as he is well enough to talk, and, if the young lady should be well enough to come out into the parlor this afternoon or take the air on the piazza, will you let me know?"

The nurse's smiles of a.s.sent are beaming. Whether she, too, has seen that photograph Abbot cannot tell. That she has had the feminine keenness of vision in sighting a possible romance is beyond question.

The secret-service official is at Abbot's side as he turns back from the door.

"I shall see you again, perhaps to-morrow," he says; "meantime there is a good deal for us to do," and before the nurse has reached the sick man's door, she is politely accosted by the same urbane young man, and is by no means sorry to stop and talk with somebody about her sad-faced old patient and his wonderfully pretty daughter.

It was Abbot's purpose to devote a little time that afternoon to answering the letter received but yesterday from Miss Winthrop. It needs no telling--the fact that there had never been a love-affair in their engagement; and no one can greatly blame a woman who is dissatisfied with a loveless match. Viva Winthrop was not so unattractive as to be dest.i.tute of all possibility of winning adorers. Indeed, there was strong ground for believing that she fully realized the bliss of having at least one man's entire devotion. Whatsoever evil traits may have cropped out in Mr. Hollins's army career, _she_ had seen nothing of them, and knew only his thoughtful and lover-like attentions while they were abroad, and his a.s.siduous wooing on his return. Paul Abbot had never asked for her love--indeed, he had hardly mentioned the word as incidental to their engagement. Nevertheless, yielding to what she had long been taught to consider her fate, she had accepted the family arrangement--and him--and was the subject of incessant and enthusiastic congratulation. Abbot's gallant service and distinguished character as an officer had won the hearty admiration of all the circle in which she lived and moved and had her being, and she was thought an enviable girl to have won the love of so brave and so promising a man. A little more reserved and cold than ever had Miss Winthrop become, and the smile with which she thanked these many well-wishers was something wintry and weary in the last degree. If he had only loved her, there might have bloomed in her heart an answering pa.s.sion that would have filled her nature, and made her proudly happy in her choice. But that he had never had for her anything more than a brother-and-sister, boy-and-girl sort of affection--a kind, careless, yet courteous tenderness--was something she had to tell herself time and again, and to hear as well from the letters of a man whose letters she should have forbidden.

Even in his astonishment at the charge brought against him, and in his indignation at the accusation of deceit, Paul Abbot cannot but feel that allowances must be made for Viva Winthrop. He meant to marry her, to be a loyal and affectionate husband; but he had not loved her as women love to be loved, and she was conscious of the lacking chord. That she had been deceived and swindled, too, by some shameless scoundrel, and made to believe in her _fiance's_ guilt, was another thing that was plain to him. She had probably been told some very strong story of his interest in this other girl. Very probably, too, Hollins was the informer and, presumably, the designer of the plot. Who can tell how deep and d.a.m.nable it was, since it had been carried so far as to induce the Warrens to believe that he was the writer of scores of letters from the front? Then again, ever since he had raised that fainting girl in his arms, especially ever since the moment when her lovely eyes were lifted to his face and her sweet lips murmured his name, Paul Abbot has been conscious of a longing to see her again. Not an instant has he been able to forget her face, her beauty, her soft touch; the wave of color that rushed to her brow as he met her at her father's door when the nurse brought her, still trembling, back to the old man's bedside. He had murmured some hardly articulate words, some promise of coming to inquire for her on the morrow, and bowed his adieu. But now--now, he feels that not only Genevieve, but that Bessie Warren, too, has been made a victim of this scoundrel's plottings, and, though longing to see her and hear her speak again, he knows not what to say. It was hard enough to have to deny himself to the poor old doctor when he came out to the Monocacy. _Could_ he look in her face and tell her it was all a fraud; that some one had stolen and sent her his picture? some one had stolen and used his name, and, whatsoever were the letters, all were forgeries? No! He must wait and see Doctor Warren, and let her think him come back to life--let her think they _were_ his letters--rather than face her, and say it was all a lie. Yet he longs to see her once again.

But to Viva he must write without further delay. Her letter unquestionably frees him, and does it with a brusqueness that might excuse a man for accepting the situation without a word. If the engagement has ever been irksome to him it is now at an end, and he is in no wise responsible. Giving him no opportunity for denial, she has accused him of breach of faith and cast him off. Wounded pride, did he love her deeply, might now impel him to be silent. A sense of indignity and wrong might drive many a man to turn away at such a juncture, and leave to the future the unravelling of the plot. There are moments, it must be confessed, when Major Abbot is so stung by the letter that he is half disposed to take it as final, and let her bear the consequences of discovery of the fraud; but they are quickly followed by others in which he is heartily ashamed of himself for such a thought. Right or wrong, Viva Winthrop is a woman who has given her life into his hands; a woman who has been reared in every luxury only to be denied the one luxury a woman holds most precious of all. He has not been a devoted lover any more than he has been disloyal; and now that trouble has come to her, and she is deceived, perhaps endangered, Major Abbot quietly decides that the only obvious course for a gentleman to follow is to crush his pride under foot and to act and think for her. And this, after several attempts, is what he finally writes her:

"Your letter came last night, dear Viva, and I have thought long over it before answering. It is all my fault that this constraint has hung over your letters. I have seen it for months, and yet made no effort until lately to have it explained. Long ago, had I done so, you would probably have given me the reason, and I could have a.s.sured you of the error into which you were led. Now it seems that you and I are not the only ones involved.

"Neither to Miss Warren nor any other girl have I written since our engagement; but her father has been to see me, and tell me that many letters purporting to come from me have been received, and I have hardly time to recover from that surprise when your indignant charge is added. Taken together, the two point very strongly to a piece of villainy. You could never have believed this of me, Viva, without proofs; and I feel sure that letters must have been sent to you. Now that we are pus.h.i.+ng every effort to detect and punish the villain who has wrought this, and I fear other wrongs, such letters will be most important evidence, and I conjure you to send them to me by express at once. Father would come for them, but I need him here. I do not seek to inquire into your personal correspondence, Viva, but letters that bear upon this matter are of vital weight.

"As to my dismissal, may I not ask you to reconsider your words, and, in the light of my a.s.surance that I am innocent of the sin with which you have charged me, permit me to sign myself, as ever, lovingly and faithfully yours? PAUL."

It is no easy letter to write. He wants to be calm and just, and that makes it sound cold and utterly unimpa.s.sioned. Beyond doubt she would be far happier with a fury of reproaches, cutting sarcasm, and page after page of indignant denial. He also wants to be tender when he thinks of what he has not had to lavish on her in the past, and that prompts him to the little touch of sentiment at the close--a touch that is perhaps unwarranted by the facts in the case. There is a third matter, one that he does not want to mention at all, a name he hates to put on any page addressed to her; but he knows that it is due her she should be told the truth, and at last, just as sunset is coming, he adds a postscript:

"I feel that I must tell you that Mr. Hollins has been missing ever since Antietam, under circ.u.mstances that cloud his name with grave suspicion. It is no longer concealed that his conduct and character have left him practically friendless in the regiment, and that he could not long have retained his position. He is not worthy the friends.h.i.+p you felt for him, Viva; of that I am certain."

He is still pondering over this when his father comes in for a word or two.

"I am going over to call at Doctor Warren's room and ask how he is.

Possibly he may be able to see me. Have you written to--"

And he stops. He does not feel like saying "Viva" to or of the girl who has so misjudged his boy.

Abbot holds up the letter and its addressed envelope.

"Yes, and it must go at once or miss the mail."

"I'll post it for you, then, as I have to go to the office a moment,"

is the answer, and the elder stands looking at his son, while the latter quickly scans the last page, then folds and encloses it. Paul smiles into his father's eyes as he hands it, and the letter-bearer goes briskly away.

His footsteps have hardly become inaudible when there is a tap at the door, and behold! the nurse.

"You told me you would like to know when Miss Warren came out, major.

She is on the veranda now."

VIII.

Throwing over his shoulders the cape of his army overcoat, Major Abbot hastens from his room in the direction of the little gallery or veranda at the side of the house. Evening is just approaching, and the lights are beginning to twinkle on the broad avenue below. He has not yet had time to determine upon his course of conduct. If, as he begins to suspect, it is Bessie Warren who received all those guileful letters, his will be a most difficult part to play. He longs to speak with her as well as to see her, but at this moment he knows not what may be expected of him, and, rather than have to inflict mortification or pain upon so sweet a girl, he is almost ready to wish that it had been his privilege to write to her. The fact that her father was so overcome at his denial, the fact that she fainted at sight of him, the fact that her first words on reviving were to the effect that her father had told her Paul Abbot was dead--all seemed to point to the conclusion that she had received love-letters, and that she had become deeply interested in her unseen correspondent. It would be no difficult matter to act the lover, and endorse anything these letters might have said to such a girl, thinks Abbot, as he hastens along the carpeted corridor, but then there is his letter to Viva; there is the fact that he has virtually declined to release her. It is this thought that suddenly "gives him pause," and, at the very moment that he comes to the doorway leading to the veranda, causes him to stop short and reflect.

There is a little sitting-room opening off this hallway. One or two couples are chatting and gossiping therein, but Abbot steps past them to the window and gazes out. As he expected, there is a view of one end of the veranda, and there she stands, looking far out into the gathering night.

A sweeter, lovelier face one seldom sees; so delicate and refined in every feature, so gentle and trusting in its expression. Her deep mourning seems only to enhance her fragile beauty, and to render more observable the grace of her slender form. She leans against the iron trellis-work, and one slim white hand sweeps back the sunny hair that is playing about her temple. Her thoughts are not so very far away. He is standing in the shadow of a curtained niche in a room whose light comes mainly from the flickering coal-fire in the grate, for the October evening is chill. She stands where the light from the big lamps at the corner is sufficient to plainly show her every look and gesture. Abbot marks that twice or thrice, as footsteps are heard in the hall, she glances quickly towards the doorway; then that a shade of disappointment gathers on her brow as no one comes. Then, once or twice, timidly and furtively, she casts shy, quick glances aloft and towards the front of the building. It requires little calculation to tell Major Abbot that those glances are towards the window of his room. Then can it be that she is there, waiting him, impatient of his coming?

Whether or no, this is no place for him. He has no business here spying upon her. He has had his look; has seen again the sweet face that so fascinated him. Now, though he could gaze indefinitely, he feels that he should either go forth and meet her openly or, perhaps better, retire and avoid her entirely. Before he can summon courage to go he turns for one last look, and his course is decided for him.

A footstep, somewhat slow, either from a disposition to saunter on the part of the promenader or possible languor and weakness, is coming along the hallway. She hears it, too, and he sees how her white hands clasp the rail of the balcony, and how she turns her bonnie head to listen.

Nearer it comes; he cannot see who approaches, because that would involve his stepping back and losing sight of her; and as it nears the doorway he marks her eager, tremulous pose, and can almost see the beating of her heart. She has not turned fully towards the hall--just partially, as though a sidelong glance were all she dared give even in her joyous eagerness. Then a form suddenly darkens the portal, and just as suddenly a shadow of keen disappointment clouds her face. She turns abruptly, and once more gazes wistfully down the street.

The next thing Abbot sees is that the man is at her side; that he has accosted her; that she is startled and annoyed; and that although in totally different garb, her caller is no less a person than the secret-service official who visited him that morning. What on earth can that mean?

A War-Time Wooing Part 7

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A War-Time Wooing Part 7 summary

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