Fifty Contemporary One-Act Plays Part 88

[_Evelyn is leaning forward pondering this philosophy with a slightly puckered brow--a slight pause_]. I say, _you_ don't look a bit comfortable like that. Lean back against the tree. It's a first-rate tree. That's why I chose it.

EVELYN [_tries and fails_]. I can't. My hat gets in the way.

CECIL. Take it off then.

EVELYN. I think I will. [_Does so._] That's better. [_Leans back luxuriously against the trunk; puts her hat down on bank beside her._]

CECIL. Much better. [_Looks at her with frank admiration._] By Jove, you _do_ look jolly without your hat!

EVELYN. Do I?

CECIL. Yes. Your hair's such a jolly color. I noticed it the first time I saw you. You had your hat off then, you know. You were walking through the wood fanning yourself with it. And directly I caught sight of you the sun came out and simply flooded your hair with light. And there was the loveliest pink flush on your cheeks, and your eyes were soft and s.h.i.+ning--

EVELYN [_troubled_]. Mr. Harburton, you mustn't say things to me like that.

CECIL. Mustn't I? Why not? Don't you like being told you look jolly?

EVELYN [_navely_]. I do _like_ it, of course. But _ought_ you...?

CECIL [_groans_]. Oh, it's _that_ again.

EVELYN. I mean, it's not _right_ for men to say those things to girls.

CECIL. I don't see that--if they're true. You _are_ pretty and your eyes _are_ soft and your cheeks--why, they're flus.h.i.+ng at this moment!

[_Triumphant._] Why shouldn't I say it?

EVELYN. Please!... [_She stops, and her eyes fill with tears._]

CECIL [_much concerned_]. Miss Rivers, what's the matter? Why, I believe you're crying!

EVELYN [_sniffing suspiciously_]. I'm ... not.

CECIL. You are, I can see the tears. Have I said anything to hurt you?

What is it? Tell me. [_Much concerned._]

EVELYN [_recovering herself by an effort_]. It's nothing, nothing really. I'm all right now. Only you won't say things to me like that again, will you? Promise. [_Taking out handkerchief._]

CECIL. I promise ... if you really wish it. And now dry your eyes and let's be good children. That's what my nurse used to say when my sister and I quarreled. Shall I dry them for you? [_Takes her handkerchief and does so tenderly._]

EVELYN [_with a gulp_]. Thank you. [_Takes away handkerchief._] How absurd you are! [_Puts it away._]

CECIL. Thank _you_!

[_Evelyn moves down, sitting at bottom of bank, a little below him._]

EVELYN. Did you often quarrel with your sister?

CECIL. Perpetually. _And_ my brothers. Didn't you?

EVELYN. I never had any.

CECIL. Poor little kid. You must have been rather lonely.

EVELYN [_matter-of-fact_]. There was always Reggie.

CECIL. Reggie?

EVELYN. My cousin, Reggie Townsend. He lived with us when we were children. His parents were in India.

CECIL [_matter-of-fact_]. So he used to quarrel with you instead.

EVELYN [_shocked_]. Oh no! We _never_ quarreled. At least, Reggie never did. _I_ did sometimes.

CECIL. How dull! There's no good in quarreling if people won't quarrel back.

EVELYN. I don't think there's any good in quarreling at all.

CECIL. Oh, yes, there is. There's the making it up again.

EVELYN. Was that why you used to quarrel with your sister?

CECIL. I expect so, though I didn't know it, of course--then. I used to tease her awfully, I remember, and pull her hair. She had awfully jolly hair. Like yours--oh! I forgot, I mustn't say that. Used you to pull Reggie's hair?

EVELYN [_laughing_]. I'm afraid I did sometimes.

CECIL. I was sure of it. How long was he with you?

EVELYN. Till he went to Winchester. And of course he used to be with us in the holidays after that. And he comes to us now whenever he can get away for a few days. He's in his uncle's office in the city. He'll be a partner some day.

CECIL. Poor chap!

EVELYN. _Poor_ chap! Mother says he's very _fortunate_.

CECIL. She would. Parents always think it very fortunate when young men have to go to an office every day. I know mine do.

EVELYN. _Do_ you go to an office every day?

CECIL. No.

EVELYN [_with dignity_]. Then I don't think you can know much about it, can you?

CECIL [_carelessly_]. I know too much. That's why I don't go.

EVELYN. What _do_ you do?

CECIL. I don't do anything. I'm at the Bar.

EVELYN. If you're at the Bar, why are you down here instead of up in London working?