Celibates Part 11

'But I'm quite well, there's really nothing the matter. It was only that I felt I couldn't go on working this afternoon. The model bored me, and it was so hot. It was very good of you to come and see me like this.'

'We've had a jolly time and have done a lot of work.'

'Elsie has done a girl weaving a daisy-chain in a meadow. It is wonderful how she has got the sunlight on the gra.s.s. All our things are in the studio, you will see them to-morrow.'

'I don't see why I shouldn't see them to-day. I'll dress myself.'

The account they gave of their summer outing was tantalising to the tired and jaded girl. She imagined the hushed and shady places, the murmuring mystery of bird and insect life. She could see them going forth in the mornings with their painting materials, sitting at their easels under the tall trees, intent on their work or lying on rugs spread in the shade, the blue smoke of cigarettes curling and going out, or later in the evening packing up easels and paint-boxes, and finding their way out of the forest.

It was Elsie who did most of the talking. Cissy reminded her now and then of something she had forgotten, and, when they turned into the Pa.s.sage des Panoramas, Elsie was deep in an explanation of the folly of square brush work. Both were converts to open brush work. They had learnt it from a very clever fellow, an impressionist. All his shadows were violet. She did not hold with his theory regarding the division of the tones: at least not yet. Perhaps she would come to it in time.

Mildred liked Elsie's lady in a white dress reading under a rhododendron tree in full blossom. Cissy had painted a naked woman in the garden suns.h.i.+ne. Mildred did not think that flesh could be so violet as that, but there was a dash and go about it that she felt she would never attain. It seemed to her a miracle, and, in her admiration for her friend's work, she forgot her own failure. The girls dined at a Bouillon Duval and afterwards they went to the theatre together.

Next morning they met, all three, in the studio; the model was interesting, Mildred caught the movement more happily than usual; her friends' advice had helped her.

But at least two years would have to pa.s.s before she would know if she had the necessary talent to succeed as an artist. For that while she must endure the drudgery of the studio and the boredom of evenings alone with Mrs. Fargus. She went out with Elsie and Cissy sometimes, but the men they introduced her to were not to her taste. She had seen no one who interested her in Paris, except perhaps M. Daveau. That thick-set, black-bearded southern, with his subtle southern manner, had appealed to her, in a way. But M. Daveau had been ordered suddenly to Royon for gout and rheumatism, and Mildred was left without any one to exercise her attractions upon. She spent evening after evening with Mrs. Fargus, until the cropped hair, the spectacles, above all, the black satin dress with the crimson scarf, getting more and more twisted, became intolerable. And Mr. Fargus' cough and his vacuous conversation, in which no shadow of an idea ever appeared, tried her temper. But she forebore, seeing how anxious they were to please her.

That was the worst. These simple kind-hearted people saw that their sitting-room bored Mildred, and they often took her for drives in the Bois after dinner. Crazed with boredom Mildred cast side-long glances of hatred at Mrs. Fargus, who sat by her side a mute little figure lost in Comte. Mr. Fargus' sallow-complexioned face was always opposite her; he uttered commonplaces in a loud voice, and Mildred longed to fling herself from the carriage. At last, unable to bear with reality, she chattered, laughed, and told stories and joked until her morose friends wondered at her happiness. Her friends were her audience; they sufficed to stimulate the histrionic spirit in her, and she felt pleased like an actor who has amused an audience which he despises.

She had now been in Paris seven months, but she had seen little of Paris except the studio and the Bouillon Duval where she went to breakfast with Elsie and Cissy. The spectacle of the Boulevards, the trees and the cafes always the same, had begun to weary her. Her health, too, troubled her a little, she was not very strong, and she had begun to think that a change would do her good. She would return to Paris in the spring; she would spend next summer in Barbizon; she was determined to allow nothing to interfere with her education; but, for the moment, she felt that she must go back to Sutton. Every day her craving for England grew more intolerable. She craved for England, for her home, for its food, for its a.s.sociations. She longed for her own room, for her garden, for the trap. She wanted to see all the girls, to hear what they thought of her absence. She wanted to see Harold.

At first his letters had irritated her, she had said that he wanted her to look after his house; she had argued that a man never hesitates to put aside a woman's education, if it suits his convenience. But now it seemed to her that it would be unkind to leave Harold alone any longer. It was manifestly her duty to go home, to spend Christmas with him. She was only going to Sutton for a while. She loved France, and would certainly return. She knew now what Paris was like, and when she returned it would be alone, or in different company. Mrs. Fargus was very well, but she could not go on living with her for ever. She would come in useful another time. But, for the moment, she could not go on living with her, she had become a sort of Old Man of the Sea, and the only way to rid herself of her was by returning to England.

An imperative instinct was drawing her back to England, but another instinct equally strong said: 'As soon as I am rested, nothing shall prevent me from returning to Paris.'

X.

The sea was calm and full of old-fas.h.i.+oned brigs and barques. She watched them growing small like pictures floating between a green sea and a mauve sky; and then was surprised to see the white cliffs so near; and the blowing woodland was welcome after the treeless French plain.

Harold was to meet her at Victoria, and when she had answered his questions regarding the crossing, and they had taken their seats in the suburban train, he said:

'You're looking a little tired, you've been over-doing it.'

'Yes, I've been working pretty hard,' she said, and the conversation paused.

The trap was waiting for them at the station and, when they got in, Mildred said: 'I wonder what there will be for dinner.'

'I think there is boiled salmon and a roast leg of mutton. Will that suit you?'

'Well,' said Mildred, 'isn't that taking a somewhat sudden leap?'

'Leap where?'

'Why, into England. I should have thought that some sort of dish--a roast chicken or a boiled chicken would have been a _pas de Calais_ kind of dish.'

'You shall have roast chicken to-morrow, or would you like them boiled?'

'I don't mind,' said Mildred, more disappointed at the failure of her joke than at the too substantial fare that awaited her. 'Poor Harold,'

she thought, 'is the best of fellows, but, like all of them, he can't see a joke. The cooking I can alter, but he'll always remain boiled and roast leg of mutton.'

But, though with little sense of humour, Harold was not as dense as Mildred thought. He saw that her spirits were forced, that she was in ill-health, and required a long rest. So he was not surprised to hear in the morning that she was too tired to come down to breakfast; she had a cup of tea in her room, and when she came down to the dining- room she turned from the breakfast table. She could touch nothing, and went out of doors to see what kind of day it was.

The skies were grey and lowering, the little avenue that led to the gate was full of dead leaves; they fluttered down from the branches; the lawn was soaked, and the few flowers that remained were pale and worn. A sense of death and desolation pervaded the damp, moist air; Mildred felt sorrow mounting in her throat, and a sense of dread, occasioned by the sudden showering of a bough, caused her to burst into tears. She had no strength left, she felt that she was going to be ill, and trembled lest she should die.

To die, and she so young! No, she would live, she would succeed. But to do that she must take more care of her health. She would eat no more bon-bons; she threw the box away. And, conquering her repugnance to butchers' meat, she finished a chop and drank a couple of gla.s.ses of wine for lunch. The food did her good, and she determined to take a long rest. For a month she would do nothing but rest, she would not think of painting, she would not even draw on the blotting-pad. Rest was what she wanted, and there was no better place to rest than Sutton.

'If it weren't so dull.' She sighed and looked out on the wet lawn. No one would call, no one knew she had come home. Was it wise for her to venture out, and on such a day? She felt that it was not, and immediately after ordered the trap.

She went to call on some friends.... If they would allow her to bring Mabel back to dinner it would be nice, she could show Mabel her dresses and tell her about Paris. But Mabel was staying with friends in London. This was very disappointing, but determined to see some one Mildred went a long way in search of a girl who used to bore her dreadfully. But she too was out. Coming home Mildred was caught in the rain; the exertion of changing her clothes had exhausted her, and sitting in the warmth of the drawing-room fire she grew fainter and fainter. The footman brought in the lamp. She got up in some vague intention of fetching a book, but, as she crossed the room, she fell full length along the floor.

XI.

When she was able to leave her room she was ordered to the sea-side.

After a fortnight in Brighton she went to stay with some friends in town. Christmas she spent in Sutton. There was a large party of Harold's friends, business folk, whom Mildred hated. She was glad when they left, and she was free to choose the room that suited her purpose best. She purchased draperies, and hired models, and commenced a picture. She commenced a second picture, but that too went wrong; she then tried a few studies. She got on better with these, but it soon became clear to her that she could not carry out her ideas until she had learned to draw.

Another two years of hard work in the studio were necessary. But as she was not going to Paris till the spring her thoughts turned to the National Gallery, and on the following week she commenced copying a head by Greuse. She had barely finished sketching in the head when Miss Brand told her that Ralph was very ill and was not expected to live. She laid her charcoal on the easel, the movement was very slow, and she lifted a frightened face.

'What is the matter with him? Do you know?'

'He caught a bad cold about a month ago, he doesn't seem ever to have got over it. But for a long time he has been looking worried, you know the look of a man who has something on his mind.'

A close observer might have noticed that the expression on Mildred's face changed a little. 'He is dying for me,' she thought. 'He is dying for love of me.' And as in a ray of sunlight she basked for a moment in a little glow of self-satisfaction. Then, almost angrily, she defended herself against herself. She was not responsible for so casual a thought, the greatest saint might be the victim of a wandering thought. She was, of course, glad that he liked her, but she was sorry that she had caused him suffering. He must have suffered.

Men will sacrifice anything for their pa.s.sions. But no, Ralph had always been nice with her, she owed him a great deal; they had had pleasant times together--in this very gallery. She could remember almost every word he said. She had liked him to lean over her shoulder, and correct her drawing. He would never do so again.

Good heavens! ... Just before Miss Brand came up to speak to her she was wondering if she should meet him in the gallery, and what he would think of the Greuse. He wouldn't care much about it. He didn't care much about the French eighteenth century, of course he admired Watteau, but it was an impersonal admiration, there was nothing of the Watteau, Greuse, Pater, or Lancret in him. He was purely English. He took no interest in the unreal charm that that head expressed. Of course, no such girl had ever existed or could exist, those melting eyes and the impossible innocence of that mouth! It was the soul of a courtesan in the body of a virgin. She was like that, somewhat like that; and, inspired by the likeness between herself and the picture, Mildred took up her charcoal and continued her drawing.

But she must have been thinking vaguely all the while of Ralph, for suddenly her thoughts became clear and she heard the words as if they had been read to her: 'Lots of men have killed themselves for women, but to die of a broken heart proves a great deal more. Few women have inspired such a love as that.... If it were known--if--she pushed the thought angrily aside as one might a piece of furniture over which one has stumbled in the dark. It was shocking that thoughts should come uncalled for, and such thoughts! the very opposite of what she really felt. That man had been very good to her; she had liked him very much.

It was shocking that she had been the cause of his death. It was too terrible. But it was most improbable, it was much more likely that his illness was the effect of the cold he had caught last month. Men did not die of broken hearts. She had nothing whatever to do with it....

And yet she didn't know. When men like him set their hearts on a woman--she was very sorry, she was sorry. But there was no use thinking any more about it...

So she locked up her paint-box and left the gallery. She was nervous; her egotism had frightened her a little. He was dying, and for her, yet she felt nothing. Not only were her eyes dry, but her heart was too. A pebble with her own name written on it, that was her heart. She wished to feel, she longed for the long ache of regret which she read of in books, she yearned for tears. Tears were a divine solace, grief was beautiful. And all along the streets she continued to woo sorrow-- she thought of his tenderness, the real goodness of his nature, his solicitude for her, and she allowed her thoughts to dwell on the pleasant hours they had pa.s.sed together.

Her heart remained unmoved, but her feet led her towards St. James'

Park. She thought she would like to see it again, and when she stood on the bridge where they had so often stood, when she visited the seat where they had often sat chatting under the budding trees her eyes would surely fill with tears, and she would grieve for her dying lover as appropriately as any other woman.

But that day the park was submerged in blue mist. The shadows of the island fell into the lake, still as death; and the birds, moving through the little light that lingered on the water, seemed like shadows, strange and woe-begone. To Mildred it seemed all like death.

She would never again walk with him in the pretty spring mornings when light mist and faint sunlight play together, and the trees shake out their foliage in the warm air. How sad it all was. But she did feel sorry for him, she really was sorry, though she wasn't overcome with grief. But she had done nothing wrong. In justice to herself she could not admit that she had. She always knew just where to draw the line, and if other girls did not, so much the worse for them. He had wanted to marry her, but that was no reason why she should marry him. She may have led him to expect that she would sooner or later, but in breaking with him she had done the wisest thing. She would not have made him happy; she was not sure that she could make any man happy...

Awaking from her thoughts she reproached herself for her selfishness, she was always thinking of herself... and that poor fellow was dying for love of her! She knew what death was; she too had been ill. She was quite well now, but she had been ill enough to see to the edge of that narrow little slit in the ground, that terrible black little slit whence Ralph was going, going out of her sight for ever, out of sight of the park, this park which would be as beautiful as ever in another couple of months, and where he had walked with her. How terrible it was, how awful--and how cold, she could not stand on the bridge any longer. She s.h.i.+vered and said, 'I'm catching a cold.'

For the sake of her figure she never wore quite enough clothes, and she regretted her imprudence in standing so long on the misty bridge.

She must take care of herself, for her to feel ill would serve no purpose--she would not be able to see Ralph, and she wanted to see him above all things. As she crossed the open s.p.a.ce in front of Buckingham Palace the desire to see him laid hold of her. She must know if he were really dying. She would, drive straight to his studio. She had been there before, but then she knew no one would be there. She would have to risk the chance of some one seeing her going in and coming out. But no matter who saw her, she must go. She hailed a hansom, and the discovery that she was capable of so much adventure, pleased her.

She thought of his poor sick-bed in the dark room behind the studio.