Half Portions Part 24

"'S right."

"How's Gertie?"

"Don't get me started, Mrs. Buck. That girl!--say, I knew what she was when I married her, and so did you. She was head stenographer here long enough. But I never really knew that kid until now, and we've been married two years. You know what the last year has been for her; the baby and all. And then losing him. And do you know what she says! That if there was somebody who knew the Western territory and could cover it, she'd get a job and send me to war. Yessir! That's Gert. We've been married two years, and she says herself it's the first really happy time she's ever known. You know what she had at home. Why, even when I was away on my long spring trip she used to say it wasn't so bad being alone, because there was always my home-coming to count on. How's that for a wife!"

"Gertie's splendid," agreed Emma. And wondered why it sounded so lame.

"You don't know her. Why, when it comes to patriotism, she makes T.R.

look like a pacifist. She says if she could sell my line on the road, she'd make you give her the job so she could send her man to war. Gert says a travelling man's wife ought to make an ideal soldier's wife, anyway; and that if I went it would only be like my long Western trip, multiplied by about ten, maybe. That's Gertie."

Emma was fingering the cotton-flannel garment on the table.

Buck crossed the room and stood beside her. "Sorry I kept you waiting.

Three of the boys were called to-day. It crippled us pretty badly in the s.h.i.+pping room. Ready?"

"Yes. Good-night, Charley. Give my love to Gertie."

"Thanks, Mrs. Buck." He picked up his cigar, took an apprehensive puff and went on ticketing and folding. There was a grin behind the cigar now.

Into the late afternoon glitter of Fifth Avenue. Five o'clock Fifth Avenue. Flags of every nation, save one. Uniforms of every blue from French to navy; of almost any shade save field green. Pongee-coloured Englishmen, seeming seven feet high, to a man; aviators slim and elegant, with walking sticks made of the propeller of their shattered planes, with a notch for every Hun plane bagged. Slim girls, exotic as the orchids they wore, gazing limpid-eyed at these warrior _elegants_.

Women uniformed to the last degree of tailored exquisiteness. Girls, war accoutred, who brought arms up in sharp salute as they pa.s.sed Emma. Buck eyed them gravely, hat and arm describing parabolas with increasing frequency as they approached Fiftieth Street, slackening as the colourful pageant grew less brilliant, thinned, and faded into the park mists.

Emma's cheeks were a glorious rose-pink. Head high, shoulders back, she matched her husband's long stride every step of the way. Her eyes were bright and very blue.

"There's a beautiful one, T.A.! The Canadian officer with the limp.

They've all been ga.s.sed, and shot five times in the thigh and seven in the shoulder, and yet look at 'em! What do you suppose they were when they were new if they can look like that, damaged!"

Buck cut a vicious little semi-circle in the air with his walking stick.

"I know now how the father of the Gracchi felt, and why you never hear him mentioned."

"Nonsense, T.A. You're doing a lot." She did not intend her tone to be smug; but if she had glanced sidewise at her husband, she might have seen the pained red mount from chin to brow. She did not seem to sense his hurt. They went on, past the plaza now. Only a few blocks lay between them and their home; the old brownstone house that had been New York's definition of architectural elegance in the time of T.A. Buck, Sr.

"Tell me, Emma. Does this satisfy you--the work you're doing, I mean? Do you think you're giving the best you've got?"

"Well, of course I'd like to go to France--"

"I didn't ask you what you'd like."

"Yes, sir. Very good, sir. I don't know what you call giving the best one has got. But you know I work from eight in the morning until midnight, often and often. Oh, I don't say that someone else couldn't do my work just as well. And I don't say, either, that it doesn't include a lot of das.h.i.+ng up and down Fifth Avenue, and teaing at the Ritz, and meeting magnificent Missions, and being cooed over by Lady Millionaires.

But if you'd like a few statistics as to the number of hundreds of thousands of soldiers we've canteened since last June, I'd be pleased to oblige." She tugged at a capacious pocket and brought forth a smart leather-bound notebook.

"Spare me! I've had all the statistics I can stand for one day at the office. I know you're working hard. I just wondered if you didn't realize--"

They turned into their own street. "Realize what?"

"Nothing. Nothing."

Emma sighed a mock sigh and glanced up at the windows of her own house.

"Oh, well, everybody's difficult these days, T.A., including husbands.

That second window shade is crooked. Isn't it queer how maids never do.... I'll tell you what I can realize, though. I realize that we're going to have dinner at home, reg'lar old-fas.h.i.+oned befo'-de-war. And I can bathe before dinner. There's richness."

But when she appeared at dinner, glowing, radiant, her hair s.h.i.+ningly re-coifed, she again wore the blue uniform, with the service cap atop her head. Buck surveyed her, unsmiling. She seated herself at table with a little clinking of buckles and b.u.t.tons. She flung her motor gloves on a near-by chair, ran an inquiring finger along belt and collar with a little gesture that was absurdly feminine in its imitation of masculinity. Buck did not sit down. He stood at the opposite side of the table, one hand on his chair, the knuckles showing white where he gripped it.

"It seems to me, Emma, that you might manage to wear something a little less military when you're dining at home. War is war, but I don't see why you should make me feel like your orderly. It's like being married to a policewoman. Surely you can neglect your country for the length of time it takes to dine with your husband."

It was the bitterest speech he had made to her in the years of their married life. She flushed a little. "I thought you knew that I was going out again immediately after dinner. I left at five with the understanding that I'd be on duty again at 8.30."

He said nothing. He stood looking down at his own hand that gripped the chair back so tightly. Emma sat back and surveyed her trim and tailored self with a placidity that had in it, perhaps, a dash of malice. His last speech had cut. Then she reached forward, helped herself to an olive, and nibbled it, head on one side.

"D'you know, T.A., what I think? H'm? I think you're jealous of your wife's uniform."

She had touched the match to the dynamite.

He looked up. At the blaze in his eyes she shrank back a little. His face was white. He was breathing quickly.

"You're right! I am. I am jealous. I'm jealous of every buck private in the army! I'm jealous of the mule drivers! Of the veterinarians. Of the stokers in the transports. Men!" He doubled his hand into a fist. His fine eyes glowed. "Men!"

And suddenly he sat down, heavily, and covered his eyes with his hands.

Emma sat staring at him for a dull, sickening moment. Then she looked down at herself, horror in her eyes. Then up again at him. She got up and came over to him.

"Why, dear--dearest--I didn't know. I thought you were satisfied. I thought you were happy. You--"

"Honey, the only man who's happy is the man in khaki. The rest of us are gritting our teeth and pretending."

She put a hand on his shoulder. "But what do you want--what can you do that--"

He reached back over his shoulder and found her hand. He straightened.

His head came up. "They've offered me a job in Bordeaux. It isn't a fancy job. It has to do with merchandising. But I think you know they're having a devil of a time with all the millions of bales of goods. They need men who know materials. I ought to. I've handled cloth and clothes enough. I know values. It would mean hard work--manual work lots of times. No pay. And happiness. For me." There was a silence. It seemed to fill the room, that silence. It filled the house. It roared and thundered about Emma's ears, that silence. When finally she broke it:

"Blind!" she said. "Blind! Deaf! Dumb! _And_ crazy." She laughed, and two tears sped down her cheeks and dropped on the unblemished blue serge uniform. "Oh, T.A.! Where have I been? How you must have despised me.

Me, in my uniform. In my uniform that was costing the Government three strapping men. My uniform, that was keeping three man-size soldiers out of khaki. You, Jock, and Fisk. Why didn't you tell me, dear! Why didn't you tell me!"

"I've tried. I couldn't. You've always seen things first. I couldn't ask you to go back to the factory."

"Factory! Factory nothing! I'm going back on the road. I'm taking Fisk's Western territory. I know the Middle West better than Fisk himself. I ought to. I covered it for ten years. I'll pay Gertie Fisk's salary until she's able to come back to us as stenographer. We've never had one so good. Grace can give the office a few hours a week. And we can promote O'Brien to manager while I'm on the road."

Buck was staring at her, dully. "Grace? Now wait a minute. You're travelling too fast for a mere man." His hand was gripping hers, tight, tight.

Their dinner was cooling on the table. They ignored it. She pulled a chair around to his. They sat shoulder to shoulder, elbows on the cloth.

"It took me long enough to wake up, didn't it? I've got to make up for lost time. The whole thing's clear in my mind. Now get this: Jock gets a commission. Grace and the babies pack up and come to New York, and live right here, with me, in this house. Fisk goes to war. Gertie gets well and comes back to work for Featherlooms. Mr. T.A. Buck goes to Bordeaux.

Old Emmer takes off her uniform and begins to serve her country--on the road."

At that he got up and began pacing the room. "I can't have you do that, dear. Why, you left all that behind when you married me."

"Yes, but our marriage certificate didn't carry a war guarantee."