Half Portions Part 30

That afternoon Mrs. Scaritt went down to the office of the _Eagle_ and inserted a neat ad.

LACE CURTAINS DONE UP LIKE NEW. 25 CENTS A PR. MRS. SCARITT, 639 OUTAGAMIE ST.

For years afterward you never pa.s.sed the Scaritt place without seeing the long skeleton frames of wooden curtain stretchers propped up against the back porch in the sun. Mrs. Scaritt became famous for her curtains as an artist is known for his middle distances, his woodland green, or his flesh tones. In time even the Hattons, who had always heretofore sent their fine curtains to Milwaukee to be cleaned, trusted their lacy treasures to Mrs. Scaritt's expert hands.

Chug went to high school on those lace curtains. He used to call for and deliver them. He rigged up a shelf-like device on his bicycle handlebars. On this the freshly laundered curtains reposed in their neat paper wrappings as unwrinkled as when they had come from the stretching frame.

At seventeen he went to work in the Elite Garage. He hadn't been there a month before the owner was saying, "Say, Chug, take a look at this here bus, will you? She don't run right but I can't find out what's got into her."

Chug would put his ear to the heart of the car, and tap its vitals, and count its pulse-beats as a doctor sounds you with his stethoscope. The look on his face was that of a violinist who tries his G-string.

For the rest, he filled gas tanks, changed and pumped up tires, tested batteries, oiled tappets. But the thing that fascinated him was the engine. An oily, blue-eyed boy in spattered overalls, he was always just emerging from beneath a car, or crawling under it. When a new car came in, en route--a proud, glittering affair--he always managed to get a chance at it somehow, though the owner or chauffeur guarded it ever so jealously. The only thing on wheels that he really despised was an electric brougham. Chippewa's well-paved streets made these vehicles possible. Your true garage man's feeling for electrics is unprintable.

The least that they called them was juice-boxes.

At home Chug was forever rigging up labour-saving devices for his mother. The Scaritt's window-shades always rolled; their doorbell always rang with a satisfactory zing; their suction-pump never stuck. By the time he was twenty Chug was manager of the garage and his mother was saying, "You're around that garage sixteen hours a day. When you're home you're everlastingly reading those engineering papers and things. Your pa at your age had a girl for every night in the week and two on Sundays."

"Another year or so and I can buy out old Behnke and own the place.

Soon's I do I'm going to come home in the speediest boat in the barn, and I'm going to bust up those curtain frames into kindling wood, over my knee, and pile 'em in the backyard and make a bonfire out of 'em."

"They've been pretty good friends to us, Chug--those curtain frames."

"Um." He glanced at her parboiled fingers. "Just the same, it'll be nix with the lace curtains for you."

Glancing back on what has been told of Chug he sounds, somehow, so much like a modern Rollo, with a dash of Alger, that unless something is told of his social side he may be misunderstood.

Chug was a natural born dancer. There are young men who, after the music has struck up, can start out incredibly enough by saying: "What is this, anyway--waltz or fox trot?" This was inconceivable to Chug. He had never had a dancing lesson in his life, but he had a sense of rhythm that was infallible. He could no more have danced out of time than he could have started a car on high, or confused a flivver with a Twelve. He didn't look particularly swanlike as he danced, having large, sensible feet, but they were expert at not being where someone else's feet happened to be, and he could time a beat to the fraction of a second.

When you have practically spent your entire day sprawled under a balky car, with a piece of dirty mat between you and the cement floor, your view limited to crank-case, transmission, universal, fly-wheel, differential, pan, and brake-rods you can do with a bit of colour in the evening. And just here was where Chippewa failed Chug.

He had a grave problem confronting him in his search for an evening's amus.e.m.e.nt. Chippewa, Wisconsin, was proud of its paved streets, its thirty thousand population, its lighting system, and the Greek temple that was the new First National Bank. It boasted of its interurban lines, its neat houses set well back among old elms, its paper mills, its plough works, and its prosperity. If you had told Chippewa that it was criminally ignoring Chug's crying need it would have put you down as mad.

Boiled down, Chug Scaritt's crying need was girls. At twenty-two or three you must have girls in your life if you're normal. Chug was, but Chippewa wasn't. It had too many millionaires at one end and too many labourers at the other for a town of thirty thousand. Its millionaires had their golf club, their high-powered cars, their smart social functions. They were always running down to Chicago to hear Galli-Curci; and when it came to costume--diamond bracelet, daring decolletage, large feather fans, and brilliant-buckled slippers--you couldn't tell their women from the city dwellers. There is much money in paper mills and plough works.

The mill hands and their families were well-paid, thrifty, clannish Swedes, most of them, with a liberal sprinkling of Belgians and Slavs.

They belonged to all sorts of societies and lodges to which they paid infinitesimal dues and swore lifelong allegiance.

Chug Scaritt and boys of his kind were left high and dry. So, then, when Chug went out with a girl it was likely to be by way of someone's kitchen; or with one of those who worked in the rag room at the paper and pulp mill. They were the very girls who switched up and down in front of the garage evenings and Sat.u.r.day afternoons. Many of them had been farm girls in Michigan or northern Wisconsin or even Minnesota. In Chippewa they did housework. Big, robust girls they were, miraculously well dressed in good shoes and suits and hats. They had bad teeth, for the most part, with a sc.u.m over them; over-fond of coffee; and were rather dull company. But they were good-natured, and hearty, and generous.

The paper-mill girls were quite another type. Theirs was a grayish pallor due to lungs dust-choked from work in the rag room. That same pallor promised ill for future generations in Chippewa. But they had a rather appealing, wistful fragility. Their eyes generally looked too big for their faces. They possessed, though, a certain vivacity and diablerie that the big, slower-witted Swede girls lacked.

When Chug felt the need of a dash of red in the evening he had little choice. In the winter he often went up to Woodman's Hall. The dances at Woodman's Hall were of the kind advertised at fifty cents a couple.

Extra lady, twenty-five cents. Ladies without gents, thirty-five cents.

Bergstrom's two-piece orchestra. Chug usually went alone, but he escorted home one of the ladies-without-gents. It was not that he begrudged the fifty cents. Chug was free enough with his money. He went to these dances on a last-minute impulse, almost against his will, and out of sheer boredom. Once there he danced every dance and all the encores. The girls fought for him. Their manner of dancing was cheek to cheek, in wordless rhythm. His arm about the ample waist of one of the Swedish girls, or clasping close the frail form of one of the mill hands, Chug would dance on and on, indefatigably, until the music played "Home Sweet Home." The conversation, if any, varied little.

"The music's swell to-night," from the girl.

"Yeh."

"You're some little dancer, Chug, I'll say. Honest, I could dance with you forever." This with a pressure of the girl's arm, and spoken with a little accent, whether Swedish, Belgian, or Slavic.

"They all say that."

"Crazy about yourself, ain't you!"

"Not as crazy as I am about you," with tardy gallantry.

He was very little stirred, really.

"Yeh, you are. I wish you was. It makes no never minds to you who you're dancing with, s'long's you're dancing."

This last came one evening as a variant in the usual formula. It startled Chug a little, so that he held the girl off the better to look at her. She was Wanda something-or-other, and anybody but Chug would have been alive to the fact that she had been stalking him for weeks with a stolid persistence.

"Danced with you three times to-night, haven't I?" he demanded. He was rather surprised to find that this was so.

"Wisht it was thirty."

That was Wanda. Her very eagerness foiled her. She cheapened herself.

When Chug said, "Can I see you home?" he knew the answer before he put the question. Too easy to get along with, Wanda. Always there ahead of time, waiting, when you made a date with her. Too ready to forgive you when you failed to show up. Telephoned you when you were busy. Didn't give a fellow a chance to come half way, but went seven eighths of it herself. An ignorant, kindly, dangerous girl, with the physical development of a woman and the mind of a child. There were dozens like her in Chippewa.

If the girls of his own cla.s.s noticed him at all it was the more to ignore him as a rather grimy mechanic pa.s.sing briefly before their vision down Outagamie Street on his way to and from dinner. He was shy of them. They had a middle-cla.s.s primness which forbade their making advances even had they been so inclined. Chug would no more have sc.r.a.ped acquaintance with them than he would have tried to flirt with Angie Hatton, Old Man Hatton's daughter, and the richest girl in Chippewa--so rich that she drove her own car with the chauffeur stuck up behind.

You didn't have to worry about Wanda and her kind. There they were, take them or leave them. They expected you to squeeze their waist when you danced with them, and so you did. You didn't have to think about what you were going to say to them.

Mrs. Scaritt suspected in a vague sort of way that Chug was "running with the hired girls." The thought distressed her. She was too smart a woman to nag him about it. She tried diplomacy.

"Why don't you bring some young folks home to eat, Chug? I like to fuss around for company." She was a wonderful cook, Mrs. Scaritt, and liked to display her skill.

"Who is there to bring?"

"The boys and girls you go around with. Who is it you're always fixing up for, evenings?"

"n.o.body."

Mrs. Scaritt tried another tack.

"I s'pose this house isn't good enough for 'em? Is that it?"

"Good enough!" Chug laughed rather grimly. "I'd like to know what's the matter with it!"

There was, as a matter of fact, nothing the matter with it. It was as spick and span as paint and polish could make it. The curtain-stretching days were long past. There had even been talk of moving out of the house by the tracks, but at the last moment Mrs. Scaritt had rebelled.

"I'll miss the sound of the trains. I'm used to 'em. It's got so I can tell just where my right hand'll be when the seven fifty-two goes by in the morning, and I've got used to putting on the potatoes when I hear the 'leven-forty. Let's stay, Chug."

So they had stayed. Gradually they had added an improvement here, a convenience there, as Chug's prosperity grew, until now the cottage by the tracks was newly painted, bathroomed, electric-lighted, with a cement walk front and back and a porch with a wicker swing and flower baskets. Chug gave his mother more housekeeping money than she needed, though she, in turn, served him meals that would have threatened the waist-line of an older and less active man. There was a banana pie, for instance (it sounds sickish, but wait!) which she baked in a deep pan, and over which she poured a golden-brown custard all flecked with crusty melted sugar. You took a bite and lo! it had vanished like a sweet dewdrop, leaving in your mouth a taste as of nectar, and clover-honey, and velvet cream.

Mrs. Scaritt learned to gauge Chug's plans for the evening by his ablutions. Elaborate enough at any time, on dance nights they amounted to a rite. In the old days Chug's father had always made a brief enough business of the process he called was.h.i.+ng up. A hand-basin in the kitchen sink or on the back-porch bench sufficed. The noises he made were out of all proportion to the results obtained. His snufflings, and snortings, and splas.h.i.+ngs were like those of a grampus at play. When he emerged from them you were surprised to find that he had merely washed his face.

Chug had grease to fight. He had learned how in his first days at the garage. His teacher had been old Rudie, a mechanic who had tinkered around automobiles since their kerosene days, and who knew more about them than their inventor. Soap and water alone were powerless against the grease and carbon and dust that ground themselves into Chug's skin.