Evolution of Expression Volume Ii Part 2

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RALPH WALDO EMERSON.

THE DESTRUCTION OF SENNACHERIB.

I.

The a.s.syrian came down like the wolf on the fold, And his cohorts were gleaming in purple and gold; And the sheen of their spears was like stars on the sea Where the blue wave rolls nightly on deep Galilee.

II.



Like the leaves of the forest when summer is green, That host with their banners at sunset were seen; Like the leaves of the forest when autumn hath blown, That host on the morrow lay withered and strewn.

III.

For the angel of death spread his wings on the blast, And breathed in the face of the foe as he pa.s.sed; And the eyes of the sleepers waxed deadly and chill, And their hearts but once heaved, and forever grew still.

IV.

And there lay the steed with his nostril all wide, But through it there rolled not the breath of his pride; And the foam of his gasping lay white on the turf, And cold as the spray of the rock-beating surf.

V.

And there lay the rider distorted and pale, With the dew on his brow and the rust on his mail; And the tents were all silent, the banners alone, The lances unlifted, the trumpet unblown.

VI.

And the widows of Ashur are loud in their wail, And the idols are broke in the temple of Baal; And the might of the Gentile, unsmote by the sword, Hath melted like snow in the glance of the Lord!

LORD BYRON.

UNWRITTEN MUSIC.

1. There is unwritten music. The world is full of it. I hear it every hour that I wake; and my waking sense is surpa.s.sed sometimes by my sleeping, though that is a mystery. There is no sound of simple nature that is not music. It is all G.o.d's work, and so harmony. You may mingle, and divide, and strengthen the pa.s.sages of its great anthem; and it is still melody,--melody.

2. The low winds of summer blow over the waterfalls and the brooks, and bring their voices to your ear, as if their sweetness were linked by an accurate finger; yet the wind is but a fitful player; and you may go out when the tempest is up and hear the strong trees moaning as they lean before it, and the long gra.s.s hissing as it sweeps through, and its own solemn monotony over all; and the dripple of that same brook, and the waterfall's unaltered ba.s.s shall still reach you, in the intervals of its power, as much in harmony as before, and as much a part of its perfect and perpetual hymn.

3. There is no accident of nature's causing which can bring in discord.

The loosened rock may fall into the abyss, and the overblown tree rush down through the branches of the wood, and the thunder peal awfully in the sky; and sudden and violent as their changes seem, their tumult goes up with the sound of wind and waters, and the exquisite ear of the musician can detect no jar.

4. I have read somewhere of a custom in the Highlands, which, in connection with the principle it involves, is exceedingly beautiful. It is believed that, to the ear of the dying (which just before death becomes always exquisitely acute,) the perfect harmony of the voices of nature is so ravis.h.i.+ng, as to make him forget his suffering, and die gently, as in a pleasant trance. And so, when the last moment approaches, they take him from the close s.h.i.+eling, and bear him out into the open sky, that he may hear the familiar rus.h.i.+ng of the streams. I can believe that is not superst.i.tion. I do not think we know how exquisitely nature's many voices are attuned to harmony and to each other.

5. The old philosopher we read of might not have been dreaming when he discovered that the order of the sky was like a scroll of written music, and that two stars (which are said to have appeared centuries after his death, in the very places he mentioned) were wanting to complete the harmony. We know how wonderful are the phenomena of color, how strangely like consummate art the strongest dyes are blended in the plumage of birds, and in the cups of flowers; so that, to the practiced eye of the painter, the harmony is inimitably perfect.

6. It is natural to suppose every part of the universe equally perfect; and it is a glorious and elevating thought, that the stars of Heaven are moving on continually to music, and that the sounds we daily listen to are but part of a melody that reaches to the very centre of G.o.d's illimitable spheres.

N. P. WILLIS.

LAUS MORTIS.

I.

Nay, why should I fear Death, Who gives us life and in exchange takes breath?

He is like cordial Spring That lifts above the soil each buried thing;--

II.

Like Autumn, kind and brief The frost that chills the branches, frees the leaf.

Like Winter's stormy hours, That spread their fleece of snow to save the flowers.

III.

The loveliest of all things-- Life lends us only feet, Death gives us wings!

Fearing no covert thrust, Let me walk onward armed with valiant trust.

IV.

Dreading no unseen knife, Across Death's threshold step from life to life!

Oh, all ye frightened folk, Whether ye wear a crown or bear a yoke,

V.

Laid in one equal bed, When once your coverlet of gra.s.s is spread, What daybreak need you fear?

The love will rule you there which guides you here!

VI.

Where Life, the Sower, stands, Scattering the ages from his swinging hands, Thou waitest, Reaper lone, Until the mult.i.tudinous grain hath grown.

VII.

Scythe-bearer, when thy blade Harvest my flesh, let me be unafraid!

G.o.d's husbandman thou art!

In His unwithering sheaves, oh, bind my heart.

FREDERIC LAWRENCE KNOWLES.

TAXATION OF THE COLONIES.

1. Sir: I agree with the honorable gentleman who spoke last, that this subject is not new to this House. Very disagreeably to this House, very unfortunately to this nation, and to the peace and prosperity of this whole empire, no topic has been more familiar to us. For nine long years, session after session, we have been lashed round and round this miserable circle of occasional arguments and temporary expedients.

2. I am sure our heads must turn and our stomachs nauseate with them. We have had them in every shape. We have looked at them in every point of view. Invention is exhausted; reason is fatigued; experience has given judgment; but obstinacy is not yet conquered.

3. The act of 1767, which grants this tea-duty, sets forth in its preamble, that it was expedient to raise a revenue in America for the support of the civil government there, as well as for purposes still more extensive. About two years after this act was pa.s.sed, the ministry thought it expedient to repeal five of the duties, and to leave (for reasons best known to themselves) only the sixth standing.

4. But I hear it rung continually in my ears, now and formerly,--"The preamble! what will become of the preamble if you repeal this tax?" The clerk will be so good as to turn to this act, and to read this favorite preamble.

Evolution of Expression Volume Ii Part 2

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Evolution of Expression Volume Ii Part 2 summary

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