Down and Out in the Magic Kingdom Part 13

Tears streamed down her face and she seemed to fold in on herself. "I'll take what I can get," she said.

I choked on a k.n.o.b of misery, and I realized that it was Dan, not Lil, whose loss upset me the most.

Lil took Dan's hand and led him out of the room.

_I guess I'll take what I can get, too_, I thought.

========= CHAPTER 6 =========

Lying on my hotel bed, mesmerized by the lazy turns of the ceiling fan, I pondered the possibility that I was nuts.

It wasn't unheard of, even in the days of the b.i.t.c.hun Society, and even though there were cures, they weren't pleasant.

I was once married to a crazy person. We were both about 70, and I was living for nothing but joy. Her name was Zoya, and I called her Zed.

We met in orbit, where I'd gone to experience the famed low-gravity sybarites. Getting staggering drunk is not much fun at one gee, but at ten to the neg eight, it's a blast. You don't stagger, you _bounce_, and when you're bouncing in a sphere full of other bouncing, happy, boisterous naked people, things get deeply fun.

I was bouncing around inside a clear sphere that was a mile in diameter, filled with smaller spheres in which one could procure bulbs of fruity, deadly concoctions. Musical instruments littered the sphere's floor, and if you knew how to play, you'd snag one, tether it to you and start playing. Others would pick up their own axes and jam along. The tunes varied from terrific to awful, but they were always energetic.

I had been working on my third symphony on and off, and whenever I thought I had a nice bit nailed, I'd spend some time in the sphere playing it. Sometimes, the strangers who jammed in gave me new and interesting lines of inquiry, and that was good. Even when they didn't, playing an instrument was a fast track to intriguing an interesting, naked stranger.

Which is how we met. She snagged a piano and pounded out barrelhouse runs in quirky time as I carried the main thread of the movement on a cello. At first it was irritating, but after a short while I came to a dawning comprehension of what she was doing to my music, and it was really _good_. I'm a sucker for musicians.

We brought the session to a cras.h.i.+ng stop, me bowing furiously as spheres of perspiration beaded on my body and floated gracefully into the hydrotropic recyclers, she beating on the 88 like they were the perp who killed her partner.

I collapsed dramatically as the last note crashed through the bubble.

The singles, couples and groups stopped in midflight coitus to applaud.

She took a bow, untethered herself from the Steinway, and headed for the hatch.

I coiled my legs up and did a fast burn through the sphere, desperate to reach the hatch before she did. I caught her as she was leaving.

"Hey!" I said. "That was great! I'm Julius! How're you doing?"

She reached out with both hands and squeezed my nose and my unit simultaneously -- not hard, you understand, but playfully. "Honk!" she said, and squirmed through the hatch while I gaped at my burgeoning chub-on.

I chased after her. "Wait," I called as she tumbled through the spoke of the station towards the gravity.

She had a pianist's body -- re-engineered arms and hands that stretched for impossible lengths, and she used them with a s.p.a.cehand's grace, vaulting herself forward at speed. I b.u.mbled after her best as I could on my freshman s.p.a.celegs, but by the time I reached the half-gee rim of the station, she was gone.

I didn't find her again until the next movement was done and I went to the bubble to try it out on an oboe. I was just getting warmed up when she pa.s.sed through the hatch and tied off to the piano.

This time, I clamped the oboe under my arm and bopped over to her before moistening the reed and blowing. I hovered over the piano's top, looking her in the eye as we jammed. Her mood that day was 4/4 time and I-IV-V progressions, in a feel that swung around from blues to rock to folk, teasing at the edge of my own melodies. She noodled at me, I noodled back at her, and her eyes crinkled charmingly whenever I managed a smidge of tuneful wit.

She was almost completely flatchested, and covered in a fine, red downy fur, like a chipmunk. It was a jaunter's style, suited to the climate- controlled, soft-edged life in s.p.a.ce. Fifty years later, I was dating Lil, another redhead, but Zed was my first.

I played and played, entranced by the fluidity of her movements at the keyboard, her comical moues of concentration when picking out a particularly kicky little riff. When I got tired, I took it to a slow bridge or gave her a solo. I was going to make this last as long as I could. Meanwhile, I maneuvered my way between her and the hatch.

When I blew the last note, I was wrung out as a washcloth, but I summoned the energy to zip over to the hatch and block it. She calmly untied and floated over to me.

I looked in her eyes, silvered slanted cat-eyes, eyes that I'd been staring into all afternoon, and watched the smile that started at their corners and spread right down to her long, elegant toes. She looked back at me, then, at length, grabbed ahold of my joint again.

"You'll do," she said, and led me to her sleeping quarters, across the station.

We didn't sleep.

Zoya had been an early network engineer for the geosynch broadband constellations that went up at the cusp of the world's ascent into b.i.t.c.hunry. She'd been exposed to a lot of hard rads and low gee and had generally become pretty transhuman as time went by, upgrading with a bewildering array of third-party enhancements: a vestigial tail, eyes that saw through most of the RF spectrum, her arms, her fur, dogleg reversible knee joints and a completely mechanical spine that wasn't p.r.o.ne to any of the absolutely inane bulls.h.i.+t that plagues the rest of us, like lower-back pain, intrascapular inflammation, sciatica and slipped discs.

I thought I lived for fun, but I didn't have anything on Zed. She only talked when honking and whistling and grabbing and kissing wouldn't do, and routinely slapped upgrades into herself on the basis of any whim that crossed her mind, like when she resolved to do a s.p.a.cewalk bare- skinned and spent the afternoon getting tin-plated and iron-lunged.

I fell in love with her a hundred times a day, and wanted to strangle her twice as often. She stayed on her s.p.a.cewalk for a couple of days, floating around the bubble, making crazy faces at its mirrored exterior.

She had no way of knowing if I was inside, but she a.s.sumed that I was watching. Or maybe she didn't, and she was making faces for anyone's benefit.

But then she came back through the lock, strange and wordless and her eyes full of the stars she'd seen and her metallic skin cool with the breath of empty s.p.a.ce, and she led me a merry game of tag through the station, the mess hall where we skidded sloppy through a wobbly ovoid of rice pudding, the greenhouses where she burrowed like a gopher and s.h.i.+nnied like a monkey, the living quarters and bubbles as we interrupted a thousand acts of coitus.

You'd have thought that we'd have followed it up with an act of our own, and truth be told, that was certainly my expectation when we started the game I came to think of as the steeplechase, but we never did. Halfway through, I'd lose track of carnal urges and return to a state of childlike innocence, living only for the thrill of the chase and the giggly feeling I got whenever she found some new, even-more-outrageous corner to turn. I think we became legendary on the station, that crazy pair that's always zipping in and zipping away, like having your party crashed by two naked, coed Marx Brothers.

When I asked her to marry me, to return to Earth with me, to live with me until the universe's mainspring unwound, she laughed, honked my nose and my willie and shouted, "YOU'LL _DO_!"

I took her home to Toronto and we took up residence ten stories underground in overflow residence for the University. Our Whuffie wasn't so hot earthside, and the endless inst.i.tutional corridors made her feel at home while affording her opportunities for mischief.

But bit by bit, the mischief dwindled, and she started talking more. At first, I admit I was relieved, glad that my strange, silent wife was finally acting normal, making nice with the neighbors instead of pranking them with endless honks and f.a.n.n.y-kicks and squirt guns. We gave up the steeplechase and she had the doglegs taken out, her fur removed, her eyes unsilvered to a hazel that was pretty and as fathomable as the silver had been inscrutable.

We wore clothes. We entertained. I started to rehea.r.s.e my symphony in low-Whuffie halls and parks with any musicians I could drum up, and she came out and didn't play, just sat to the side and smiled and smiled with a smile that never went beyond her lips.

She went nuts.

She shat herself. She pulled her hair. She cut herself with knives. She accused me of plotting to kill her. She set fire to the neighbors'

apartments, wrapped herself in plastic sheeting, dry-humped the furniture.

She went nuts. She did it in broad strokes, painting the walls of our bedroom with her blood, jagging all night through rant after rant. I smiled and nodded and faced it for as long as I could, then I grabbed her and hauled her, kicking like a mule, to the doctor's office on the second floor. She'd been dirtside for a year and nuts for a month, but it took me that long to face up to it.

The doc diagnosed nonchemical dysfunction, which was by way of saying that it was her mind, not her brain, that was broken. In other words, I'd driven her nuts.

You can get counseling for nonchemical dysfunction, basically trying to talk it out, learn to feel better about yourself. She didn't want to.

She was miserable, suicidal, murderous. In the brief moments of lucidity that she had under sedation, she consented to being restored from a backup that was made before we came to Toronto.

I was at her side in the hospital when she woke up. I had prepared a written synopsis of the events since her last backup for her, and she read it over the next couple days.

"Julius," she said, while I was making breakfast in our subterranean apartment. She sounded so serious, so fun-free, that I knew immediately that the news wouldn't be good.

"Yes?" I said, setting out plates of bacon and eggs, steaming cups of coffee.

"I'm going to go back to s.p.a.ce, and revert to an older version." She had a shoulderbag packed, and she had traveling clothes on.

_Oh, s.h.i.+t._ "Great," I said, with forced cheerfulness, making a mental inventory of my responsibilities dirtside. "Give me a minute or two, I'll pack up. I miss s.p.a.ce, too."