The Tatler Volume I Part 26
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White's Chocolate-house, June 25.
Having taken upon me to cure all the distempers which proceed from affections of the mind, I have laboured since I first kept this public stage, to do all the good I could possibly, and have perfected many cures at my own lodging; carefully avoiding the common method of mountebanks, to do their most eminent operations in sight of the people; but must be so just to my patients as to declare, they have testified under their hands their sense of my poor abilities, and the good I have done them, which I publish for the benefit of the world, and not out of any thoughts of private advantage. I have cured fine Mrs. Spy of a great imperfection in her eyes, which made her eternally rolling them from one c.o.xcomb to another in public places, in so languis.h.i.+ng a manner, that it at once lessened her own power, and her beholder's vanity. Twenty drops of my ink, placed in certain letters on which she attentively looked for half an hour, have restored her to the true use of her sight; which is, to guide, and not mislead us. Ever since she took this liquor, which I call Bickerstaff's Circ.u.mspection Water, she looks right forward, and can bear being looked at for half a day without returning one glance.
This water has a peculiar virtue in it, which makes it the only true cosmetic or beauty wash in the world: the nature of it is such, that if you go to a gla.s.s, with design to admire your face, it immediately changes it into downright deformity. If you consult it only to look with a better countenance upon your friends, it immediately gives an alacrity to the visage, and new grace to the whole person. There is indeed a great deal owing to the const.i.tution of the person to whom it is applied: it is in vain to give it when the patient is in the rage of the distemper; a bride in her first month, a lady soon after her husband's being knighted, or any person of either s.e.x who has lately obtained any new good fortune or preferment, must be prepared some time before they use it. It has an effect upon others, as well as the patient, when it is taken in due form. Lady Petulant has by the use of it cured her husband of jealousy, and Lady Gad her whole neighbourhood of detraction. The fame of these things, added to my being an old fellow, makes me extremely acceptable to the fair s.e.x. You would hardly believe me, when I tell you there is not a man in town so much their delight as myself. They make no more of visiting me, than going to Madam d'Epingle's.[337] There were two of them, namely, Damia and Clidamira (I a.s.sure you women of distinction) who came to see me this morning in their way to prayers, and being in a very diverting humour as (innocence always makes people cheerful) they would needs have me, according to the distinction of "pretty" and "very pretty" fellows, inform them if I thought either of them had a t.i.tle to the "very pretty" among those of their own s.e.x; and if I did, which was the more deserving of the two. To put them to the trial, "Look ye," said I, "I must not rashly give my judgment in matters of this importance; pray let me see you dance: I play upon the kit."[338] They immediately fell back to the lower end of the room (you may be sure they curtsied low enough to me): and began.
Never were two in the world so equally matched, and both scholars to my namesake Isaac.[339] Never was man in so dangerous a condition as myself, when they began to expand their charms. "O! ladies, ladies,"
cried I, "not half that air, you'll fire the house." Both smiled; for by-the bye, there's no carrying a metaphor too far, when a lady's charms are spoken of. Somebody, I think, has called a fine woman dancing, a brandished torch of beauty.[340] These rivals moved with such an agreeable freedom, that you would believe their gesture was the necessary effect of the music, and not the product of skill and practice. Now Clidamira came on with a crowd of graces, and demanded my judgment with so sweet an air--and she had no sooner carried it, but Damia made her utterly forgot by a gentle sinking, and a rigadoon step.[341] The contest held a full half-hour; and I protest, I saw no manner of difference in their perfections, till they came up together, and expected my sentence. "Look ye, ladies," said I, "I see no difference in the least in your performance; but you Clidamira seem to be so well satisfied that I shall determine for you, that I must give it to Damia, who stands with so much diffidence and fear, after showing an equal merit to what she pretends to. Therefore, Clidamira, you are a 'pretty'; but, Damia, you are a 'very pretty' lady. For," said I, "beauty loses its force, if not accompanied with modesty. She that has a humble opinion of herself, will have everybody's applause, because she does not expect it; while the vain creature loses approbation through too great a sense of deserving it."
From my own Apartment, June 27.
Being of a very spare and hective const.i.tution, I am forced to make frequent journeys of a mile or two for fresh air; and indeed by this last, which was no further than the village of Chelsea, I am farther convinced of the necessity of travelling to know the world. For as it is usual with young voyagers, as soon as they land upon a sh.o.r.e, to begin their accounts of the nature of the people, their soil, their government, their inclinations, and their pa.s.sions, so really I fancied I could give you an immediate description of this village, from the Five Fields,[342] where the robbers lie in wait, to the coffee-house where the _literati_ sit in council. A great ancestor of ours by the mother's side, Mr. Justice Overdo (whose history is written by Ben Jonson),[343]
met with more enormities by walking _incog._ than he was capable of correcting; and found great mortifications in observing also persons of eminence, whom he before knew nothing of. Thus it fared with me, even in a place so near the town as this. When I came into the coffee-house,[344] I had not time to salute the company, before my eye was diverted by ten thousand gimcracks round the room and on the ceiling. When my first astonishment was over, comes to me a sage of a thin and meagre countenance; which aspect made me doubt, whether reading or fretting had made it so philosophic: but I very soon perceived him to be of that sect which the ancients call Gingivistae,[345] in our language, tooth-drawers. I immediately had a respect for the man; for these practical philosophers go upon a very rational hypothesis, not to cure, but take away the part affected. My love of mankind made me very benevolent to Mr. Salter, for such is the name of this eminent barber and antiquary. Men are usually, but unjustly, distinguished rather by their fortunes, than their talents, otherwise this personage would make a great figure in that cla.s.s of men which I distinguish under the t.i.tle of Odd Fellows. But it is the misfortune of persons of great genius, to have their faculties dissipated by attention to too many things at once.
Mr. Salter is an instance of this: if he would wholly give himself up to the string,[346] instead of playing twenty beginnings to tunes, he might before he dies play "Roger de Caubly"[347] quite out. I heard him go through his whole round, and indeed I think he does play the "Merry Christ-Church Bells"[348] pretty justly; but he confessed to me, he did that rather to show he was orthodox, than that he valued himself upon the music itself. Or if he did proceed in his anatomy, why might not he hope in time to cut off legs, as well as draw teeth? The particularity of this man put me into a deep thought, whence it should proceed, that of all the lower order barbers should go farther in hitting the ridiculous, than any other set of men. Watermen brawl, cobblers sing; but why must a barber be for ever a politician, a musician, an anatomist, a poet, and a physician? The learned Vossus says,[349] his barber used to comb his head in iambics. And indeed in all ages, one of this useful profession, this order of cosmetic philosophers, has been celebrated by the most eminent hands. You see the barber in "Don Quixote,"[350] is one of the princ.i.p.al characters in the history, which gave me satisfaction in the doubt, why Don Saltero writ his name with a Spanish termination: for he is descended in a right line, not from John Tradescant,[351] as he himself a.s.serts, but from that memorable companion of the Knight of Mancha. And I hereby certify all the worthy citizens who travel to see his rarities, that his double-barrelled pistols, targets, coats of mail, his sclopeta,[352] and sword of Toledo,[353] were left to his ancestor by the said Don Quixote, and by the said ancestor to all his progeny down to Don Saltero. Though I go thus far in favour of Don Saltero's great merit, I cannot allow a liberty he takes of imposing several names (without my licence) on the collections he has made, to the abuse of the good people of England; one of which is particularly calculated to deceive religious persons, to the great scandal of the well disposed, and may introduce heterodox opinions. He shows you a straw hat, which I know to be made by Madge Peskad, within three miles of Bedford; and tells you, it is Pontius Pilate's wife's chamber-maid's sister's hat. To my knowledge of this very hat, it may be added, that the covering of straw was never used among the Jews, since it was demanded of them to make bricks without it.
Therefore this is really nothing, but under the specious pretence of learning and antiquity, to impose upon the world. There are other things which I cannot tolerate among his rarities; as, the china figure of a lady in the gla.s.s case; the Italian engine for the imprisonment of those who go abroad with it: both which I hereby order to be taken down, or else he may expect to have his letters patents for making punch superseded, be debarred wearing his m.u.f.f next winter, or ever coming to London without his wife.[354] It may perhaps be thought I have dwelt too long upon the affairs of this operator; but I desire the reader to remember, that it is my way to consider men as they stand in merit, and not according to their fortune or figure; and if he is in a coffee-house at the reading hereof, let him look round, and he will find there may be more characters drawn in this account than that of Don Saltero; for half the politicians about him, he may observe, are, by their place in nature, of the cla.s.s of tooth-drawers.
[Footnote 337: See p. 273, note.]
[Footnote 338: A small violin or fiddle. See No. 160.]
[Footnote 339: A dancing-master, who either was French, or pretended to be so. See No. 109.]
[Footnote 340: A song of Waller's begins:
"Behold the brand of beauty tost!
See, how the motion doth dilate the flame!"
(Dobson).
[Footnote 341: The rigadoon was a dance for two persons. Cf. _Guardian_, No. 154: "We danced a rigadoon together."]
[Footnote 342: On the site of Eaton and Belgrave Squares. See _Spectator_, No. 137: "The Five Fields towards Chelsea."]
[Footnote 343: In "Bartholomew Fair," act ii. sc. i. Overdo went to the Fair in disguise, and being mistaken for a cutpurse, was well beaten.]
[Footnote 344: Salter, a barber, opened a coffee-house in Cheyne Walk, Chelsea, in 1695. Sir Harry Sloane, whose servant he had been, gave him some curiosities to start a museum. Others, including Admiral Munden and his fellow-officers, added to the collection, and the first catalogue appeared in 1729. The more startling curiosities were, of course, not genuine. The remains of the collection were sold in 1799 for about 50.
A view of Salter's house will be found in Timbs' "Clubs and Club Life in London." Verses of a more or less coa.r.s.e nature by Don Saltero appeared not unfrequently in the "British Apollo," in 1709.]
[Footnote 345: From "gingiva," the gum.]
[Footnote 346: Salter played very badly on the fiddle.]
[Footnote 347: "Sir Roger de Coverley," the famous country-dance tune.]
[Footnote 348: By Dr. Henry Aldrich, Dean of Christ Church, Oxford, where Steele matriculated.]
[Footnote 349: "De Poematum cantu, et viribus Rythmi," 1673.]
[Footnote 350: Master Nicholas. See "Don Quixote," chap. v.]
[Footnote 351: There were two John Tradescants (father and son) who collected objects of natural history. Their collection formed the foundation of the Ashmolean Museum at Oxford. The "Museum Tradescantianum: or, A Collection of Rarities preserved at South Lambeth, near London, by John Tradescant," contains interesting portraits of both John Tradescant, senior, and John Tradescant, junior, as well as a plate of the Tradescant arms.]
[Footnote 352: A sclopeta or sclopetta was a hand-gun used by Spaniards.]
[Footnote 353: Toledo was famous for its sword-blades.]
[Footnote 354: Salter had an old grey m.u.f.f, which he clapped constantly to his nose, and by which he was distinguishable at the distance of a quarter of a mile. His wife was none of the best, being much addicted to scolding.-(Nichols.)]
No. 35. [STEELE.
From _Tuesday, June 28_, to _Thursday, June 30_, 1709.
Grecian Coffee-house, June 28.
There is a habit or custom which I have put my patience to the utmost stretch to have suffered so long, because several of my intimate friends are in the guilt; and that is, the humour of taking snuff, and looking dirty about the mouth by way of ornament. My method is to dive to the bottom of a sore before I pretend to apply a remedy. For this reason, I sat by an eminent story-teller and politician who takes half an ounce in five seconds, and has mortgaged a pretty tenement near the town, merely to improve and dung his brains with this prolific powder. I observed this gentleman the other day in the midst of a story diverted from it by looking at something at a distance, and I softly hid his box. But he returns to his tale, and looking for his box, he cries, "And so, sir--"
Then when he should have taken a pinch, "As I was saying," says he--"Has n.o.body seen my box?" His friend beseeches him to finish his narration.
Then he proceeds, "And so, sir--Where can my box be?" Then, turning to me, "Pray, sir, did you see my box?" "Yes, sir," said I, "I took it to see how long you could live without it." He resumes his tale; and I took notice, that his dulness was much more regular and fluent than before. A pinch supplied the place of, "As I was saying," "And so, sir"; and he went on currently enough in that style which the learned call the insipid. This observation easily led me into a philosophic reason for taking snuff, which is done only to supply with sensations the want of reflection. This I take to be an ?????a [Heureka], a nostrum; upon which I hope to receive the thanks of this board. For as it is natural to lift a man's hand to a sore, when you fear anything coming at you; so when a person feels his thoughts are run out, and has no more to say, it is as natural to supply his weak brain with powder at the nearest place of access, viz., the nostrils. This is so evident, that nature suggests the use according to the indigence of the persons who use this medicine, without being prepossessed with the force of fas.h.i.+on or custom. For example; the native Hibernians, who are reckoned not much unlike the ancient Botians, take this specific for emptiness in the head, in greater abundance than any other nation under the sun. The learned Sotus, as sparing as he is in his words, would be still more silent if it were not for this powder. But however low and poor the taking snuff argues a man to be in his own stock of thought, or means to employ his brains and his fingers, yet there is a poorer creature in the world than he, and this is a borrower of snuff; a fellow that keeps no box of his own, but is always asking others for a pinch. Such poor rogues put me always in mind of a common phrase among schoolboys when they are composing their exercise, who run to an upper scholar, and cry, "Pray give me a little sense." But of all things, commend me to the ladies who are got into this pretty help to discourse.[355] I have been this three years persuading Sagissa[356] to leave it off; but she talks so much, and is so learned, that she is above contradiction. However, an accident the other day brought that about, which my eloquence never could accomplish: she had a very pretty fellow in her closet, who ran thither to avoid some company that came to visit her. She made an excuse to go in to him for some implement they were talking of. Her eager gallant s.n.a.t.c.hed a kiss; but being unused to snuff, some grains from off her upper lip made him sneeze aloud, which alarmed the visitants, and has made a discovery, that profound reading, very much intelligence, and a general knowledge of who and who's together, cannot fill up her vacant hours so much, but that she is sometimes obliged to descend to entertainments less intellectual.
White's Chocolate-house, June 29.
I know no manner of news for this place, but that Cynthio, having been long in despair for the inexorable Clarissa, lately resolved to fall in love the good old way of bargain and sale, and has pitched upon a very agreeable young woman.[357] He will undoubtedly succeed; for he accosts her in a strain of familiarity, without breaking through the deference that is due to woman whom a man would choose for his life. I have hardly ever heard rough truth spoken with a better grace than in this his letter.[358]
"MADAM,
"I writ to you on Sat.u.r.day by Mrs. Lucy, and give you this trouble to urge the same request I made then, which was, that I may be admitted to wait upon you. I should be very far from desiring this, if it were a transgression of the most severe rules to allow it: I know you are very much above the little arts which are frequent in your s.e.x, of giving unnecessary torments to their admirers; therefore hope, you'll do so much justice to the generous pa.s.sion I have for you, as to let me have an opportunity of acquainting you upon what motives I pretend to your good opinion. I shall not trouble you with my sentiments, till I know how they will be received; and as I know no reason why difference of s.e.x should make our language to each other differ from the ordinary rules of right reason, I shall affect plainness and sincerity in my discourse to you, as much as other lovers do perplexity and rapture. Instead of saying, 'I shall die for you,' I profess I should be glad to lead my life with you: you are as beautiful, as witty, as prudent, and as good-humoured, as any woman breathing; but I must confess to you, I regard all these excellences as you will please to direct them, for my happiness or misery. With me, madam, the only lasting motive to love is the hope of its becoming mutual. I beg of you to let Mrs. Lucy send me word when I may attend you. I promise you, I'll talk of nothing but indifferent things; though at the same time I know not how I shall approach you in the tender moment of first seeing you, after this declaration, of,
"Madam,
"Your most obedient,
"And most faithful
"Humble Servant, &c."
Will's Coffee-house, June 29.
Having taken a resolution when plays are acted next winter by an entire good company, to publish observations from time to time on the performance of the actors, I think it but just to give an abstract of the law of action, for the help of the less learned part of the audience, that they may rationally enjoy so refined and instructive a pleasure as a just representation of human life. The great errors in playing are admirably well exposed in Hamlet's direction to the actors[359] who are to play in his supposed tragedy; by which we shall form our future judgments on their behaviour, and for that reason you have the discourse as follows:
"Speak the speech as I p.r.o.nounce it to you, trippingly on the tongue; but if you mouth it, as many of our players do, I had as lieve the town-crier had spoke my lines: nor do not saw the air too much with your hand thus; but use all gently: for in the very torrent, tempest, and, as I may say, the whirlwind of pa.s.sion, you must acquire and beget a temperance that may give it smoothness. Oh! it offends me to the soul, to see a robustious periwig-pated fellow tear a pa.s.sion to tatters, to very rags, to split the ears of the groundlings, who (for the most part) are capable of nothing but inexplicable dumb shows and noise. I could have such a fellow whipped for overdoing termagant: it out-Herods Herod.
The Tatler Volume I Part 26
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The Tatler Volume I Part 26 summary
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