The Tatler Volume Iii Part 27

Elizabeth Thomas' "Pylades and Corinna," i. 194.]

No. 164. [STEELE.

From _Tuesday, April 25_, to _Thursday, April 27, 1710_.

Qui sibi promitt.i.t cives, urbem sibi curae, Imperium fore et Italiam, delubra Deorum, Quo patre sit natus, num ignota matre inhonestus, Omnes mortales curare et quaerere cogit.

HOR., I Sat. vi. 34.

_From my own Apartment, April 26._

I have lately been looking over the many packets of letters which I have received from all quarters of Great Britain, as well as from foreign countries, since my entering upon the office of Censor, and indeed am very much surprised to see so great a number of them, and pleased to think that I have so far increased the revenue of the Post Office. As this collection will grow daily, I have digested it into several bundles, and made proper endors.e.m.e.nts on each particular letter, it being my design, when I lay down the work that I am now engaged in, to erect a Paper Office, and give it to the public.[234]

I could not but make several observations upon reading over the letters of my correspondents: as first of all, on the different tastes that reign in the different parts of this city. I find, by the approbations which are given me, that I am seldom famous on the same days on both sides of Temple Bar; and that when I am in the greatest repute within the Liberties, I dwindle at the court end of the town. Sometimes I sink in both these places at the same time; but for my comfort, my name has then been up in the districts of Wapping and Rotherhithe. Some of my correspondents desire me to be always serious, and others to be always merry. Some of them entreat me to go to bed and fall into a dream, and like me better when I am asleep than when I am awake: others advise me to sit all night upon the stars, and be more frequent in my astrological observations; for that a vision is not properly a lucubration. Some of my readers thank me for filling my paper with the flowers of antiquity, others desire news from Flanders. Some approve my criticisms on the dead, and others my censures on the living. For this reason, I once resolved in the new edition of my works, to range my several papers under distinct heads, according as their princ.i.p.al design was to benefit and instruct the different capacities of my readers, and to follow the example of some very great authors, by writing at the head of each discourse, "Ad Aulam," "Ad Academiam," "Ad Populum," "Ad Clerum."

There is no particular in which my correspondents of all ages, conditions, s.e.xes, and complexions, universally agree, except only in their thirst after scandal. It is impossible to conceive how many have recommended their neighbours to me upon this account, or how unmercifully I have been abused by several unknown hands, for not publis.h.i.+ng the secret histories of cuckoldom that I have received from almost every street in town.

It would indeed be very dangerous for me to read over the many praises and eulogiums which come post to me from all the corners of the nation, were they not mixed with many checks, reprimands, scurrilities, and reproaches, which several of my good-natured countrymen cannot forbear sending me, though it often costs them twopence or a groat before they can convey them to my hands:[235] so that sometimes when I am put into the best humour in the world, after having read a panegyric upon my performance, and looked upon myself as a benefactor to the British nation, the next letter perhaps I open, begins with, "You old doting scoundrel;" "Are not you a sad dog?" "Sirrah, you deserve to have your nose slit;" and the like ingenious conceits. These little mortifications are necessary to surpa.s.s that pride and vanity which naturally arise in the mind of a received author, and enable me to bear the reputation which my courteous readers bestow upon me, without becoming a c.o.xcomb by it. It was for the same reason, that when a Roman general entered the city in the pomp of a triumph, the commonwealth allowed of several little drawbacks to his reputation, by conniving at such of the rabble as repeated libels and lampoons upon him within his hearing, and by that means engaged his thoughts upon his weakness and imperfections, as well as on the merits that advanced him to so great honours. The conqueror however was not the less esteemed for being a man in some particulars, because he appeared as a G.o.d in others.

There is another circ.u.mstance in which my countrymen have dealt very perversely with me; and that is, in searching not only into my own life, but also into the lives of my ancestors. If there has been a blot in my family for these ten generations, it has been discovered by some or other of my correspondents. In short, I find the ancient family of the Bickerstaffs has suffered very much through the malice and prejudice of my enemies. Some of them twit me in the teeth with the conduct of my Aunt Margery:[236] nay, there are some who have been so disingenuous, as to throw Maud the Milkmaid[237] into my dish, notwithstanding I myself was the first who discovered that alliance. I reap however many benefits from the malice of these my enemies, as they let me see my own faults, and give me a view of myself in the worst light; as they hinder me from being blown up by flattery and self-conceit; as they make me keep a watchful eye over my own actions, and at the same time make me cautious how I talk of others, and particularly of my friends and relations, or value myself upon the antiquity of my family.

But the most formidable part of my correspondents are those whose letters are filled with threats and menaces. I have been treated so often after this manner, that not thinking it sufficient to fence well, in which I am now arrived at the utmost perfection,[238] and carry pistols about me, which I have always tucked within my girdle; I several months since made my will, settled my estate, and took leave of my friends, looking upon myself as no better than a dead man. Nay, I went so far as to write a long letter to the most intimate acquaintance I have in the world, under the character of a departed person, giving him an account of what brought me to that untimely end, and of the fort.i.tude with which I met it. This letter being too long for the present paper, I intend to print it by itself very suddenly; and at the same time I must confess, I took my hint of it from the behaviour of an old soldier in the Civil Wars, who was corporal of a company in a regiment of foot, about the same time that I myself was a cadet in the King's army.

This gentleman was taken by the enemy; and the two parties were upon such terms at that time, that we did not treat each other as prisoners of war, but as traitors and rebels. The poor corporal being condemned to die, wrote a letter to his wife when under sentence of execution. He writ on the Thursday, and was to be executed on the Friday: but considering that the letter would not come to his wife's hands till Sat.u.r.day, the day after execution, and being at that time more scrupulous than ordinary in speaking exact truth, he formed his letter rather according to the posture of his affairs when she should read it, than as they stood when he sent it; though it must be confessed, there is a certain perplexity in the style of it, which the reader will easily pardon, considering his circ.u.mstances:

"DEAR WIFE,

"Hoping you are in good health, as I am at this present writing, this is to let you know, that yesterday, between the hours of eleven and twelve, I was hanged, drawn and quartered. I died very penitently, and everybody thought my case very hard. Remember me kindly to my poor fatherless children.

"Yours till death, "W. B."

It so happened, that this honest fellow was relieved by a party of his friends, and had the satisfaction to see all the rebels hanged who had been his enemies. I must not omit a circ.u.mstance which exposed him to raillery his whole life after. Before the arrival of the next post, that would have set all things clear, his wife was married to a second husband, who lived in the peaceful possession of her; and the corporal, who was a man of plain understanding, did not care to stir in the matter, as knowing that she had the news of his death under his own hand, which she might have produced upon occasion.

[Footnote 234: This idea was carried out in 1725, when Charles Lillie published, by Steele's permission, two volumes of "Original and genuine Letters sent to the _Tatler_ and _Spectator_, during the time those works were publis.h.i.+ng. None of which have been before printed." See No.

110.]

[Footnote 235: See Nos. 117, 186, Advertis.e.m.e.nts.]

[Footnote 236: See No. 151.]

[Footnote 237: See No. 75.]

[Footnote 238: It would hardly be possible for a man of Bickerstaff's age to acquire perfection in fencing after only a few months' practice.

See No. 173: "I first began to learn to push this last winter."]

No. 165. [ADDISON.

From _Thursday, April 27_, to _Sat.u.r.day, April 29, 1710_.

_From my own Apartment, April 28._

It has always been my endeavour to distinguish between realities and appearances, and to separate true merit from the pretence to it. As it shall ever be my study to make discoveries of this nature in human life, and to settle the proper distinctions between the virtues and perfections of mankind, and those false colours and resemblances of them that s.h.i.+ne alike in the eyes of the vulgar; so I shall be more particularly careful to search into the various merits and pretences of the learned world. This is the more necessary, because there seems to be a general combination among the pedants to extol one another's labours, and cry up one another's parts; while men of sense, either through that modesty which is natural to them, or the scorn they have for such trifling commendations, enjoy their stock of knowledge like a hidden treasure, with satisfaction and silence. Pedantry indeed in learning is like hypocrisy in religion, a form of knowledge without the power of it, that attracts the eyes of the common people, breaks out in noise and show, and finds its reward not from any inward pleasure that attends it, but from the praises and approbations which it receives from men.

Of this shallow species there is not a more importunate, empty, and conceited animal, than that which is generally known by the name of a critic. This, in the common acceptation of the word, is one that, without entering into the sense and soul of an author, has a few general rules, which, like mechanical instruments, he applies to the works of every writer, and as they quadrate with them, p.r.o.nounces the author perfect or defective. He is master of a certain set of words, as "unity, style, fire, phlegm, easy, natural, turn, sentiment," and the like; which he varies, compounds, divides, and throws together, in every part of his discourse, without any thought or meaning. The marks you may know him by are, an elevated eye, and dogmatical brow, a positive voice, and a contempt for everything that comes out, whether he has read it or not.

He dwells altogether in generals. He praises or dispraises in the lump.

He shakes his head very frequently at the pedantry of Universities, and bursts into laughter when you mention an author that is not known at Will's. He has formed his judgment upon Homer, Horace, and Virgil, not from their own works, but from those of Rapin and Bossu. He knows his own strength so well, that he never dares praise anything in which he has not a French author for his voucher.

With these extraordinary talents and accomplishments, Sir Timothy t.i.ttle[239] puts men in vogue, or condemns them to obscurity, and sits as judge of life and death upon every author that appears in public. It is impossible to represent the pangs, agonies, and convulsions which Sir Timothy expresses in every feature of his face, and muscle of his body, upon the reading of a bad poet.

About a week ago I was engaged at a friend's of mine in an agreeable conversation with his wife and daughters, when in the height of our mirth, Sir Timothy, who makes love to my friend's eldest daughter, came in amongst us puffing and blowing as if he had been very much out of breath. He immediately called for a chair, and desired leave to sit down, without any further ceremony. I asked him where he had been?

whether he was out of order? He only replied, that he was quite spent, and fell a-cursing in soliloquy. I could hear him cry, "A wicked rogue;"

"An execrable wretch;" "Was there ever such a monster?" The young ladies upon this began to be affrighted, and asked whether any one had hurt him? He answered nothing, but still talked to himself. "To lay the first scene," says he, "in St. James's Park, and the last in Northamptons.h.i.+re."

"Is that all?" says I. "Then I suppose you have been at the rehearsal of a play this morning?" "Been!" says he; "I have been at Northampton, in the Park, in a lady's bed-chamber, in a dining-room, everywhere; the rogue has led me such a dance." Though I could scarce forbear laughing at his discourse, I told him I was glad it was no worse, and that he was only metaphorically weary. "In short, sir," says he, "the author has not observed a single unity in his whole play; the scene s.h.i.+fts in every dialogue; the villain has hurried me up and down at such a rate, that I am tired off my legs." I could not but observe with some pleasure, that the young lady whom he made love to conceived a very just aversion to him, upon seeing him so very pa.s.sionate in trifles. And as she had that natural sense which makes her a better judge than a thousand critics, she began to rally him upon this foolish humour. "For my part," says she, "I never knew a play take that was written up to your rules, as you call them." "How, madam!" says he; "is that your opinion? I am sure you have a better taste." "It is a pretty kind of magic," says she, "the poets have, to transport an audience from place to place without the help of a coach and horses. I could travel round the world at such a rate. 'Tis such an entertainment as an enchantress finds when she fancies herself in a wood, or upon a mountain, at a feast, or a solemnity; though at the same time she has never stirred out of her cottage." "Your simile, madam," says Sir Timothy, "is by no means just." "Pray," says she, "let my similes pa.s.s without a criticism. I must confess," continued she (for I found she was resolved to exasperate him), "I laughed very heartily at the last new comedy which you found so much fault with." "But, madam," says he, "you ought not to have laughed; and I defy any one to show me a single rule that you could laugh by."

"Ought not to laugh!" says she: "pray, who should hinder me?" "Madam,"

says he, "there are such people in the world as Rapin, Dacier, and several others, that ought to have spoiled your mirth." "I have heard,"

says the young lady, "that your great critics are always very bad poets: I fancy there is as much difference between the works of one and the other, as there is between the carriage of a dancing-master and a gentleman. I must confess," continued she, "I would not be troubled with so fine a judgment as yours is; for I find you feel more vexation in a bad comedy than I do in a deep tragedy." "Madam," says Sir Timothy, "that is not my fault; they should learn the art of writing." "For my part," says the young lady, "I should think the greatest art in your writers of comedies is to please." "To please!" says Sir Timothy; and immediately fell a-laughing. "Truly," says she, "that is my opinion."

Upon this, he composed his countenance, looked upon his watch, and took his leave.

I hear that Sir Timothy has not been at my friend's house since this notable conference, to the great satisfaction of the young lady, who by this means has got rid of a very impertinent fop.

I must confess, I could not but observe, with a great deal of surprise, how this gentleman, by his ill-nature, folly, and affectation, has made himself capable of suffering so many imaginary pains, and looking with such a senseless severity upon the common diversions of life.

[Footnote 239: Perhaps Henry Cromwell; see Nos. 47, 49, 163.]

No. 166. [STEELE.

From _Sat.u.r.day, April 29_, to _Tuesday, May 2, 1710_.

----Dicenda tacenda loquutus.--HOR., I Ep. vii. 72.