A Complete Guide to Heraldry Part 18

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"Or, a file gules, with three bells pendent azure, clappers sable.

(Belfile.) {155}

"Sable, three crescents, in chief a label of two drops and in fess another of one drop argent. Fitz-Simons. (Harl. MS. 1441 and 5866.)

"Or, three files borne barways gules, the first having five points, the second four, and the last three. Liskirke, Holland. (Gwillim.)"

A curious label will have been noticed in the arms of De Valence (Fig.

120).

THE BILLET

The billet (Fig. 247), though not often met with as a charge, does sometimes occur, as for example, in the arms of Alington.

[Ill.u.s.tration: FIG. 246.--Arms of Hugh Courtenay, Earl of Devon (d. 1422): Or, three torteaux, a label azure. (From his seal.)]

[Ill.u.s.tration: FIG. 247.--The Billet.]

[Ill.u.s.tration: FIG. 248.--Billette.]

Its more frequent appearance is as an object with which a field or superior charge is seme, in which case these are termed billette (Fig. 248). The best known instance of this is probably the coat borne on an inescutcheon over the arms of England during the joint reign of William and Mary. The arms of Gasceline afford another example of a field billette. These are "or, billette azure, and a label gules." Though not many instances are given under each subdivision, Papworth affords examples of coats with every number of billets from 1 to 20, but many of them, particularly some of those from 10 to 20 in number, are merely mistaken renderings of fields which should have been termed billette. The billet, slightly widened, is sometimes known as a block, and as such will be found in the arms of Paynter. Other instances are to be found where the billets are termed delves or gads. The billet will sometimes be found pointed at the bottom, in which case it is termed "urdy at the foot." But neither as a form of seme, nor as a charge, is the billet of sufficiently frequent use to warrant its inclusion as one of the ordinaries or sub-ordinaries. {156}

[Ill.u.s.tration: FIG. 249.--Armorial bearings of R. E. Yerburgh, Esq.: Per pale argent and azure, on a chevron between three chaplets all counterchanged, an annulet for difference. Mantling azure and argent.

Crest: on a wreath of the colours, a falcon close or, belled of the last, preying upon a mallard proper.]

[Ill.u.s.tration: FIG. 250.--Armorial bearings of Robert Berry, Esq.: Quarterly, 1 and 4, vert, a cross crosslet argent (for Berry); 2 and 3, parted per pale argent and sable, on a chaplet four mullets counterchanged (for Nairne), in the centre of the quarters a crescent or, for difference.

Mantling vert, doubled argent. Crest: upon a wreath of his liveries, a demi-lion rampant gules, armed and langued, holding in his dexter paw a cross crosslet fitchee azure; and in an escroll over the same this motto, "In hoc signo vinces," and in another under the s.h.i.+eld, "L'esperance me comforte."]

THE CHAPLET

Why the chaplet was ever included amongst the ordinaries and sub-ordinaries pa.s.ses my comprehension. It is not of frequent occurrence, and I have yet to ascertain in which form it has acquired this status. The chaplet which is usually meant when the term is employed is the garland of oak, laurel, or other leaves or flowers (Fig. 249), which is found more frequently as part of a crest. There is also the chaplet, which it is difficult to describe, save as a large broad annulet {157} such as the one which figures in the arms of Nairne (Fig. 250), and which is charged at four regular intervals with roses, mullets, or some other objects.

The chaplet of oak and acorns is sometimes known as a civic crown, but the term chaplet will more frequently be found giving place to the use of the word wreath, and a chaplet of laurel or roses, unless completely conjoined and figuring as a charge upon the s.h.i.+eld, will be far more likely to be termed a wreath or garland of laurel or roses than a chaplet.

There are many other charges which have no great distinction from some of these which have been enumerated, but as n.o.body hitherto has cla.s.sed them as ordinaries I suppose there could be no excuse for so introducing them, but the division of any heraldic charges into ordinaries and sub-ordinaries, and their separation from other figures, seems to a certain extent incomprehensible and very unnecessary. {158}

CHAPTER X

THE HUMAN FIGURE IN HERALDRY

If we include the many instances of the human head and the human figure which exist as crests, and also the human figure as a supporter, probably it or its parts will be nearly as frequently met with in armory as the lion; but if crests and supporters be disregarded, and the human figure be simply considered as a charge upon the s.h.i.+eld, it is by no means often to be met with.

English (but not Scottish) official heraldry now and for a long time past has set its face against the representation of any specific saint or other person in armorial bearings. In many cases, however, particularly in the arms of ecclesiastical sees and towns, the armorial bearings registered are simply the conventionalised heraldic representation of seal designs dating from a very much earlier period.

Seal engravers laboured under no such limitations, and their representations were usually of some specific saint or person readily recognisable from accompanying objects. Consequently, if it be desirable, the ident.i.ty of a figure in a coat of arms can often be traced in such cases by reference to a seal of early date, whilst all the time the official coat of arms goes no further than to term the figure that of a saint.

The only representation which will be found in British heraldry of the Deity is in the arms of the See of Chichester, which certainly originally represented our Lord seated in glory. Whether by intention or carelessness, this, however, is now represented and blazoned as: "Azure, a Prester [Presbyter] John sitting on a tombstone, in his left hand a mound, his right hand extended all or, with a linen mitre on his head, and in his mouth a sword proper." Possibly it is a corruption, but I am rather inclined to think it is an intentional alteration to avoid the necessity of any attempt to pictorially represent the Deity.

Christ upon the Cross, however, will be found represented in the arms of Inverness (Fig. 251). The s.h.i.+eld used by the town of Halifax has the canting "Holy Face" upon a chequy field. This coat, however, is without authority, though it is sufficiently remarkable to quote the blazon in full: "Chequy or and azure, a man's face with long hair and bearded and dropping blood, and surmounted {159} by a halo, all proper; in chief the letters HALEZ, and in base the letters FAX."

[Ill.u.s.tration: FIG. 251.--Armorial bearings of the Royal Burgh of Inverness: Gules, our Lord upon the Cross proper. Mantling gules, doubled or. Crest: upon a wreath of the proper liveries a cornucopia proper.

Supporters: dexter, a dromedary; sinister, an elephant, both proper. (From a painting by Mr. Graham Johnston in Lyon Register.)]

No other instance is known, but, on the other hand, representations of the Virgin Mary with her babe are not uncommon. She will be found so described in the arms of the Royal Burgh of Banff. The Virgin Mary and Child appear also in the arms of the town of Leith, {160} viz.: "Argent, in a sea proper, an ancient galley with two masts, sails furled sable, flagged gules, seated therein the Virgin Mary with the Infant Saviour in her arms, and a cloud resting over their heads, all also proper."

The Virgin and Child appear in the crest of Marylebone (Fig. 252), but in this case, in accordance with the modern English practice, the ident.i.ty is not alluded to. The true derivation of the name from "St. Mary le Bourne"

(and not "le bon") is perpetuated in the design of the arms.

A demi-figure of the Virgin is the crest of Rutherglen;[12] and the Virgin and Child figure, amongst other ecclesiastical arms, on the s.h.i.+elds of the Sees of Lincoln ["Gules, two lions pa.s.sant-guardant or; on a chief azure, the Holy Virgin and Child, sitting crowned, and bearing a sceptre of the second"], Salisbury ["Azure, the Holy Virgin and Child, with sceptre in her left hand all or"], Sodor and Man ["Argent, upon three ascents the Holy Virgin standing with her arms extended between two pillars, on the dexter whereof is a church; in base the ancient arms of Man upon an inescutcheon"], Southwell ["Sable, three fountains proper, a chief paly of three, on the first or, a stag couchant proper, on the second gules, the Virgin holding in her arms the infant Jesus, on the third also or, two staves raguly couped in cross vert"], and Tuam ["Azure, three figures erect under as many canopies or stalls of Gothic work or, their faces, hands, and legs proper; the first representing an archbishop in his pontificals; the second the Holy Virgin Mary, a circle of glory over her head, holding in her left arm the infant Jesus; and the third an angel having his dexter arm elevated, and under the sinister arm a lamb, all of the second"]. {161}

[Ill.u.s.tration: FIG. 252.--Arms of Marylebone: Per chevron sable and barry wavy of six, argent and azure in chief, in the dexter a fleur-de-lis, and in the sinister a rose, both or. Crest: on a wreath of the colours, upon two bars wavy argent and azure, between as many lilies of the first, stalked and leaved vert, a female figure affronte proper, vested of the first, mantled of the second, on the left arm a child also proper, vested or, around the head of each a halo of the last. Motto: "Fiat secundum verb.u.m tuum."]

{162} Various saints figure in different Scottish coats of arms, and amongst them will be found the following:--

St. Andrew, in the arms of the National Bank of Scotland, granted in 1826 ["Or, the image of St. Andrew with vesture vert and surcoat purpure bearing before him the cross of his martyrdom argent, all resting on a base of the second, in the dexter flank a garb gules, in the sinister a s.h.i.+p in full sail sable, the s.h.i.+eld surrounded with two thistles proper, disposed in orle"]; St. Britius, in the arms of the Royal Burgh of Kirkcaldy ["Azur, ane abbay of three pyramids argent, each ensigned with a cross patee or.

And on the reverse of the seal is insculped in a field azure the figure of St. Bryse with long garments, on his head a mytre, in the dexter a fleur-de-lis, the sinister laid upon his breast all proper. Standing in ye porch of the church or abbay. Ensigned on the top as before all betwixt a decrescent and a star in fess or. The motto is 'Vigilando Munio.' And round the escutcheon of both sydes these words--'Sigillum civitatus Kirkaldie'"]; St. Columba, in the arms of the College of the Holy Spirit at c.u.mbrae ["Quarterly, 1 and 4 grand quarters, azure, St. Columba in a boat at sea, in his sinister hand a dove, and in the dexter chief a blazing star all proper; 2 and 3 grand quarters, quarterly, i. and iv., argent, an eagle displayed with two heads gules; ii. and iii., parted per bend embattled gules and argent; over the second and third grand quarters an escutcheon of the arms of Boyle of Kelburne, viz. or, three stags' horns gules"]; St.

Duthacus, in the arms of the Royal Burgh of Tain ["Gules, St. Duthacus in long garments argent, holding in his dexter hand a staff garnished with ivy, in the sinister laid on his breast a book expanded proper"]; St.

aegidius (St. Giles), in the arms of the Royal Burgh of Elgin ["Argent, Sanctus aegidius habited in his robes and mitred, holding in his dexter hand a pastoral staff, and in his left hand a clasped book, all proper.

Supporters; two angels proper, winged or volant upwards. Motto: 'Sic itur ad astra,' upon ane compartment suitabil to a Burgh Royal, and for their colours red and white"]; St. Ninian, in the arms of the Episcopal See of Galloway ["Argent, St. Ninian standing and full-faced proper, clothed with a pontifical robe purple, on his head a mitre, and in his dexter hand a crosier or"]; and St. Adrian, in the arms of the town of Pittenweem ["Azur, in the sea a gallie with her oars in action argent, and therein standing the figure of St. Adrian, with long garments close girt, and a mytre on his head proper, holding in his sinister hand a crosier or. On the stern a flag developed argent, charged with the Royall Armes of Scotland, with this word, 'Deo Duce'"].

Biblical characters of the Old Testament have found favour upon the Continent, and the instances quoted by Woodward are too amusing to omit:--

"The families who bear the names of saints, such as ST. ANDREW, ST. GEORGE, ST. MICHAEL, have (perhaps not unnaturally) included in their arms representation of their family patrons.

"The Bavarian family of REIDER include in their s.h.i.+eld the mounted effigy of the good knight ST. MARTIN dividing his cloak with a beggar (date of diploma 1760). The figure of the great Apostle of the Gentiles appears in the arms of VON PAULI JOERG, and JORGER, of Austria, similarly make use of St. George.

"Continental Heraldry affords not a few examples of the use of the personages of Holy Writ. The ADAMOLI of Lombardy bear: 'Azure, {163} the Tree of Life entwined with the Serpent, and accosted with our first parents, all proper' (_i.e._ in a state of nature). The addition of a chief of the Empire to this coat makes it somewhat incongruous.

"The family of ADAM in Bavaria improve on Sacred History by eliminating EVE, and by representing ADAM as holding the apple in one hand, and the serpent wriggling in the other. On the other hand, the Spanish family of EVA apparently consider there is a sufficiently transparent allusion to their own name, and to the mother of mankind, in the simple bearings: 'Or, on a mount in base an apple-tree vert, fructed of the field, and encircled by a serpent of the second.'

"The family of ABEL in Bavaria make the patriarch in the att.i.tude of prayer to serve as their crest; while the coat itself is: 'Sable, on a square altar argent, a lamb lying surrounded by fire and smoke proper.'

"SAMSON slaying the lion is the subject of the arms of the VESENTINA family of Verona. The field is gules, and on a terrace in base vert the strong man naked bestrides a golden lion and forces its jaws apart. The Polish family of SAMSON naturally use the same device, but the field is azure and the patriarch is decently habited. The STARCKENS of the Island of OESEL also use the like as _armes parlantes_; the field in this case is or. After these we are hardly surprised to find that Daniel in the lions' den is the subject of the arms of the Rhenish family of DANIELS, granted late in the eighteenth century; the field is azure. The Bolognese DANIELS are content to make a less evident allusion to the prophet; their arms are: "per fess azure and vert, in chief 'the lion of the tribe of Judah' naissant or, holding an open book with the words 'LIBRI APERTI SUNT' (DANIEL vii. 10).

"The Archangel ST. MICHAEL in full armour, as conventionally represented, treading beneath his feet the great adversary, sable, is the charge on an azure field of the VAN SCh.o.r.eL of Antwerp."

Other instances will be found, as St. Kentigern (who is sometimes said to be the same as St. Mungo), and who occurs as the crest of Glasgow: "The half-length figure of St. Kentigern affronte, vested and mitred, his right hand raised in the act of benediction, and having in his left hand a crosier, all proper;" St. Michael, in the arms of Linlithgow: "Azure, the figure of the Archangel Michael, with wings expanded, treading on the belly of a serpent lying with its tail nowed fesswise in base, all argent, the head of which he is piercing through with a spear in his dexter hand, and grasping with his sinister an escutcheon charged with the Royal Arms of Scotland." The same saint also figures in the arms of the city of Brussels; while the family of MITCh.e.l.l-CARRUTHERS bears as a crest: "St. Michael in armour, {164} holding a spear in his dexter hand, the face, neck, arms and legs bare, all proper, the wings argent, and hair auburn."

St. Martin occurs in the arms of Dover, and he also figures, as has been already stated, on the s.h.i.+eld of the Bavarian family of REIDER, whilst St.

Paul occurs as a charge in the arms of the Dutch family of VON PAULI.

The arms of the See of Clogher are: "A Bishop in pontifical robes seated on his chair of state, and leaning towards the sinister, his left hand supporting a crosier, his right pointing to the dexter chief, all or, the feet upon a cus.h.i.+on gules, ta.s.selled or."

A curious crest will be found belonging to the arms of a family of Stewart, which is: "A king in his robes, crowned." The arms of the Episcopal See of Ross afford another instance of a bishop, together with St. Boniface.

The arms of the town of Queensferry, in Scotland, show an instance of a queen. "A king in his robes, and crowned," will be found in the arms of Dartmouth ["Gules, the base barry wavy, argent and azure, thereon the hulk of a s.h.i.+p, in the centre of which is a king robed and crowned, and holding in his sinister hand a sceptre, at each end of the s.h.i.+p a lion sejant guardant all or]."

Allegorical figures, though numerous as supporters, are comparatively rare as charges upon a s.h.i.+eld; but the arms of the University of Melbourne show a representation of the figure of Victory ["Azure, a figure intended to represent Victory, robed and attired proper, the dexter hand extended holding a wreath of laurel or, between four stars of eight points, two in pale and two in fess argent"], which also appears in other coats of arms.

A Complete Guide to Heraldry Part 18

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