Textiles and Clothing Part 8

Cretonne, chintz, dress linings, c.r.a.pe, velveteen, and lace are made of cotton.

Flannelette, which is woven to imitate flannel, is soft and light and is preferred by many who find woolen irritating. It does not shrink as woolen does and is made in beautiful, soft colors and the best grades do not fade. For nightdresses, underwear, and sheets, during cold weather this inexpensive fabric is unequaled.

Among the heavier cotton fabrics may be mentioned denim and ticking which are now printed in beautiful designs and colors and used for interior decoration as well as for clothing and bedding.

The great variety of fibers, the many different ways of preparing each for manufacture, the differences in the preparatory processes in spinning, weaving, or in any of the later processes of finis.h.i.+ng produce the varied appearance of the finished product in cotton as in other fabrics.

LINENS

Linen is one of the oldest textiles; it was used by the early Egyptians for the priests' garments and for the wrappings of mummies. Many housekeepers think that there is no material for sheets and pillow cases comparable to linen, but it is not an ideal dressing for beds, for in spite of its heavier body, it wrinkles and musses much more readily than good cotton. For table service, however, for the toilet, and for minor ornamental purposes linen has no equal. Its smoothness of texture, its brilliancy which laundering increases, its wearing qualities, its exquisite freshness, make it the one fabric fit for the table.

[Sidenote: Table Linen]

Table linen is woven plain and figured, checked and diapered. In the figured or damask cloth the patterns stand out distinctly. This is due to the play of light and shade on the horizontal and vertical lines. In some lights the pattern is scarcely noticeable. When buying a cloth, let it be between the observer and the light, for in this position the pattern will show to the best advantage. There is a certain amount of shade on all horizontal lines or of shadow cast by them, while the vertical lines are illuminated, thus although the warp and woof threads are of the same color, the pattern seems to stand out from the background.

Linen should not be adulterated. It should be for use and not for show, for use brightens and whitens it.

Linen adulterated with cotton becomes fuzzy through wear because of the much shorter cotton fibers. The tendency can often be seen by rolling the goods between the thumb and fingers.

Crash of different widths and quality furnishes tea towels, "huck,"

damask and other weaves come in various widths and may be purchased by the yard. Russia crash is best for kitchen towels.

WOOLENS AND WORSTEDS

[Sidenote: Standard Goods]

The many grades of wool with the great variety of weaves and finish make an almost infinite variety of woolen and worsted fabrics. New goods are constantly being put upon the market, or old goods with new names.

Standard goods, such as serges, cashmere, Henrietta cloth, and covert cloth, are always to be found in the shops. These are all twilled goods.

The serges are woven of combed wool and are harsh, tough, springy, worsted fabrics of medium and heavy weight, with a distinct twill, rather smooth surface, and plainer back. There are also loosely woven serges. Cashmere and Henrietta cloth have a fine, irregular twill--the finest made. They are woven with silk, wool, and cotton warp, but the latter gives an inferior textile.

[Sidenote: Tweeds]

Tweeds and homespuns are names given to coa.r.s.e cloth of which the wool is spun by hand and woven on hand looms. These goods vary according to the locality in which they are made. The wool is mixed without regard to color, the yarn being spun and twisted in the most primitive manner, giving the cloth an uneven, unfinished appearance. These are among the best wearing cloths on the market and are especially suitable for suits that will receive hard wear. Scotland and Ireland are famous for their tweeds and homespuns and what are known as the "cottage industries" have been recently revived in those countries as the products of their hand looms have become deservedly popular abroad.

[Sidenote: Harris Tweeds]

The "Harris Tweeds," made on the Island of Lewis and Harris, north of Scotland, are in the old style by the "crofters." After weaving the goods are "waulked"--milled or felted--with the bare feet, accompanied by singing the waulking song and beating time with the feet. The dyeing is done in pots in the old-fas.h.i.+oned way and until recently the dyestuffs were obtained from mosses, lichens, heather, broom, and other plants. Now, however, some of the best aniline dyes are being used. A peculiar characteristic of the Harris tweed is the peat smoke smell caused by the fabric being woven in the crofters' cottages, where there is always a strong odor of peat "reek" from the peat which is burned for fuel. The ordinary so-called Harris tweeds sold in this country are made on the southern border of Scotland, in factories, and are but imitations of the real Harris tweeds.

The light colored tweeds--natural color of wool--come from the island of St. Kilda. This island stands out in mid ocean, barren and wild, devoid of plants or shrubs of any kind for making dyes. The crofters content themselves without dyestuffs. The industry is maintained by n.o.bility to help the islanders and the fabrics are fas.h.i.+onable and high priced.

Covert cloth is a twilled woven cloth of great beauty and durability. It is rather heavy, of hard finish and is used for jackets and winter suits. To this list of woolen goods may be added the c.r.a.pe cloth with crinkled, rough surface, nun's veiling, flannel which is woven in a variety of ways, broadcloth, wool canvas, and poplins. This list includes only a few of the fabrics manufactured, but these are always to be found on the market, are always good in color and are the best of all wool textiles for wear.

[Sidenote: Mohair]

[Sidenote: Alpaca]

Mohair is a material made from the hair of the angora goat, woven with silk, wool, worsted, or cotton warp. It is a dust-shedding material, does not shrink, and bears hard wear well. Alpaca, on account of its softness, elasticity, and exemption from s.h.a.ggy defects, combines admirably with cotton in the manufacture of fine goods, which attains almost the glossy brightness of silk. The yarn is used for weaving alpaca linings and light coatings for warm climates.

SILKS

Many silks can be washed without injury to the fibers, but they cannot be boiled without destroying the l.u.s.ter. Silks may be had in various widths and endless variety of weaves. Many are reversible.

[Sidenote: Loading Silk]

Silks are adulterated with cotton and ramie fibers. The chemicals used in "loading" or "dynamiting" to give the weight lost by cleaning or removing the gum from the raw silk give to the cheaper grades the stiff, harsh feeling and cause the splitting and cracking of the silk, hence the quality of the fiber should be considered when selecting a silk, not the weight. Taffeta is often heavily loaded.

Foulard and surah are twilled silks. Corded silks are woven with a cord running from selvage to selvage. To this cla.s.s belong the grosgrains, Ottoman, faille Francaise--a silk resembling grosgrain, but softer and brighter. Irish poplins and bengalines have wool for the filling instead of silk.

[Sidenote: Wash Silks]

Great improvement has been made in the manufacture of wash silks. They are fine in color and have a glossy surface. Pongee is a beautiful, durable silk in different shades of natural color. It is woven in different widths. This silk is especially valuable for underwear. The first cost is greater, but it outwears muslin or linen. It is also used for children's garments and for outside wraps. For many purposes, no better textile can be found.

Crepe de Chine is an incomparable textile possessing as much softness as strength. It is always supple, never creases, launders well, and comes in the most beautiful soft shades as well as in black and dark colors.

Satin is distinguished by its glossy, l.u.s.trous surface, obtained in the weaving.

[Sidenote: Piled Fabrics]

Piled fabrics are rich, thick materials made of silk, wool, mohair, and cotton, comprising the velvets, velveteens, plushes, corduroys, and wilton and velvet carpets. The soft, raised pile is first woven in loops--Brussels carpet is a good example--and the loops are cut. The back of the goods is plain.

[Sidenote: Velvet]

Velvet has always and justly been regarded as the most beautiful of textiles. No matter how fas.h.i.+ons change in regard to other materials, velvet never loses its vogue. For robes and cloaks, for mantles and jackets, for hats and bonnets, for tr.i.m.m.i.n.g and decoration, velvet has been popular for a greater period than the life of any living mortal, but never before has it been so cheap, so varied and so beautiful as it is now. One can in the pa.s.sing throng of pedestrians on any crowded street see the use and abuse of this n.o.ble material. There is scarcely an article of dress into whose composition it does not enter and it is worn upon all occasions. Many things have brought about this result. The tendency of fas.h.i.+on is towards the decorative and picturesque and in these qualities velvet excels all other fabrics. Silk waste and thread are cheaper than ever before so that velvet costs much less than formerly. The men behind the looms have evolved more designs and novelties in the making of velvet than has ever been known and colors beautiful in themselves are seemingly enhanced when applied to velvet.

[Sidenote: Velveteen]

All that has been said in favor of velvet applies equally as well to the best velveteen,--in fact it is a textile of even greater value and beauty than velvet. The best grades are not cheap, but they wear better than silk velvet, are fine and silky, excellent in color and sheen, launder well, and do not press-mark as does silk velvet. Velveteen takes the dye so beautifully and finishes so well that it has taken rank with our best standard fabrics. It is made entirely of cotton. It varies in width but is always wider than velvet.

[Sidenote: Widths of Fabrics]

A knowledge of the various widths of textiles is important in buying.

Transparent fabrics are usually wider than heavier goods made of the same fiber. Muslin is wider than calico or ordinary print, and thin silk fabrics such as mull and chiffon are wider than velvet.

In wool dress goods various distinct widths are known as single--thirty and thirty-six inches--double fold (forty-five and fifty-four inches), etc. Silk, velvet, and velveteen are single width. The velvet ranges from eighteen to twenty-four inches in width and velveteen twenty-seven.

Bodice linings vary from thirty-five to thirty-eight inches; skirt linings come in both single and double fold.

Household linen including bedding varies in width from one yard to two and one-fourth and two and one-half yards for sheeting and from thirty-eight to fifty-four inches for pillow case muslin.

Table linen is woven in both square and circular cloths of various sizes, and napkins vary in width from the small sizes to a yard square.

No fixed widths can be given for any textile as width often changes with the weave.

NAMES OF FABRICS