David Elginbrod Part 24

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"Jane, open that shutter."

The girl obeyed; and the entering light revealed the walls covered with paintings, many of them apparently of no value, yet adding much to the effect of the place. Seeing that Hugh was at once attracted by the pictures, Euphra said:

"Perhaps you would like to see the picture gallery first?"

Hugh a.s.sented. Euphra chose key after key, and opened door after door, till they came into a long gallery, well lighted from each end. The windows were soon opened.

"Mr. Arnold is very proud of his pictures, especially of his family portraits; but he is content with knowing he has them, and never visits them except to show them; or perhaps once or twice a year, when something or other keeps him at home for a day, without anything particular to do."



In glancing over the portraits, some of them by famous masters, Hugh's eyes were arrested by a blonde beauty in the dress of the time of Charles II. There was such a reality of self-willed boldness as well as something worse in her face, that, though arrested by the picture, Hugh felt ashamed of looking at it in the presence of Euphra and her maid. The pictured woman almost put him out of countenance, and yet at the same time fascinated him.

Dragging his eyes from it, he saw that Jane had turned her back upon it, while Euphra regarded it steadily.

"Open that opposite window, Jane," said she; "there is not light enough on this portrait."

Jane obeyed. While she did so, Hugh caught a glimpse of her face, and saw that the formerly rosy girl was deadly pale. He said to Euphra:

"Your maid seems ill, Miss Cameron."

"Jane, what is the matter with you?"

She did not reply, but, leaning against the wall, seemed ready to faint.

"The place is close," said her mistress. "Go into the next room there,"--she pointed to a door--"and open the window. You will soon be well."

"If you please, Miss, I would rather stay with you. This place makes me feel that strange."

She had come but lately, and had never been over the house before.

"Nonsense!" said Miss Cameron, looking at her sharply. "What do you mean?"

"Please, don't be angry, Miss; but the first night e'er I slept here, I saw that very lady--"

"Saw that lady!"

"Well, Miss, I mean, I dreamed that I saw her; and I remembered her the minute I see her up there; and she give me a turn like. I'm all right now, Miss."

Euphra fixed her eyes on her, and kept them fixed, till she was very nearly all wrong again. She turned as pale as before, and began to draw her breath hard.

"You silly goose!" said Euphra, and withdrew her eyes; upon which the girl began to breathe more freely.

Hugh was making some wise remarks in his own mind on the unsteady condition of a nature in which the imagination predominates over the powers of reflection, when Euphra turned to him, and began to tell him that that was the picture of her three or four times great-grandmother, painted by Sir Peter Lely, just after she was married.

"Isn't she fair?" said she.--"She turned nun at last, they say."

"She is more fair than honest," thought Hugh. "It would take a great deal of nun to make her into a saint." But he only said, "She is more beautiful than lovely. What was her name?"

"If you mean her maiden name, it was Halkar--Lady Euphrasia Halkar--named after me, you see. She had foreign blood in her, of course; and, to tell the truth, there were strange stories told of her, of more sorts than one. I know nothing of her family. It was never heard of in England, I believe, till after the Restoration."

All the time Euphra was speaking, Hugh was being perplexed with that most annoying of perplexities--the flitting phantom of a resemblance, which he could not catch. He was forced to dismiss it for the present, utterly baffled.

"Were you really named after her, Miss Cameron?"

"No, no. It is a family name with us. But, indeed, I may be said to be named after her, for she was the first of us who bore it. You don't seem to like the portrait."

"I do not; but I cannot help looking at it, for all that."

"I am so used to the lady's face," said Euphra, "that it makes no impression on me of any sort. But it is said," she added, glancing at the maid, who stood at some distance, looking uneasily about her--and as she spoke she lowered her voice to a whisper--"it is said, she cannot lie still."

"Cannot lie still! What do you mean?"

"I mean down there in the chapel," she answered, pointing.

The Celtic nerves of Hugh shuddered. Euphra laughed; and her voice echoed in silvery billows, that broke on the faces of the men and women of old time, that had owned the whole; whose lives had flowed and ebbed in varied tides through the ancient house; who had married and been given in marriage; and gone down to the chapel below--below the prayers and below the psalms--and made a Sunday of all the week.

Ashamed of his feeling of pa.s.sing dismay, Hugh said, just to say something:

"What a strange ornament that is! Is it a brooch or a pin? No, I declare it is a ring--large enough for three cardinals, and worn on her thumb. It seems almost to sparkle. Is it ruby, or carbuncle, or what?"

"I don't know: some clumsy old thing," answered Euphra, carelessly.

"Oh! I see," said Hugh; "it is not a red stone. The glow is only a reflection from part of her dress. It is as clear as a diamond.

But that is impossible--such a size. There seems to me something curious about it; and the longer I look at it, the more strange it appears."

Euphra stole another of her piercing glances at him, but said nothing.

"Surely," Hugh went on, "a ring like that would hardly be likely to be lost out of the family? Your uncle must have it somewhere."

Euphra laughed; but this laugh was very different from the last. It rattled rather than rang.

"You are wonderfully taken with a bauble--for a man of letters, that is, Mr. Sutherland. The stone may have been carried down any one of the hundred streams into which a family river is always dividing."

"It is a very remarkable ornament for a lady's finger, notwithstanding," said Hugh, smiling in his turn.

"But we shall never get through the pictures at this rate," remarked Euphra; and going on, she directed Hugh's attention now to this, now to that portrait, saying who each was, and mentioning anything remarkable in the history of their originals. She manifested a thorough acquaintance with the family story, and made, in fact, an excellent show-woman. Having gone nearly to the other end of the gallery,

"This door," said she, stopping at one, and turning over the keys, "leads to one of the oldest portions of the house, the princ.i.p.al room in which is said to have belonged especially to the lady over there."

As she said this, she fixed her eyes once more on the maid.

"Oh! don't ye now, Miss," interrupted Jane. "Hannah du say as how a whitey-blue light s.h.i.+nes in the window of a dark night, sometimes--that lady's window, you know, Miss. Don't ye open the door--pray, Miss."

Jane seemed on the point of falling into the same terror as before.

"Really, Jane," said her mistress, "I am ashamed of you; and of myself, for having such silly servants about me."

"I beg your pardon, Miss, but--"

"So Mr. Sutherland and I must give up our plan of going over the house, because my maid's nerves are too delicate to permit her to accompany us. For shame!"

David Elginbrod Part 24

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David Elginbrod Part 24 summary

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