Memoirs of My Dead Life Part 13

"The rooms will look better," Doris said, "when fires have been lighted, and when our bags are unpacked. A skirt thrown over the arm of a chair furnishes a room."

Taking her hands in mine I kissed them, and was almost consoled; but at that moment my eyes fell upon the beds, and I said:

"Those beds! O Doris, those beds! yours is no better than mine." Women are always satisfied, or they are kind, or they are wise; and accept the inevitable without a murmur.

"Dearest, ask the waiter to bring us some hot water."

I did so, and while he was away I paced the room, unable to think of anything but the high bed; it was impossible to put out of my sight the ridiculous spectacle of a couple in a nightgown and pyjama suit climbing into it. The vision of myself and Doris lying under that eider-down, facing that tall window, with nothing to shut out the light but those vulgar lace curtains, pursued me, and I paced the room till the pink waiter returned with two jugs; and then, feeling very miserable, I began to unpack my bag without getting further than the removal of the brushes and comb; Doris unpacked a few things, and she washed her hands, and I thought I might wash mine; but before I had finished was.h.i.+ng them I left the dreadful basin, and going to Doris with dripping hands I said:

"There is very little difference in the rooms. Perhaps you would like to sleep in mine?"

"I can see no difference. I think I'll remain where I am."

Which room she slept in may seem insignificant to the reader, but this is not so, for had we changed rooms this story would never have been written. I can see myself even now walking to and fro like a caged animal vainly seeking for a way of escape, till suddenly--my adventure reminds me very much of the beginning of many romantic novels--the tapestry that the wind had blown aside, the discovery of the secret door--suddenly I discovered a door in the wall paper; it was unlatched, and pus.h.i.+ng through it I descended two steps, and lo! I was in the room of my heart's desire; a large, richly-coloured saloon with beautifully proportioned windows and red silk damask curtains hanging from carved cornices, and all the old gilding still upon them. And the silk fell into such graceful folds that the proportions of the windows were enhanced. And the walls were stretched with silk of a fine romantic design, the dominant note of which was red to match the curtains. There were wall lights, and a curious old clock on the marble chimney-piece amid branching candelabra. I stayed a moment to examine the clock, deciding very soon that it was not of much value ... it was made in Ma.r.s.eilles a hundred years ago.

"A beautiful room in its proportions and in its colour," I said, and seeing another door ajar I went through it and discovered a bedroom likewise in red with two beds facing each other. The beds were high, it is true, and a phrase from a letter I had written to Doris, "aggressively virtuous," rose up in my mind as I looked upon them. But the curtains hung well from _les ciels de lit_ (one cannot say _cieux de lit_, I suppose)--the English word is, I think, "tester." "This room is far from the bedroom of my dreams," I muttered, "but _a la rigueur ca peut marcher_." But pursuing my quest a little farther, I came upon a s.p.a.cious bedroom with two windows looking out on the courtyard--a room which would have satisfied the most imaginative lover, a room worthy of the adorable Doris, and I can say this as I look back fondly on her many various perfections. A great bed wide and low, "like a battlefield as our bed should be," I said, for the lines of the old poet were running in my head:

"Madame, shall we undress you for the fight?

The wars are naked that you make to-night."

And, looking upon it, I stood there like one transfigured, filled with a great joy; for the curtains hanging from a graceful tester like a crown would have satisfied the painter Boucher.... He rarely painted bedrooms. I do not remember any at this moment; but I remember many by Fragonard, and Fragonard would have said: "I have no fault to find with that bed." The carpet was not Aubusson, but it was nevertheless a finely-designed carpet, and its colour was harmonious; the sofa was shapely enough, and the Louis XVI. arm-chairs were filled with deep cus.h.i.+ons. I turned to the toilet-table fearing it might prove an incongruity, but it was in perfect keeping with the room, and I began at once to look forward to seeing it laid out with all the manifold ivories and silver of Doris's dressing-case.

Imagine my flight, dear reader, if you can, back to Doris, whom I had left trying to make the best of that miserable square room; more like a prison cell than a bedroom.

"What is the matter, dearest?" she asked.

But without answering her I said, "Give me your hand," and led her as a prince leads his betrothed, in a fairy tale, through the richly-coloured salon, lingering a moment for her to admire it, and then I took her through my room, the double-bedded room, saying: "All this is nothing; wait till you see your room." And Doris paused overcome by the beauty of the bed, of the curtains falling from the tester gracefully as laburnum or acacia branches in June.

"The rooms are beautiful, but a little cheerless."

"Doris, Doris, you don't deserve to lie there! The windows of course must be opened, fresh air must be let in, and fires must be lighted.

But think of you and me sitting here side by side talking before our bedtime."

Fires were lighted quickly, servants came in bearing candelabra in their hands, and among them, and with Doris by my side, I imagined myself a prince, for who is a prince but he who possesses the most desirable thing in the world, who finds himself in the most delectable circ.u.mstances? And what circ.u.mstance is more delightful than sitting in a great shadowy bedroom, watching the logs burning, shedding their grateful heat through the room, for the logs that were brought to us, as we soon discovered, were not the soft wood grown for consumption in Parisian hotels; the logs that warmed our toes in Orelay were dense and hard as iron, and burned like coal, only more fragrantly, and very soon the bareness of the room disappeared; a petticoat, as Doris had said, thrown over a chair gives an inhabited look to a room at once; and the contents of her dressing-case, as I antic.i.p.ated, took the room back to one hundred years ago, when some great lady sat there in a flowered silk gown before one of those inlaid dressing tables, filled with pigments and powders and gla.s.ses.

There was one of those tables in the room, and I drew it from the corner and raised its lid, the lid with the looking-gla.s.s in it. And I liked the unpacking of her dressing-case, the discovery of a mult.i.tude of things for bodily use, the various sponges; the flat sponge for the face, the round sponge for the body, and the little sponges; all the scissors and the powder for the nails, and the scents, the soft silks, the lace scarfs, and the long silk nightgown soon to droop over her shoulders. My description by no means exhausts the many things she produced from her dressing-case and bags, nor would the most complete catalogue convey an impression of Doris's cleanliness of her little body! One would have to see her arranging her things, with her long curved hands and almond nails carefully cut--they were her immediate care, and many powders and ointments and polishers were called into requisition. Some reader will cry that all this is most unimportant, but he is either hypocritical or stupid, for it is only with scent and silk and artifices that we raise love from an instinct to a pa.s.sion.

"I am longing," said Doris, "to see that beautiful red drawing-room with all the candelabra lighted and half a dozen logs blazing on the hearth. It is extraordinary how cold it is."

To procure an impartial mind, bodily ease is necessary, and we sat on either side of a splendid fire warming our toes. At the bottom of his heart every Christian feels, though he may not care to admit it in these modern days, that every attempt to make love a beautiful and pleasurable thing is a return to paganism. In his eyes the only excuse for man's love of woman is that without it the world would come to an end. Why he should consider the end of the world a misfortune I have never been able to find out, for if his creed be a true one the princ.i.p.al use of this world is to supply h.e.l.l with fuel. He is never weary of telling us that very few indeed may hope to get to Heaven.

"But France is not a Christian country, and yet you see the high bed has not become extinct," said Doris.

Doris, who was doubtless feeling a little tired, sat looking into the fire. Her att.i.tude encouraged reverie; dream linked into dream till at last the chain of dreams was broken by the entrance of the pink waiter bringing in our dinner. In the afternoon I had called him an imbecile, which made him very angry, and he had explained that he was not an imbecile, but if I hurried him he lost his head altogether. Of course one is sorry for speaking rudely to a waiter; it is a shocking thing to do, and nothing but the appearance of the bedroom we were shown into would excuse me. His garrulousness, which was an irritation in the afternoon, was an amus.e.m.e.nt as he laid the cloth and told me the bill of fare; moreover, I had to consult him about the wine, and I liked to hear him telling me in his strong Southern accent of a certain wine of the country, as good as Pomard and as strong, and which would be known all over the world, only it did not bear transportation. Remembering how tired we were, and the verse--

"Quand on boit du Pomard on devient bon on aime, On devient aussi bon que le Pomard lui-meme--"

we drank, hoping that the wine would awaken us. But the effect of that strong Southern wine seemed to be more lethargic than exhilarating, and when dinner was over and we had returned to our seats by the fireside we were too weary to talk, and too nervous.

The next morning, the coffee and the rolls and b.u.t.ter were ready before Doris, and the vexation of seeing the breakfast growing cold was recompensed by the pleasure of teasing her, urging her to pa.s.s her arms into her dressing-gown, to come as she was, it did not matter what she had on underneath. The waiter did not count; he was not a man, he was a waiter, a pink creature, pinker than anything in the world, except a baby's bottom, and looking very like that.

"Hasten, dear, hasten!" and I went back to the salon and engaged in chatter with the old provincial, my English accent contrasting strangely with his. It was the first time I had heard the Southern accent. At Plessy I had heard all accents, Swiss, German, Italian; there was plenty of Parisian accent there, and I had told a Parisian flower-woman, whose husband was a Savoyard, that I declined to believe any more in the Southern accent _"C'est une blague qu'on m'a faite"_; but at Orelay I had discovered the true accent, and I listened to the old man for the sake of hearing it. He was asking me for my appreciation of the wine we had drunk last night when Doris entered in a foamy white dressing-gown.

"You liked the wine, dear, didn't you? He wants to know if we will have the same wine for twelve-o'clock breakfast."

"Dear me, it's eleven o'clock now," Doris answered, and she looked at the waiter.

"Monsieur and Madame will go for a little walk; perhaps you would like to breakfast at one?"

We agreed that we could not breakfast before one, and our waiter suggested a visit to the cathedral--it would fill up the time pleasantly and profitably; but Doris, when she had had her coffee, wanted to sit on my knee and to talk to me; and then there was a piano, and she wanted to play me some things, or rather I wanted to hear her. But the piano was a poor one; the notes did not come back, she said, and we talked for some hours without perceiving that the time was pa.s.sing. After lunch the waiter again inquired if we intended to go for a little walk; there were vespers about four in the cathedral.

"It would do Monsieur and Madame good."

"The walk or the cathedral?" we inquired, and, a little embarra.s.sed, the old fellow began to tell us that he had not been to the cathedral for some years, but the last time he was there he had been much impressed by the darkness. It was all he could do to find his way from pillar to pillar; he had nearly fallen over the few kneeling women who crouched there listening to the clergy intoning Latin verses.

According to his account there were no windows anywhere except high up in the dome. And leaning his hands on the table, looking like all the waiters that ever existed or that will ever exist, his _tablier_, reaching nearly to his chin, upheld by strings pa.s.sed over the shoulders, he told us that it was impossible to see what was happening in the chancel; but there had seemed to be a great number of clergy seated in the darkness at the back, for one heard voices behind the tall pieces of furniture singing Latin verses; one only heard the terminations of the words, an "us" and a "noster," and words ending in "e," and the organ always coming in a little late.

"My good man," I said, "your description leaves nothing to be desired.

Why should I go to the cathedral unless to verify your impressions? I am sure the service is exactly as you describe it, and I would not for the world destroy the picture you have evoked of those forgotten priests intoning their vespers in the middle of the granite church behind a three-branched candlestick."

The poor man left the room very much disconcerted, feeling, Doris said, as if he had lost one of the forks.

"Thank Heaven that matter is done with--a great weight is off my mind."

"But there is the museum. You would like to see that?" said Doris, and a change came into my face.

"Well, Doris, the waiter has told us that there is a celebrated study by David in the museum, 'The Nymph of Orelay.'"

"But, dear one, am I not your nymph of Orelay?" and Doris slipped on her knees and put her arms about me. "Will I not do as well as the painted creature in the museum?"

"Far better," I said, "far better. Now we are free, Doris, freed from the cathedral and from the museum. All the day belongs to us, and to-morrow we may pa.s.s as we like."

"And so we will," Doris said meditatively; and so we did, dear reader, and I consider the time was well spent, for by so doing we avoided catching cold, a thing easy to do when a mistral is blowing. It was not until the following evening we remembered that time was always on the wing, that our little bags would have to be packed. Next morning we were going.

"Going away by the train," Doris said regretfully. "Would we were going away in a carriage! We shall leave Orelay knowing nothing of it but this suite of apartments."

"There is no reason why we should not drive," and I stopped packing my bag, and stood looking at her.

"I wonder if we should have stayed three days if we had not discovered these rooms? Dear one, I think I should not have meant so much to you in those humbler rooms: you attach much importance to these cornices and hangings."

"I should have loved you always, Doris, but I think I can love you better here," and with our bags in our hands we wandered from the bedroom into the drawing-room and stood admiring its bygone splendour.

"Doris, dear, you must play me 'The Nut Bush.' I want to hear it on that old piano. Tinkle it, dear, tinkle it, and don't play 'The Nut Bush' too sentimentally, nor yet too gaily."

"Which way will you have it?" she asked; "'a true love's truth or a light love's art'?"

"I would have it dainty and fantastic as Schumann wrote it, 'only the song of a secret bird.'"

"With a pathos of loneliness in it?"