Musical Portraits Part 11

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He studied the violin under Ma.s.sart and Leonard in Paris, and under Joachim in Berlin. He studied composition with Guirand in Paris. Played violin in Pasdeloup's orchestra, then in the orchestras at Nice and Lugano. From 1883 till 1903 he was second leader in the Boston Symphony Orchestra. Since 1903 he has been devoting himself completely to composition. He is living at present in Medford, Ma.s.sachusetts.

His compositions include: Suite for violin and orchestra, "Les Viellees de l'Ukraine," 1891; Concerto for cello, 1894; Divertiss.e.m.e.nt for orchestra, 1895; "La Mort de Tintagiles," 1897; "Divertiss.e.m.e.nt espagnol" for orchestra and saxaphone; "La Villanelle du Diable"; "A Pagan Poem"; "Hora mystica"; "Psalm 137"; "To One Who Fell in Battle"; Two rhapsodies for oboe, viola and pianoforte; String-s.e.xtet; String-quartet; Music for Four Stringed Instruments; Songs on poems by Baudelaire, Verlaine, Yeats, Rossetti, Lodge, Kahn, etc.

ORNSTEIN

Leo Ornstein was born in Krementchug, Russia, December 11th, 1895. His father was cantor in the synagogue. Until 1906 Ornstein was a pupil in the Petrograd Conservatory. Because of the pogroms, his family emigrated to New York. There he attended the Friends' School and studied music in the Inst.i.tute of Musical Art. Later, he studied with Bertha Fiering Tapper. He made his debut as pianist in January, 1911. In 1913-14 he lived in Europe, in Paris chiefly. He was introduced to the French public by Calvocoressi at a concert in the Sorbonne. In the summer he toured Norway. He returned to America in the autumn, and early next year gave a series of recitals of ultra-modern music at the Fifty-seventh Street Theatre. Next year he continued the series at four semi-private recitals at the home of Mrs. Arthur M. Reis. He has been giving concerts all over the United States and Canada since. He is living at present in Jackson, N. H.

Among Ornstein's compositions there are:

Two symphonic poems, "The Fog" and "The Life of Man" (after Andrev); a Piano-concerto, Opus 44; a setting of the 30th Psalm for chorus; a Quartet for strings, Opus 28; a Miniature String-quartet; a Piano-quintet, Opus 49; two Sonatas for Violin and Piano, Opera 26 and 31; two Sonatas for Cello and Piano, Opera 45 and 78; Three Lieder, Opus 33; Four settings of Blake, Opus 18.--For piano solo: Sonata, Opus 35; Dwarf Suite, Opus 11; Impressions of the Thames, Opus 13; Two Impressions of Notre-Dame, Opus 16; Two Shadow Pieces, Opus 17; Six Short Pieces, Opus 19; Three Preludes, Opus 20; Three Moods, Opus 22; Eleven Short Pieces, Opus 29; Burlesques, Opus 30; Eighteen Preludes--a la Chinoise, Opus 39; Arabesques, Opus 48; Poems of 1917, Opus 68.

BLOCH

Ernest Bloch was born in Geneva, Switzerland, July 24th, 1880. He studied in Geneva with Jaques Dalcroze; in Brussels with Ysaye; at the Hoch Conservatory in Frankfort with I. Knorr; and with Thuille in Munich. His opera "Macbeth" was produced at the Opera Comique in Paris in 1910. In 1915 he was appointed professor of composition in the conservatory in Geneva. In 1916 he came to America as conductor of the Maud Allan Symphony Orchestra. His quartet was performed by the Flonzaleys that season, and in May, 1917, the Society of the Friends of Music devoted a concert entirely to his works. Returning to Switzerland in the summer he once more voyaged to America, this time with the intention of settling here. He taught composition at the David Mannes School from 1917 to 1919. In September, 1919, he won the Coolidge Prize with his Suite for viola. He lives in New York.

Besides "Macbeth," the list of his compositions includes a Symphony in C-sharp minor; "Vivre-Aimer"; "Hiver-Printemps"; "Trois Poemes juives,"

"Trois Psaumes" (22nd for baritone, 14th and 137th for soprano); "Poemes d'Automne" for mezzo-soprano; "Schelemo," rhapsody for 'cello and orchestra; "Israel" (symphony--two movements); String-quartet; and Suite for viola and piano or viola and orchestra. A sonata for violin and piano is in process of preparation.

Musical Portraits Part 11

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Musical Portraits Part 11 summary

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