Redburn. His First Voyage Part 16
You’re reading novel Redburn. His First Voyage Part 16 online at LightNovelFree.com. Please use the follow button to get notification about the latest chapter next time when you visit LightNovelFree.com. Use F11 button to read novel in full-screen(PC only). Drop by anytime you want to read free – fast – latest novel. It’s great if you could leave a comment, share your opinion about the new chapters, new novel with others on the internet. We’ll do our best to bring you the finest, latest novel everyday. Enjoy!
But we must not altogether despair for the sailor; nor need those who toil for his good be at bottom disheartened, or Time must prove his friend in the end; and though sometimes he would almost seem as a neglected step-son of heaven, permitted to run on and riot out his days with no hand to restrain him, while others are watched over and tenderly cared for; yet we feel and we know that G.o.d is the true Father of all, and that none of his children are without the pale of his care.
x.x.x. REDBURN GROWS INTOLERABLY FLAT AND STUPID OVER SOME OUTLANDISH OLD GUIDE-BOOKS
Among the odd volumes in my father's library, was a collection of old European and English guide-books, which he had bought on his travels, a great many years ago. In my childhood, I went through many courses of studying them, and never tired of gazing at the numerous quaint embellishments and plates, and staring at the strange t.i.tle-pages, some of which I thought resembled the mustached faces of foreigners. Among others was a Parisian-looking, faded, pink-covered pamphlet, the rouge here and there effaced upon its now thin and attenuated cheeks, ent.i.tled, "Voyage Descriptif et Philosophique de L'Ancien et du Nouveau Paris: Miroir Fidele" also a time-darkened, mossy old book, in marbleized binding, much resembling verd-antique, ent.i.tled, "Itineraire Instructif de Rome, ou Description Generale des Monumens Antiques et Modernes et des Ouvrages les plus Remarquables de Peinteur, de Sculpture, et de Architecture de cette Celebre Ville;" on the russet t.i.tle-page is a vignette representing a barren rock, partly shaded by a scrub-oak (a forlorn bit of landscape), and under the lee of the rock and the shade of the tree, maternally reclines the houseless foster-mother of Romulus and Remus, giving suck to the ill.u.s.trious twins; a pair of naked little cherubs sprawling on the ground, with locked arms, eagerly engaged at their absorbing occupation; a large cactus-leaf or diaper hangs from a bough, and the wolf looks a good deal like one of the no-horn breed of barn-yard cows; the work is published "Avec privilege du Souverain Pontife." There was also a velvet-bound old volume, in bra.s.s clasps, ent.i.tled, "The Conductor through Holland" with a plate of the Stadt House; also a venerable "Picture of London"
abounding in representations of St. Paul's, the Monument, Temple-Bar, Hyde-Park-Corner, the Horse Guards, the Admiralty, Charing-Cross, and Vauxhall Bridge. Also, a bulky book, in a dusty-looking yellow cover, reminding one of the paneled doors of a mail-coach, and bearing an elaborate t.i.tle-page, full of printer's flourishes, in emulation of the cracks of a four-in-hand whip, ent.i.tled, in part, "The Great Roads, both direct and cross, throughout England and Wales, from an actual Admeasurement by order of His Majesty's Postmaster-General: This work describes the Cities, Market and Borough and Corporate Towns, and those at which the a.s.sizes are held, and gives the time of the Mails' arrival and departure from each: Describes the Inns in the Metropolis from which the stages go, and the Inns in the country which supply post-horses and carriages: Describes the n.o.blemen and Gentlemen's Seats situated near the Road, with Maps of the Environs of London, Bath, Brighton, and Margate." It is dedicated "To the Right Honorable the Earls of Chesterfield and Leicester, by their Lords.h.i.+ps' Most Obliged, Obedient, and Obsequious Servant, John Gary, 1798." Also a green pamphlet, with a motto from Virgil, and an intricate coat of arms on the cover, looking like a diagram of the Labyrinth of Crete, ent.i.tled, "A Description of York, its Antiquities and Public Buildings, particularly the Cathedral; compiled with great pains from the most authentic records." Also a small scholastic-looking volume, in a cla.s.sic vellum binding, and with a frontispiece bringing together at one view the towers and turrets of King's College and the magnificent Cathedral of Ely, though geographically sixteen miles apart, ent.i.tled, "The Cambridge Guide: its Colleges, Halls, Libraries, and Museums, with the Ceremonies of the Town and University, and some account of Ely Cathedral." Also a pamphlet, with a j.a.panned sort of cover, stamped with a disorderly higgledy-piggledy group of paG.o.da-looking structures, claiming to be an accurate representation of the "North or Grand Front of Blenheim," and ent.i.tled, "A Description of Blenheim, the Seat of His Grace the Duke of Marlborough; containing a full account of the Paintings, Tapestry, and Furniture: a Picturesque Tour of the Gardens and Parks, and a General Description of the famous China Gallery, 6-c.; with an Essay on Landscape Gardening: and embellished with a View of the Palace, and a New and Elegant Plan of the Great Park." And lastly, and to the purpose, there was a volume called "THE PICTURE OF LIVERPOOL."
It was a curious and remarkable book; and from the many fond a.s.sociations connected with it, I should like to immortalize it, if I could.
But let me get it down from its shrine, and paint it, if I may, from the life.
As I now linger over the volume, to and fro turning the pages so dear to my boyhood,--the very pages which, years and years ago, my father turned over amid the very scenes that are here described; what a soft, pleasing sadness steals over me, and how I melt into the past and forgotten!
Dear book! I will sell my Shakespeare, and even sacrifice my old quarto Hogarth, before I will part with you. Yes, I will go to the hammer myself, ere I send you to be knocked down in the auctioneer's shambles.
I will, my beloved,--old family relic that you are;--till you drop leaf from leaf, and letter from letter, you shall have a snug shelf somewhere, though I have no bench for myself.
In size, it is what the booksellers call an 18mo; it is bound in green morocco, which from my earliest recollection has been spotted and tarnished with time; the corners are marked with triangular patches of red, like little c.o.c.ked hats; and some unknown Goth has inflicted an incurable wound upon the back. There is no lettering outside; so that he who lounges past my humble shelves, seldom dreams of opening the anonymous little book in green. There it stands; day after day, week after week, year after year; and no one but myself regards it. But I make up for all neglects, with my own abounding love for it.
But let us open the volume.
What are these scrawls in the fly-leaves? what incorrigible pupil of a writing-master has been here? what crayon sketcher of wild animals and falling air-castles? Ah, no!--these are all part and parcel of the precious book, which go to make up the sum of its treasure to me.
Some of the scrawls are my own; and as poets do with their juvenile sonnets, I might write under this horse, "Drawn at the age of three years," and under this autograph, "Executed at the age of eight."
Others are the handiwork of my brothers, and sisters, and cousins; and the hands that sketched some of them are now moldered away.
But what does this anchor here? this s.h.i.+p? and this sea-ditty of Dibdin's? The book must have fallen into the hands of some tarry captain of a forecastle. No: that anchor, s.h.i.+p, and Dibdin's ditty are mine; this hand drew them; and on this very voyage to Liverpool. But not so fast; I did not mean to tell that yet.
Full in the midst of these pencil scrawlings, completely surrounded indeed, stands in indelible, though faded ink, and in my father's hand-writing, the following:--
"WALTER REDBURN.
"Riddough's Royal Hotel, Liverpool, March 20th, 1808."
Turning over that leaf, I come upon some half-effaced miscellaneous memoranda in pencil, characteristic of a methodical mind, and therefore indubitably my father's, which he must have made at various times during his stay in Liverpool. These are full of a strange, subdued, old, midsummer interest to me: and though, from the numerous effacements, it is much like cross-reading to make them out; yet, I must here copy a few at random:--
s. d
Guide-Book 3 6 Dinner at the Star and Garter 10 Trip to Preston (distance 31 m.) 2 6 3 Gratuities 4 Hack 4 6 Thompson's Seasons 5 Library 1 Boat on the river 6 Port wine and cigar 4
And on the opposite page, I can just decipher the following:
Dine with Mr. Roscoe on Monday.
Call upon Mr. Morille same day.
Leave card at Colonel Digby's on Tuesday.
Theatre Friday night--Richard III. and new farce.
Present letter at Miss L----'s on Tuesday.
Call on Sampson & Wilt, Friday.
Get my draft on London cashed.
Write home by the Princess.
Letter bag at Sampson and Wilt's.
Turning over the next leaf, I unfold a map, which in the midst of the British Arms, in one corner displays in st.u.r.dy text, that this is "A Plan of the Town of Liverpool." But there seems little plan in the confined and crooked looking marks for the streets, and the docks irregularly scattered along the bank of the Mersey, which flows along, a peaceful stream of shaded line engraving.
On the northeast corner of the map, lies a level Sahara of yellowish white: a desert, which still bears marks of my zeal in endeavoring to populate it with all manner of uncouth monsters in crayons. The s.p.a.ce designated by that spot is now, doubtless, completely built up in Liverpool.
Traced with a pen, I discover a number of dotted lines, radiating in all directions from the foot of Lord-street, where stands marked "Riddough's Hotel," the house my father stopped at.
These marks delineate his various excursions in the town; and I follow the lines on, through street and lane; and across broad squares; and penetrate with them into the narrowest courts.
By these marks, I perceive that my father forgot not his religion in a foreign land; but attended St. John's Church near the Hay-market, and other places of public wors.h.i.+p: I see that he visited the News Room in Duke-street, the Lyceum in Bold-street, and the Theater Royal; and that he called to pay his respects to the eminent Mr. Roscoe, the historian, poet, and banker.
Reverentially folding this map, I pa.s.s a plate of the Town Hall, and come upon the t.i.tle Page, which, in the middle, is ornamented with a piece of landscape, representing a loosely clad lady in sandals, pensively seated upon a bleak rock on the sea sh.o.r.e, supporting her head with one hand, and with the other, exhibiting to the stranger an oval sort of salver, bearing the figure of a strange bird, with this motto elastically stretched for a border--"Deus n.o.bis haec otia fecit."
The bird forms part of the city arms, and is an imaginary representation of a now extinct fowl, called the "Liver," said to have inhabited a "pool," which antiquarians a.s.sert once covered a good part of the ground where Liverpool now stands; and from that bird, and this pool, Liverpool derives its name.
At a distance from the pensive lady in sandals, is a s.h.i.+p under full sail; and on the beach is the figure of a small man, vainly essaying to roll over a huge bale of goods.
Equally divided at the top and bottom of this design, is the following t.i.tle complete; but I fear the printer will not be able to give a facsimile:--
The Picture of Liverpool: or, Stranger's Guide and Gentleman's Pocket Companion FOR THE TOWN.
Embellished With Engravings By the Most Accomplished and Eminent Artists.
Liverpool: Printed in Swift's Court, And sold by Woodward and Alderson, 56 Castle St. 1803.
A brief and reverential preface, as if the writer were all the time bowing, informs the reader of the flattering reception accorded to previous editions of the work; and quotes "testimonies of respect which had lately appeared in various quarters--the British Critic, Review, and the seventh volume of the Beauties of England and Wales"--and concludes by expressing the hope, that this new, revised, and ill.u.s.trated edition might "render it less unworthy of the public notice, and less unworthy also of the subject it is intended to ill.u.s.trate."
A very nice, dapper, and respectful little preface, the time and place of writing which is solemnly recorded at the end-Hope Place, 1st Sept.
1803.
But how much fuller my satisfaction, as I fondly linger over this circ.u.mstantial paragraph, if the writer had recorded the precise hour of the day, and by what timepiece; and if he had but mentioned his age, occupation, and name.
But all is now lost; I know not who he was; and this estimable author must needs share the oblivious fate of all literary incognitos.
He must have possessed the grandest and most elevated ideas of true fame, since he scorned to be perpetuated by a solitary initial. Could I find him out now, sleeping neglected in some churchyard, I would buy him a headstone, and record upon it naught but his t.i.tle-page, deeming that his n.o.blest epitaph.
After the preface, the book opens with an extract from a prologue written by the excellent Dr. Aiken, the brother of Mrs. Barbauld, upon the opening of the Theater Royal, Liverpool, in 1772:--
"Where Mersey's stream, long winding o'er the plain, Pours his full tribute to the circling main, A band of fishers chose their humble seat; Contented labor blessed the fair retreat, Inured to hards.h.i.+p, patient, bold, and rude, They braved the billows for precarious food: Their straggling huts were ranged along the sh.o.r.e, Their nets and little boats their only store."
Indeed, throughout, the work abounds with quaint poetical quotations, and old-fas.h.i.+oned cla.s.sical allusions to the Aeneid and Falconer's s.h.i.+pwreck.
And the anonymous author must have been not only a scholar and a gentleman, but a man of gentle disinterestedness, combined with true city patriotism; for in his "Survey of the Town" are nine thickly printed pages of a neglected poem by a neglected Liverpool poet.
By way of apologizing for what might seem an obtrusion upon the public of so long an episode, he courteously and feelingly introduces it by saying, that "the poem has now for several years been scarce, and is at present but little known; and hence a very small portion of it will no doubt be highly acceptable to the cultivated reader; especially as this n.o.ble epic is written with great felicity of expression and the sweetest delicacy of feeling."
Redburn. His First Voyage Part 16
You're reading novel Redburn. His First Voyage Part 16 online at LightNovelFree.com. You can use the follow function to bookmark your favorite novel ( Only for registered users ). If you find any errors ( broken links, can't load photos, etc.. ), Please let us know so we can fix it as soon as possible. And when you start a conversation or debate about a certain topic with other people, please do not offend them just because you don't like their opinions.
Redburn. His First Voyage Part 16 summary
You're reading Redburn. His First Voyage Part 16. This novel has been translated by Updating. Author: Herman Melville already has 656 views.
It's great if you read and follow any novel on our website. We promise you that we'll bring you the latest, hottest novel everyday and FREE.
LightNovelFree.com is a most smartest website for reading novel online, it can automatic resize images to fit your pc screen, even on your mobile. Experience now by using your smartphone and access to LightNovelFree.com
- Related chapter:
- Redburn. His First Voyage Part 15
- Redburn. His First Voyage Part 17