The Manual of Heraldry Part 25

Ex. Argent, three torteaux in bend, sinister.

TOURNAMENTS were combats of honour, in which persons of n.o.ble birth entered the lists to gain reputation in feats of arms. The name is derived from _tourner_, to turn, from the hors.e.m.e.n turning frequently as they rode round the enclosure, and during the course of the engagement. The design of tournaments was to train the n.o.bility to the use of arms; none, therefore, were admitted to these sports but persons of n.o.ble birth, who could prove their descent, at least, by three generations. They were also required to be men of unspotted honour and integrity.

It was customary for princes, on some public festivity or rejoicing, to appoint a day for these entertainments, and give public notice to the knights in their own territories, as well as in the neighbouring states.

The knights generally made their appearance four days before the combat. They endeavoured to excel each other in the splendour of their equipage and dress, and in the excellence and beauty of their horses, which were adorned with the most costly caparisons. Their armorial ensigns were displayed with great pomp during three days, that all who viewed them might judge if they were worthy of entering the lists. The field where the tournament was to be held was railed in with pales.

This place was called the lists. A king was appointed to preside over the sports, as were also judges to examine the knights' armour and arms, and to see that no unfair advantage was taken. A number of other officers were appointed, which our s.p.a.ce will not allow us to mention.

A short distance from the lists were the galleries and pavilions for the spectators; the most splendid was that fitted up for the lady who presided as queen of the tournament and her attendants, all splendidly attired. The most n.o.ble and most beautiful ladies of the court crowded to these martial entertainments to inspire the combatants with ardour, by giving them some token or favour, such as a scarf, veil, or bracelet, with which the knight adorned his helmet or spear.

Their arms were lances of light wood, without iron at the top; swords without edge or point; in some instances wooden swords were used.

The knights were formed into two parties, and entered the lists by different barriers, riding round the lists several times to pay their respects to their sovereign and the ladies. At length the heralds sounded to arms; the quadrils, or troop, took their stations; when the charge was sounded, the knights rushed against each other with the utmost impetuosity. The clas.h.i.+ng of swords, the sounding s.h.i.+elds, the war-cry of the knights, who shouted the name of their ladye-love in the midst of the mimic strife, greatly excited the spectators, who, in return, cheered and encouraged the combatants. When the knights were brave and determined, the contest lasted some hours; the vanquished, that is, those who were thrown from their horses, withdrew from the lists as quietly as possible, leaving the field to their successful opponents. The victory was decided by the number of knights unhorsed.

The prizes to the victors were adjudged and delivered by the queen and the ladies. This authority of the fair s.e.x contributed greatly to polish the manners of the n.o.bility and gentry of the middle ages, who were anxious to court the favour of those who were the distributors of public honours.

Sometimes this entertainment was followed by jousts. Two cavaliers, out of gallantry, would break a lance in honour of the ladies. These were followed by others until the lists were again cleared for the tournament. The difference between tournaments and jousts was, that the former were in the nature of battles, the latter of duels.

When the sports were over, the heralds and pursuivants declared the names and t.i.tles of the knights, and proclaimed the heraldic ornaments which the emperor, king, or prince that presided at the tournament granted to those whom he pleased to reward or favour.

Notwithstanding all the precautions to prevent the mischief that might happen at these martial exercises few were exhibited in which a great number were not wounded, some killed in the melee, others crushed by the falling of the scaffolds, or trod to death by the horses. Kings, princes, and gallant knights from every part of Europe have perished at different times while attending or taking part in those mimic battles. Successive popes thundered out their anathemas against all that encouraged this warlike and dangerous amus.e.m.e.nt. Those who perished in these sanguinary entertainments were denied the honour of Christian burial; and yet, so strong was the pa.s.sion of the n.o.bility of Europe for these martial sports, from a desire to display their grandeur, courage, and address before the ladies and the a.s.sembled mult.i.tude, that no bulls, decretals, or anathemas of the church were able to restrain them. The use of gunpowder, and the consequent inutility of armour to defend the person in battle, gradually put an end to these animating shows. The tragical death of Henry II. of France, in 1559, who was accidentally killed in a tournament, caused laws to be pa.s.sed prohibiting their being held in that kingdom. They were continued in England till the beginning of the seventeenth century.

An attempt was made to revive these martial exhibitions in Scotland, a few years ago, by Lord Eglintoun, the acknowledged leader in all manly sports, elegant athletic exercises, and baronial liberality. This n.o.ble peer proclaimed a tournament to be held at Eglintoun Castle on the 28th and 29th of August, 1839. The lists were duly prepared, a covered pavilion was erected for the accommodation of the ladies, which would contain 3000 persons. In front of this pavilion was the throne of the Queen of Beauty and her attendants. Around the lists, at convenient distances, were arranged the tents or pavilions of the knights, over which floated the gonfalon, or great banner, emblazoned with the arms and motto of the knight to whom the tent was appropriated, penons and penoncils fluttered at each angle of the pavilion, and the s.h.i.+eld was placed over the entrance. The knights vied with each other in the decoration of their pavilions; all was in accordance with ancient customs: and if the shade of Froissart had witnessed the scene, it could not have complained of modern innovation or misplaced ornament. The procession of the King of the tournament, the Queen of Beauty, with the judges, heralds, pursuivants, halberdiers, musicians, men-at-arms, as also the splendid retinues of the n.o.ble challenger and the gallant knights, presented a scene unparalleled for magnificence and heraldic emblazonment since the days of Edward IV. Every form was observed in this modern tournament; and a more interesting scene for the historian, the antiquary, and armorist, could not be exhibited. Unfortunately, the continued rain cast a gloom over this animated spectacle, which nevertheless excited the highest admiration of all who beheld it: a spectator of the scene could well imagine the enthusiasm similar ones would create in the minds of the gay and brave of former times. It is deemed necessary to briefly notice the last tournament held in Britain; as any one that requires full information on every part of heraldic ornament, processional arrangement, and technical definition, may find positive examples in the details of this gorgeous exhibition.

TRANSPOSED. Charges or bearings placed contrary to their usual situation.

[Ill.u.s.tration: Transposed]

Ex. Argent, a pile, azure, issuing from the chief between two others, transposed.

TREFOIL. Three-leaved gra.s.s: the shamrock of Ireland. When a flower or leaf is introduced as a charge in a s.h.i.+eld of arms, if it is of its natural colour, or, in heraldic language, proper, the tincture is not named, but if of any other colour it must be described.

[Ill.u.s.tration: Trefoil]

Ex. Argent, three trefoils, gules, one over two.

[Ill.u.s.tration: Tressure]

TRESSURE. An ordinary not so broad as an orle. It generally forms a border to the inescutcheon. Tressures are frequently borne double, and sometimes treble. They are generally ornamented flory and counter-flory. The example contains only a single tressure. The arms of Scotland exhibit an example of a double tressure flory and counter-flory, as exhibited in the s.h.i.+eld on the t.i.tle-page of this Manual. See DOUBLE TRESSURE.

TRICORPORATED. Three lions rampant, conjoined, under one head, guardant, in the fess points. See LIONS.

TRIPPING. The motion of deer, between running and walking.

[Ill.u.s.tration: Tripping]

Ex. Argent, a stag proper, tripping.

[Ill.u.s.tration: Turband]

TURBAND. In coats of arms, where the knight was a Crusader, this figure often appears. It was the form of the sultan's turban at that period.

[Ill.u.s.tration: Turreted]

TURRETED. A wall or castle having small turrets. In the annexed example the square tower has circular turrets at the angles, and is therefore said to be turreted.

TUSKED. Any animal having tusks of a different tincture from its body is said to be tusked.

[Ill.u.s.tration: Tusked]

Ex. Argent, a boar's head, erased proper, tusked gules.

UNDY. A term used to express the word wavy by Gwillim and other ancient armorists.

[Ill.u.s.tration: Wavy]

Ex. Argent, a bend undy, gules.

[Ill.u.s.tration: Vair]

VAIR. A kind of fur formerly used for the lining the garments of knights. It is represented in engraving by the figures of small bells ranged in lines, as in the annexed example. Unless the colour of the fur is named, vair is always argent and azure. The bend, the cross and saltier, are sometimes formed of this fur.

VAMBRACED. Armour for the arms.

[Ill.u.s.tration: Vambraced]

Ex. Argent, three dexter arms, vambraced, couped.

VAMPLATE. A word used by ancient heralds for armour for the hand, instead of gauntlet.

VENUS. The name of the planet, used for the colour vert by ancient heralds, who emblazoned the arms of sovereigns by planets instead of metals and colours.

VERDOY. A bordure charged with eight leaves.

[Ill.u.s.tration: Verdoy]

Ex. Vert, a bordure argent, verdoy, of trefoils.

[Ill.u.s.tration: Vert]

VERT. Green. It is represented in engraving by diagonal lines drawn from the dexter to the sinister side of the s.h.i.+eld.

VISCOUNT. A t.i.tle of honour, a degree below an earl.

VOIDED. A term applied when any part of an ordinary is left open to the field.

[Ill.u.s.tration: Voided]

Ex. Gules, a bend sinister, voided, argent.