Ancient art of the province of Chiriqui, Colombia Part 8

The handles are perhaps the most notable feature of this ware, and usually occur two to a vessel; rarely there is but one handle and in a few cases there are four. This group may be separated into at least four sections by the styles of handles. Vessels of the two more important sections have two handles each, which are placed vertically in one variety and horizontally in the other, reference being had to the position of the points of attachment. These differences of position have given rise to a marked difference in the shape of the orifice and of the lip. The handle is a simple loop, which in the one variety is placed as seen in Fig. 128 and in the other as in Fig. 132. In the latter case one end of the loop is fixed to the shoulder and the other end to the lip, which is uniformly prolonged at the contact and is also widened all around; the result is the curious winged outline shown in Fig. 133.

A third variety of handle is a single arch, which spans the orifice and is attached to opposite sides of the expanded lip. In a fourth variety the looped handles are replaced by the heads of animals, which are set upon the shoulder of the vase, as are similar features in other groups of ware.

[Ill.u.s.tration: Fig. 129. Unpolished vase with heavy handles and coated with soot--.]

[Ill.u.s.tration: Fig. 130. Round bodied red vase with unique handles and incised ornament--.]

A type specimen with the horizontal loop is shown in Fig. 128. The lip and a wide belt about the body are painted red and the shoulder is occupied by rudely executed arched strokes of the same color. A much less usual shape is given in Fig. 129, which exhibits some characters of contour that remind us of well known Grecian forms. Another novel variation from the type is seen in Fig. 130, in which the arch of each loop is divided by an upright piece. A neat incised ornament occupies the shoulder of this vessel and the remainder of the body is finished in pale red.

It will be observed that the handles are rarely wholly plain. Each loop is supplied with one or more rings or ring-like fillets, or with small nodes, generally near the most prominent part of the curve or arch. By the study of a large number of specimens I am able to trace these puzzling features to their origin. They are the representatives of life forms which were originally modeled in full detail and which are still so modeled in many cases. The nodes and like features are atrophied heads, hands, or feet, and in some cases are marked with indentations that refer to the eyes or to the fingers or toes, and the round fillets stand for the arms and legs of animals, or, if notched in peculiar ways, may be referred to other originals, such as the mouths of fishes or the spines of crabs. Examples could be given showing all stages of the progress of simplification.

[Ill.u.s.tration: Fig. 131. Vase with grotesque figures attached to the handles--.]

[Ill.u.s.tration: Fig. 132. Vase with upright handles and winged lip--.]

In Fig. 131 I present a fine example of the horizontal loop, in which the opposite ends are supported by grotesque animal figures, applied, however, in a way not detrimental to the grace and simplicity of the vessel.

An example shown in Fig. 132 is of especial interest in this connection.

The ornament upon the handle serves as a link between the realistic life form and the conventional nodes and fillets. In this case the node is supplied with eyes and a mouth, and the double roll of clay beneath is manifestly intended for the arms, the handle itself standing for the body. The loop is upright and joins the shoulder to the rim. The winged character produced by the expansion at the contact of handle and lip is shown to advantage in the top view (Fig. 133.) In some cases this expansion is so great as completely to hide the body of the vase when viewed from above.

[Ill.u.s.tration: Fig. 133. Top view of vase with winged lip--.]

[Ill.u.s.tration: Fig. 134. Vase with grotesque animal shaped handles--.]

Examples are outlined in Figs. 134 and 135 in which the life form is clearly defined. In the first we have a human-like figure, the face of which is entirely hidden by the hands. In the second we observe a curious little animal figure, with a long curved proboscis and a body covered with annular indentations. In general shape and in ornamentation these vases do not differ from the preceding. A remarkable piece, with two pairs of handles, is presented in Fig. 136. Grotesque figures are attached to the outer surface of the loops, one in each pair being placed in an inverted position. The two figures seen in the cut are simple, but those on the opposite pair of handles are compound, being double above the waist. The faces, hands, and feet of these figures are touched with red, and the lip and body of the vase are decorated with carelessly drawn stripes of red. In another case four plain handles are placed equidistantly about the neck of the vessel.

[Ill.u.s.tration: Fig. 135. Vase with handles representing strange animals--.]

[Ill.u.s.tration: Fig. 136. Vase with two pairs of handles ornamented with grotesque figures--.]

In a third variety the loop is omitted entirely, the animal figure taking its place upon the shoulder of the vase. This feature appears in the specimen given in Fig. 137 and represents the front part of a reptile, the head being hollow and containing a large movable pellet.

This is a handsome piece, well finished, and decorated in the usual broad way.

[Ill.u.s.tration: Fig. 137. Vase with handles representing animal heads, which are hollow and contain pellets of clay--.]

[Ill.u.s.tration: Fig. 138. Vase with arched handles embellished with life forms in high relief--.]

A fourth variety is shown in Figs. 138 and 139, in which the handle spans the orifice as in an ordinary basket. The lip is flaring and is prolonged at the sides to meet the handle. In one case the outer surface of the handle is embellished with figures of frogs and serpents, or what seem to be intended for serpents, modeled in the round and rather imperfectly attached, and in the other with a pair of grotesque human figures set against the base of each end of the handle.

[Ill.u.s.tration: Fig. 139. Vase with arched handles embellished with life forms in high relief--.]

Typical vessels of this cla.s.s are in many cases mounted upon tripods, but, for convenience of description, these are cla.s.sed with the succeeding group, which consists mainly, if not entirely, of the same variety of ware.

To recapitulate, the striking characteristics of this group are the uniformity of size, shape, and handles, the rude finish and ruder ornamentation, and the very marked evidence of use over fire.

_The tripod group._--Closely related in most respects to the group of ware just described is the striking series of vessels here presented. At first glance the resemblances are not apparent, but a careful study renders it clear that the vessels proper correspond closely in both groups. The basins are for the most part made in the same heavy, rudely finished style, the decoration is almost equally rude, and the size and the evidence of use over fire are the same. The strong contrast in appearance is due mainly to the presence of tripod supports in this group. The legs, which const.i.tute such a striking feature, are merely appendages to the bodies of vases already perfect, and are evidently an acquired feature suggested by some change in function or in the habits of the people. In this way we are able to account for the rather uncouth look observed in so many cases, the legs being too long and too heavy to please the cultured taste; yet in many cases the parts are so adjusted as to give an impression of firmness and strength, united with a goodly share of grace of line.

The legs are very generally modeled to represent animal forms. In a majority of cases the fish was chosen because, perhaps, its shape was suitable or because the fish bore some relation to the use to which the vessel was to be devoted. Lizards and mammals are also seen and the human form occasionally appears. In some cases the animal figure is attached to the upper part of the leg or is perched upon the hip, where that feature is p.r.o.nounced. The body, or shaft, is hollow and contains pellets of clay, sometimes one only and again a dozen or more, and in order that these may be seen and heard variously shaped slits are cut in the sides or front of the legs. If the animal represented is a fish or lizard the entire body is modeled: the head is placed at the top, the under jaw or neck uniting with the body of the vessel; the tail rests upon the ground, and the fins or legs appear along the sides of the shaft. It should be observed that, while in Chiriqui the whole body of the creature is usually employed in forming the support, in Central America and Mexico the head alone is very generally used, the nose resting upon the ground. In less elaborate forms the legs are plain or have the merest hint of animal form in a node, a notched ridge, or a slightly modified extremity.

Handles are present in a majority of cases and as in the preceding group take the form of loops or represent the forms of animals. The loops are generally attached in a vertical position, connecting the shoulder with the lip of the vessel, and are plain round ropes of clay or consist of two or three cords twisted or plaited together. A few eccentric forms occur and are ill.u.s.trated early in this section.

The animal shapes are often quite elaborate and appear to bear no relation to the creatures embodied in the legs of the vessel; neither does the position of the handles bear any uniform relation to the positions of the legs--another indication that the latter features are recent acquisitions, since features developed together are uniformly well adjusted.

The rim or lip is generally heavy and flaring, and the neck, which is short and pretty sharply constricted, is decorated with incised patterns and with various applied ornaments in relief. The body is graceful in outline and more or less conical below. As a rule the surface is uneven and but slightly polished and the figures in red are rudely executed, but in the more pretentious pieces much care has been exercised in finis.h.i.+ng and painting. Most of the vessels have been used over the fire and still retain the sooty incrustations. This ware comes from a wide range of territory to the north and west of David.

The following ill.u.s.trations represent some of the more important pieces and serve to give a partial idea of the range of form, size, and decoration.

I present, first, three vases of rather eccentric shapes, the basins of which are shallow and in two cases are flat bottomed. The handles are of unusual shapes, consisting of modifications of the lip, as seen in the ill.u.s.trations (Figs. 140-142). Life elements are present in all cases in connection with the handles and legs where these are preserved, but they are very meager and so abbreviated as to be identified with difficulty.

Incised markings at the ends of the handles represent hands or feet and eyes are affixed to the upper part of the legs. The ware is identical with that of the preceding group.

[Ill.u.s.tration: Fig. 140.

Fig. 141.

Fig. 142.

Tripod vases with shallow basins and eccentric handles--?.]

A representative specimen of the fish legged vessels is presented in Fig. 143. It is one of the most graceful forms in the series and is neatly finished and embellished, but is thoroughly blackened with soot.

The handles are formed of twisted fillets or ropes of clay and a narrow, incised, rope-like band encircles the lower part of the neck. Set upon the neck and alternating with the handles are two scrolls neatly formed of small round ropes of clay. The fishes forming the legs are very simply treated. The mouth at the apex is formed by laying on an oblong loop of clay and the eyes are represented by two round pellets set into the soft clay of the head and indented with a slit that gives to them the exact effect of screwheads. A pair of fins--small incised or channeled cones--is placed at the sides of the head and another at the sides of the body. The cavity contains a single ball of clay and the slit is long and wide.

In other examples the fish form is much more elaborately modeled. The wide mouth exhibits a row of teeth and the body is well supplied with fins. The head in Fig. 144 reminds one forcibly of the catfish. The snout is furnished with two horn-like appendages; tooth-like features are formed by setting in pellets of clay, and the gills are indicated by a punctured excrescence at the side of the mouth. In other cases a high, sharp cone is set upon the middle of the head (Fig. 145). It is channeled down the sides, as if meant for a fin.

[Ill.u.s.tration: Fig. 143. Tripod vase of graceful shape and neat finish--?.]

[Ill.u.s.tration: Fig. 144. Heavy tripod vase with widely spreading feet--?.]

The process of modeling these heads was about as follows: The upper end of the leg--the head of the fish--was first rounded off, giving the general shape; then parallel incisions were made to represent the teeth, and around these a fillet of clay was laid, forming the lips, which were then channeled with a sharp tool. Nodes or flattened pellets of clay, representing the gills, snout, and eyes, were then laid on and finished with incision-like indentations. The handles consist of bird-like heads, with protruding eyes and long bills that curve downward and connect with the shoulder of the vase. The body is rudely spotted with red.

[Ill.u.s.tration: Fig. 145. Neatly modeled vase embellished with life forms and devices in red--?.]

[Ill.u.s.tration: Fig. 146. High tripod vase with incised designs and rude figures in red--?.]

A large, uncouth specimen is shown in Fig. 146. The legs are ponderous and are not neatly adjusted to the vessel. A meander pattern of incised lines encircles the neck and the body is rudely decorated with broad red stripes.

[Ill.u.s.tration: Fig. 147. Handsome tripod vase with scroll ornament--?.]

There is a general consistency in the use of life forms which is worthy of notice. The fish and other creatures used, although variously conceived and treated, are never confused. When the fish is employed no features suggesting other animals appear and when the heads of other creatures occupy the upper extremity of the leg all the details refer to these creatures with uniform consistency. In Fig. 147 we have an unusually graceful shape, decorated about the neck with scrolls and indented fillets. The legs represent some reptilian form resembling a lizard. The head projects from the hip and is conventionally treated.

A round fillet fixed at its middle point to the muzzle of the creature is turned back at the sides of the head and coiled to form the eyes. The forelegs are attached at the sides near the top and the recurved terminal point is encircled by rings that stand for the coiled tail.

[Ill.u.s.tration: Fig. 148. Vase with lizard shaped legs--?.]

[Ill.u.s.tration: Fig. 149. Vase with scroll ornament--?.]

[Ill.u.s.tration: Fig. 150. Large vase with flaring rim and wide spreading legs--?.]

There is little room for doubt as to the kind of creature represented in the legs of the vase given in Fig. 148. The head, legs, and general shape are characteristic of the lizard. The vessel is small, plain, and neatly finished. In Fig. 149 the legs of the vessel, otherwise quite plain, are surmounted by heads that seem to represent a dog or some like animal. A series of neat vertically placed scrolls formed of round fillets encircles the neck, and below these is a band in relief imitating a twisted cord.

A vase of unusually striking appearance is presented in Fig. 150. It is one of the largest tripods in the collection and is characterized by a high widely expanded lip and a long conical body and by legs of unusual size and conformation. Small animal figures are perched upon the projecting hips. The surface of the vessel is rudely finished and is much blackened by smoke about the upper part of the legs and the body.

A unique use of the animal form is ill.u.s.trated in Fig. 151, which shows a large fragment of one of these tripods. The figure of an alligator, modeled with a great deal of spirit, is attached to the side of the vessel, resting partly upon the leg and extending upward obliquely to the lip. A similar figure upon the opposite side of the same vase is represented as grasping the form of a man or boy in its formidable looking jaws.