The City of Domes Part 15

Figures in triangular s.p.a.ces over three arches of each gateway, repeated. By August Jaegers. Harvest motive.

In ceiling of east and west arches, faint relief, terra-cotta effect, Greek designs; coloring, orange, faint greens, and browns.

Signs of zodiac on gateways, Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius, Capricornus, Aquarius, Pisces.

Half-dome to south, "Niche of Ceres." Rich coloring in vault, contrasted with light tones in arched section.

Figures on composite columns at right and left of half-dome, "Rain" and "Suns.h.i.+ne," Albert Jaegers. "Rain," a woman s.h.i.+elding head with mantle and holding sh.e.l.l; "Suns.h.i.+ne," woman shading head from sun with palm branch.

Capitals of columns of "Rain" and "Suns.h.i.+ne," agricultural figures, small harvesters. Modelled by Donnelly and Ricci after designs of the architect.

Pedestals at base of columns, agricultural scenes in low relief, modelled by Donnelly and Ricci after designs of the architect. Farmers going to work with women and children and dog.

In niches at corners of court, "Fountains of the Seasons," surmounted by statue groups representing seasons, Furio Piccirilli, of New York.

Delicate pink tinting of walls in niches, by Guerin, in imitation of pink marble.

Columns of colonnades, Ionic, with harvest suggestion in ears of corn hanging from capitals, flower at top.

Flower boxes, in walls of niches near top and at top; African dew plant hanging over edge; give note of age and break sharp outline of wall against sky, and contrast with color of background.

Southwest corner, "Spring," by Piccirilli. Young woman with floral garland, man adoring, Flora bringing flowers.

Northwest corner, "Summer," by Piccirilli. Group expresses fruition.

Woman brings child to husband. Laborer with first sheaf from field.

Northeast corner, "Autumn," by Piccirilli. Young woman carrying wine jar, suggests fruitfulness. Harvest of fields and human race; one girl offers grapes, other a child.

Southeast corner, "Winter," by Piccirilli. Bare tree at back; laborer rests after tilling; one begins to sow, preparing for spring.

Murals in colonnades with fountains, by H. Milton Bancroft. Simple and obvious, in the pagan spirit.

Above doorway in southwest corner, Spring. "Spring" and "Seedtime."

Northwest corner, Summer. "Summer" and "Fruition."

Northeast corner, Autumn. "Autumn" and "Harvest."

Southeast corner, Winter. "Festivity" and "Winter."

Murals in half-dome to south, Bancroft. Coloring and arrangement of figures finer than in smaller panels.

On east wall under dome, "Art Crowned by Time." Father Time crowns Art; on one side, figures of Weaving, Jewelry Making, Gla.s.smaking; on other Printing, Pottery, and Smithery.

"Man Receiving Instruction in Nature's Laws." Woman holds before a child a tablet inscribed "Laws of Nature." Nature's laws applied to Earth, Water, Fire, Love, Life, and Death.

North court, entrance to Court of Four Seasons. Wreaths, lion heads, bulls' beads, harvest design on capitals of columns, repeated.

"Ceres," by Miss Beatrice Evelyn Longman, G.o.ddess of agriculture, wreath of cereals and corn scepter. Figure conventional, prim and modish; flowing skirt.

Figures below "Ceres" on drum represent carefree nature. In deep relief.

cameo-like. Figures of women, gracefully modeled, with garlands and tambourines.

Satyrs spout water into bowl of fountain.

Trees, yews in couples, on either side of walks and center of lawn; redwoods and eucalypti at sides of entrance to court.

s.h.i.+ny-leaved dark green shrub, on borders in court, coprosma.

Ma.s.s of green, placed at end of court to hide Morro Castle. Deepens intimate note of court.

French lighting standards at north end of court, by Ryan and Denneville.

Aisle of Sunset

Aisle approaching the Palace of Fine Arts, leading from Court of Four Seasons, west to Administration Avenue, by Faville.

Central portal, Spanish Renaissance, with twisted Byzantine columns.

Globe above, symbolical of universal education.

Main sculptural group: "Education," by Gustave Gerlach, Weehawken, New Jersey. Tree of knowledge in background. Left, kindergarten stage.

Center, half-grown children. Right, man working out problems for himself.

Below, open book of knowledge radiating light in all directions. Small figures draw aside curtains of darkness and ignorance. Hour-gla.s.s, "Time Flies." Crown, for seekers of knowledge.

Educational panels inlaid in wall over smaller entrances, by pupils of School of Sculpture of Beaux Arts Architects, and National Sculpture Society.

Woman teacher, by W. H. Peters.

Man teacher, by Cesare Stea.

"Victory," on gables of buildings, by Louis Ulrich, of New York; "Acroterium"; like "Victory of Samothrace."

Charm of green lattice-work in small doorways of palace.

Main doorway, Palace of Food Products, by Faville. Terra cotta effect on sides of door. Eagles above door, inspiration. Green lattice-work in doors.

Administration Avenue