Bulfinch's Mythology: the Age of Fable Part 9
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"Arachne once, as poets tell, A G.o.ddess at her art defied, And soon the daring mortal fell The hapless victim of her pride.
"Oh, then, beware Arachne's fate; Be prudent, Chloe, and submit, For you'll most surely meet her hate, Who rival both her art and wit."
Tennyson, in his Palace of Art, describing the works of art with which the palace was adorned, thus alludes to Europa:
"-- sweet Europa's mantle blew unclasped From off her shoulder, backward borne, From one hand drooped a crocus, one hand grasped The mild bull's golden horn."
In his Princess there is this allusion to Danae:
"Now lies the earth all Danae to the stars, And all thy heart lies open unto me."
NIOBE
The fate of Arachne was noised abroad through all the country, and served as a warning to all presumptuous mortals not to compare themselves with the divinities. But one, and she a matron too, failed to learn the lesson of humility. It was Niobe, the queen of Thebes. She had indeed much to be proud of; but it was not her husband's fame, nor her own beauty, nor their great descent, nor the power of their kingdom that elated her. It was her children; and truly the happiest of mothers would Niobe have been, if only she had not claimed to be so. It was on occasion of the annual celebration in honor of Latona and her offspring, Apollo and Diana, when the people of Thebes were a.s.sembled, their brows crowned with laurel, bearing frankincense to the altars and paying their vows, that Niobe appeared among the crowd. Her attire was splendid with gold and gems, and her face as beautiful as the face of an angry woman can be. She stood and surveyed the people with haughty looks. "What folly," said she, "is this! to prefer beings whom you never saw to those who stand before your eyes! Why should Latona be honored with wors.h.i.+p rather than I? My father was Tantalus, who was received as a guest at the table of the G.o.ds; my mother was a G.o.ddess. My husband built and rules this city, Thebes; and Phrygia is my paternal inheritance. Wherever I turn my eyes I survey the elements of my power; nor is my form and presence unworthy of a G.o.ddess. To all this let me add, I have seven sons and seven daughters, and look for sons-in-law and daughters-in- law of pretensions worthy of my alliance. Have I not cause for pride? Will you prefer to me this Latona, the t.i.tan's daughter, with her two children? I have seven times as many. Fortunate indeed am I, and fortunate I shall remain! Will any one deny this? My abundance is my security. I feel myself too strong for Fortune to subdue. She may take from me much; I shall still have much left. Were I to lose some of my children, I should hardly be left as poor as Latona with her two only. Away with you from these solemnities, put off the laurel from your brows, have done with this wors.h.i.+p!" The people obeyed, and left the sacred services uncompleted.
The G.o.ddess was indignant. On top of Mount Cynthus where she dwelt, she thus addressed her son and daughter: "My children, I who have been so proud of you both, and have been used to hold myself second to none of the G.o.ddesses except Juno alone, begin now to doubt whether I am indeed a G.o.ddess. I shall be deprived of my wors.h.i.+p altogether unless you protect me." She was proceeding in this strain, but Apollo interrupted her. "Say no more," said he; "speech only delays punishment." So said Diana also. Darting through the air, veiled in clouds, they alighted on the towers of the city. Spread out before the gates was a broad plain, where the youth of the city pursued their warlike sports. The sons of Niobe were there among the rest, some mounted on spirited horses richly caparisoned, some driving gay chariots. Ismenos, the first-born, as he guided his foaming steeds, struck with an arrow from above, cried out, "Ah, me!" dropped the reins and fell lifeless. Another, hearing the sound of the bow, like a boatman who sees the storm gathering and makes all sail for the port, gave the rein to his horses and attempted to escape. The inevitable arrow overtook him as he fled. Two others, younger boys, just from their tasks, had gone to the playground to have a game of wrestling. As they stood breast to breast, one arrow pierced them both. They uttered a cry together, together cast a parting look around them, and together breathed their last. Alphenor, an elder brother, seeing them fall, hastened to the spot to render them a.s.sistance, and fell stricken in the act of brotherly duty. One only was left, Ilioneus. He raised his arms to heaven to try whether prayer might not avail. "Spare me, ye G.o.ds!" he cried, addressing all, in his ignorance that all needed not his intercession; and Apollo would have spared him, but the arrow had already left the string, and it was too late.
The terror of the people and grief of the attendants soon made Niobe acquainted with what had taken place. She could hardly think it possible; she was indignant that the G.o.ds had dared and amazed that they had been able to do it. Her husband, Amphion, overwhelmed with the blow, destroyed himself. Alas! How different was this Niobe from her who had so lately driven away the people from the sacred rites, and held her stately course through the city, the envy of her friends, now the pity even of her foes! She knelt over the lifeless bodies, and kissed, now one, now another of her dead sons. Raising her pallid arms to heaven, "Cruel Latona," said she, "feed full your rage with my anguis.h.!.+ Satiate your hard heart, while I follow to the grave my seven sons. Yet where is your triumph? Bereaved as I am, I am still richer than you, my conqueror. Scarce had she spoken when the bow sounded and struck terror into all hearts except Niobe's alone. She was brave from excess of grief. The sisters stood in garments of mourning over the biers of their dead brothers. One fell, struck by an arrow, and died on the corpse she was bewailing. Another, attempting to console her mother, suddenly ceased to speak, and sank lifeless to the earth. A third tried to escape by flight, a fourth by concealment, another stood trembling, uncertain what course to take. Six were now dead, and only one remained, whom the mother held clasped in her arms, and covered as it were with her whole body.
"Spare me one, and that the youngest! Oh, spare me one of so many?!" she cried; and while she spoke, that one fell dead. Desolate she sat, among sons, daughters, husband, all dead, and seemed torpid with grief. The breeze moved not her hair, nor color was on her cheek, her eyes glared fixed and immovable, there was no sign of life about her. Her very tongue clave to the roof of her mouth, and her veins ceased to convey the tide of life. Her neck bent not, her arms made no gesture, her foot no step. She was changed to stone, within and without. Yet tears continued to flow; and, borne on a whirlwind to her native mountain, she still remains, a ma.s.s of rock, from which a trickling stream flows, the tribute of her never-ending grief.
The story of Niobe has furnished Byron with a fine ill.u.s.tration of the fallen condition of modern Rome:
"The Niobe of nations! There she stands, Childless and crownless in her voiceless woe; An empty urn within her withered hands, Whose holy dust was scattered long ago; The Scipios' tomb contains no ashes now; The very sepulchres lie tenantless Of their heroic dwellers; dost thou flow, Old Tiber! Through a marble wilderness?
Rise with thy yellow waves, and mantle her distress."
Childe Harold, IV.79 The slaughter of the children of Niobe by Apollo, alludes to the Greek belief that pestilence and illness were sent by Apollo, and one dying by sickness was said to be struck by Apollo's arrow.
It is to this that Morris alludes in the Earthly Paradise: "While from the freshness of his blue abode, Glad his death-bearing arrows to forget, The broad sun blazed, nor scattered plagues as yet."
Our ill.u.s.tration of this story is a copy of a celebrated statue in the imperial gallery of Florence. It is the princ.i.p.al figure of a group supposed to have been originally arranged in the pediment of a temple. The figure of the mother clasped by the arm of her terrified child, is one of the most admired of the ancient statues. It ranks with the Laoc.o.o.n and the Apollo among the masterpieces of art. The following is a translation of a Greek epigram supposed to relate to this statue:
"To stone the G.o.ds have changed her, but in vain; The sculptor's art has made her breathe again."
Tragic as is the story of Niobe we cannot forbear to smile at the use Moore has made of it in Rhymes on the Road:
"'Twas in his carriage the sublime Sir Richard Blackmore used to rhyme, And, if the wits don't do him wrong, 'Twixt death and epics pa.s.sed his time, Scribbling and killing all day long; Like Phoebus in his car at ease, Now warbling forth a lofty song, Now murdering the young Niobes."
Sir Richard Blackmore was a physician, and at the same time a very prolific and very tasteless poet, whose works are now forgotten, unless when recalled to mind by some wit like Moore for the sake of a joke.
THE GRAEAE AND GORGONS
The Graeae were three sisters who were gray-haired from their birth, whence their name. The Gorgons were monstrous females with huge teeth like those of swine, brazen claws, and snaky hair. They also were three in number, two of them immortal, but the other, Medusa, mortal. None of these beings make much figure in mythology except Medusa, the Gorgon, whose story we shall next advert to. We mention them chiefly to introduce an ingenious theory of some modern writers, namely, that the Gorgons and Graeae were only personifications of the terrors of the sea, the former denoting the STRONG billows of the wide open main, and the latter the WHITE-crested waves that dash against the rocks of the coast. Their names in Greek signify the above epithets.
PERSEUS AND MEDUSA
Acrisius was the king who ruled in Argos. To him had an oracle declared that he should be slain by the child of his daughter Danae. Therefore the cruel king, thinking it better that Danae should have no children than that he should be slain, ordered a tower of bra.s.s to be made, and in this tower he confined his daughter away from all men.
But who can withstand Jupiter? He saw Danae, loved her, and changing his form to a shower of gold, he shone into the apartment of the captive girl.
Perseus was the child of Jupiter and Danae. Acrisius, finding that his precautions had come to nought, and yet hardly daring to kill his own daughter and her young child, placed them both in a chest and sent the chest floating on the sea. It floated away and was finally entangled in the net of Dicte, a fisherman in the island of Seriphus. He brought them to his house and treated them kindly, and in the house of Dicte, Perseus grew up. When Perseus was grown up, Polydectes, king of that country, wis.h.i.+ng to send Perseus to his death, bade him go in quest of the head of Medusa. Medusa had once been a beautiful maiden, whose hair was her chief glory, but as she dared to vie in beauty with Minerva, the G.o.ddess deprived her of her charms and changed her beautiful ringlets into hissing serpents. She became a cruel monster of so frightful an aspect that no living thing could behold her without being turned into stone. All around the cavern where she dwelt might be seen the stony figures of men and beasts which had chanced to catch a glimpse of her and had been petrified with the sight. Minerva and Mercury aided Perseus. From Minerva, Perseus borrowed her s.h.i.+eld, and from Mercury the winged shoes and the harpe or crooked sword. After having flown all over the earth Perseus espied in the bright s.h.i.+eld the image of Medusa and her two immortal sisters. Flying down carefully he cut at her with his harpe and severed her head. Putting the trophy in his pouch he flew away just as the two immortal sisters were awakened by the hissings of their snaky locks.
PERSEUS AND ATLAS
After the slaughter of Medusa, Perseus, bearing with him the head of the Gorgon, flew far and wide, over land and sea. As night came on, he reached the western limit of the earth, where the sun goes down. Here he would gladly have rested till morning. It was the realm of King Atlas, whose bulk surpa.s.sed that of all other men. He was rich in flocks and herds and had no neighbor or rival to dispute his state. But his chief pride was in his gardens, whose fruit was of gold, hanging from golden branches, half hid with golden leaves. Perseus said to him, "I come as a guest. If you honor ill.u.s.trious descent, I claim Jupiter for my father; if mighty deeds, I plead the conquest of the Gorgon. I seek rest and food." But Atlas remembered that an ancient prophecy had warned him that a son of Jove should one day rob him of his golden apples. So he answered, "Begone! Or neither your false claims of glory nor of parentage shall protect you;" and he attempted to thrust him out. Perseus, finding the giant too strong for him, said, "Since you value my friends.h.i.+p so little, deign to accept a present;" and turning his face away, he held up the Gorgon's head. Atlas, with all his bulk, was changed into stone. His beard and hair became forests, his arms and shoulders cliffs, his head a summit, and his bones rocks. Each part increased in bulk till he became a mountain, and (such was the pleasure of the G.o.ds) heaven with all its stars rests upon his shoulders.
And all in vain was Atlas turned to a mountain, for the oracle did not mean Perseus, but the hero Hercules, who should come long afterwards to get the golden apples for his cousin Eurystheus.
Perseus, continuing his flight, arrived at the country of the AEthiopians, of which Cepheus was king. Ca.s.siopeia, his queen, proud of her beauty, had dared to compare herself to the Sea- Nymphs, which roused their indignation to such a degree that they sent a prodigious sea-monster to ravage the coast. To appease the deities, Cepheus was directed hy the oracle to expose his daughter Andromeda to be devoured by the monster. As Perseus looked down from his aerial height he beheld the virgin chained to a rock, and waiting the approach of the serpent. She was so pale and motionless that if it had not been for her flowing tears and her hair that moved in the breeze, he would have taken her for a marble statue. He was so startled at the sight that he almost forgot to wave his wings. As he hovered over her he said, "O virgin, undeserving of those chains, but rather of such as bind fond lovers together, tell me, I beseech you, your name and the name of your country, and why you are thus bound." At first she was silent from modesty, and, if she could, would have hid her face with her hands; but when he repeated his questions, for fear she might be thought guilty of some fault which she dared not tell, she disclosed her name and that of her country, and her mother's pride of beauty. Before she had done speaking, a sound was heard off upon the water, and the sea-monster appeared, with his head raised above the surface, cleaving the waves with his broad breast. The virgin shrieked, the father and mother who had now arrived at the scene, wretched both, but the mother more justly so, stood by, not able to afford protection, but only to pour forth lamentations and to embrace the victim. Then spoke Perseus: "There will be time enough for tears; this hour is all we have for rescue. My rank as the son of Jove and my renown as the slayer of the Gorgon might make me acceptable as a suitor; but I will try to win her by services rendered, if the G.o.ds will only be propitious. If she be rescued by my valor, I demand that she be my reward." The parents consent (how could they hesitate?) And promise a royal dowry with her.
And now the monster was within the range of a stone thrown by a skilful slinger, when with a sudden bound the youth soared into the air. As an eagle, when from his lofty flight he sees a serpent basking in the sun, pounces upon him and seizes him by the neck to prevent him from turning his head round and using his fangs, so the youth darted down upon the back of the monster and plunged his sword into its shoulder. Irritated by the wound the monster raised himself into the air, then plunged into the depth; then, like a wild boar surrounded by a pack of barking dogs, turned swiftly from side to side, while the youth eluded its attacks by means of his wings. Wherever he can find a pa.s.sage for his sword between the scales he makes a wound, piercing now the side, now the flank, as it slopes towards the tail. The brute spouts from his nostrils water mixed with blood. The wings of the hero are wet with it, and he dares no longer trust to them. Alighting on a rock which rose above the waves, and holding on by a projecting fragment, as the monster floated near he gave him a death-stroke. The people who had gathered on the sh.o.r.e shouted so that the hills re-echoed to the sound. The parents, transported with joy, embraced their future son-in-law, calling him their deliverer and the savior of their house, and the virgin, both cause and reward of the contest, descended from the rock.
Ca.s.siopeia was an Aethiopian, and consequently, in spite of her boasted beauty, black; at least so Milton seems to have thought, who alludes to this story in his Penseroso, where he addresses Melancholy as the
"-- G.o.ddess, sage and holy, Whose saintly visage is too bright To hit the sense of human sight, And, therefore, to our weaker view O'erlaid with black, staid Wisdom's hue.
Black, but such as in esteem Prince Memnon's sister might beseem, Or that starred Aethiop queen that strove To set her beauty's praise above The Sea-nymphs, and their powers offended."
Ca.s.siopeia is called "the starred Aethiop queen," because after her death she was placed among the stars, forming the constellation of that name. Though she attained this honor, yet the Sea-Nymphs, her old enemies, prevailed so far as to cause her to be placed in that part of the heaven near the pole, where every night she is half the time held with her head downward, to give her a lesson of humility.
"Prince Memnon" was the son of Aurora and t.i.thonus, of whom we shall hear later.
THE WEDDING FEAST
The joyful parents, with Perseus and Andromeda, repaired to the palace, where a banquet was spread for them, and all was joy and festivity. But suddenly a noise was heard of war-like clamor, and Phineus, the betrothed of the virgin, with a party of his adherents, burst in, demanding the maiden as his own. It was in vain that Cepheus remonstrated, "You should have claimed her when she lay bound to the rock, the monster's victim. The sentence of the G.o.ds dooming her to such a fate dissolved all engagements, as death itself would have done.:" Phineus made no reply, but hurled his javelin at Perseus, but it missed its mark and fell harmless. Perseus would have thrown his in turn, but the cowardly a.s.sailant ran and took shelter behind the altar. But his act was a signal for an onset by his band upon the guests of Cepheus. They defended themselves and a general conflict ensued, the old king retreating from the scene after fruitless expostulations, calling the G.o.ds to witness that he was guiltless of this outrage on the rights of hospitality.
Perseus and his friends maintained for some time the unequal contest; but the numbers of the a.s.sailants were too great for them, and destruction seemed inevitable, when a sudden thought struck Perseus: "I will make my enemy defend me." Then, with a loud voice he exclaimed, :If I have any friend here let him turn away his eyes!" and held aloft the Gorgon's head. "Seek not to frighten us with your jugglery," said Thescelus, and raised his javelin in act to throw, and became stone in the very att.i.tude. Ampyx was about to plunge his sword into the body of a prostrate foe, but his arm stiffened and he could neither thrust forward nor withdraw it. Another, in the midst of a vociferous challenge, stopped, his mouth open, but no sound issuing. One of Perseus's friends, Aconteus, caught sight of the Gorgon and stiffened like the rest. Astyages struck him with his sword, but instead of wounding, it recoiled with a ringing noise.
Phineus beheld this dreadful result of his unjust aggression, and felt confounded. He called aloud to his friends, but got no answer; he touched them and found them stone. Falling on his knees and stretching out his hands to Perseus, but turning his head away, he begged for mercy. "Take all," said he, "give me but my life." "Base coward," said Perseus, "thus much I will grant you; no weapon shall touch you; moreover you shall be preserved in my house as a memorial of these events." So saying, he held the Gorgon's head to the side where Phineus was looking, and in the very form in which he knelt, with his hands outstretched and face averted, he became fixed immovably, a ma.s.s of stone!
The following allusion to Perseus is from Milman's Samor:
"As 'mid the fabled Libyan bridal stood Perseus in stern tranquillity of wrath, Half stood, half floated on his ankle-plumes Out-swelling, while the bright face on his s.h.i.+eld Looked into stone the raging fray; so rose, But with no magic arms, wearing alone Th' appalling and control of his firm look, The Briton Samor; at his rising awe Went abroad, and the riotous hall was mute."
Then Perseus returned to Seriphus to King Polydectes and to his mother Danae and the fisherman Dicte. He marched up the tyrant's hall, where Polydectes and his guests were feasting. "Have you the head of Medusa?" exclaimed Polydectes. "Here it is," answered Perseus, and showed it to the king and to his guests.
The ancient prophecy which Acrisius had so much feared at last came to pa.s.s. For, as Perseus was pa.s.sing through the country of Larissa, he entered into compet.i.tion with the youths of the country at the game of hurling the discus. King Acrisius was among the spectators. The youths of Larissa threw first, and then Perseus. His discus went far beyond the others, and, seized by a breeze from the sea, fell upon the foot of Acrisius. The old king swooned with pain, and was carried away from the place only to die. Perseus, who had heard the story of his birth and parentage from Danae, when he learned who Acrisius was, filled with remorse and sorrow, went to the oracle at Delphi, and there was purified from the guilt of homicide.
Perseus gave the head of Medusa to Minerva, who had aided him so well to obtain it. Minerva took the head of her once beautiful rival and placed it in the middle of her Aegis.
Milton, in his Comus, thus alludes to the Aegis:
"What was that snaky-headed Gorgon-s.h.i.+eld That wise Minerva wore, unconquered virgin, Wherewith she freezed her foes to congealed stone, But rigid looks of chaste austerity, And n.o.ble grace that dashed brute violence With sudden adoration and blank awe!"
Armstrong, the poet of the Art of Preserving Health, thus describes the effect of frost upon the waters:
"Now blows the surly North and chills throughout the stiffening regions, while by stronger charms Than Circe e'er or fell Medea brewed, Each brook that wont to prattle to its banks Lies all bestilled and wedged betwixt its banks, Nor moves the withered reeds... .
The surges baited by the fierce Northeast, Tossing with fretful spleen their angry heads, E'en in the foam of all their madness struck To monumental ice.
Such execution, So stern, so sudden, wrought the grisly aspect Of terrible Medusa, When wandering through the woods she turned to stone Their savage tenants; just as the foaming lion Sprang furious on his prey, her speedier power Outran his haste, And fixed in that fierce att.i.tude he stands Like Rage in marble!"
Imitations of Shakespeare Of Atlas there is another story, which I like better than the one told. He was one of the t.i.tans who warred against Jupiter like Typhoeus, Briareus, and others. After their defeat by the king of G.o.ds and men, Atlas was condemned to stand in the far western part of the earth, by the Pillars of Hercules, and to hold on his shoulders the weight of heaven and the stars.
The story runs that Perseus, flying by, asked and obtained rest and food. The next morning he asked what he could do to reward Atlas for his kindness. The best that giant could think of was that Perseus should show him the snaky head of Medusa, that he might be turned to stone and be at rest from his heavy load.
Chapter X
Monsters. Giants. Sphinx. Pegasus and the Chimaera.
Bulfinch's Mythology: the Age of Fable Part 9
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Bulfinch's Mythology: the Age of Fable Part 9 summary
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