Behind a Mask; or, a Woman's Power Part 10
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"Jean Muir," answered Coventry, with an absorbed look.
"Impossible! She is small and fair," began Lucia, but a hasty "Hush, let me look!" from her cousin silenced her.
Impossible as it seemed, he was right nevertheless; for Jean Muir it was. She had darkened her skin, painted her eyebrows, disposed some wild black locks over her fair hair, and thrown such an intensity of expression into her eyes that they darkened and dilated till they were as fierce as any southern eyes that ever flashed. Hatred, the deepest and bitterest, was written on her sternly beautiful face, courage glowed in her glance, power spoke in the nervous grip of the slender hand that held the weapon, and the indomitable will of the woman was expressed--even the firm pressure of the little foot half hidden in the tiger skin.
"Oh, isn't she splendid?" cried Bella under her breath.
"She looks as if she'd use her sword well when the time comes," said someone admiringly.
"Good night to Holofernes; his fate is certain," added another.
"He is the image of Sydney, with that beard on."
"Doesn't she look as if she really hated him?"
"Perhaps she does."
Coventry uttered the last exclamation, for the two which preceded it suggested an explanation of the marvelous change in Jean. It was not all art: the intense detestation mingled with a savage joy that the object of her hatred was in her power was too perfect to be feigned; and having the key to a part of her story, Coventry felt as if he caught a glimpse of the truth. It was but a glimpse, however, for the curtain dropped before he had half a.n.a.lyzed the significance of that strange face.
"Horrible! I'm glad it's over," said Lucia coldly.
"Magnificent! Encore! Encore!" cried Gerald enthusiastically.
But the scene was over, and no applause could recall the actress. Two or three graceful or gay pictures followed, but Jean was in none, and each lacked the charm which real talent lends to the simplest part.
"Coventry, you are wanted," called a voice. And to everyone's surprise, Coventry went, though heretofore he had always refused to exert himself when handsome actors were in demand.
"What part am I to spoil?" he asked, as he entered the green room, where several excited young gentlemen were costuming and att.i.tudinizing.
"A fugitive cavalier. Put yourself into this suit, and lose no time asking questions. Miss Muir will tell you what to do. She is in the tableau, so no one will mind you," said the manager pro tem, throwing a rich old suit toward Coventry and resuming the painting of a moustache on his own boyish face.
A gallant cavalier was the result of Gerald's hasty toilet, and when he appeared before the ladies a general glance of admiration was bestowed upon him.
"Come along and be placed; Jean is ready on the stage." And Bella ran before him, exclaiming to her governess, "Here he is, quite splendid.
Wasn't he good to do it?"
Miss Muir, in the charmingly prim and puritanical dress of a Roundhead damsel, was arranging some shrubs, but turned suddenly and dropped the green branch she held, as her eye met the glittering figure advancing toward her.
"You!" she said with a troubled look, adding low to Bella, "Why did you ask _him?_ I begged you not."
"He is the only handsome man here, and the best actor if he likes. He won't play usually, so make the most of him." And Bella was off to finish powdering her hair for "The Marriage a la Mode."
"I was sent for and I came. Do you prefer some other person?" asked Coventry, at a loss to understand the half-anxious, half-eager expression of the face under the little cap.
It changed to one of mingled annoyance and resignation as she said, "It is too late. Please kneel here, half behind the shrubs; put down your hat, and--allow me--you are too elegant for a fugitive."
As he knelt before her, she disheveled his hair, pulled his lace collar awry, threw away his gloves and sword, and half untied the cloak that hung about his shoulders.
"That is better; your paleness is excellent--nay, don't spoil it. We are to represent the picture which hangs in the Hall. I need tell you no more. Now, Roundheads, place yourselves, and then ring up the curtain."
With a smile, Coventry obeyed her; for the picture was of two lovers, the young cavalier kneeling, with his arm around the waist of the girl, who tries to hide him with her little mantle, and presses his head to her bosom in an ecstasy of fear, as she glances back at the approaching pursuers. Jean hesitated an instant and shrank a little as his hand touched her; she blushed deeply, and her eyes fell before his. Then, as the bell rang, she threw herself into her part with sudden spirit. One arm half covered him with her cloak, the other pillowed his head on the muslin kerchief folded over her bosom, and she looked backward with such terror in her eyes that more than one chivalrous young spectator longed to hurry to the rescue. It lasted but a moment; yet in that moment Coventry experienced another new sensation. Many women had smiled on him, but he had remained heart-whole, cool, and careless, quite unconscious of the power which a woman possesses and knows how to use, for the weal or woe of man. Now, as he knelt there with a soft arm about him, a slender waist yielding to his touch, and a maiden heart throbbing against his cheek, for the first time in his life he felt the indescribable spell of womanhood, and looked the ardent lover to perfection. Just as his face a.s.sumed this new and most becoming aspect, the curtain dropped, and clamorous encores recalled him to the fact that Miss Muir was trying to escape from his hold, which had grown painful in its unconscious pressure. He sprang up, half bewildered, and looking as he had never looked before.
"Again! Again!" called Sir John. And the young men who played the Roundheads, eager to share in the applause begged for a repet.i.tion in new att.i.tudes.
"A rustle has betrayed you, we have fired and shot the brave girl, and she lies dying, you know. That will be effective; try it, Miss Muir,"
said one. And with a long breath, Jean complied.
The curtain went up, showing the lover still on his knees, unmindful of the captors who clutched him by the shoulder, for at his feet the girl lay dying. Her head was on his breast, now, her eyes looked full into his, no longer wild with fear, but eloquent with the love which even death could not conquer. The power of those tender eyes thrilled Coventry with a strange delight, and set his heart beating as rapidly as hers had done. She felt his hands tremble, saw the color flash into his cheek, knew that she had touched him at last, and when she rose it was with a sense of triumph which she found it hard to conceal. Others thought it fine acting; Coventry tried to believe so; but Lucia set her teeth, and, as the curtain fell on that second picture, she left her place to hurry behind the scenes, bent on putting an end to such dangerous play. Several actors were complimenting the mimic lovers. Jean took it merrily, but Coventry, in spite of himself, betrayed that he was excited by something deeper than mere gratified vanity.
As Lucia appeared, his manner changed to its usual indifference; but he could not quench the unwonted fire of his eyes, or keep all trace of emotion out of his face, and she saw this with a sharp pang.
"I have come to offer my help. You must be tired, Miss Muir. Can I relieve you?" said Lucia hastily.
"Yes, thank you. I shall be very glad to leave the rest to you, and enjoy them from the front."
So with a sweet smile Jean tripped away, and to Lucia's dismay Coventry followed.
"I want you, Gerald; please stay," she cried.
"I've done my part--no more tragedy for me tonight." And he was gone before she could entreat or command.
There was no help for it; she must stay and do her duty, or expose her jealousy to the quick eyes about her. For a time she bore it; but the sight of her cousin leaning over the chair she had left and chatting with the governess, who now filled it, grew unbearable, and she dispatched a little girl with a message to Miss Muir.
"Please, Miss Beaufort wants you for Queen Bess, as you are the only lady with red hair. Will you come?" whispered the child, quite unconscious of any hidden sting in her words.
"Yes, dear, willingly though I'm not stately enough for Her Majesty, nor handsome enough," said Jean, rising with an untroubled face, though she resented the feminine insult.
"Do you want an Ess.e.x? I'm all dressed for it," said Coventry, following to the door with a wistful look.
"No, Miss Beaufort said _you_ were not to come. She doesn't want you both together," said the child decidedly.
Jean gave him a significant look, shrugged her shoulders, and went away smiling her odd smile, while Coventry paced up and down the hall in a curious state of unrest, which made him forgetful of everything till the young people came gaily out to supper.
"Come, bonny Prince Charlie, take me down, and play the lover as charmingly as you did an hour ago. I never thought you had so much warmth in you," said Bella, taking his arm and drawing him on against his will.
"Don't be foolish, child. Where is--Lucia?"
Why he checked Jean's name on his lips and subst.i.tuted another's, he could not tell; but a sudden shyness in speaking of her possessed him, and though he saw her nowhere, he would not ask for her. His cousin came down looking lovely in a cla.s.sical costume; but Gerald scarcely saw her, and, when the merriment was at its height, he slipped away to discover what had become of Miss Muir.
Alone in the deserted drawing room he found her, and paused to watch her a moment before he spoke; for something in her att.i.tude and face struck him. She was leaning wearily back in the great chair which had served for a throne. Her royal robes were still unchanged, though the crown was off and all her fair hair hung about her shoulders. Excitement and exertion made her brilliant, the rich dress became her wonderfully, and an air of luxurious indolence changed the meek governess into a charming woman. She leaned on the velvet cus.h.i.+ons as if she were used to such support; she played with the jewels which had crowned her as carelessly as if she were born to wear them; her att.i.tude was full of negligent grace, and the expression of her face half proud, half pensive, as if her thoughts were bittersweet.
One would know she was wellborn to see her now. Poor girl, what a burden a life of dependence must be to a spirit like hers! I wonder what she is thinking of so intently. And Coventry indulged in another look before he spoke.
"Shall I bring you some supper, Miss Muir?"
"Supper!" she e.j.a.c.u.l.a.t.ed, with a start. "Who thinks of one's body when one's soul is--" She stopped there, knit her brows, and laughed faintly as she added, "No, thank you. I want nothing but advice, and that I dare not ask of anyone."
"Why not?"
Behind a Mask; or, a Woman's Power Part 10
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Behind a Mask; or, a Woman's Power Part 10 summary
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