A Dutch Boy Fifty Years After Part 6
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The poet's face beamed with delight. "That's beautiful," he said, and then quickly added: "I mean the language, not the poem."
"Now," he went on, "I'll tell you what we'll do: we'll strike a bargain. We Yankees are great for bargains, you know. If you will read me 'The Village Blacksmith' you can sit in that chair there made out of the wood of the old spreading chestnut-tree, and I'll take you out and show you where the old shop stood. Is that a bargain?"
Edward a.s.sured him it was. He sat in the chair of wood and leather, and read to the poet several of his own poems in a language in which, when he wrote them, he never dreamed they would ever be printed. He was very quiet. Finally he said: "It seems so odd, so very odd, to hear something you know so well sound so strange."
"It's a great compliment, though, isn't it, sir?" asked the boy.
"Ye-es," said the poet slowly. "Yes, yes," he added quickly. "It is, my boy, a very great compliment."
"Ah," he said, rousing himself, as a maid appeared, "that means luncheon, or rather, it means dinner, for we have dinner in the old New England fas.h.i.+on, in the middle of the day. I am all alone to-day, and you must keep me company, will you? Then afterward we'll go and take a walk, and I'll show you Cambridge. It is such a beautiful old town, even more beautiful, I sometimes think, when the leaves are off the trees."
[Ill.u.s.tration: Edward Bok's birthplace at Helder, Netherlands. In the foreground is one of the typical Dutch ca.n.a.ls; at the end of the garden in the rear is one of the famous Dutch d.y.k.es and just beyond is the North Sea. The house now belongs to the Dutch Government.]
"Come," he said, "I'll take you up-stairs, and you can wash your hands in the room where George Was.h.i.+ngton slept. And comb your hair, too, if you want to," he added; "only it isn't the same comb that he used."
To the boyish mind it was an historic breaking of bread, that midday meal with Longfellow.
"Can you say grace in Dutch?" he asked, as they sat down; and the boy did.
"Well," the poet declared, "I never expected to hear that at my table.
I like the sound of it."
Then while the boy told all that he knew about the Netherlands, the poet told the boy all about his poems. Edward said he liked "Hiawatha."
"So do I," he said. "But I think I like 'Evangeline' better. Still, neither one is as good as it should be. But those are the things you see afterward so much better than you do at the time."
It was a great event for Edward when, with the poet nodding and smiling to every boy and man he met, and lifting his hat to every woman and little girl, he walked through the fine old streets of Cambridge with Longfellow. At one point of the walk they came to a theatrical billboard announcing an attraction that evening at the Boston Theatre.
Skilfully the old poet drew out from Edward that sometimes he went to the theatre with his parents. As they returned to the gate of "Craigie House" Edward said he thought he would go back to Boston.
"And what have you on hand for this evening?" asked Longfellow.
Edward told him he was going to his hotel to think over the day's events.
The poet laughed and said:
"Now, listen to my plan. Boston is strange to you. Now we're going to the theatre this evening, and my plan is that you come in now, have a little supper with us, and then go with us to see the play. It is a funny play, and a good laugh will do you more good than to sit in a hotel all by yourself. Now, what do you think?"
Of course the boy thought as Longfellow did, and it was a very happy boy that evening who, in full view of the large audience in the immense theatre, sat in that box. It was, as Longfellow had said, a play of laughter, and just who laughed louder, the poet or the boy, neither ever knew.
Between the acts there came into the box a man of courtly presence, dignified and yet gently courteous.
"Ah! Phillips," said the poet, "how are you? You must know my young friend here. This is Wendell Phillips, my boy. Here is a young man who told me to-day that he was going to call on you and on Phillips Brooks to-morrow. Now you know him before he comes to you."
"I shall be glad to see you, my boy," said Mr. Phillips. "And so you are going to see Phillips Brooks? Let me tell you something about Brooks. He has a great many books in his library which are full of his marks and comments. Now, when you go to see him you ask him to let you see some of those books, and then, when he isn't looking, you put a couple of them in your pocket. They would make splendid souvenirs, and he has so many he would never miss them. You do it, and then when you come to see me tell me all about it."
And he and Longfellow smiled broadly.
An hour later, when Longfellow dropped Edward at his hotel, he had not only a wonderful day to think over but another wonderful day to look forward to as well!
He had breakfasted with Oliver Wendell Holmes; dined, supped, and been to the theatre with Longfellow; and tomorrow he was to spend with Phillips Brooks.
Boston was a great place, Edward Bok thought, as he fell asleep.
CHAPTER VI
PHILLIPS BROOKS'S BOOKS AND EMERSON'S MENTAL MIST
No one who called at Phillips Brooks's house was ever told that the master of the house was out when he was in. That was a rule laid down by Doctor Brooks: a maid was not to perjure herself for her master's comfort or convenience. Therefore, when Edward was told that Doctor Brooks was out, he knew he was out. The boy waited, and as he waited he had a chance to look around the library and into the books. The rector's faithful housekeeper said he might when he repeated what Wendell Phillips had told him of the interest that was to be found in her master's books. Edward did not tell her of Mr. Phillips's advice, to "borrow" a couple of books. He reserved that bit of information for the rector of Trinity when he came in, an hour later.
"Oh! did he?" laughingly said Doctor Brooks. "That is nice advice for a man to give a boy. I am surprised at Wendell Phillips. He needs a little talk: a ministerial visit. And have you followed his shameless advice?" smilingly asked the huge man as he towered above the boy.
"No? And to think of the opportunity you had, too. Well, I am glad you had such respect for my dumb friends. For they are my friends, each one of them," he continued, as he looked fondly at the filled shelves. "Yes, I know them all, and love each for its own sake. Take this little volume," and he picked up a little volume of Shakespeare.
"Why, we are the best of friends: we have travelled miles together--all over the world, as a matter of fact. It knows me in all my moods, and responds to each, no matter how irritable I am. Yes, it is pretty badly marked up now, for a fact, isn't it? Black; I never thought of that before that it doesn't make a book look any better to the eye.
But it means more to me because of all that pencilling.
"Now, some folks dislike my use of my books in this way. They love their books so much that they think it nothing short of sacrilege to mark up a book. But to me, that's like having a child so prettily dressed that you can't romp and play with it. What is the good of a book, I say, if it is too pretty for use? I like to have my books speak to me, and then I like to talk back to them.
"Take my Bible, here," he continued, as he took up an old and much-worn copy of the book. "I have a number of copies of the Great Book: one copy I preach from; another I minister from; but this is my own personal copy, and into it I talk and talk. See how I talk," and he opened the Book and showed interleaved pages full of comments in his handwriting. "There's where St. Paul and I had an argument one day.
Yes, it was a long argument, and I don't know now who won," he added smilingly. "But then, no one ever wins in an argument, anyway, do you think so?
"You see," went on the preacher, "I put into these books what other men put into articles and essays for magazines and papers. I never write for publications. I always think of my church when something comes to me to say. There is always danger of a man spreading himself out thin if he attempts too much, you know."
Doctor Brooks, must have caught the boy's eye, which, as he said this, naturally surveyed his great frame, for he regarded him in an amused way, and putting his hands on his girth, he said laughingly; "You are thinking I would have to do a great deal to spread myself out thin, aren't you?"
The boy confessed he was, and the preacher laughed one of those deep laughs of his that were so infectious.
"But here I am talking about myself. Tell me something about _yourself_?"
And when the boy told his object in coming to Boston, the rector of Trinity Church was immensely amused.
"Just to see us fellows! Well, and how do you like us so far?"
And in the most comfortable way this true gentleman went on until the boy mentioned that he must be keeping him from his work.
"Not at all; not at all," was the quick and hearty response. "Not a thing to do. I cleaned up all my mail before I had my breakfast this morning.
"These letters, you mean?" he said, as the boy pointed to some letters on his desk unopened. "Oh, yes! They must have come in a later mail.
Well, if it will make you feel any better I'll go through them, and you can go through my books if you like. I'll trust you," he added laughingly, as Wendell Phillips's advice occurred to him.
"You like books, you say?" he went on, as he opened his letters.
"Well, then, you must come into my library here at any time you are in Boston, and spend a morning reading anything I have that you like.
Young men do that, you know, and I like to have them. What's the use of good friends if you don't share them? There's where the pleasure comes in."
He asked the boy then about his newspaper work, how much it paid him, and whether he felt it helped him in an educational way. The boy told him he thought it did; that it furnished good lessons in the study of human nature. "Yes," he said, "I, can believe that, so long as it is good journalism."
As he let the boy out of his house, at the end of that first, meeting, he said to him:
A Dutch Boy Fifty Years After Part 6
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A Dutch Boy Fifty Years After Part 6 summary
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