Beethoven's Letters 1790-1826 Volume I Part 2

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Truth for the wise, Beauty for a feeling heart, And both for each other.

MY DEAR, GOOD BREUNING,--

Never can I forget the time I pa.s.sed with you, not only in Bonn, but here.

Continue your friends.h.i.+p towards me, for you shall always find me the same true friend,

L. V. BEETHOVEN.

10.

TO BARON ZMESKALL VON DOMANOWECZ.

1800.[1]

[Music: Alto, Tenor, Ba.s.s clefs, C Major, 4/4 time, Grave.

ALTO. Ba-ron.

TENORE. Ba-ron.

Ba.s.sO. Ba-ron. Ba-ron. Ba-ron.]

MY CHEAPEST (NOT DEAREST) BARON,--

Desire the guitar-player to come to me to-day. Amenda (instead of an _amende_ [fine], which he sometimes deserves for not observing his rests properly) must persuade this popular guitarist to visit me, and if possible to come at five o'clock this evening; if not then, at five or six o'clock to-morrow morning; but he must not waken me if I chance to be still asleep.

_Adieu, mon ami a bon marche._ Perhaps we may meet at the "Swan"?

[Footnote 1: As it appears from the following letters that Amenda was again at home in 1800, the date of this note is thus ascertained. It is undoubtedly addressed to Baron Zmeskall von Domanowecz, Royal Court Secretary, a good violoncello-player, and one of Beethoven's earliest friends in Vienna. The "guitarist" was probably the celebrated Giuliani, who lived in Vienna.]

11.

The musical Count is from this day forth _cas.h.i.+ered_ with infamy. The first violin [Schuppanzigh] ruthlessly transported to _Siberia_. The Baron [see No. 10] for a whole month _strictly interdicted from asking questions_; no longer to be so hasty, and to devote himself exclusively to his _ipse miserum_.[1]

B.

[Footnote 1: Written in gigantic characters in pencil on a large sheet of paper. The "musical Count" is probably Count Moritz Lichnowsky, brother of Prince Carl Lichnowsky, in whose house were held those musical performances in which Beethoven's works were first produced. Even at that time he behaved in a very dictatorial manner to those gentlemen when his compositions were badly executed. Thence the name given him by Haydn of "The Great Mogul."]

12.

TO PASTOR AMENDA,--COURLAND.

Does Amenda think that I can ever forget him, because I do not write? in fact, never have written to him?--as if the memory of our friends could only thus be preserved! The _best man I ever knew_ has a thousand times recurred to my thoughts! Two persons alone once possessed my whole love, one of whom still lives, and you are now the third. How can my remembrance of you ever fade? You will shortly receive a long letter about my present circ.u.mstances and all that can interest you. Farewell, beloved, good, and n.o.ble friend! Ever continue your love and friends.h.i.+p towards me, just as I shall ever be your faithful

BEETHOVEN.

13.

TO PASTOR AMENDA.

1800.

MY DEAR, MY GOOD AMENDA, MY WARM-HEARTED FRIEND,--

I received and read your last letter with deep emotion, and with mingled pain and pleasure. To what can I compare your fidelity and devotion to me?

Ah! it is indeed delightful that you still continue to love me so well. I know how to prize you, and to distinguish you from all others; you are not like my Vienna friends. No! you are one of those whom the soil of my fatherland is wont to bring forth; how often I wish that you were with me, for your Beethoven is very unhappy. You must know that one of my most precious faculties, that of hearing, is become very defective; even while you were still with me I felt indications of this, though I said nothing; but it is now much worse. Whether I shall ever be cured remains yet to be seen; it is supposed to proceed from the state of my digestive organs, but I am almost entirely recovered in that respect. I hope indeed that my hearing may improve, but I scarcely think so, for attacks of this kind are the most incurable of all. How sad my life must now be!--forced to shun all that is most dear and precious to me, and to live with such miserable egotists as ----, &c. I can with truth say that of all my friends Lichnowsky [Prince Carl] is the most genuine. He last year settled 600 florins on me, which, together with the good sale of my works, enables me to live free from care as to my maintenance. All that I now write I can dispose of five times over, and be well paid into the bargain. I have been writing a good deal latterly, and as I hear that you have ordered some pianos from ----, I will send you some of my compositions in the packing-case of one of these instruments, by which means they will not cost you so much.

To my great comfort, a person has returned here with whom I can enjoy the pleasures of society and disinterested friends.h.i.+p,--one of the friends of my youth [Stephan von Breuning]. I have often spoken to him of you, and told him that since I left my fatherland, you are one of those to whom my heart specially clings. Z. [Zmeskall?] does not seem quite to please him; he is, and always will be, too weak for true friends.h.i.+p, and I look on him and ---- as mere instruments on which I play as I please, but never can they bear n.o.ble testimony to my inner and outward energies, or feel true sympathy with me; I value them only in so far as their services deserve.

Oh! how happy should I now be, had I my full sense of hearing; I would then hasten to you; whereas, as it is, I must withdraw from everything. My best years will thus pa.s.s away, without effecting what my talents and powers might have enabled me to perform. How melancholy is the resignation in which I must take refuge! I had determined to rise superior to all this, but how is it possible? If in the course of six months my malady be p.r.o.nounced incurable then, Amenda! I shall appeal to you to leave all else and come to me, when I intend to travel (my affliction is less distressing when playing and composing, and most so in intercourse with others), and you must be my companion. I have a conviction that good fortune will not forsake me, for to what may I not at present aspire? Since you were here I have written everything except operas and church music. You will not, I know, refuse my pet.i.tion; you will help your friend to bear his burden and his calamity. I have also very much perfected my pianoforte playing, and I hope that a journey of this kind may possibly contribute to your own success in life, and you would thenceforth always remain with me. I duly received all your letters, and though I did not reply to them, you were constantly present with me, and my heart beats as tenderly as ever for you.

I beg you will keep the fact of my deafness a profound secret, and not confide it to any human being. Write to me frequently; your letters, however short, console and cheer me; so I shall soon hope to hear from you.

Do not give your quartet to any one [in F, Op. 18, No. 1], as I have altered it very much, having only now succeeded in writing quartets properly; this you will at once perceive when you receive it. Now, farewell, my dear kind friend! If by any chance I can serve you here, I need not say that you have only to command me.

Your faithful and truly attached

L. V. BEETHOVEN.

14.

TO WEGELER.

Vienna, June 29, 1800.

MY DEAR AND VALUED WEGELER,--

How much I thank you for your remembrance of me, little as I deserve it, or have sought to deserve it; and yet you are so kind that you allow nothing, not even my unpardonable neglect, to discourage you, always remaining the same true, good, and faithful friend. That I can ever forget you or yours, once so dear and precious to me, do not for a moment believe. There are times when I find myself longing to see you again, and wis.h.i.+ng that I could go to stay with you. My father-land, that lovely region where I first saw the light, is still as distinct and beauteous in my eyes as when I quitted you; in short, I shall esteem the time when I once more see you, and again greet Father Rhine, as one of the happiest periods of my life. When this may be I cannot yet tell; but at all events I may say that you shall not see me again till I have become eminent, not only as an artist, but better and more perfect as a man; and if the condition of our father-land be then more prosperous, my art shall be entirely devoted to the benefit of the poor. Oh, blissful moment!--how happy do I esteem myself that I can expedite it and bring it to pa.s.s!

You desire to know something of my position; well! it is by no means bad.

However incredible it may appear, I must tell you that Lichnowsky has been, and still is, my warmest friend (slight dissensions occurred occasionally between us, and yet they only served to strengthen our friends.h.i.+p). He settled on me last year the sum of 600 florins, for which I am to draw on him till I can procure some suitable situation. My compositions are very profitable, and I may really say that I have almost more commissions than it is possible for me to execute. I can have six or seven publishers or more for every piece, if I choose; they no longer bargain with me--I demand, and they pay--so you see this is a very good thing. For instance, I have a friend in distress, and my purse does not admit of my a.s.sisting him at once; but I have only to sit down and write, and in a short time he is relieved. I am also become more economical than formerly. If I finally settle here, I don't doubt I shall be able to secure a particular day every year for a concert, of which I have already given several. That malicious demon, however, bad health, has been a stumbling-block in my path; my hearing during the last three years has become gradually worse. The chief cause of this infirmity proceeds from the state of my digestive organs, which, as you know, were formerly bad enough, but have latterly become much worse, and being constantly afflicted with diarrhoea, has brought on extreme weakness. Frank [Director of the General Hospital] strove to restore the tone of my digestion by tonics, and my hearing by oil of almonds; but alas! these did me no good whatever; my hearing became worse, and my digestion continued in its former plight. This went on till the autumn of last year, when I was often reduced to utter despair. Then some medical _asinus_ recommended me cold baths, but a more judicious doctor the tepid ones of the Danube, which did wonders for me; my digestion improved, but my hearing remained the same, or in fact rather got worse. I did indeed pa.s.s a miserable winter; I suffered from most dreadful spasms, and sank back into my former condition. Thus it went on till about a month ago, when I consulted Vering [an army surgeon], under the belief that my maladies required surgical advice; besides, I had every confidence in him. He succeeded in almost entirely checking the violent diarrhoea, and ordered me the tepid baths of the Danube, into which I pour some strengthening mixture. He gave me no medicine, except some digestive pills four days ago, and a lotion for my ears. I certainly do feel better and stronger, but my ears are buzzing and ringing perpetually, day and night. I can with truth say that my life is very wretched; for nearly two years past I have avoided all society, because I find it impossible to say to people, _I am deaf!_ In any other profession this might be more tolerable, but in mine such a condition is truly frightful. Besides, what would my enemies say to this?--and they are not few in number.

To give you some idea of my extraordinary deafness, I must tell you that in the theatre I am obliged to lean close up against the orchestra in order to understand the actors, and when a little way off I hear none of the high notes of instruments or singers. It is most astonis.h.i.+ng that in conversation some people never seem to observe this; being subject to fits of absence, they attribute it to that cause. I often can scarcely hear a person if speaking low; I can distinguish the tones, but not the words, and yet I feel it intolerable if any one shouts to me. Heaven alone knows how it is to end! Vering declares that I shall certainly improve, even if I be not entirely restored. How often have I cursed my existence! Plutarch led me to resignation. I shall strive if possible to set Fate at defiance, although there must be moments in my life when I cannot fail to be the most unhappy of G.o.d's creatures. I entreat you to say nothing of my affliction to any one, not even to Lorchen [see Nos. 4 and 5]. I confide the secret to you alone, and entreat you some day to correspond with Vering on the subject. If I continue in the same state, I shall come to you in the ensuing spring, when you must engage a house for me somewhere in the country, amid beautiful scenery, and I shall then become a rustic for a year, which may perhaps effect a change. Resignation!--what a miserable refuge! and yet it is my sole remaining one. You will forgive my thus appealing to your kindly sympathies at a time when your own position is sad enough. Stephan Breuning is here, and we are together almost every day; it does me so much good to revive old feelings! He has really become a capital good fellow, not devoid of talent, and his heart, like that of us all, pretty much in the right place. [See No. 13.]

I have very charming rooms at present, adjoining the Bastei [the ramparts], and peculiarly valuable to me on account of my health [at Baron Pasqualati's]. I do really think I shall be able to arrange that Breuning shall come to me. You shall have your Antiochus [a picture], and plenty of my music besides--if, indeed, it will not cost you too much. Your love of art does honestly rejoice me. Only say how it is to be done, and I will send you all my works, which now amount to a considerable number, and are daily increasing. I beg you will let me have my grandfather's portrait as soon as possible by the post, in return for which I send you that of his grandson, your loving and attached Beethoven. It has been brought out here by Artaria, who, as well as many other publishers, has often urged this on me. I intend soon to write to Stoffeln [Christoph von Breuning], and plainly admonish him about his surly humor. I mean to sound in his ears our old friends.h.i.+p, and to insist on his promising me not to annoy you further in your sad circ.u.mstances. I will also write to the amiable Lorchen. Never have I forgotten one of you, my kind friends, though you did not hear from me; but you know well that writing never was my _forte_, even my best friends having received no letters from me for years. I live wholly in my music, and scarcely is one work finished when another is begun; indeed, I am now often at work on three or four things at the same time. Do write to me frequently, and I will strive to find time to write to you also. Give my remembrances to all, especially to the kind Frau Hofrathin [von Breuning], and say to her that I am still subject to an occasional _raptus_. As for K----, I am not at all surprised at the change in her: Fortune rolls like a ball, and does not always stop before the best and n.o.blest. As to Ries [Court musician in Bonn], to whom pray cordially remember me, I must say one word. I will write to you more particularly about his son [Ferdinand], although I believe that he would be more likely to succeed in Paris than in Vienna, which is already overstocked, and where even those of the highest merit find it a hard matter to maintain themselves. By next autumn or winter, I shall be able to see what can be done for him, because then all the world returns to town. Farewell, my kind, faithful Wegeler! Rest a.s.sured of the love and friends.h.i.+p of your

BEETHOVEN.

15.

TO COUNTESS GIULIETTA GUICCIARDI.[1]

Morning, July 6, 1800.

MY ANGEL! MY ALL! MY SECOND SELF!

Only a few words to-day, written with a pencil (your own). My residence cannot be settled till to-morrow. What a tiresome loss of time! Why this deep grief when necessity compels?--can our love exist without sacrifices, and by refraining from desiring all things? Can you alter the fact that you are not wholly mine, nor I wholly yours? Ah! contemplate the beauties of Nature, and reconcile your spirit to the inevitable. Love demands all, and has a right to do so, and thus it is _I feel towards you_ and _you towards me_; but you do not sufficiently remember that I must live both _for you_ and _for myself_. Were we wholly united, you would feel this sorrow as little as I should. My journey was terrible. I did not arrive here till four o'clock yesterday morning, as no horses were to be had. The drivers chose another route; but what a dreadful one it was! At the last stage I was warned not to travel through the night, and to beware of a certain wood, but this only incited me to go forward, and I was wrong. The carriage broke down, owing to the execrable roads, mere deep rough country lanes, and had it not been for the postilions I must have been left by the wayside. Esterhazy, travelling the usual road, had the same fate with eight horses, whereas I had only four. Still I felt a certain degree of pleasure, which I invariably do when I have happily surmounted any difficulty. But I must now pa.s.s from the outer to the inner man. We shall, I trust, soon meet again; to-day I cannot impart to you all the reflections I have made, during the last few days, on my life; were our hearts closely united forever, none of these would occur to me. My heart is overflowing with all I have to say to you. Ah! there are moments when I find that speech is actually nothing. Take courage! Continue to be ever my true and only love, my all! as I am yours. The G.o.ds must ordain what is further to be and shall be!

Beethoven's Letters 1790-1826 Volume I Part 2

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