Memoirs of Margaret Fuller Ossoli Volume I Part 16
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'When in Boston, I saw the Kembles twice,--in "Much ado about Nothing," and "The Stranger." The first night I felt much disappointed in Miss K. In the gay parts a coquettish, courtly manner marred the wild mirth and wanton wit of Beatrice. Yet, in everything else, I liked her conception of the part; and where she urges Benedict to fight with Claudio, and where she reads Benedict's sonnet, she was admirable. But I received no more pleasure from Miss K.'s acting out the part than I have done in reading it, and this disappointed me. Neither did I laugh, but thought all the while of Miss K.,--how very graceful she was, and whether this and that way of rendering the part was just. I do not believe she has comic power within herself, though tasteful enough to comprehend any part. So I went home, vexed because my "heart was not full," and my "brain not on fire" with enthusiasm. I drank my milk, and went to sleep, as on other dreary occasions, and dreamed not of Miss Kemble.
'Next night, however, I went expectant, and all my soul was satisfied. I saw her at a favorable distance, and she looked beautiful. And as the scene rose in interest, her att.i.tudes, her gestures, had the expression which an Angelo could give to sculpture. After she tells her story,--and I was almost suffocated by the effort she made to divulge her sin and fall,--she sunk to the earth, her head bowed upon her knee, her white drapery falling in large, graceful folds about this broken piece of beautiful humanity, _crushed_ in the very manner so well described by Scott when speaking of a far different person, "not as one who intentionally stoops, kneels, or prostrates himself to excite compa.s.sion, but like a man borne down on all sides by the pressure of some invisible force, which crushes him to the earth without power of resistance." A movement of abhorrence from me, as her insipid confidante turned away, attested the triumph of the poet-actress. Had not all been over in a moment, I believe I could not have refrained from rus.h.i.+ng forward to raise the fair frail being, who seemed so prematurely humbled in her parent dust. I burst into tears; and, with the stifled, hopeless feeling of a real sorrow, continued to weep till the very end; nor could I recover till I left the house.
'That is genius, which could give such life to this play; for, if I may judge from other parts, it is defaced by inflated sentiments, and verified by few natural touches. I wish I had it to read, for I should like to recall her every tone and look.'
'I have been studying Flaxman and Retzsch. How pure, how immortal, the language of Form! Fools cannot fancy they fathom its meaning; witless _dillettanti_ cannot degrade it by hackneyed usage; none but genius can create or reproduce it.
Unlike the colorist, he who expresses his thought in form is secure as man can be against the ravages of time.'
'I went to the Athenaeum in an agonizing conflict of mind, when some high influence was needed to rouse me from the state of sickly sensitiveness, which, much as I despise, I cannot wholly conquer. How soothing it was to feel the blessed power of the Ideal world, to be surrounded, once more with the records of lives poured out in embodying thought in beauty!
I seemed to breathe my native atmosphere, and smoothed my ruffled pinions.'
'No wonder G.o.d made a world to express his thought. Who, that has a soul for beauty, does not feel the need of creating, and that the power of creation alone can satisfy the spirit? When I thus reflect, the Artist seems the only fortunate man. Had I but as much creative genius as I have apprehensiveness!'
'How transcendently lovely was the face of one young angel by Raphael! It was the perfection of physical, moral, and mental life. Variegated wings, of pinkish-purple touched with green, like the b.r.e.a.s.t.s of doves, and in perfect harmony with the complexion, spring from the shoulders upwards, and against them leans the divine head. The eye seems fixed on the centre of being, and the lips are gently parted, as if uttering strains of celestial melody.'
'The head of Aspasia was instinct with the voluptuousness of intellect. From the eyes, the cheek, the divine lip, one might hive honey. Both the Loves were exquisite: one, that zephyr sentiment which visits all the roses of life; the other, the Amore Greco, may be fitly described in these words of Landor: "There is a gloom in deep love, as in deep water; there is a silence in it which suspends the foot, and the folded arms and the dejected head are the images it reflects. No voice shakes its surface; the Muses themselves approach it with a tardy and a timid step, with a low and tremulous and melancholy song."'
'The Sibyl I understood. What grace in that beautiful oval!
what apprehensiveness in the eye! Such is female Genius; it alone understands the G.o.d. The Muses only sang the praises of Apollo; the Sibyls interpreted his will. Nay, she to whom it was offered, refused the divine union, and preferred remaining a satellite to being absorbed into the sun. You read in the eye of this one, and the observation is confirmed by the low forehead, that the secret of her inspiration lay in the pa.s.sionate enthusiasm of her nature, rather than in the ideal perfection of any faculty.
'A Christ, by Raphael, that I saw the other night, brought Christianity more home to my heart, made me more long to be like Jesus, than ever did sermon. It is from one of the Vatican frescoes. The Deity,--a stern, strong, wise man, of about forty-five, in a square velvet cap, truly the Jewish G.o.d, inflexibly just, yet jealous and wrathful,--is at the top of the picture, looking with a gaze of almost frowning scrutiny down into his world. A step below is the Son.
Stately angelic shapes kneel near him in dignified adoration,--brothers, but not peers. A cloud of more ecstatic seraphs floats behind the Father. At the feet of the Son is the Holy Ghost, the Heavenly Dove. In the description, by a connoisseur, of this picture, read to me while I was looking at it, it is spoken of as in Raphael's first manner, cold, hard, trammeled. But to me how did that face proclaim the Infinite Love! His head is bent back, as if seeking to behold the Father. His att.i.tude expresses the need of adoring something higher, in order to keep him at his highest. What sweetness, what purity, in the eyes! I can never express it; but I felt, when looking at it, the beauty of reverence, of self-sacrifice, to a degree that stripped the Apollo of his beams.'
MAGNANIMITY.
Immediately after reading Miss Martineau's book on America, Margaret felt bound in honor to write her a letter, the magnanimity of which is brought out in full relief, by contrast with the expressions already given of her affectionate regard. Extracts from this letter, recorded in her journals, come here rightfully in place:--
'On its first appearance, the book was greeted by a volley of coa.r.s.e and outrageous abuse, and the nine days' wonder was followed by a nine days' hue-and-cry. It was garbled, misrepresented, scandalously ill-treated. This was all of no consequence. The opinion of the majority you will find expressed in a late number of the North American Review. I should think the article, though ungenerous, not more so than great part of the critiques upon your book.
'The minority may be divided into two cla.s.ses: The one, consisting of those who knew you but slightly, either personally, or in your writings. These have now read your book; and, seeing in it your high ideal standard, genuine independence, n.o.ble tone of sentiment, vigor of mind and powers of picturesque description, they value your book very much, and rate you higher for it.
'The other comprises those who were previously aware of these high qualities,--and who, seeing in a book to which they had looked for a lasting monument to your fame, a degree of presumptuousness, irreverence, inaccuracy, hasty generalization, and ultraism on many points, which they did not expect, lament the haste in which you have written, and the injustice which you have consequently done to so important a task, and to your own powers of being and doing. To this cla.s.s I belong.
'I got the book as soon as it came out,--long before I received the copy endeared by your handwriting,--and devoted myself to reading it. I gave myself up to my natural impressions, without seeking to ascertain those of others.
Frequently I felt pleasure and admiration, but more frequently disappointment, sometimes positive distaste.
'There are many topics treated of in this book of which I am not a judge; but I do pretend, even where I cannot criticize in detail, to have an opinion as to the general tone of thought. When Herschel writes his Introduction to Natural Philosophy, I cannot test all he says, but I cannot err about his fairness, his manliness, and wide range of knowledge. When Jouffroy writes his lectures, I am not conversant with all his topics of thought, but I can appreciate his lucid style and admirable method. When Webster speaks on the currency, I do not understand the subject, but I do understand his mode of treating it, and can see what a blaze of light streams from his torch. When Harriet Martineau writes about America, I often cannot test that rashness and inaccuracy of which I hear so much, but I can feel that they exist. A want of soundness, of habits of patient investigation, of completeness, of arrangement, are felt throughout the book; and, for all its fine descriptions of scenery, breadth of reasoning, and generous daring, I cannot be happy in it, because it is not worthy of my friend, and I think a few months given to ripen it, to balance, compare, and mellow, would have made it so. * *
'Certainly you show no spirit of harshness towards this country in general. I think your tone most kindly. But many pa.s.sages are deformed by intemperance of epithet. * * Would your heart, could you but investigate the matter, approve such overstatement, such a crude, intemperate tirade as you have been guilty of about Mr. Alcott,--a true and n.o.ble man, a philanthropist, whom a true and n.o.ble woman, also a philanthropist, should have delighted to honor; whose disinterested and resolute efforts, for the redemption of poor humanity, all independent and faithful minds should sustain, since the "broadcloth" vulgar will be sure to a.s.sail them; a philosopher, worthy of the palmy times of ancient Greece; a man whom Carlyle and Berkely, whom you so uphold, would delight to honor; a man whom the worldlings of Boston hold in as much horror as the worldlings of ancient Athens did Socrates. They smile to hear their verdict confirmed from the other side of the Atlantic, by their censor, Harriet Martineau.
'I do not like that your book should be an abolition book. You might have borne your testimony as decidedly as you pleased; but why leaven the whole book with it? This subject haunts us on almost every page. It _is_ a great subject, but your book had other purposes to fulfil.
'I have thought it right to say all this to you, since I felt it. I have shrunk from the effort, for I fear that I must lose you. Not that I think all authors are like Gil Bias'
archbishop. No; if your heart turns from me, I shall still love you, still think you n.o.ble. I know it must be so trying to fail of sympathy, at such a time, where we expect it. And, besides, I felt from the book that the sympathy between us is less general than I had supposed, it was so strong on several points. It is strong enough for me to love you ever, and I could no more have been happy in your friends.h.i.+p, if I had not spoken out now.'
SPIRITUAL LIFE.
'You question me as to the nature of the benefits conferred upon me by Mr. E.'s preaching. I answer, that his influence has been more beneficial to me than that of any American, and that from him I first learned what is meant by an inward life.
Many other springs have since fed the stream of living waters, but he first opened the fountain. That the "mind is its own place," was a dead phrase to me, till he cast light upon my mind. Several of his sermons stand apart in memory, like landmarks of my spiritual history. It would take a volume to tell what this one influence did for me. But perhaps I shall some time see that it was best for me to be forced to help myself.'
'Some remarks which I made last night trouble me, and I cannot fix my attention upon other things till I have qualified them.
I suffered myself to speak in too unmeasured terms, and my expressions were fitted to bring into discredit the religious instruction which has been given me, or which I have sought.
'I do not think "all men are born for the purpose of unfolding beautiful ideas;" for the vocation of many is evidently the culture of affections by deeds of kindness. But I do think that the vocations of men and women differ, and that those who are forced to act out of their sphere are shorn of inward and outward brightness.
'For myself, I wish to say, that, if I am in a mood of darkness and despondency, I nevertheless consider such a mood unworthy of a Christian, or indeed of any one who believes in the immortality of the soul. No one, who had steady faith in this and in the goodness of G.o.d, could be otherwise than cheerful. I reverence the serenity of a truly religious mind so much, that I think, if I live, I may some time attain to it.
'Although I do not believe in a Special Providence regulating outward events, and could not reconcile such a belief with what I have seen of life, I do not the less believe in the paternal government of a Deity. That He should visit the souls of those who seek Him seems to me the n.o.bler way to conceive of his influence. And if there were not some error in my way of seeking, I do not believe I should suffer from languor or deadness on spiritual subjects, at the time when I have most need to feel myself at home there. To find this error is my earnest wish; and perhaps I am now travelling to that end, though by a th.o.r.n.y road. It is a mortification to find so much yet to do; for at one time the scheme of things seemed so clear, that, with Cromwell, I might say, "I was once in grace." With my mind I prize high objects as much as then: it is my heart which is cold. And sometimes I fear that the necessity of urging them on those under my care dulls my sense of their beauty. It is so hard to prevent one's feelings from evaporating in words.'
'"The faint sickness of a wounded heart." How frequently do these words of Beckford recur to my mind! His prayer, imperfect as it is, says more to me than many a purer aspiration. It breathes such an experience of impa.s.sioned anguish. He had everything,--health, personal advantages, almost boundless wealth, genius, exquisite taste, culture; he could, in some way, express his whole being. Yet well-nigh he sank beneath the sickness of the wounded heart; and solitude, "country of the unhappy," was all he craved at last.
'Goethe, too, says he has known, in all his active, wise, and honored life, no four weeks of happiness. This teaches me on the other side; for, like Goethe, I have never given way to my feelings, but have lived active, thoughtful, seeking to be wise. Yet I have long days and weeks of heartache; and at those times, though I am busy every moment, and cultivate every pleasant feeling, and look always upwards to the pure ideal region, yet this ache is like a bodily wound, whose pain haunts even when it is not attended to, and disturbs the dreams of the patient who has fallen asleep from exhaustion.
'There is a German in Boston, who has a wound in his breast, received in battle long ago. It never troubles him, except when he sings, and then, if he gives out his voice with much expression, it opens, and cannot, for a long time, be stanched again. So with me: when I rise into one of those rapturous moods of thought, such as I had a day or two since, my wound opens again, and all I can do is to be patient, and let it take its own time to skin over. I see it will never do more.
Some time ago I thought the barb was fairly out; but no, the fragments rankle there still, and will, while there is any earth attached to my spirit. Is it not because, in my pride, I held the mantle close, and let the weapon, which some friendly physician might have extracted, splinter in the wound?'
'_Sunday, July_, 1838.--I partook, for the first time, of the Lord's Supper. I had often wished to do so, but had not been able to find a clergyman,--from whom I could be willing to receive it,--willing to admit me on my own terms. Mr. H---- did so; and I shall ever respect and value him, if only for the liberality he displayed on this occasion. It was the Sunday after the death of his wife, a lady whom I truly honored, and should, probably, had we known one another longer, have also loved. She was the soul of truth and honor; her mind was strong, her reverence for the n.o.ble and beautiful fervent, her energy in promoting the best interests of those who came under her influence unusual. She was as full of wit and playfulness as of goodness. Her union with her husband was really one of mind and heart, of mutual respect and tenderness; likeness in unlikeness made it strong. I wished particularly to share in this rite on an occasion so suited to bring out its due significance.'
Memoirs of Margaret Fuller Ossoli Volume I Part 16
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