Get Out of Our Skies! Part 7

In his office, he switched on the visiphone and made contact with a square-faced man who frowned mightily when he recognized his caller.

"What do you want?" Stinson said.

"I have to see you," Tom told him. "I learned something this afternoon, about Walt Spencer. I don't know whether you'll believe it or not, but I have to take that chance. Will you talk to me?"

"All right. But we'll have to make it down here."

"I'll be there in an hour. I want to organize a few things first. Then we can talk."

Tom switched off, and began to empty his desk. He found nothing in the official communications of the Homelovers that would substantiate his story, but he continued to gather what information he could about the PR program.

He was just clicking the locks on his brief case, when a gray-haired woman with a pencil thrust into her curls popped her head in the doorway.

"Mr. Blacker?" she smiled. "I'm Dora, Mr. Wright's secretary. Mr. Wright wants to know if you'll stop in to see him."

"Wright?" Tom said blankly.

"The treasurer. His office is just down the hall. He's very anxious to see you, something about the expense sheets you turned in last week."

Tom frowned. "Why don't I see him in the morning?"

"It won't take but a minute."

"All right."

He sighed, picked up the brief case, and followed Dora outside. She showed him the door of an office some thirty paces from his own, and he entered without knocking.

A frail man, with a bald head and a squiggly moustache, stood up behind his desk.

"Oh, dear," he said nervously. "I'm terribly sorry to do this, Mr.

Blacker. But I have my instructions."

"Do what?"

"Oh, dear," Mr. Wright said again.

He took the gun that was lying in his out-box, and fired it. His trembling hand sent the bullet spanging into the wooden frame of the door. Tom dropped to the thick carpet, and then scrambled to the tall credenza set against the right wall of the office. He shoved it aside with his left hand and ducked behind it. The treasurer came out from behind his desk, still muttering to himself.

"Please," he said in anguish, "this is very painful for me!"

He fired the gun again, and the bullet tore a white hole in the wall above Tom's head.

"Don't be so difficult," the little man pleaded. "Sooner or later--"

But Tom insisted upon being difficult. His fingers closed around a loose volume of New York State Tax Laws, and jiggled it in readiness. When the little treasurer came closer, he sprung from hiding and hurled the book.

It slammed against Wright's side, and surprised him enough to send the arm holding the weapon into the air. That was the advantage Tom wanted.

He leaped in a low-flying tackle, and brought Wright to the carpet. Then he was on top of the little man, grappling for the gun. Tom fought hard to get the gun.

He got it, but not before it was fired again.

Tom looked down at the widening stain that was marring the smooth texture of the carpet and was horrified. He bent down over the frail figure, lifting the bald head in his hands.

"Mr. Wright!"

The treasurer groaned. "Sorry," he said. "Instructions, Mr. Blacker ..."

"From whom? Andrusco?"

"Yes ... Your message reported from switchboard ... had orders ..."

"Is it true?" Tom said frantically. "About Antamunda? Is the story true?"

The little man nodded. Then he lifted one hand feebly towards the desk.

"Gary," he said. "Tell Gary ..."

Tom looked in the direction of the gesture, and saw the back of a framed photograph.

When he turned to the treasurer again, the thin lips had stopped moving.

He lowered the body to the floor and went to the desk. The photo was that of a young man with stiff-bristled blond hair and a rugged smile.

The inscription read:

"_To Pop, with deep affection, Gary._"

Tom shook his head, wonderingly. Were these creatures so very different?

When Tom stepped out on Fifth-Madison some ten minutes later, it was just in time to watch a police vehicle draw up to the entrance of 320.

Sensing danger, he stepped into the shade of the Tuscany Bar awning, and watched the uniformed men pound their way down the marbled lobby floor towards the elevators. He thought fast, and decided that the arrival of the police was connected with the shooting in Wright's office.

The question was--who were they after?

He walked into the Tuscany, and headed for the bank of visiphone booths.

He dialed the police commissioner, but ducked out of the path of the visiphone eye.

Stinson growled at the blank screen. "Who is it?"

"Never mind," Tom said, m.u.f.fling his voice. "But if you want the killers of Walt Spencer and his wife, pick up John Andrusco and a gal named Livia Cord."

"Okay, Blacker," Stinson thundered. "I knew you'd be calling in."

Tom swore, and showed himself. "Listen, I'm telling you the truth. They told me the whole story. Then they tried to have me killed."

"Is that so? And I suppose the a.s.sa.s.sin was a guy named Wright?"