I Saw Three Ships and Other Winter Tales Part 1

I Saw Three s.h.i.+ps and Other Winter Tales.

by Arthur Thomas Quiller-Couch.

I SAW THREE s.h.i.+PS.

CHAPTER I.

THE FIRST s.h.i.+P.

In those west-country parishes where but a few years back the feast of Christmas Eve was usually prolonged with cake and cider, "crowding," and "geese dancing," till the ancient carols ushered in the day, a certain languor not seldom pervaded the services of the Church a few hours later. Red eyes and heavy, young limbs hardly rested from the _Das.h.i.+ng White Sergeant_ and _Sir Roger_, throats husky from a plurality of causes--all these were recognised as proper to the season, and, in fact, of a piece with the holly on the communion rails.

On a dark and stormy Christmas morning as far back as the first decade of the century, this languor was neither more nor less apparent than usual inside the small parish church of Ruan Lanihale, although Christmas fell that year on a Sunday, and dancing should, by rights, have ceased at midnight. The building stands high above a bleak peninsula on the South Coast, and the congregation had struggled up with heads slanted sou'-west against the weather that drove up the Channel in a black fog. Now, having gained shelter, they quickly lost the glow of endeavour, and mixed in pleasing stupor the humming of the storm in the tower above, its intermittent onslaughts on the leadwork of the southern windows, and the voice of Parson Babbage lifted now and again from the chancel as if to correct the shambling pace of the choir in the west gallery.

"Mark me," whispered Old Zeb Minards, crowder and leader of the musicians, sitting back at the end of the Psalms, and eyeing his fiddle dubiously; "If Sternhold be sober this morning, Hopkins be drunk as a fly, or 'tis t'other way round."

"'Twas middlin' wambly," a.s.sented Calvin Oke, the second fiddle--a screw-faced man tightly wound about the throat with a yellow kerchief.

"An' 'tis a delicate matter to cuss the singers when the musicianers be twice as bad."

"I'd a very present sense of being a bar or more behind the fair--that I can honestly vow," put in Elias Sweetland, bending across from the left.

Now Elias was a bachelor, and had blown the serpent from his youth up.

He was a bald, thin man, with a high leathern stock, and shoulders that sloped remarkably.

"Well, 'taint a suent engine at the best, Elias--that o' yourn," said his affable leader, "nor to be lightly trusted among the proper psa'ms, 'specially since Chris'mas three year, when we sat in the forefront of the gallery, an' you dropped all but the mouthpiece overboard on to Aunt Belovely's bonnet at 'I was glad when they said unto me.'"

"Aye, poor soul. It shook her. Never the same woman from that hour, I do b'lieve. Though I'd as lief you didn't mention it, friends, if I may say so; for 'twas a bitter portion."

Elias patted his instrument sadly, and the three men looked up for a moment, as a scud of rain splashed on the window, drowning a sentence of the First Lesson.

"Well, well," resumed Old Zeb, "we all have our random intervals, and a drop o' cider in the mouthpieces is no less than Pa'son looks for, Chris'mas mornin's."

"Trew, trew as proverbs."

"Howsever, 'twas cruel bad, that last psa'm, I won't gainsay. As for that long-legged boy o' mine, I keep silence, yea, even from hard words, considerin' what's to come. But 'tis given to flutes to make a noticeable sound, whether tunable or false."

"Terrible shy he looks, poor chap!"

The three men turned and contemplated Young Zeb Minards, who sat on their left and fidgeted, crossing and uncrossing his legs.

"How be feelin', my son?"

"Very whitely, father; very whitely, an' yet very redly."

Elias Sweetland, moved by sympathy, handed across a peppermint drop.

"Hee-hee!" now broke in an octogenarian treble, that seemed to come from high up in the head of Uncle Issy, the ba.s.s-viol player; "But cast your eyes, good friends, 'pon a little slip o' heart's delight down in the nave, and mark the flowers 'pon the bonnet nid-nodding like bees in a bell, with unspeakable thoughts."

"'Tis the world's way wi' females."

"I'll wager, though, she wouldn't miss the importance of it--yea, not for much fine gold."

"Well said, Uncle," commented the crowder, a trifle more loudly as the wind rose to a howl outside: "Lord, how this round world do spin!

Simme 'twas last week I sat as may be in the corner yonder (I sang ba.s.s then), an' Pa'son Babbage by the desk statin' forth my own banns, an' me with my clean s.h.i.+rt collar limp as a flounder. As for your mother, Zeb, nuthin 'ud do but she must dream o' runnin' water that Sat.u.r.day night, an' want to cry off at the church porch because 'twas unlucky.

'Nothin' shall injuce me, Zeb,' says she, and inside the half hour there she was glintin' fifty ways under her bonnet, to see how the rest o' the maidens was takin' it."

"Hey," murmured Elias, the bachelor; "but it must daunt a man to hear his name loudly coupled wi' a woman's before a congregation o' folks."

"'Tis very intimate," a.s.sented Old Zeb. But here the First Lesson ended. There was a sc.r.a.ping of feet, then a clearing of throats, and the musicians plunged into "_O, all ye works of the Lord_."

Young Zeb, amid the moaning of the storm outside the building and the sc.r.a.ping and zooming of the instruments, string and reed, around him, felt his head spin; but whether from the lozenge (that had suffered from the companions.h.i.+p of a twist of tobacco in Elias Sweetland's pocket), or the dancing last night, or the turbulence of his present emotions, he could not determine. Year in and year out, grey morning or white, a gloom rested always on the singers' gallery, cast by the tower upon the south side, that stood apart from the main building, connected only by the porch roof, as by an isthmus. And upon eyes used to this comparative obscurity the nave produced the effect of a bright parterre of flowers, especially in those days when all the women wore scarlet cloaks, to scare the French if they should invade. Zeb's gaze, amid the turmoil of sound, hovered around one such cloak, rested on a slim back resolutely turned to him, and a jealous bonnet, wandered to the bald scalp of Farmer Tresidder beside it, returned to Calvin Qke's sawing elbow and the long neck of Elias Sweetland bulging with the _fortissimo_ of "O ye winds of G.o.d," then fluttered back to the red cloak.

These vagaries were arrested by three words from the mouth of Old Zeb, screwed sideways over his fiddle.

"Time--ye sawny!"

Young Zeb started, puffed out his cheeks, and blew a shriller note.

During the rest of the canticle his eyes were glued to the score, and seemed on the point of leaving their sockets with the vigour of the performance.

"Sooner thee'st married the better for us, my son," commented his father at the close; "else farewell to psa'mody!"

But Young Zeb did not reply. In fact, what remained of the peppermint lozenge had somehow jolted into his windpipe, and kept him occupied with the earlier symptoms of strangulation.

His facial contortions, though of the liveliest, were unaccompanied by sound, and, therefore, unheeded. The crowder, with his eyes contemplatively fastened on the capital of a distant pillar, was pursuing a train of reflection upon Church music; and the others regarded the crowder.

"Now supposin', friends, as I'd a-fas.h.i.+oned the wondrous words o' the ditty we've just polished off; an' supposin' a friend o' mine, same as Uncle Issy might he, had a-dropped in, in pa.s.sin', an' heard me read the same. 'Hullo!' he'd 'a said, 'You've a-put the same words twice over.'

'How's that?' 'How's that? Why, here's _O ye Whales_ (pointin' wi' his finger), an' lo! again, _O ye Wells_.' ''T'aint the same,' I'd ha'

said. 'Well,' says Uncle Issy, ''tis _spoke_ so, anyways'--"

"Crowder, you puff me up," murmured Uncle Issy, charmed with this imaginative and wholly flattering sketch. "No--really now! Though, indeed, strange words have gone abroad before now, touching my wisdom; but I blow no trumpet."

"Such be your very words," the crowder insisted. "Now mark my answer.

'Uncle Issy,' says I, quick as thought, 'you dunderheaded old antic,-- leave that to the musicianers. At the word 'whales,' let the music go snorty; an' for wells, gliddery; an' likewise in a moving dulcet manner for the holy an' humble Men o' heart.' Why, 'od rabbet us!--what's wrong wi' that boy?"

All turned to Young Zeb, from whose throat uncomfortable sounds were issuing. His eyes rolled piteously, and great tears ran down his cheeks.

"Slap en 'pon the back, Calvin: he's chuckin'."

"Ay--an' the pa'son at' here endeth!'"

"Slap en, Calvin, quick! For 'tis clunk or stuffle, an' no time to lose."

Down in the nave a light rustle of expectancy was already running from pew to pew as Calvin Oke brought down his open palm with a _whack!_ knocking the sufferer out of his seat, and driving his nose smartly against the back-rail in front.

Then the voice of Parson Babbage was lifted: "I publish the Banns of marriage between Zebedee Minards, bachelor, and Ruby Tresidder, spinster, both of this parish. If any of you know cause, or just impediment, why these two persons--"

At this instant the church-door flew open, as if driven in by the wind that tore up the aisle in an icy current. All heads were turned.

Parson Babbage broke off his sentence and looked also, keeping his forefinger on the fluttering page. On the threshold stood an excited, red-faced man, his long sandy beard blown straight out like a pennon, and his arms moving windmill fas.h.i.+on as he bawled--