The Innocents Abroad Part 25

THE DESCENT.

The descent of the mountain was a labor of only four minutes. Instead of stalking down the rugged path we ascended, we chose one which was bedded knee-deep in loose ashes, and ploughed our way with prodigious strides that would almost have shamed the performance of him of the seven-league boots.

The Vesuvius of today is a very poor affair compared to the mighty volcano of Kilauea, in the Sandwich Islands, but I am glad I visited it.

It was well worth it.

It is said that during one of the grand eruptions of Vesuvius it discharged ma.s.sy rocks weighing many tons a thousand feet into the air, its vast jets of smoke and steam ascended thirty miles toward the firmament, and clouds of its ashes were wafted abroad and fell upon the decks of s.h.i.+ps seven hundred and fifty miles at sea! I will take the ashes at a moderate discount, if any one will take the thirty miles of smoke, but I do not feel able to take a commanding interest in the whole story by myself.

CHAPTER x.x.xI.

THE BURIED CITY OF POMPEII

They p.r.o.nounce it Pom-pay-e. I always had an idea that you went down into Pompeii with torches, by the way of damp, dark stairways, just as you do in silver mines, and traversed gloomy tunnels with lava overhead and something on either hand like dilapidated prisons gouged out of the solid earth, that faintly resembled houses. But you do nothing the kind.

Fully one-half of the buried city, perhaps, is completely exhumed and thrown open freely to the light of day; and there stand the long rows of solidly-built brick houses (roofless) just as they stood eighteen hundred years ago, hot with the flaming sun; and there lie their floors, clean-swept, and not a bright fragment tarnished or waiting of the labored mosaics that pictured them with the beasts, and birds, and flowers which we copy in perishable carpets to-day; and here are the Venuses, and Bacchuses, and Adonises, making love and getting drunk in many-hued frescoes on the walls of saloon and bed-chamber; and there are the narrow streets and narrower sidewalks, paved with flags of good hard lava, the one deeply rutted with the chariot-wheels, and the other with the pa.s.sing feet of the Pompeiians of by-gone centuries; and there are the bake-shops, the temples, the halls of justice, the baths, the theatres--all clean-sc.r.a.ped and neat, and suggesting nothing of the nature of a silver mine away down in the bowels of the earth. The broken pillars lying about, the doorless doorways and the crumbled tops of the wilderness of walls, were wonderfully suggestive of the "burnt district" in one of our cities, and if there had been any charred timbers, shattered windows, heaps of debris, and general blackness and smokiness about the place, the resemblance would have been perfect. But no--the sun s.h.i.+nes as brightly down on old Pompeii to-day as it did when Christ was born in Bethlehem, and its streets are cleaner a hundred times than ever Pompeiian saw them in her prime. I know whereof I speak--for in the great, chief thoroughfares (Merchant street and the Street of Fortune) have I not seen with my own eyes how for two hundred years at least the pavements were not repaired!--how ruts five and even ten inches deep were worn into the thick flagstones by the chariot-wheels of generations of swindled tax-payers? And do I not know by these signs that Street Commissioners of Pompeii never attended to their business, and that if they never mended the pavements they never cleaned them? And, besides, is it not the inborn nature of Street Commissioners to avoid their duty whenever they get a chance? I wish I knew the name of the last one that held office in Pompeii so that I could give him a blast. I speak with feeling on this subject, because I caught my foot in one of those ruts, and the sadness that came over me when I saw the first poor skeleton, with ashes and lava sticking to it, was tempered by the reflection that may be that party was the Street Commissioner.

No--Pompeii is no longer a buried city. It is a city of hundreds and hundreds of roofless houses, and a tangled maze of streets where one could easily get lost, without a guide, and have to sleep in some ghostly palace that had known no living tenant since that awful November night of eighteen centuries ago.

We pa.s.sed through the gate which faces the Mediterranean, (called the "Marine Gate,") and by the rusty, broken image of Minerva, still keeping tireless watch and ward over the possessions it was powerless to save, and went up a long street and stood in the broad court of the Forum of Justice. The floor was level and clean, and up and down either side was a n.o.ble colonnade of broken pillars, with their beautiful Ionic and Corinthian columns scattered about them. At the upper end were the vacant seats of the Judges, and behind them we descended into a dungeon where the ashes and cinders had found two prisoners chained on that memorable November night, and tortured them to death. How they must have tugged at the pitiless fetters as the fierce fires surged around them!

Then we lounged through many and many a sumptuous private mansion which we could not have entered without a formal invitation in incomprehensible Latin, in the olden time, when the owners lived there--and we probably wouldn't have got it. These people built their houses a good deal alike.

The floors were laid in fanciful figures wrought in mosaics of many-colored marbles. At the threshold your eyes fall upon a Latin sentence of welcome, sometimes, or a picture of a dog, with the legend "Beware of the Dog," and sometimes a picture of a bear or a faun with no inscription at all. Then you enter a sort of vestibule, where they used to keep the hat-rack, I suppose; next a room with a large marble basin in the midst and the pipes of a fountain; on either side are bedrooms; beyond the fountain is a reception-room, then a little garden, dining-room, and so forth and so on. The floors were all mosaic, the walls were stuccoed, or frescoed, or ornamented with bas-reliefs, and here and there were statues, large and small, and little fish-pools, and cascades of sparkling water that sprang from secret places in the colonnade of handsome pillars that surrounded the court, and kept the flower-beds fresh and the air cool. Those Pompeiians were very luxurious in their tastes and habits. The most exquisite bronzes we have seen in Europe, came from the exhumed cities of Herculaneum and Pompeii, and also the finest cameos and the most delicate engravings on precious stones; their pictures, eighteen or nineteen centuries old, are often much more pleasing than the celebrated rubbish of the old masters of three centuries ago. They were well up in art. From the creation of these works of the first, clear up to the eleventh century, art seems hardly to have existed at all--at least no remnants of it are left--and it was curious to see how far (in some things, at any rate,) these old time pagans excelled the remote generations of masters that came after them. The pride of the world in sculptures seem to be the Laoc.o.o.n and the Dying Gladiator, in Rome. They are as old as Pompeii, were dug from the earth like Pompeii; but their exact age or who made them can only be conjectured. But worn, and cracked, without a history, and with the blemis.h.i.+ng stains of numberless centuries upon them, they still mutely mock at all efforts to rival their perfections.

It was a quaint and curious pastime, wandering through this old silent city of the dead--lounging through utterly deserted streets where thousands and thousands of human beings once bought and sold, and walked and rode, and made the place resound with the noise and confusion of traffic and pleasure. They were not lazy. They hurried in those days.

We had evidence of that. There was a temple on one corner, and it was a shorter cut to go between the columns of that temple from one street to the other than to go around--and behold that pathway had been worn deep into the heavy flagstone floor of the building by generations of time-saving feet! They would not go around when it was quicker to go through. We do that way in our cities.

Every where, you see things that make you wonder how old these old houses were before the night of destruction came--things, too, which bring back those long dead inhabitants and place the living before your eyes. For instance: The steps (two feet thick--lava blocks) that lead up out of the school, and the same kind of steps that lead up into the dress circle of the princ.i.p.al theatre, are almost worn through! For ages the boys hurried out of that school, and for ages their parents hurried into that theatre, and the nervous feet that have been dust and ashes for eighteen centuries have left their record for us to read to-day. I imagined I could see crowds of gentlemen and ladies thronging into the theatre, with tickets for secured seats in their hands, and on the wall, I read the imaginary placard, in infamous grammar, "POSITIVELY NO FREE LIST, EXCEPT MEMBERS OF THE PRESS!" Hanging about the doorway (I fancied,) were slouchy Pompeiian street-boys uttering slang and profanity, and keeping a wary eye out for checks. I entered the theatre, and sat down in one of the long rows of stone benches in the dress circle, and looked at the place for the orchestra, and the ruined stage, and around at the wide sweep of empty boxes, and thought to myself, "This house won't pay." I tried to imagine the music in full blast, the leader of the orchestra beating time, and the "versatile" So-and-So (who had "just returned from a most successful tour in the provinces to play his last and farewell engagement of positively six nights only, in Pompeii, previous to his departure for Herculaneum,") charging around the stage and piling the agony mountains high--but I could not do it with such a "house" as that; those empty benches tied my fancy down to dull reality. I said, these people that ought to be here have been dead, and still, and moldering to dust for ages and ages, and will never care for the trifles and follies of life any more for ever--"Owing to circ.u.mstances, etc., etc., there will not be any performance to-night." Close down the curtain. Put out the lights.

And so I turned away and went through shop after shop and store after store, far down the long street of the merchants, and called for the wares of Rome and the East, but the tradesmen were gone, the marts were silent, and nothing was left but the broken jars all set in cement of cinders and ashes: the wine and the oil that once had filled them were gone with their owners.

In a bake-shop was a mill for grinding the grain, and the furnaces for baking the bread: and they say that here, in the same furnaces, the exhumers of Pompeii found nice, well baked loaves which the baker had not found time to remove from the ovens the last time he left his shop, because circ.u.mstances compelled him to leave in such a hurry.

In one house (the only building in Pompeii which no woman is now allowed to enter,) were the small rooms and short beds of solid masonry, just as they were in the old times, and on the walls were pictures which looked almost as fresh as if they were painted yesterday, but which no pen could have the hardihood to describe; and here and there were Latin inscriptions--obscene scintillations of wit, scratched by hands that possibly were uplifted to Heaven for succor in the midst of a driving storm of fire before the night was done.

In one of the princ.i.p.al streets was a ponderous stone tank, and a water-spout that supplied it, and where the tired, heated toilers from the Campagna used to rest their right hands when they bent over to put their lips to the spout, the thick stone was worn down to a broad groove an inch or two deep. Think of the countless thousands of hands that had pressed that spot in the ages that are gone, to so reduce a stone that is as hard as iron!

They had a great public bulletin board in Pompeii--a place where announcements for gladiatorial combats, elections, and such things, were posted--not on perishable paper, but carved in enduring stone. One lady, who, I take it, was rich and well brought up, advertised a dwelling or so to rent, with baths and all the modern improvements, and several hundred shops, stipulating that the dwellings should not be put to immoral purposes. You can find out who lived in many a house in Pompeii by the carved stone door-plates affixed to them: and in the same way you can tell who they were that occupy the tombs. Every where around are things that reveal to you something of the customs and history of this forgotten people. But what would a volcano leave of an American city, if it once rained its cinders on it? Hardly a sign or a symbol to tell its story.

In one of these long Pompeiian halls the skeleton of a man was found, with ten pieces of gold in one hand and a large key in the other. He had seized his money and started toward the door, but the fiery tempest caught him at the very threshold, and he sank down and died. One more minute of precious time would have saved him. I saw the skeletons of a man, a woman, and two young girls. The woman had her hands spread wide apart, as if in mortal terror, and I imagined I could still trace upon her shapeless face something of the expression of wild despair that distorted it when the heavens rained fire in these streets, so many ages ago. The girls and the man lay with their faces upon their arms, as if they had tried to s.h.i.+eld them from the enveloping cinders. In one apartment eighteen skeletons were found, all in sitting postures, and blackened places on the walls still mark their shapes and show their att.i.tudes, like shadows. One of them, a woman, still wore upon her skeleton throat a necklace, with her name engraved upon it--JULIE DI DIOMEDE.

But perhaps the most poetical thing Pompeii has yielded to modern research, was that grand figure of a Roman soldier, clad in complete armor; who, true to his duty, true to his proud name of a soldier of Rome, and full of the stern courage which had given to that name its glory, stood to his post by the city gate, erect and unflinching, till the h.e.l.l that raged around him burned out the dauntless spirit it could not conquer.

We never read of Pompeii but we think of that soldier; we can not write of Pompeii without the natural impulse to grant to him the mention he so well deserves. Let us remember that he was a soldier--not a policeman --and so, praise him. Being a soldier, he staid,--because the warrior instinct forbade him to fly. Had he been a policeman he would have staid, also--because he would have been asleep.

There are not half a dozen flights of stairs in Pompeii, and no other evidences that the houses were more than one story high. The people did not live in the clouds, as do the Venetians, the Genoese and Neapolitans of to-day.

We came out from under the solemn mysteries of this city of the Venerable Past--this city which perished, with all its old ways and its quaint old fas.h.i.+ons about it, remote centuries ago, when the Disciples were preaching the new religion, which is as old as the hills to us now--and went dreaming among the trees that grow over acres and acres of its still buried streets and squares, till a shrill whistle and the cry of "All aboard--last train for Naples!" woke me up and reminded me that I belonged in the nineteenth century, and was not a dusty mummy, caked with ashes and cinders, eighteen hundred years old. The transition was startling. The idea of a railroad train actually running to old dead Pompeii, and whistling irreverently, and calling for pa.s.sengers in the most bustling and business-like way, was as strange a thing as one could imagine, and as unpoetical and disagreeable as it was strange.

Compare the cheerful life and the suns.h.i.+ne of this day with the horrors the younger Pliny saw here, the 9th of November, A.D. 79, when he was so bravely striving to remove his mother out of reach of harm, while she begged him, with all a mother's unselfishness, to leave her to perish and save himself.

'By this time the murky darkness had so increased that one might have believed himself abroad in a black and moonless night, or in a chamber where all the lights had been extinguished. On every hand was heard the complaints of women, the wailing of children, and the cries of men. One called his father, another his son, and another his wife, and only by their voices could they know each other. Many in their despair begged that death would come and end their distress.

"Some implored the G.o.ds to succor them, and some believed that this night was the last, the eternal night which should engulf the universe!

"Even so it seemed to me--and I consoled myself for the coming death with the reflection: BEHOLD, THE WORLD IS Pa.s.sING AWAY!"

After browsing among the stately ruins of Rome, of Baiae, of Pompeii, and after glancing down the long marble ranks of battered and nameless imperial heads that stretch down the corridors of the Vatican, one thing strikes me with a force it never had before: the unsubstantial, unlasting character of fame. Men lived long lives, in the olden time, and struggled feverishly through them, toiling like slaves, in oratory, in generals.h.i.+p, or in literature, and then laid them down and died, happy in the possession of an enduring history and a deathless name. Well, twenty little centuries flutter away, and what is left of these things? A crazy inscription on a block of stone, which snuffy antiquaries bother over and tangle up and make nothing out of but a bare name (which they spell wrong)--no history, no tradition, no poetry--nothing that can give it even a pa.s.sing interest. What may be left of General Grant's great name forty centuries hence? This--in the Encyclopedia for A. D. 5868, possibly:

"URIAH S. (or Z.) GRAUNT--popular poet of ancient times in the Aztec provinces of the United States of British America. Some authors say flourished about A. D. 742; but the learned Ah-ah Foo-foo states that he was a cotemporary of Scharkspyre, the English poet, and flourished about A. D. 1328, some three centuries after the Trojan war instead of before it. He wrote 'Rock me to Sleep, Mother.'"

These thoughts sadden me. I will to bed.

CHAPTER x.x.xII.

Home, again! For the first time, in many weeks, the s.h.i.+p's entire family met and shook hands on the quarter-deck. They had gathered from many points of the compa.s.s and from many lands, but not one was missing; there was no tale of sickness or death among the flock to dampen the pleasure of the reunion. Once more there was a full audience on deck to listen to the sailors' chorus as they got the anchor up, and to wave an adieu to the land as we sped away from Naples. The seats were full at dinner again, the domino parties were complete, and the life and bustle on the upper deck in the fine moonlight at night was like old times--old times that had been gone weeks only, but yet they were weeks so crowded with incident, adventure and excitement, that they seemed almost like years.

There was no lack of cheerfulness on board the Quaker City. For once, her t.i.tle was a misnomer.

At seven in the evening, with the western horizon all golden from the sunken sun, and specked with distant s.h.i.+ps, the full moon sailing high over head, the dark blue of the sea under foot, and a strange sort of twilight affected by all these different lights and colors around us and about us, we sighted superb Stromboli. With what majesty the monarch held his lonely state above the level sea! Distance clothed him in a purple gloom, and added a veil of s.h.i.+mmering mist that so softened his rugged features that we seemed to see him through a web of silver gauze.

His torch was out; his fires were smoldering; a tall column of smoke that rose up and lost itself in the growing moonlight was all the sign he gave that he was a living Autocrat of the Sea and not the spectre of a dead one.

At two in the morning we swept through the Straits of Messina, and so bright was the moonlight that Italy on the one hand and Sicily on the other seemed almost as distinctly visible as though we looked at them from the middle of a street we were traversing. The city of Messina, milk-white, and starred and spangled all over with gaslights, was a fairy spectacle. A great party of us were on deck smoking and making a noise, and waiting to see famous Scylla and Charybdis. And presently the Oracle stepped out with his eternal spy-gla.s.s and squared himself on the deck like another Colossus of Rhodes. It was a surprise to see him abroad at such an hour. n.o.body supposed he cared anything about an old fable like that of Scylla and Charybdis. One of the boys said:

"h.e.l.lo, doctor, what are you doing up here at this time of night?--What do you want to see this place for?"

"What do I want to see this place for? Young man, little do you know me, or you wouldn't ask such a question. I wish to see all the places that's mentioned in the Bible."

"Stuff--this place isn't mentioned in the Bible."

"It ain't mentioned in the Bible!--this place ain't--well now, what place is this, since you know so much about it?"

"Why it's Scylla and Charybdis."

"Scylla and Cha--confound it, I thought it was Sodom and Gomorrah!"

And he closed up his gla.s.s and went below. The above is the s.h.i.+p story.

Its plausibility is marred a little by the fact that the Oracle was not a biblical student, and did not spend much of his time instructing himself about Scriptural localities.--They say the Oracle complains, in this hot weather, lately, that the only beverage in the s.h.i.+p that is pa.s.sable, is the b.u.t.ter. He did not mean b.u.t.ter, of course, but inasmuch as that article remains in a melted state now since we are out of ice, it is fair to give him the credit of getting one long word in the right place, anyhow, for once in his life. He said, in Rome, that the Pope was a n.o.ble-looking old man, but he never did think much of his Iliad.

We spent one pleasant day skirting along the Isles of Greece. They are very mountainous. Their prevailing tints are gray and brown, approaching to red. Little white villages surrounded by trees, nestle in the valleys or roost upon the lofty perpendicular sea-walls.

We had one fine sunset--a rich carmine flush that suffused the western sky and cast a ruddy glow far over the sea.--Fine sunsets seem to be rare in this part of the world--or at least, striking ones. They are soft, sensuous, lovely--they are exquisite refined, effeminate, but we have seen no sunsets here yet like the gorgeous conflagrations that flame in the track of the sinking sun in our high northern lat.i.tudes.

But what were sunsets to us, with the wild excitement upon us of approaching the most renowned of cities! What cared we for outward visions, when Agamemnon, Achilles, and a thousand other heroes of the great Past were marching in ghostly procession through our fancies? What were sunsets to us, who were about to live and breathe and walk in actual Athens; yea, and go far down into the dead centuries and bid in person for the slaves, Diogenes and Plato, in the public market-place, or gossip with the neighbors about the siege of Troy or the splendid deeds of Marathon? We scorned to consider sunsets.