More Celtic Fairy Tales Part 17
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When the night came, the gardener's eldest son took his post in the garden, with his bow strung and his arrow between his fingers, and watched, and watched. But at the dead hour, the king, that was wide awake, heard the flapping of wings, and ran to the window. There was the bright bird in the tree, and the boy fast asleep, sitting with his back to the wall, and his bow on his lap.
"Rise, you lazy thief!" says the king, "there's the bird again, botheration to her!"
Up jumped the poor fellow; but while he was fumbling with the arrow and the string, away was the bird with the nicest apple on the tree. Well, to be sure, how the king fumed and fretted, and how he abused the gardener and the boy, and what a twenty-four hours he spent till midnight came again!
He had his eye this time on the second son of the gardener; but though he was up and lively enough when the clock began to strike twelve, it wasn't done with the last bang when he saw him stretched like one dead on the long gra.s.s, and saw the bright bird again, and heard the flap of her wings, and saw her carry away the third apple. The poor fellow woke with the roar the king let at him, and even was in time enough to let fly an arrow after the bird. He did not hit her, you may depend; and though the king was mad enough, he saw the poor fellows were under _pishtrogues_, and could not help it.
Well, he had some hopes out of the youngest, for he was a brave, active young fellow, that had everybody's good word. There he was ready, and there was the king watching him, and talking to him at the first stroke of twelve. At the last clang, the brightness coming before the bird lighted up the wall and the trees, and the rus.h.i.+ng of the wings was heard as it flew into the branches; but at the same instant the crack of the arrow on her side might be heard a quarter of a mile off. Down came the arrow and a large bright feather along with it, and away was the bird, with a screech that was enough to break the drum of your ear. She hadn't time to carry off an apple; and bedad, when the feather was thrown up into the king's room it was heavier than lead, and turned out to be the finest beaten gold.
Well, there was great _cooramuch_ made about the youngest boy next day, and he watched night after night for a week, but not a mite of a bird or bird's feather was to be seen, and then the king told him to go home and sleep. Every one admired the beauty of the gold feather beyond anything, but the king was fairly bewitched. He was turning it round and round, and rubbing it against his forehead and his nose the live-long day; and at last he proclaimed that he'd give his daughter and half his kingdom to whoever would bring him the bird with the gold feathers, dead or alive.
The gardener's eldest son had great conceit of himself, and away he went to look for the bird. In the afternoon he sat down under a tree to rest himself, and eat a bit of bread and cold meat that he had in his wallet, when up comes as fine a looking fox as you'd see in the burrow of Munfin. "Musha, sir," says he, "would you spare a bit of that meat to a poor body that's hungry?"
"Well," says the other, "you must have the divil's own a.s.surance, you common robber, to ask me such a question. Here's the answer," and he let fly at the _moddhereen rua_.
The arrow sc.r.a.ped from his side up over his back, as if he was made of hammered iron, and stuck in a tree a couple of perches off.
"Foul play," says the fox; "but I respect your young brother, and will give a bit of advice. At nightfall you'll come into a village. One side of the street you'll see a large room lighted up, and filled with young men and women, dancing and drinking. The other side you'll see a house with no light, only from the fire in the front room, and no one near it but a man and his wife, and their child. Take a fool's advice, and get lodging there." With that he curled his tail over his crupper, and trotted off.
The boy found things as the fox said, but _begonies_ he chose the dancing and drinking, and there we'll leave him. In a week's time, when they got tired at home waiting for him, the second son said he'd try his fortune, and off he set. He was just as ill-natured and foolish as his brother, and the same thing happened to him. Well, when a week was over, away went the youngest of all, and as sure as the hearth-money, he sat under the same tree, and pulled out his bread and meat, and the same fox came up and saluted him. Well, the young fellow shared his dinner with the _moddhereen_, and he wasn't long beating about the bush, but told the other he knew all about his business.
"I'll help you," says he, "if I find you're biddable. So just at nightfall you'll come into a village.... Good-bye till to-morrow."
It was just as the fox said, but the boy took care not to go near dancer, drinker, fiddler, or piper. He got welcome in the quiet house to supper and bed, and was on his journey next morning before the sun was the height of the trees.
He wasn't gone a quarter of a mile when he saw the fox coming out of a wood that was by the roadside.
"Good-morrow, fox," says one.
"Good-morrow, sir," says the other.
"Have you any notion how far you have to travel till you find the golden bird?"
"d.i.c.kens a notion have I;--how could I?"
"Well, I have. She's in the King of Spain's palace, and that's a good two hundred miles off."
"Oh, dear! we'll be a week going."
"No, we won't. Sit down on my tail, and we'll soon make the road short."
"Tail, indeed! that 'ud be the droll saddle, my poor _moddhereen_."
"Do as I tell you, or I'll leave you to yourself."
Well, rather than vex him he sat down on the tail that was spread out level like a wing, and away they went like thought. They overtook the wind that was before them, and the wind that came after didn't overtake them. In the afternoon, they stopped in a wood near the King of Spain's palace, and there they stayed till nightfall.
"Now," says the fox, "I'll go before you to make the minds of the guards easy, and you'll have nothing to do but go from lighted hall to another lighted hall till you find the golden bird in the last. If you have a head on you, you'll bring himself and his cage outside the door, and no one then can lay hands on him or you. If you haven't a head I can't help you, nor no one else." So he went over to the gates.
In a quarter of an hour the boy followed, and in the first hall he pa.s.sed he saw a score of armed guards standing upright, but all dead asleep. In the next he saw a dozen, and in the next half a dozen, and in the next three, and in the room beyond that there was no guard at all, nor lamp, nor candle, but it was as bright as day; for there was the golden bird in a common wood and wire cage, and on the table were the three apples turned into solid gold.
On the same table was the most lovely golden cage eye ever beheld, and it entered the boy's head that it would be a thousand pities not to put the precious bird into it, the common cage was so unfit for her. Maybe he thought of the money it was worth; anyhow he made the exchange, and he had soon good reason to be sorry for it. The instant the shoulder of the bird's wing touched the golden wires, he let such a _squawk_ out of him as was enough to break all the panes of gla.s.s in the windows, and at the same minute the three men, and the half-dozen, and the dozen, and the score men, woke up and clattered their swords and spears, and surrounded the poor boy, and jibed, and cursed, and swore at home, till he didn't know whether it's his foot or head he was standing on. They called the king, and told him what happened, and he put on a very grim face. "It's on a gibbet you ought to be this moment," says he, "but I'll give you a chance of your life, and of the golden bird, too. I lay you under prohibitions, and restrictions, and death, and destruction, to go and bring me the King of _Moroco's_ bay filly that outruns the wind, and leaps over the walls of castle-bawns. When you fetch her into the bawn of this palace, you must get the golden bird, and liberty to go where you please."
[Ill.u.s.tration]
Out pa.s.sed the boy, very down-hearted, but as he went along, who should come out of a brake but the fox again.
"Ah, my friend," says he, "I was right when I suspected you hadn't a head on you; but I won't rub your hair again' the grain. Get on my tail again, and when we come to the King of Moroco's palace, we'll see what we can do."
So away they went like thought. The wind that was before them they would overtake; the wind that was behind them would not overtake them.
Well, the nightfall came on them in a wood near the palace, and says the fox, "I'll go and make things easy for you at the stables, and when you are leading out the filly, don't let her touch the door, nor doorposts, nor anything but the ground, and that with her hoofs; and if you haven't a head on you once you are in the stable, you'll be worse off than before."
So the boy delayed for a quarter of an hour, and then he went into the big bawn of the palace. There were two rows of armed men reaching from the gate to the stable, and every man was in the depth of deep sleep, and through them went the boy till he got into the stable. There was the filly, as handsome a beast as ever stretched leg, and there was one stable-boy with a currycomb in his hand, and another with a bridle, and another with a sieve of oats, and another with an armful of hay, and all as if they were cut out of stone. The filly was the only live thing in the place except himself. She had a common wood and leather saddle on her back, but a golden saddle with the nicest work on it was hung from the post, and he thought it the greatest pity not to put it in place of the other. Well, I believe there was some _pishrogues_ over it for a saddle; anyhow, he took off the other, and put the gold one in its place.
Out came a squeal from the filly's throat when she felt the strange article, that might be heard from Tombrick to Bunclody, and all as ready were the armed men and the stable-boys to run and surround the _omadhan_ of a boy, and the King of Moroco was soon there along with the rest, with a face on him as black as the sole of your foot. After he stood enjoying the abuse the poor boy got from everybody for some time, he says to him, "You deserve high hanging for your impudence, but I'll give you a chance for your life and the filly, too. I lay on you all sorts of prohibitions, and restrictions, and death, and destruction to go bring me Princess Golden Locks, the King of Greek's daughter. When you deliver her into my hand, you may have the 'daughter of the wind,'
and welcome. Come in and take your supper and your rest, and be off at the flight of night."
The poor boy was down in the mouth, you may suppose, as he was walking away next morning, and very much ashamed when the fox looked up in his face after coming out of the wood.
"What a thing it is," says he, "not to have a head when a body wants it worst; and here we have a fine long journey before us to the King of Greek's palace. The worse luck now, the same always. Here, get on my tail, and we'll be making the road shorter."
So he sat on the fox's tail, and swift as thought they went. The wind that was before them they would overtake it, the wind that was behind them would not overtake them, and in the evening they were eating their bread and cold meat in the wood near the castle.
"Now," says the fox, when they were done, "I'll go before you to make things easy. Follow me in a quarter of an hour. Don't let Princess Golden Locks touch the jambs of the doors with her hands, or hair, or clothes, and if you're asked any favour, mind how you answer. Once she's outside the door, no one can take her from you."
Into the palace walked the boy at the proper time, and there were the score, and the dozen, and the half-dozen, and the three guards all standing up or leaning on their arms, and all dead asleep, and in the farthest room of all was the Princess Golden Locks, as lovely as Venus herself. She was asleep in one chair, and her father, the King of Greek, in another. He stood before her for ever so long with the love sinking deeper into his heart every minute, till at last he went down on one knee, and took her darling white hand in his hand, and kissed it.
When she opened her eyes, she was a little frightened, but I believe not very angry, for the boy, as I call him, was a fine handsome young fellow, and all the respect and love that ever you could think of was in his face. She asked him what he wanted, and he stammered, and blushed, and began his story six times, before she understood it.
"And would you give me up to that ugly black King of Moroco?" says she.
"I am obliged to do so," says he, "by prohibitions, and restrictions, and death, and destruction, but I'll have his life and free you, or lose my own. If I can't get you for my wife, my days on the earth will be short."
"Well," says she, "let me take leave of my father at any rate."
"Ah, I can't do that," says he, "or they'd all waken, and myself would be put to death, or sent to some task worse than any I got yet."
But she asked leave at any rate to kiss the old man; that wouldn't waken him, and then she'd go. How could he refuse her, and his heart tied up in every curl of her hair? But, bedad, the moment her lips touched her father's, he let a cry, and every one of the score, the dozen guards woke up, and clashed their arms, and were going to make _gibbets_ of the foolish boy.
But the king ordered them to hold their hands, till he'd be _insensed_ of what it was all about, and when he heard the boy's story he gave him a chance for his life.
"There is," says he, "a great heap of clay in front of the palace, that won't let the sun s.h.i.+ne on the walls in the middle of summer. Every one that ever worked at it found two shovelfuls added to it for every one they threw away. Remove it, and I'll let my daughter go with you. If you're the man I suspect you to be, I think she'll be in no danger of being wife to that yellow _Molott_."
Early next morning was the boy tackled to his work, and for every shovelful he flung away two came back on him, and at last he could hardly get out of the heap that gathered round him. Well, the poor fellow scrambled out some way, and sat down on a sod, and he'd have cried only for the shame of it. He began at it in ever so many places, and one was still worse than the other, and in the heel of the evening, when he was sitting with his head between his hands, who should be standing before him but the fox.
"Well, my poor fellow," says he, "you're low enough. Go in: I won't say anything to add to your trouble. Take your supper and your rest: to-morrow will be a new day."
"How is the work going off?" says the king, when they were at supper.
More Celtic Fairy Tales Part 17
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More Celtic Fairy Tales Part 17 summary
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