The Best Short Stories of 1915 Part 3

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Kennedy had gone around the countryside for weeks, drunk every night, making threats against the old farmer. And then a wily sergeant of the Connaught Rangers had trapped him and taken him off to Aldershot.

Now he was home on furlough, and something had happened to her, and he was coming up to make good his threat.

What had happened to her? Michael James didn't understand. He had given her everything he could. She had taken it all with a demure thanks, but he had never had anything of her but apathy. She had gone around the house apathetically, growing a little thinner every day, and then a few days ago she had lain down, and last night she had died, apathetically.

And young Kennedy was coming up for an accounting to-night. "Well,"

thought Michael James, "let him come!"

Silence suddenly fell over the company in the kitchen. Then a loud sc.r.a.ping as they stood up, and a harsher grating as chairs were pushed back. The door of the bedroom opened and the red flare from the fire and lamps of the kitchen blended into the sickly yellow candle-light of the bedroom.

The parish priest walked in. His closely cropped white hair, strong, ruddy face, and erect back gave him more the appearance of a soldier than a clergyman. He looked at the bed a moment, and then at Michael James.

"Oh, you mustn't take it like that, man," he said. "You mustn't take it like that. You must bear up." He was the only one who spoke in his natural voice.

He turned to a lumbering farmer's wife who had followed him in, and asked about the hour of the funeral. She answered in a hoa.r.s.e whisper, dropping a courtesy.

"You ought to go out and take a walk," he told Michael James. "You oughtn't to stay in here all the time." And he left the room.

Michael James paid no attention. His mind was wandering to strange fantasies he could not keep out of his head. Pictures crept in and out of his brain, joined as by some thin filament. He thought somehow of her soul, and then wondered what a soul was like. And then he thought of a dove, and then of a bat fluttering through the dark, and then of a bird lost at twilight. He thought of it as some lonely flying thing with a long journey before it and no place to rest. He could imagine it uttering the vibrant, plaintive cry of a peewit. And then it struck him with a great sense of pity that the night was cold.

In the kitchen they were having tea. The rattle of the crockery sounded very distinctly. He could distinguish the sharp, staccato ring when a cup was laid in a saucer, and the nervous rattle when cup and saucer were pa.s.sed from one hand to the other. Spoons struck china with a faint metallic tinkle. He felt as if all the sounds were made at the back of his neck, and the crash seemed to burst in his head.

Dan Murray creaked into the room. "Michael James," he whispered, "you ought to take something. Have a bite to eat. Take a cup of tea. I'll bring it in to you."

"Oh, let me alone, Daniel," he answered. He felt he would like to kick him and curse him while doing so.

"You must take something." Murray's voice rose from a whisper to a low, argumentative sing-song. "You know it's not natural. You've got to eat."

"No, thank you, Daniel," he answered. It was as if he were talking to a boy who was good-natured but tiresome. "I don't feel like eating. Maybe afterward I will."

"Michael James," Murray continued.

"Well, what is it, Daniel?"

"Don't you think I'd better go down and see young Kennedy and tell him how foolish it would be of him to come up here and start fighting? You know it isn't right. Hadn't I better go down? He's at home now."

"Let that alone, Daniel, I tell you." The thought of Murray breaking into the matter that was between himself and the young man filled him with a sense of injured delicacy.

"I know he's going to make trouble."

"Let me handle that, like a good fellow, and leave me by myself, Daniel, if you don't mind."

"Ah well, sure. You know best." And Murray crept out of the room.

As the door opened Michael could hear some one singing in a subdued voice and many feet tapping like drums in time with the music. They had to pa.s.s the night outside, and it was the custom, but the singing irritated him. He could fancy heads nodding and bodies swaying from side to side with the rhythm. He recognized the tune, and it began to run through his head, and he could not put it out of it. The lilt of it captured him, and suddenly he began thinking of the wonderful brain that musicians must have to compose music. And then his thoughts switched to a picture he had seen of a man in a garret with a fiddle beneath his chin.

He straightened himself up a little, for sitting crouched forward as he was put a strain on his back, and he unconsciously sat upright to ease himself. And as he sat up he caught a glimpse of the cotton gloves on the bed, and it burst in on him that the first time he had seen her she was walking along the road with young Kennedy one Sunday afternoon, and they were holding hands. When they saw him they let go suddenly, and grew very red, giggling in a half-hearted way to hide their embarra.s.sment. And he remembered that he had pa.s.sed them by without saying anything, but with a good-humored, sly smile on his face, and a mellow feeling within him, and a sage reflection to himself that young folks will be young folks, and what harm was there in courting a little on a Sunday afternoon when the week's work had been done?

And he remembered other days on which he had met her and Kennedy; and then how the conviction had come into his mind that here was a girl for him to marry; and then how, quietly and equably, he had gone about getting her and marrying her, as he would go about buying a team of horses or make arrangements for cutting the hay.

Until the day he married her he felt as a driver feels who has his team under perfect control, and who knows every bend and curve of the road he is taking. But since that day he had been thinking about her and worrying and wondering exactly where he stood, until everything in the day was just the puzzle of her, and he was like a driver with a restive pair of horses who knows his way no farther than the next bend.

And then he knew she was the biggest thing in his life.

The situation as it appeared to him he had worked out with difficulty, for he was not a thinking man. What thinking he did dealt with the price of harvest machinery and the best time of the year for buying and selling. He worked it out this way: here was this girl dead, whom he had married, and who should have married another man, who was coming to-night to kill him. To-night sometime the world would stop for him.

He felt no longer a personal ent.i.ty--he was merely part of a situation.

It was as if he were a piece in a chess problem--any moment the player might move and solve the play by taking a p.a.w.n.

Realities had taken on a dim, unearthly quality. Occasionally a sound from the kitchen would strike him like an unexpected note in a harmony; the whiteness of the bed would flash out like a piece of color in a subdued painting.

There was a shuffling in the kitchen and the sound of feet going toward the door. The latch lifted with a rasp. He could hear the hoa.r.s.e, deep tones of a few boys, and the high-pitched sing-song intonations of girls. He knew they were going for a few miles' walk along the roads.

He went over and raised the blind on the window. Overhead the moon showed like a spot of bright saffron. A sort of misty haze seemed to cling around the bushes and trees. The out-houses stood out white, like buildings in a mysterious city. Somewhere there was the metallic whir of a gra.s.shopper, and in the distance a loon boomed again and again.

The little company pa.s.sed down the yard. There was the sound of a smothered t.i.tter, then a playful resounding slap, and a gurgling laugh from one of the boys.

As he stood by the window he heard some one open the door and stand on the threshold.

"Are you coming, Alice?" some one asked.

Michael James listened for the answer. He was taking in eagerly all outside things. He wanted something to pa.s.s the time of waiting, as a traveler in a railway station reads trivial notices carefully while waiting for a train that may take him to the ends of the earth.

"Alice, are you coming?" was asked again.

There was no answer.

"Well, you needn't if you don't want to," he heard in an irritated tone, and the speaker tramped down toward the road in a dudgeon. He recognized the figure of Flanagan, the football-player, who was always having little spats with the girl he was going to marry. He discovered with a sort of shock that he was slightly amused at this incident.

From the road there came the shrill scream of one of the girls who had gone out, and then a chorus of laughter. And against the background of the figure behind him and of young Kennedy he began wondering at the relations.h.i.+p of man and woman. He had no word for it, for "love"

was a term he thought should be confined to story-books, a word to be suspicious of as sounding affected, a word to be scoffed at. But of this relations.h.i.+p he had a vague understanding. He thought of it as a criss-cross of threads binding one person to the other, or as a web which might be light and easily broken, or which might have the strength of steel cables and which might work into knots here and there and become a tangle that could crush those caught in it.

It puzzled him how a thing of indefinable grace, of soft words on June nights, of vague stirrings under moonlight, of embarra.s.sing hand-clasps and fearful glances, might become, as it had become in the case of himself, Kennedy, and what was behind him, a thing of blind, malevolent force, a thing of sinister silence, a shadow that crushed.

And then it struck him with a sense of guilt that his mind was wandering from her, and he turned away from the window. He thought how much more peaceful it would be for a body to lie out in the moonlight than on a somber oak bedstead in a shadowy room with yellow, guttering candle-light and five solemn-looking chairs. And he thought again how strange it was that on a night like this Kennedy should come as an avenger seeking to kill rather than as a lover with high hope in his breast.

Murray slipped into the room again. There was a frown on his face and his tone was aggressive.

"I tell you, Michael James, we'll have to do something about it." There was a truculent note in his whisper.

The farmer did not answer.

"Will you let me go down for the police? A few words to the sergeant will keep him quiet."

Michael James felt a pity for Murray. The idea of pitting a sergeant of police against the tragedy that was coming seemed ludicrous to him. It was like pitting a school-boy against a hurricane.

"Listen to me, Dan," he replied. "How do you know Kennedy is coming up at all?"

"Flanagan, the football-player, met him and talked to him. He said that Kennedy was clean mad."

"Do they know about it in the kitchen?"

The Best Short Stories of 1915 Part 3

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The Best Short Stories of 1915 Part 3 summary

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