Fairy Tales of Hans Christian Andersen Part 3

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and his heart had sunk into their depths. He often talked of his adventures, and the mamma was as simple and eager in her questions as on the first evening they met. It was a pleasure to hear Alfred describe anything. He showed them colored plates of Naples, and spoke of excursions to Mount Vesuvius, and the eruptions of fire from it. The naval officer's widow had never heard of them before.

"Good heavens!" she exclaimed. "So that is a burning mountain; but is it not very dangerous to the people who live near it?"

"Whole cities have been destroyed," he replied; "for instance, Herculaneum and Pompeii."

"Oh, the poor people! And you saw all that with your own eyes?"

"No; I did not see any of the eruptions which are represented in those pictures; but I will show you a sketch of my own, which represents an eruption I once saw."

He placed a pencil sketch on the table; and mamma, who had been over-powered with the appearance of the colored plates, threw a glance at the pale drawing and cried in astonishment, "What, did you see it throw up white fire?"

For a moment, Alfred's respect for Kaela's mamma underwent a sudden shock, and lessened considerably; but, dazzled by the light which surrounded Kaela, he soon found it quite natural that the old lady should have no eye for color. After all, it was of very little consequence; for Kaela's mamma had the best of all possessions; namely, Kaela herself.

Alfred and Kaela were betrothed, which was a very natural result; and the betrothal was announced in the newspaper of the little town. Mama purchased thirty copies of the paper, that she might cut out the paragraph and send it to friends and acquaintances. The betrothed pair were very happy, and the mother was happy too. She said it seemed like connecting herself with Thorwalsden.

"You are a true successor of Thorwalsden," she said to Alfred; and it seemed to him as if, in this instance, mamma had said a clever thing. Kaela was silent; but her eyes shone, her lips smiled, every movement was graceful,--in fact, she was beautiful; that cannot be repeated too often. Alfred decided to take a bust of Kaela as well as of her mother. They sat to him accordingly, and saw how he moulded and formed the soft clay with his fingers.

"I suppose it is only on our account that you perform this common-place work yourself, instead of leaving it to your servant to do all that sticking together."

"It is really necessary that I should mould the clay myself," he replied.

"Ah, yes, you are always so polite," said mamma, with a smile; and Kaela silently pressed his hand, all soiled as it was with the clay.

Then he unfolded to them both the beauties of Nature, in all her works; he pointed out to them how, in the scale of creation, inanimate matter was inferior to animate nature; the plant above the mineral, the animal above the plant, and man above them all. He strove to show them how the beauty of the mind could be displayed in the outward form, and that it was the sculptor's task to seize upon that beauty of expression, and produce it in his works. Kaela stood silent, but nodded in approbation of what he said, while mamma-in-law made the following confession:--

"It is difficult to follow you; but I go hobbling along after you with my thoughts, though what you say makes my head whirl round and round. Still I contrive to lay hold on some of it."

Kaela's beauty had a firm hold on Alfred; it filled his soul, and held a mastery over him. Beauty beamed from Kaela's every feature, glittered in her eyes, lurked in the corners of her mouth, and pervaded every movement of her agile fingers. Alfred, the sculptor, saw this. He spoke only to her, thought only of her, and the two became one; and so it may be said she spoke much, for he was always talking to her; and he and she were one. Such was the betrothal, and then came the wedding, with bride's-maids and wedding presents, all duly mentioned in the wedding speech. Mamma-in-law had set up Thorwalsden's bust at the end of the table, attired in a dressing-gown; it was her fancy that he should be a guest. Songs were sung, and cheers given; for it was a gay wedding, and they were a handsome pair. "Pygmalion loved his Galatea," said one of the songs.

"Ah, that is some of your mythologies," said mamma-in-law.

Next day the youthful pair started for Copenhagen, where they were to live; mamma-in-law accompanied them, to attend to the "coa.r.s.e work," as she always called the domestic arrangements. Kaela looked like a doll in a doll's house, for everything was bright and new, and so fine. There they sat, all three; and as for Alfred, a proverb may describe his position--he looked like a swan amongst the geese.

The magic of form had enchanted him; he had looked at the casket without caring to inquire what it contained, and that omission often brings the greatest unhappiness into married life. The casket may be injured, the gilding may fall off, and then the purchaser regrets his bargain.

In a large party it is very disagreeable to find a b.u.t.ton giving way, with no studs at hand to fall back upon; but it is worse still in a large company to be conscious that your wife and mother-in-law are talking nonsense, and that you cannot depend upon yourself to produce a little ready wit to carry off the stupidity of the whole affair.

The young married pair often sat together hand in hand; he would talk, but she could only now and then let fall a word in the same melodious voice, the same bell-like tones. It was a mental relief when Sophy, one of her friends, came to pay them a visit. Sophy was not, pretty. She was, however, quite free from any physical deformity, although Kaela used to say she was a little crooked; but no eye, save an intimate acquaintance, would have noticed it. She was a very sensible girl, yet it never occurred to her that she might be a dangerous person in such a house. Her appearance created a new atmosphere in the doll's house, and air was really required, they all owned that. They felt the want of a change of air, and consequently the young couple and their mother travelled to Italy.

"Thank heaven we are at home again within our own four walls,"

said mamma-in-law and daughter both, on their return after a year's absence.

"There is no real pleasure in travelling," said mamma; "to tell the truth, it's very wearisome; I beg pardon for saying so. I was soon very tired of it, although I had my children with me; and, besides, it's very expensive work travelling, very expensive. And all those galleries one is expected to see, and the quant.i.ty of things you are obliged to run after! It must be done, for very shame; you are sure to be asked when you come back if you have seen everything, and will most likely be told that you've omitted to see what was best worth seeing of all. I got tired at last of those endless Madonnas; I began to think I was turning into a Madonna myself."

"And then the living, mamma," said Kaela.

"Yes, indeed," she replied, "no such a thing as a respectable meat soup--their cookery is miserable stuff."

The journey had also tired Kaela; but she was always fatigued, that was the worst of it. So they sent for Sophy, and she was taken into the house to reside with them, and her presence there was a great advantage. Mamma-in-law acknowledged that Sophy was not only a clever housewife, but well-informed and accomplished, though that could hardly be expected in a person of her limited means. She was also a generous-hearted, faithful girl; she showed that thoroughly while Kaela lay sick, fading away. When the casket is everything, the casket should be strong, or else all is over. And all was over with the casket, for Kaela died.

"She was beautiful," said her mother; "she was quite different from the beauties they call 'antiques,' for they are so damaged. A beauty ought to be perfect, and Kaela was a perfect beauty."

Alfred wept, and mamma wept, and they both wore mourning. The black dress suited mamma very well, and she wore mourning the longest.

She had also to experience another grief in seeing Alfred marry again, marry Sophy, who was nothing at all to look at. "He's gone to the very extreme," said mamma-in-law; "he has gone from the most beautiful to the ugliest, and he has forgotten his first wife. Men have no constancy. My husband was a very different man,--but then he died before me."

"'Pygmalion loved his Galatea,' was in the song they sung at my first wedding," said Alfred; "I once fell in love with a beautiful statue, which awoke to life in my arms; but the kindred soul, which is a gift from heaven, the angel who can feel and sympathize with and elevate us, I have not found and won till now. You came, Sophy, not in the glory of outward beauty, though you are even fairer than is necessary. The chief thing still remains. You came to teach the sculptor that his work is but dust and clay only, an outward form made of a material that decays, and that what we should seek to obtain is the ethereal essence of mind and spirit. Poor Kaela! our life was but as a meeting by the way-side; in yonder world, where we shall know each other from a union of mind, we shall be but mere acquaintances."

"That was not a loving speech," said Sophy, "nor spoken like a Christian. In a future state, where there is neither marrying nor giving in marriage, but where, as you say, souls are attracted to each other by sympathy; there everything beautiful develops itself, and is raised to a higher state of existence: her soul will acquire such completeness that it may harmonize with yours, even more than mine, and you will then once more utter your first rapturous exclamation of your love, 'Beautiful, most beautiful!'"

THE BEETLE WHO WENT ON HIS TRAVELS

There was once an Emperor who had a horse shod with gold. He had a golden shoe on each foot, and why was this? He was a beautiful creature, with slender legs, bright, intelligent eyes, and a mane that hung down over his neck like a veil. He had carried his master through fire and smoke in the battle-field, with the bullets whistling round him; he had kicked and bitten, and taken part in the fight, when the enemy advanced; and, with his master on his back, he had dashed over the fallen foe, and saved the golden crown and the Emperor's life, which was of more value than the brightest gold. This is the reason of the Emperor's horse wearing golden shoes.

A beetle came creeping forth from the stable, where the farrier had been shoeing the horse. "Great ones, first, of course," said he, "and then the little ones; but size is not always a proof of greatness." He stretched out his thin leg as he spoke.

"And pray what do you want?" asked the farrier.

"Golden shoes," replied the beetle.

"Why, you must be out of your senses," cried the farrier.

"Golden shoes for you, indeed!"

"Yes, certainly; golden shoes," replied the beetle. "Am I not just as good as that great creature yonder, who is waited upon and brushed, and has food and drink placed before him? And don't I belong to the royal stables?"

"But why does the horse have golden shoes?" asked the farrier; "of course you understand the reason?"

"Understand! Well, I understand that it is a personal slight to me," cried the beetle. "It is done to annoy me, so I intend to go out into the world and seek my fortune."

"Go along with you," said the farrier.

"You're a rude fellow," cried the beetle, as he walked out of the stable; and then he flew for a short distance, till he found himself in a beautiful flower-garden, all fragrant with roses and lavender. The lady-birds, with red and black sh.e.l.ls on their backs, and delicate wings, were flying about, and one of them said, "Is it not sweet and lovely here? Oh, how beautiful everything is."

"I am accustomed to better things," said the beetle. "Do you call this beautiful? Why, there is not even a dung-heap." Then he went on, and under the shadow of a large haystack he found a caterpillar crawling along. "How beautiful this world is!" said the caterpillar.

"The sun is so warm, I quite enjoy it. And soon I shall go to sleep, and die as they call it, but I shall wake up with beautiful wings to fly with, like a b.u.t.terfly."

"How conceited you are!" exclaimed the beetle. "Fly about as a b.u.t.terfly, indeed! what of that. I have come out of the Emperor's stable, and no one there, not even the Emperor's horse, who, in fact, wears my cast-off golden shoes, has any idea of flying, excepting myself. To have wings and fly! why, I can do that already;" and so saying, he spread his wings and flew away. "I don't want to be disgusted," he said to himself, "and yet I can't help it." Soon after, he fell down upon an extensive lawn, and for a time pretended to sleep, but at last fell asleep in earnest. Suddenly a heavy shower of rain came falling from the clouds. The beetle woke up with the noise and would have been glad to creep into the earth for shelter, but he could not. He was tumbled over and over with the rain, sometimes swimming on his stomach and sometimes on his back; and as for flying, that was out of the question. He began to doubt whether he should escape with his life, so he remained, quietly lying where he was. After a while the weather cleared up a little, and the beetle was able to rub the water from his eyes, and look about him. He saw something gleaming, and he managed to make his way up to it. It was linen which had been laid to bleach on the gra.s.s. He crept into a fold of the damp linen, which certainly was not so comfortable a place to lie in as the warm stable, but there was nothing better, so he remained lying there for a whole day and night, and the rain kept on all the time. Towards morning he crept out of his hiding-place, feeling in a very bad temper with the climate. Two frogs were sitting on the linen, and their bright eyes actually glistened with pleasure.

"Wonderful weather this," cried one of them, "and so refres.h.i.+ng.

This linen holds the water together so beautifully, that my hind legs quiver as if I were going to swim."

"I should like to know," said another, "If the swallow who flies so far in her many journeys to foreign lands, ever met with a better climate than this. What delicious moisture! It is as pleasant as lying in a wet ditch. I am sure any one who does not enjoy this has no love for his fatherland."

"Have you ever been in the Emperor's stable?" asked the beetle.

"There the moisture is warm and refres.h.i.+ng; that's the climate for me, but I could not take it with me on my travels. Is there not even a dunghill here in this garden, where a person of rank, like myself, could take up his abode and feel at home?" But the frogs either did not or would not understand him.

"I never ask a question twice," said the beetle, after he had asked this one three times, and received no answer. Then he went on a little farther and stumbled against a piece of broken crockery-ware, which certainly ought not to have been lying there. But as it was there, it formed a good shelter against wind and weather to several families of earwigs who dwelt in it. Their requirements were not many, they were very sociable, and full of affection for their children, so much so that each mother considered her own child the most beautiful and clever of them all.

Fairy Tales of Hans Christian Andersen Part 3

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Fairy Tales of Hans Christian Andersen Part 3 summary

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