The Best Short Stories of 1920 Part 47
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And her eyes, Mother Poll says, were enough to make one pity her.
It was strange that she was so lazy, not to move or to speak in answer while the summons of the triumphant lover went on booming through the lower house. _He_ must have wondered. Perhaps it was then that the first shadow of the ghost of doubt crept over him, or perhaps it was when, stepping out on the turf, he raised his eyes and discovered Mary's face in the open window.
He said nothing. But with a wide, uncontrolled gesture he held up the ring for her to see. After a moment she opened her lips.
"Where's Andrew?"
That seemed to be the last straw: a feverish anger laid hold of him.
"Here's the ring! You see it! d.a.m.nation, Mary! You gave your word and I took it, and G.o.d knows what I've been through. Now come! Get your things on and bring your mother if you like--but to Minister Malden's you go with me _now_! You hear Mary? I'll not wait!"
"Where's Andrew?"
"Andrew? Andrew? Why the devil do you keep on asking for Andrew? What's _Andrew_ to you--now?"
"Where is he?"
"Mary, you're a fool!"
Her voice grew if anything more monotonous; his, higher and wilder.
"You're a fool," he cried again, "if you don't know where Andrew is."
"He's gone."
"Gone, yes! And how you can say it like that, so calm--G.o.d!"
"I knew he was going," she said. "He told Rolldown he was going to other parts. But I knew it before that--when he turned at the door and looked at me, Joshua. He said it as plain: 'If _that's_ love,' he said, 'then I'm going off somewhere and forget it, and never come back to Urkey any more.'"
The deadness went out of her voice, and it lifted to another note.
"Joshua, he's got to come back, for I can't bear it. I gave you my word, and I'll marry you--when Andrew comes back to stand at the wedding. He's got to--_got_ to!"
Mother Poll said that Joshua stared at her--simply stood there and stared up at her in the queer, cold dawn, his mouth hanging open as if with a kind of horror. Sweat shone on his face. Turning away without a word by and by he laid an uncertain course for the gate, and leaving it open behind him went off through the vapors of the cow street to the east.
As they carried him along step by step, I think, the feet of the cheated gambler grew heavier and heavier, his shoulders collapsed, the head, with the memory in it he could never lose, hung down, and h.e.l.l received his soul.
It is impossible in so short a s.p.a.ce to tell what the next ten years did to those two. It would have been easier for Mary Matheson in a city, for in a city there is always the blankness of the crowd. In a village there is no such blessed thing as a stranger, the members.h.i.+p committee of the only club is the doctor and the midwife, and all the houses are made of gla.s.s.
In a city public opinion is mighty, but devious. In a village, especially in an island village, it is as direct and violent as any "act of G.o.d" written down in a s.h.i.+p's insurance papers. A word carries far over the fences, and where it drops, like a swelling seed, a dozen words spring up.
"It's a shame, Milly, a living shame, as sure's you're alive."
"You never said truer, Belle. As if 'twa'n't enough she should send Andy to his death o' drownding----"
"Well, I hope she's satisfied, what she's done for Joshua. I saw him to the post-office last evening, and the hang-dog look of him----"
"Yes, I saw him, too. A man can't stand being made a fool of...."
So, in the blue of a wash-day morning the words went winging back and forth between the blossoming lines. Or, in a Winter dusk up to the westward, where old Mrs. Paine scuttled about under the mackerel-twine of her chicken-pen:
"Land alive, it's all very well to talk Temp'rance, and I'm not denying it'd be a mercy for some folks--I ain't mentioning no names--not even Miah White's. But, land sakes how you going to talk Temp'rance to a man bereft and be-fooled like Joshua Blake? Where's your rime-nor-reason?
Where's your argument?"
Or there came Miah White himself up our outside stair on the darkest evening of our Spring weather, and one glance at his crimson face was enough to tell what all the Temperance they had preached to _him_ had come to. Miah turned to the bottle as another man might to prayer.
"By the Lord!" he protested thickly. "Something's got to be done!"
"Done? About what?" I remember my cousin peering curiously at him through the smoke and spatter of the sausage he was frying.
"About Josh, of course, and _her_. I tell you, Dunc, 'tain't right, and I'll not bear it. I'll not see Josh, same as I seen him this night, standing there in the dark of the outside beach and staring at the water like a sleep-walker, staring and staring as if he'd stare right through it and down to the bottom of the sea where his brother lay, and saying to himself, _Who's to pay the bill? Who's to pay the bill?_ No, siree!
You and I are young fellows, Dunc, but we ain't so young we can't remember them boys' father, and I guess he done a thing or two for us, eh?"
"Yes," Duncan agreed calmly. "But what's to be done?"
"G.o.d knows! But look here, Dunc, you're constable, ain't you?"
Duncan smiled pityingly, as if to say, "Don't be an idiot, Miah."
"And if you're constable, and a man owns a bill he won't pay, why then you've something to say in it, ain't I right? Well, here's a bill to pay, fair and square. All this wool she'd pull over our eyes about Andrew and the India s.h.i.+p--as if _that_ made a mite of difference one way or the other! No, siree, Dunc, she give her word to take the man that fetched the ring--that man's Joshua--the bargain's filled on his side--and there you are. Now, you're constable. I take it right, Duncan, you should give that girl a piece of your mind; give her to understand that, India s.h.i.+p yes, India s.h.i.+p no, she's got a bill to pay and a man's soul to save from d.a.m.nation everlasting."
All Duncan could do with him that night was to smile and shake his head, as much as to say, "You're a wild one, Miah, sure enough."
About Mary's sullen, stubborn belief in the "India s.h.i.+p," pretended or real as it may have been with her, but already growing legendary, I know only in the largest and mistiest way.
It is true there had been a s.h.i.+p that looked like an east-going clipper in our waters on that fateful night. Every one had seen it before dark came on, standing down from the north and laying a course to weather the Head if possible before the weather broke. It was Mary's claim that Andrew had pointed it out to her and spoken of it--in a strange way, a kind of a wistful way, she said. And later that night, what better for a man on the way to exile than a heaven-sent, outbound India s.h.i.+p, hove to under the lee of the Head.
Yes, yes, it was so--it _must_ be so. And when they laughed at her in Urkey Village and winked sagely at her a.s.sumption of faith, then she asked them to tell her one thing: had any one's eyes seen Andrew's boat go down--actually.
"If Joshua will answer me, and say that he _knows_ Andrew went down! Or if any of you will tell me that Andrew's body ever came ash.o.r.e on any of the islands or the main!"
It was quite absurd, of course, but none of them could answer that, none but Miah White, and he only when he had had a drop out of the bottle and perceived that it weighed not an ounce in either scale.
Picked out so and written down, you would think this drama overshadowed all my little world. Naturally it didn't. You must remember I was a boy, with a thousand other things to do and a million other things to think of, meals to eat, lessons to hate, stones to throw, apples to steal, fights to fight. I take my word that by the time I was nine or ten the whole tragic episode had gone out of my head. Meeting Mary Matheson on the street, where she came but rarely, she was precisely as mysterious and precisely as uninteresting as any other grown-up. And if I saw Joshua Blake (who, pulling himself by the bootstraps out of drink and despair, had gone into Mr. Dow's law-office and grown as hard as nails)--if I saw him, I say, my only romantic thought of him was the fact that I had broken his wood-shed window, and that, with an air of sinister sagacity, he had told several boys he knew who the culprit was.
(A statement, by the way, which I believed horribly for upward of eighteen months.)
I believe that we knew, in a dim sort of way, that the two were "engaged," just as we knew, vaguely, that they never got married. And that was the end of speculation. Having always been so, the phenomenon needed no more to be dwelt on than the fact that when the wind was in the east John Dyer thought he was Oliver Cromwell, or that Minister Malden did not live with his family.
John Dyer had been taken beyond the power of any planetary wind; Minister Malden (as I have told in another place) had gone back to live with his family: and I had been away to Highmarket Academy for two years, before I had sudden and moving reason to take stock of that long-buried drama.
It was three days after I had come home for the long vacation, and, being pretty well tired out with sniffing about the island like a cat returned to the old house, I sprawled at rest on the "Wreck of the Lillian" stone in the graveyard on Rigg's Dome.
It was then, as the dusk crept up from the shadow under the bluff, that I became aware of another presence among the gravestones and turned my head to peer through the barberries that hedged the stone, thinking it might be one of the girls. It was only Mary Matheson. Vaguely disappointed, I should have returned my gaze to the sea and forgotten her had it not been for two things.
One of them was her att.i.tude. That made me keep on looking at her, and so looking at her, and having come unwittingly to a most obscurely unsettled age, I made a discovery. This was that Mary Matheson, at the remote age of thirty, had a deeper and fuller beauty than had any of the girls for whose glances I brushed my hair wet and went to midweek prayer-meeting.
I find it hard to convey the profound, revolutionary violence of this discovery. It is enough to say that, along with a sensation of pinkness, there came a feeling of obscure and unreasoning bitterness against the world.
My eyes had her there, a figure faintly rose-colored against the deepening background of the sea. She stood erect and curiously still beside a grave, her hands clenched, her eyes narrowed. In Urkey they always put up a stone for a man lost at sea; very often they went further for the comfort of their souls and mounded the outward likeness of an inward grave. Well, that was Andrew's stone and Andrew's grave.
Some one in the Memorial Day procession last week had laid a wreath of lilacs under the stone. And now, wandering alone, Mary Matheson had come upon it.
The Best Short Stories of 1920 Part 47
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The Best Short Stories of 1920 Part 47 summary
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