The Grantville Gazette - Volume 7 Part 1

Grantville Gazette.

Volume VII.

by Eric Flint.

PREFACE.

Eric said, in the preface to Grantville Gazette Volume Five: "Sigh. Not one of these stories deals with Ye Big Picture. Not one of them fails to wallow in the petty details of Joe or Dieter or Helen or Ursula's angst-ridden existence.

Pure, unalloyed, soap opera, what it is."

And we continue in our grand soap operatic tradition with Grantville Gazette (count 'em) Volume Seven.

Is Jon and Linda Sonnenleiter's introduction of up-time style pizza to Naples critical to the war?

Nope. Don't think so. Neither is Mark Huston's quiet story about an elderly couple and their choices.

But the fans don't much care, we've found.

Ditto for John and Patti Friend's crew of misfits who, somehow, make their way to Magdeburg.

They're not important to the events we'll all read about in 1634: The Baltic War, at all. Neither is Virginia DeMarce's Minnie Hugelmair or Tina Marie Hollister. They're just not at all the type to get involved in politics and war.

No more so is Russ Rittger's Chad, who manages to find himself as something of a laundry mogul, or Terry Howard's Jimmy d.i.c.k, who seems to drink himself into a philosophical mood with some regularity. On the other hand, Rick Boatright's radio heads just might have an effect on that little altercation up in the Baltic, and there's just no telling what Kerryn Offord's Dr. Phil might come up with next. Kim Mackey's Colette . . . well, she's got this really, really rich relative who just might come in handy to know.

And, if you'd like to build a Victrola, explore the ma.s.s media implications, plan the route for a railroad-not to mention learn about the engines for the trains, well, this is the place. Chris Penycate, Gorg Huff, Carsten Edelberger, Iver Cooper and I will tell you what we know about those.

So, grab your coffee (or whatever beverage), load up on the chocolate bonbon's, kick back in the chair, and have a good time. We hope you enjoy reading it as much as we enjoyed putting it together.

Paula Goodlett and the Editoral Board April 2, 2006

FICTION.

Canst Thou Send Lightnings?

By Rick Boatright

In like manner the lightning when it breaketh forth is easy to be seen; and after the same manner the wind bloweth in every country.

(Deuterocanonical Apocrypha, The Epistle of Jeremiah:61)

To: The Provincial of the Society of Jesus in Rome From: Adolph Wise S.J., University of Eichstaett.

Enclosed with this letter you will find an example of the 'Crystal Radio' that is being distributed throughout Thuringia. I enclose also instructions for the construction of more of these Radios as distributed by the American government.

I testify, of my own knowledge, further attested by the witnesses signatures hereto affixed and sealed, that anywhere within fifty miles of Grantville on most evenings, when you place your ear next to the opening in the box, you can hear voices and music and other sounds which originate miles away in Grantville. These voices are sent through the air itself by the lightnings into the wires of the Radio. The Radio is delicate and fails to function with the least mis-adjustment.

However, when adjusted properly, at the correct time of day anyone can hear the Voice of America sent forth from the great stone tower of the Radio Station in Grantville.

No one that I have spoken with here in the university can begin to understand how this works.

The Americans insist that this is nothing but another of their mechanical arts, related to the"electricity" of which I wrote in an earlier letter. They maintain that there is nothing more involved than the proper arrangement and composition of mundane physical materials. If so, then, as with so many other devices to be found in and around Grantville, it is the knowledge they possess that is important.

I have spoken with the local clergy, and they inform me that the Radios are being built mostly by jewelers and others who are used to working with fine wires and small detail work. There are others who are working on the equipment to send the lightnings from the great tower to the Radios. Again, the local clergy tell me that this equipment, although considerably more robust than the Radios, is still remarkably delicate in some ways and requires the deft touch of jewelers and similar folk.

The Americans insist that they welcome students. They also are training workers to a.s.sist in building their next "Radio Station," which they plan to locate in Magdeburg. When completed, it will be placed at Gustav Adolphus' disposal. It is said that he intends to use this voice to promote Lutheranism.

I beg of you to find within our ranks a young man, skilled in the jeweler's arts and firm in the Church, and send him to us. Some one of us must take this training, in order that we may first gain the knowledge of how this art works, and second, perhaps in some way delay or prevent the establishment of Gustavus Adolphus' Voice of Luther. Simultaneously, we must work to produce a Radio Station that can bring to the people the saving grace of the Holy Mother Church.

Signed Adolph Wise S.J.

(and 12 other witnesses.)

Father Nicholas Smithson lowered the letter, and looked at Father Andrew White, his superior in the Society of Jesus. "Do you believe this, Father Andrew?"

"It does not matter what I believe, Nicholas. The Father General of the Society may or may not believe it, but he has indicated it shall be treated as fact until it is proved otherwise."

"So be it. What the Father General orders shall be done." Nicholas nodded, then pursed his lips.

"This is all very interesting, Father, but why is this letter here in London, and why are you discussing it with a humble parish priest?"

Father Andrew smiled. "Read the letter again. Paying particular attention to the skills of the workmen and the request made by Father Adolph."

When Nicholas set the letter down again, he was stunned. He could feel that his eyes were wide. He opened his mouth a time or two, but nothing came out. Finally, he coughed. "They have chosen me?"

"Aye, Nicholas." Father Andrew was sympathetic. "You are the son of a jeweler, trained in his craft, who is also a Jesuit. You are the very man that Father Adolph has called for."

"But . . . but what of my parish? Who will serve Ma.s.s, and catechism, and the rites to those hidden members of the true church if I leave?"

"My son." Father Andrew stood and walked to the window to stare out at the busy evening London street scene. "The situation in London-indeed, in all England-grows ever grimmer. Despite the fact that King Charles at one time did seem disposed to provide some little relief to those who follow Rome, since the advent of Grantville he is of no mind to tolerate dissent of any kind, even from priests. I am afraid he sees gunpowder under every chair. It may well be that we are returning to the dark times we walked under during Elizabeth's reign."

Turning back to the room, the older priest leaned against the window sill. "Nicholas, I do not doubt your courage. I am aware that if a martyr's crown called, you would respond willingly. The society has many brave, fervent men who can and will serve as priests in the darkness of London, perhaps tobecome martyrs if G.o.d so wills. But you, you are best suited to another task. You are called to a different work."

Nicholas sat quietly, staring at the hands folded in his lap. There was only one decision he could make, as much as he might desire otherwise. When he accepted that, peace descended. When he finally raised his head to look at Father Andrew, he felt calm.

"Adsum, Domine. Here am I, Lord."

For when the lightning lightens, the thunder utters its voice, and the spirit enforces a pause during the peal.

(Apocrypha, The Book of Enoch 60:15)

John Grover, head of Voice of America and de facto head of radio communications in the USE, rubbed his eyes and ma.s.saged his aching temples. This weeks' staff meeting hadn't gone any better than the previous meetings had gone. Oh, they were making progress on the mundane stuff, things that just needed the application of some brute force and some material, like putting up lightning arresters and lightning rods in various locations in town. Likewise, those issues that just required the application of money were going pretty well; witness the report of the purchase of two more video cameras and the completion of the second studio setup.

Even the weekly Murphy report, detailing the things that had gone inexplicably wrong-such as the episode where someone took a gla.s.s of water into the studio and inadvertently poured it into the primary beta recorder, or the Marine radio man who for some unknown-but-very-stupid reason elected to save his rifle and powder instead of the radio when he fell into a creek-wasn't too bad. Every Murphy incident caused rules and procedures to either be amended or created. But the ability of people and situations to be act outside of those rules and procedures was ever astonis.h.i.+ng.

John rubbed his eyes again.

Bottom line-the local cable TV team, the communications team and the Voice of America team all had enough up-time resources to keep going for a few years, more or less, unless a major disaster occurred. The problem was preparing for what would happen when those up-time resources began to burn up, blow up, or otherwise quit functioning and the spares were used up.

John fingered the screwdriver he kept in his s.h.i.+rt pocket, thinking hard. Everything depended on tubes. Everything. The sniping and the infighting at the staff meetings was starting to move from sarcastic to vitriolic. If they didn't make some real progress soon, he didn't know what he was going to do, especially since his only real tube-head, Gayle Mason, was stuck in the Tower of London.

Opening a drawer, John rooted around until he found his aspirin. Dry swallowing three of them, he looked at the clock on his desk. Six p.m. Time to leave. Maybe something would happen tomorrow . . .

correction, maybe something good would happen tomorrow.

Canst thou lift up thy voice to the clouds, that abundance of waters may cover thee? Canst thou send lightnings, that they may go and say unto thee, Here we are?

(King James Bible, Job 38:34-35)

Claude Yardley had been a power plant operator for a lot of years. He had torn apart his share of alternators and put the pieces back together. But he had never seen anything like this. He pushed back from the paper and debris covered table. "I'd say Murphy got to you again, John."

John snorted. "Yeah. He really got behind us on this one. This design should have been a non-starter.

Look at this stuff." John gestured. "Wires stretched beyond their breaking points, coils ripped from theirarmatures, and we got what? 1000 Hz out of it?"

"Something like that." Claude looked at his notes. "3600 RPM router feeding a sixteen lobe alternator gives 960 Hz."

"We need seventy-five times more."

Claude pointed at what was left of the radio team's latest creation. "You won't get it this way. I understand why you came to me. Bill Porter and I probably know more about alternators than anyone else in the world at this point." He chuckled. "Not that that's saying much. But you need something like no alternator we've ever heard of. I think it was fictional."

John pushed the photo of the Brant Rock installation across the table.

Claude shook his head. "I don't care, John. Look, walk through it with me one more time. That thing is what? Five feet across?"

Nod.

"Okay. That makes it fifteen feet eight inches around. Times twelve is a hundred eighty-eight inches.

a.s.sume one inch coils around the rim. There's no way to modulate the coil less than it's full width, so if you a.s.sume that they alternate north and south, then you have eighty-four sine waves per rotation."

Nod.

"So, to get eighty thousand waves per second, you have to rotate the thing a thousand times per second, or sixty thousand RPM."

Nod.

"So, any one coil is going around a fifteen foot circ.u.mference a thousand times a second, or traveling fifteen thousand feet per second, or call it three miles a second, or something in the neighborhood of eleven thousand miles an hour. Just under mach twenty, in other words. And they say it was done in 1906?".

Nod.

"It's impossible." Claude shook his head. "It must have been a fake."

John pushed the photo across the table again.

"I don't care. I don't believe they had materials that would handle those stresses, and we definitely don't."

The room was quiet.

"John, I'm sorry," Claude said gently, "but I'm fresh out of ideas. I'm going home."

His lightnings enlightened the world: the earth saw, and trembled.

(King James Bible, Psalms 97:4)

Father Athanasius Kircher watched as John Grover wandered from one empty table to the next. For once, it wasn't that crowded in the Thuringen Gardens. John banged each table with his pewter mug.

Curious, Father Athanasius began following him. Once he got close enough, he heard John mutter, "Too hard."

Now Father Athanasius was really intrigued. Most of the tables in the Thuringen Gardens were quite new, solidly built against the general gaiety of a popular tavern. St.u.r.dy was not a description that did them justice.

John hadn't noticed the priest. He drained his mug and looked around the Gardens. "There!" He headed for a table in one of the back corners. Father Athanasius trailed behind.

The table was one of the up-time folding tables, matched up with metal folding chairs that were also up-time in origin. Having been around Grantville for some little time now, Father Athanasius was certainthat they represented an unauthorized loan from a school, or church, or one of the "civic organizations" of Grantville.

John sat carefully in a chair and banged his mug against the table top. The priest saw that it was that strange wood-like substance called "masonite." Unlike the other tables in the room, it was not st.u.r.dy, and when struck by the mug, it flexed and boomed.

"Perfect." John carefully set his cup down on the floor, and centered his chair on the table. He pressed the center of the table firmly with the heel of his hand. It flexed.

"Yes." John leaned forward, and banged his head against the center of the table.