The Art of Disappearing Part 40

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CHAPTER XXIX.

THE NERVE OF ANNE.

Curran laid emphasis in his account to his wife on the details of Arthur's rooms, and on the photographs which had helped to discover the lost boy in California. Edith laughed at him.

"Horace Endicott invented that scheme of the photographs," said she.

"The dear clever boy! If he had been the detective, not a stupid like you! I saw Arthur Dillon in church many times in four years, and I tell you he is not a Catholic born, no matter what you saw in his rooms. He's playing the part of Arthur Dillon to the last letter. Don't look at me that way, d.i.c.k or I'll scratch your face. You want to say that I am crazy over this theory, and that I have an explanation ready for all your objections."

"I have nothing to say, I am just working on your lines, dearie," he replied humbly.

"Just now your game is busy with an affair of the heart. He won't be too watchful, unless, as I think, he's on our tracks all the time. You ought to get at his papers."

"A love affair! Our tracks!" Curran repeated in confusion.

"Do you think you can catch a man like Arthur napping?" she sneered. "Is there a moment in the last four years that he has been asleep? See to it that you are not reported to him every night. But if he is in love with Honora Ledwith, there's a chance that he won't see or care to see what you are doing. She's a lovely girl. A hint of another woman would settle his chances of winning her. I can give her that. I'd like to. A woman of her stamp has no business marrying."

She mused a few minutes over her own statements, while Curran stared. He began to feel that the threads of this game were not all in his hands.

"You must now go to the priest and Anne Dillon," she resumed, "and say to them plump ... take the priest first ... say to them plump before they can hold their faces in shape: do you know Horace Endicott? Then watch the faces, and get what you can out of them."

"That means you will have Arthur down on you next day."

"Sure," catching her breath. "But it is now near the end of the season.

When he comes to have it out with me, he will find himself face to face with Sonia. If it's to be a fight, he'll find a tiger. Then we can run away to California, if Sonia says so."

"You are going to bring Sonia down, then?"

"You suggested it. Lemme tell you what you're going to find out to-day.

You're going to find out that Monsignor knew Horace Endicott. After that I think it would be all right to bring down Sonia."

Little use to argue with her, or with any woman for that matter, once an idea lodged so deep in her brain. He went to see Monsignor, with the intention of being candid with him: in fact there was no other way of dealing with the priest. In his experience Curran had found no cla.s.s so difficult to deal with as the clergy. They were used to keeping other people's secrets as well as their own. He did not reveal his plan to Edith, because he feared her criticism, and could not honestly follow her methods. He had not, with all his skill and cunning, her genius for ferreting.

Monsignor, acquainted with him, received him coldly. Edith's instructions were, ask the question plump, watch his face, and then run to Anne Dillon before she can be warned by the Monsignor's messenger.

Looking into the calm, well-drilled countenance of the priest, Curran found it impossible to surprise him so uncourteously. Anyway the detective felt sure that there would be no surprise, except at the mere question.

"I would like to ask you a question, Monsignor," said Curran smoothly, "which I have no right to ask perhaps. I am looking for a man who disappeared some time ago, and the parties interested hope that you can give some information. You can tell me if the question is at all impertinent, and I will go. Do you know Horace Endicott?"

There was no change in the priest's expression or manner, no starting, no betrayal of feeling. Keeping his eyes on the detective's face, he repeated the name as one utters a half-forgotten thing.

"Why has that name a familiar sound?" he asked himself.

"You may have read it frequently in the papers at the time Horace Endicott disappeared," Curran suggested.

"Possibly, but I do not read the journals so carefully," Monsignor answered musingly. "Endicott, Endicott ... I have it ... and it brings to my mind the incident of the only railroad wreck in which I have ever had the misfortune to be ... only this time it was good fortune for one poor man."

Very deliberately he told the story of the collision and of his slight acquaintance with the young fellow whose name, as well as he could remember, was Endicott. The detective handed him a photograph of the young man.

"How clearly this picture calls up the whole scene," said Monsignor much pleased. "This is the very boy. Have you a copy of this? Do send me one."

"You can keep that," said Curran, delighted at his progress, astonished that Edith's prophecy should have come true. Naturally the next question would be, have you seen the young man since that time? and Curran would have asked it had not the priest broken in with a request for the story of his disappearance. It was told.

"Of course I shall be delighted to give what information I possess,"

said Monsignor. "There was no secret about him then ... many others saw him ... of course this must have been some time before he disappeared.

But let me ask a question before we go any further. How did you suspect my acquaintance with a man whom I met so casually? The incident had almost faded from my mind. In fact I have never mentioned it to a soul."

"It was a mere guess on the part of those interested in finding him."

"Still the guess must have been prompted by some theory of the search."

"I am almost ashamed to tell it," Curran said uneasily. "The truth is that my employers suspect that Horace Endicott has been hiding for years under the character of Arthur Dillon."

Monsignor looked amazed for a moment and then laughed.

"Interesting for Mr. Dillon and his friends, particularly if this Endicott is wanted for any crime...."

"Oh, no, no," cried the detective. "It is his wife who is seeking him, a perfectly respectable man, you know ... it's a long story. We have chased many a man supposed to be Endicott, and Mr. Dillon is the latest.

I don't accept the theory myself. I know Dillon is Dillon, but a detective must sift the theories of his employers. In fact my work up to this moment proves very clearly that of all our wrong chases this is the worst."

"It looks absurd at first sight. I remember the time poor Mrs. Dillon sent out her photographs, scattered a few hundred of them among the police and the miners of California, in the hope of finding her lost son. That was done with my advice. She had her first response, a letter from her son, about the very time that I met young Endicott. For the life of me I cannot understand why anyone should suppose Arthur Dillon...."

He picked up the photograph of Endicott again.

"The two men look as much alike as I look like you. I'm glad you mentioned the connection which Dillon has with the matter. You will kindly leave me out of it until you have made inquiries of Mr. Dillon himself. It would not do, you understand, for a priest in my position to give out any details in a matter which may yet give trouble. I fear that in telling you of my meeting with Endicott I have already overstepped the limits of prudence. However, that was my fault, as you warned me.

Thanks for the photograph, a very nice souvenir of a tragedy. Poor young fellow! Better had he perished in the smash-up than to go out of life in so dreary a way."

"If I might venture another----"

"Pardon, not another word. In any official and public way I am always ready to tell what the law requires, or charity demands."

"You would be willing then to declare that Arthur Dillon----"

"Is Mrs. Dillon's son? Certainly ... at any time, under proper conditions. Good morning. Don't mention it," and Curran was outside the door before his thoughts took good shape; so lost in wonder over the discovery of Monsignor's acquaintance with Endicott, that he forgot to visit Anne Dillon. Instead he hurried home with the news to Edith, and blushed with shame when she asked if he had called on Anne. She forgave his stupidity in her delight, and put him through his catechism on all that had been said and seen in the interview with Monsignor.

"You are a poor stick," was her comment, and for the first time in years he approved of her opinion. "The priest steered you about and out with his little finger, and the corner of his eye. He did not give you a chance to ask if he had ever seen Horace Endicott since. Monsignor will not lie for any man. He simply refuses to answer on the ground that his position will not permit it. You will never see the priest again on this matter. Arthur Dillon will bid you stand off. Well, you see what my instinct is now! Are you more willing to believe in it when it says: Arthur Dillon is Horace Endicott?"

"Not a bit, sweetheart."

"I won't fight with you, since you are doing as I order. Go to Anne Dillon now. Mind, she's already prepared by this time for your visit.

You may run against Arthur instead of her. While you are gone I shall write to Sonia that we have at last found a clue, and ask her to come on at once. Dillon may not give us a week to make our escape after he learns what we have been doing. We must be quick. Go, my dear old stupid, and bear in mind that Anne Dillon is the cunningest cat you've had to do with yet."

She gave an imitation of the lady that was funny to a degree, and sent the detective off laughing, but not at all convinced that there was any significance in his recent discovery. He felt mortified to learn again for the hundredth time how a prejudice takes the edge off intellect.

Though certain Edith's theory was wrong, why should he act like a donkey in disproving it? On the contrary his finest skill was required, and methods as safe as if Dillon were sure to turn out Endicott. He sharpened his blade for the coming duel with Anne, whom Monsignor had warned, without doubt. However, Anne had received no warning and she met Curran with her usual reserve. He was smoothly brutal.

"I would like to know if you are acquainted with Mr. Horace Endicott?"

said he.

Anne's face remained as blank as the wall, and her manner tranquil. She had never heard the name before, for in the transactions between herself and her son only the name of Arthur Dillon had been mentioned, while of his previous life she knew not a single detail. Curran not disappointed, hastened, after a pause, to explain his own rudeness.

The Art of Disappearing Part 40

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The Art of Disappearing Part 40 summary

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