The House that Jill Built Part 17

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"It's too large," said Bessie.

"It isn't small enough," said Jim.

"The third floor is not the proper place for a billiard-table,"

remarked Uncle Melville, sententiously. "It is too remote for such a social pastime; too difficult of access; too--too--er--"

"The house looks smaller than it is," said Aunt Melville, "which I consider a serious defect. It ought to look larger; it should have a tower, and the front door should be toward the street."

"Your chambers are excellent," said Uncle Harry. "The personality of human beings should be respected. The chief object of home is to give to each individual a chance for unfettered development. Every soul is a genius at times and feels the necessity of isolation. Especially do we need to be alone in sleep, and to this end every person in a house is ent.i.tled to a separate apartment. I commend the family suite."

"A n.o.bby house," said Cousin George.

"I like our own better," said his wife, _sotto voce_, which was a worthy sentiment and should have been openly expressed. Fondness for our own is the chief of domestic virtues.

"Is it paid for?" inquired Jack's father. To which Jack replied:

"It is: and the house that I built is sold to the most stylish people you ever saw. They paid me more than this cost, but I wouldn't swap with them for a thousand dollars to boot."

"No; neither would they change with us for two thousand."

Just as the clock struck nine the door-bell rang and the rector and his wife were announced. Before Jill could realize what was taking place she found herself an amazed and helpless spectator in her own house, for Jim and Bessie stood side by side under the curtains leading to the library, and the rector was reading the solemn marriage service. By way of calming her excitement Jack found a chance to whisper to Jill,

"They have been engaged six months."

"You unnatural husband! Why didn't you tell me?"

"Didn't know it myself till this afternoon."

There was no time for further explanations, for the good rector was saying: "I am sure you will agree with me that building and cheris.h.i.+ng a consecrated home is the n.o.blest work we can do on earth. From such homes spring all public and private excellence, all patriotic virtues, all n.o.ble charities and philanthropies, all worthy service of G.o.d and man. Whether high or low, rich or poor, in all times and in all places, domestic life, in its purity and strength, is the safeguard of individuals and the bulwark of nations. And when, in after years, other solemn sacraments shall be performed beneath this roof, may it still be found a sacred temple of peace and love!"

Bessie and Jim kept house in two chambers until a cottage of four rooms, with an attic and wood-shed, was finished, which happened before cold weather. Her wedding present from Jack was an express wagon full of obsolete household utensils. She had learned to make the fire in the kitchen, and nothing was more acceptable than such a load of dry kindling wood.

The house that Jill built cost ten thousand dollars. Jim's cost less than one thousand. Bessie declares that the smaller the house the greater the happiness it contains. She may be right, but Jill denies it, and it is never safe to draw general conclusions from special cases.

CHAPTER XIX.

TEN YEARS AFTER.

Jack, Jr., and his sister Bessie, were building block houses on the piazza. Jack was pretending to read the evening paper, in reality watching the builders; and Jill was making no pretense of doing anything else.

"Really Jack, I think Bessie shows more skill in building than her brother. Her houses look like realities, and they have more grace and dignity than his."

"Of course. Haven't I always said that women would make the best architects if they had a fair chance? Didn't you make the plans of this house? Hasn't it been all our fancy painted and a great deal more?

There isn't a stick nor a stone, a brick nor a s.h.i.+ngle that I would have changed if we were to build it again."

"And haven't I always said that men were more conservative than women?

_I_ would be glad to change everything there is in the house to build it all over again, and build it differently."

"Oh the inconstancy of women! Even the moon is more constant, for her changes are only superficial and temporary."

"When I say; 'I have changed my mind,' it is only another way of saying, 'I am wiser to-day than I was yesterday.'"

"I understand; what a Jacob's ladder of wisdom you must be! All right; change your mind every day, grow wiser and wiser; I will try to keep the hem of your garments in sight."

"Have you selected a lot?"

"What for?"

"For a new house."

"Bless you, my dear husband, I wouldn't build another house, still less live in it, for all the wealth of the treasury vaults. Isn't this our own? Hasn't it always been perfectly suited to our wants? What upon earth are you thinking of?"

"Oh, nothing in particular. I never think if I can help it. I have heard that a man ought always to build two houses, one to learn how, the second to correct the mistakes of the first. I thought perhaps it was the same way with women."

"This house was exactly right when it was built, it could not have been improved, but that was ten years ago, and a great many things have happened in the last ten years; but, then, a great many more will happen in the next ten, and ten years hence there will be just as many things to change in the houses that are built this year as there are now in those that are of the same age as ours."

"But how would you change this house if it could be done by a magic wand or by the exercise of faith, and without raising a speck of dust or upsetting the housekeeping affairs for a single minute?"

"I would make it larger for one thing. Our rooms are too small. The number of rooms a house contains should depend on the number of people there are to live in it, including all the children, the guests and the servants, with a certain allowance for contingencies."

"Depending on the hospitality of the family."

"Yes; and whatever the number of rooms, they should be large enough, not merely to hold the occupants when the doors are shut, but for comfortable living and moving about. There is nothing in which all men and women are more conservative than in the planning of their houses; there seems to be something hereditary about it, as difficult to change as a tendency to bald heads and awkward locomotion. Americans are special sufferers in this respect. The primitive Anglo-American home was only a step removed from the wigwams of the aboriginal savages, in size, shape and general accommodations. Even our English ancestors, from whom we derived some of our domestic notions, were not accustomed to anything magnificent in the way of dwellings. The climate was against them, and they were not sufficiently luxurious in their tastes.

Their houses were primarily places for shelter and refuge. In summer they lived out of doors, and in winter they crept into close quarters and waited for warm weather. With plenty of land and building materials to be had for the taking, our colonial grandfathers should have had the most generous homes in the world."

"Yes; and to judge by some of the old colonial mansions which have escaped the 'making-over' vandals we have been going backwards in that respect during the last fifty or a hundred years."

"Yes; and we ought to have been going the other way, for the size of rooms should increase as the cost of furniture diminishes. Take for instance, a parlor or sitting room fifteen feet square, which is, I believe, about the orthodox size for a modern house. Give such a room a dozen straight-backed and straight-legged chairs ranged along the sides, a table in the center of the room with a green cover and four books on it, two or three unhappy-looking family portraits on the walls, a pair of bra.s.s candlesticks on the high, wooden mantel, a pair of bellows, a shovel and tongs, with, perhaps, in the way of luxury, a haircloth sofa. Now compare the room furnished in that way, which was by no means uncommon in the days of our grandfathers with a room of the same size, in which are stored half a dozen chairs, no two alike, and some of them as large as small lounges, a center table piled with books and magazines and photographs, till like a heap of jack straws, it is impossible to remove one without disturbing the whole pile; a lounge with a back, a divan or something without a back, an upright piano, two or three bookcases, several small stools and piles of Turkish cus.h.i.+ons to catch the unwary, huge j.a.panese vases beside the fireplace, a leopard skin with a solid head in front of the table, and a sprinkling of Persian rugs spilt over the floor; a cabinet of bric-a-brac in the northeast corner, a 'whatnot' with a big jardiniere bearing a three-foot palm on the top story in the northwest, a carved bracket with a sheaf of Florida gra.s.ses in the southeast, and a tall wooden clock that won't go in the southwest; a bra.s.s tea kettle hanging from a wrought iron frame beside a fragile stand that carries a half dozen of still more fragile 'hand-painted' teacups and saucers; lambrequins and heavy curtains at all the windows and most of the doors, a big combination gas and electric chandelier suspended from the center of the ceiling, bedangled with jumping jacks, Christmas cards, straw ornaments and other artistic 'curious'; one or two small tables scattered 'promiscous like' about the room; a music stand and a banjo; with photographs, chromos, oil paintings, water colors and etchings, from one to three feet square, in gilt, enameled and wooden frames of all styles and degrees of fitness on the walls of the room,--take a room furnished in this way or a great deal more so, and compare it with another of the same actual dimensions furnished in the old-fas.h.i.+oned way and see which is the larger. The modern furnis.h.i.+ng may be 'cozy,' oppressively cozy when there are half a dozen people trying to move gracefully around and between it without upsetting or destroying anything, but what sort of hospitality can we offer our guests if they must be always afraid of breaking something valuable if they stir?"

"Why not have a bonfire and liquidate some of this superfluous stock?"

"It is not superfluous; all these things, if they are good add to the enjoyment of living, if we have room for them and are able to take good care of them without neglecting weightier matters. Our own rooms are not large enough. However, if we cannot enlarge them we can build new ones for special purposes. For one, we must have a children's workroom.

If Jack is going to be an artist, and you know he shows decided talent, and Bessie an architect, there's no doubt of her having real genius in that direction, they should have one room immediately, and two by and by, for their own exclusive use. A room where they could keep all their books, and tools and toys, and where they could work in their own spontaneous, untrammeled way."

"You mean a nursery."

"No, I do _not_ mean a nursery, but a workshop, study, gymnasium, call it anything you please. The floor should be smooth and hard, and the walls should be wainscoted with smooth, hard wood. There should be blackboards and shelves at the sides, and the children should be allowed to drive nails wherever they please. I am not sure but I would have a sink and a water faucet."

"Not unless the room is in the cellar or has a floor tight enough for a swimming tank. Well, what next?"

"We must have a hospital."

"For inebriates or the insane?"

"A room similar to the private wards in a hospital. You know our own and the children's sleeping rooms are very simply furnished, but a sick room should be still more severe. The children have both had the measles, thank goodness, and I hope they never will have smallpox, scarlet fever, or diphtheria, but if they should it would be necessary to send them away from home or run the risk of their exposing one another."

The House that Jill Built Part 17

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The House that Jill Built Part 17 summary

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