For the Sake of the School Part 6
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Two other parties had gone out blackberrying that afternoon, and there would be keen compet.i.tion as to which would bring back the most pounds.
They set to work again, therefore, with enthusiasm, counting stained fingers and scratches as glorious wounds earned in the good cause. Rona picked with zeal, but she had a preoccupied look on her face.
"Say, I liked that waterfall," she remarked to Ulyth. "One can't see anything of it down in this old lane. I'm going to get a better view."
"You mustn't go off on your own," commanded Ulyth. "Miss Moseley will report you if you do!"
"Don't excite yourself. I only said I was going to get a better view.
It's quite easy."
Rona put her basket in a safe place, and with the aid of a hazel bush climbed to the top of the wall. Apparently the prospect did not satisfy her.
"I'm going a stave higher still. Keep your hair on!" she shouted down to Ulyth, and began swarming up the bole of a huge old oak-tree that ab.u.t.ted on the wall. She was strong and active as a boy, and had soon scrambled to where the branches forked. A ma.s.s of twisted ivy hung here, and raising herself with its aid, she stood on an outstretched bough.
"It's ripping! I can see a little bit of the fall; I'll see it better if I get over on to that other branch."
"Take care!" called Miss Moseley from below.
Rona started. She had not known the mistress was so near. The movement upset her decidedly unstable balance; she clutched hard at the ivy, but it gave way in her fingers; there was a sudden crash and a smothered shriek.
White as a ghost, Miss Moseley climbed the wall, expecting to find the prostrate form of her pupil on the other side. To her surprise she saw nothing of the sort. Near at hand, however, came a stifled groan.
"Rona, where are you?" shrieked the distracted governess.
"Here," spluttered the voice of the Cuckoo; "inside the tree. The beastly old thing's rotten, and I've tumbled to the very bottom of the trunk!"
"Are you hurt?"
"No, nothing to speak of."
"Here's a pretty go!" murmured the girls, who all came running at the sound of shouts. "How's she going to get out again?"
"Can't you climb up?" urged Miss Moseley.
"No, I can't stir an inch; I'm wedged in somehow."
What was to be done? The affair waxed serious. Miss Moseley, with a really heroic effort, and much help from the girls, managed to scale the tree and look down into the hollow trunk. She could just see Rona's scared face peeping up at her many feet below.
"Can you put up your hand and let me pull you?"
"No; I tell you I'm wedged as tight as a sardine."
"We shall have to send for help then. May and Kathleen, run as quickly as you can down the lane. There's a farm at the bottom of the hill. Tell them what's the matter."
"I hope to goodness they'll understand Englis.h.!.+" murmured Merle.
"Will I have to stop here always?" demanded a tragic voice within the tree. "Shall you be able to feed me, or will I have to starve? How long does it take to die of hunger?"
"You won't die just yet," returned Miss Moseley, laughing a little in spite of herself. "We'll get you out in course of time."
"I guess I'd better make my will, though. Has anybody got a pencil and paper, and will they please write it down and send it home? I want to leave my saddle to Pamela Higson, and Jake is to have the bridle and whip--I always liked him better than Billy, though I pretended I didn't.
Jane Peters may have my writing-desk--much she writes, though!--and Amabel Holt my old doll. That's all I've left in New Zealand. Ulyth can take what I've got at school--'twon't be any great shakes to her, I expect. You didn't tell me how long it takes to die!"
"Cheer up! There's not the slightest danger," Miss Moseley continued to a.s.sure her.
"It's all very well to say 'cheer up' when you're standing safe on the top," said the gloomy voice of the imprisoned dryad. "It feels a different matter when you're boxed up tight with tree all round you.
It's jolly uncomfortable. Where are the girls?"
"Here's one," replied Ulyth, climbing the tree to relieve poor Miss Moseley, who gladly retired in her favour. "I'm going to stay and talk to you till somebody comes to get you out. Oh, here are May and Kathleen at last! What a fearful time they've been!"
The two messengers came panting back with many excuses for their delay.
It was a long way down the lane to the farm, and when they arrived there they had considerable difficulty in explaining their errand. No one could understand English except a little boy, who was only half-able to translate their remarks into Welsh. They had at length made the farmer realize what had happened, and he had promised to come at once. In the course of a few minutes they were followed by David Jones and his son, Idwal, bearing a rope, an axe, and a saw, and looking rather dismayed at the task in store for them. It proved indeed a matter of considerable difficulty to rescue Rona without hurting her; a portion of the tree-trunk was obliged to be sawn away before she could obtain sufficient room to help to free herself, and it was only after an hour's hard work that she stood at last in safety on the ground.
"How do you feel?" asked Miss Moseley anxiously, fearing broken bones or a sprain from the final effort of extraction.
"Well, I guess it's taken the bounce out of me. I'm as stiff as a rheumatic cat! Oh, I'll get back to school somehow, don't alarm yourself! I'm absolutely starving for tea. Good-bye, you wood-demon; you nearly finished me!" and Rona shook her fist at the offending oak-tree as a parting salute.
"She called it demon to rhyme with lemon!" gurgled Addie, almost sobbing with mirth as she followed, holding Merle's arm. "The Cuckoo will cause me to break a blood-vessel some day. It hurts me most dreadfully to laugh. I've got a st.i.tch in my side. Oh dear! I wonder whatever she'll go and do next?"
CHAPTER V
On Sufferance
"Scratch, scratch, scratch, Scratch went the old black hen!
Every fowl that sc.r.a.pes in the barn Can scratch as well as your pen!"
So sang Rona, bounding noisily one afternoon into No. 3, Room 5, and popping her hands from behind over Ulyth's eyes as the latter sat writing at a table near the window.
"What are you always scratching away for? Can't you finish your work at prep.? Why don't you come downstairs and play basket-ball? You're mighty studious all of a sudden. What have you got here?"
Ulyth flushed crimson with annoyance, and turned her sheets of foolscap hastily over to hide them from her room-mate's prying eyes.
"You're not to touch my papers, Rona! I've told you that before."
"Well, I wasn't touching them. Looking's not touching, anyway. What are you doing? It's queer taste to sit scribbling here half your spare time."
"What I was doing is my own concern, and no business of yours."
"Now you're riled," said the Cuckoo, sitting down easily on her bed. "I didn't mean any harm. I always seem sticking my foot into it somehow."
Ulyth sighed. n.o.body in the school realized how much she had to put up with from her irrepressible room-mate, whose hearty voice, extraordinary expressions, and broad notions of fun grated upon her sensitive nature.
Rona did not appreciate in the least the heroic sacrifice that Ulyth was making. It had never occurred to her that she might be placed in another dormitory, and that she only remained on sufferance in No. 3. She admired Ulyth immensely, and was quite prepared to take her as a model, but at present the copy was very far indeed from the original. The mistresses had inst.i.tuted a vigorous crusade against Rona's loud voice and unconventional English, and she was really making an effort to improve; but the habits of years are not effaced in a few weeks, and she still scandalized the authorities considerably. Ulyth could tolerate her when she kept to her own side of the bedroom, but to have meddlesome fingers interfering with her private possessions was the last straw to her burden of endurance.
"Do you understand?" she repeated emphatically. "You're not to touch my papers at all!"
"All serene! I won't lay a finger on them--honest--sure!" returned the Cuckoo, chanting her words to the air of "Swanee River", and drumming an accompaniment on the bedpost. "What d'you think Stephanie called me just now? She said I was an unlicked cub."
For the Sake of the School Part 6
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For the Sake of the School Part 6 summary
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