Letters to Dead Authors Part 2
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They say; what say they? Not in vain You ask.
To tell you what they say, behold my Task!
'Methinks already I your Tears survey'
As I repeat 'the horrid Things they say.' (1)
(1) _Rape of the Lock_.
Comes El--n first: I fancy you'll agree Not frenzied Dennis smote so fell as he; For El--n's Introduction, crabbed and dry, Like Churchill's Cudgel's (2) marked with Lie, and Lie!
(2) In Mr Hogarth's Caricatura.
'Too dull to know what his own System meant, Pope yet was skilled new Treasons to invent; A Snake that puffed himself and stung his Friends, Few Lied so frequent, for such little Ends; His mind, like Flesh inflamed, (3) was raw and sore, And still, the more he writhed, he stung the more!
Oft in a Quarrel, never in the Right, His Spirit sank when he was called to fight.
Pope, in the Darkness mining like a Mole, Forged on Himself, as from Himself he stole, And what for Caryll once he feigned to feel, Transferred, in Letters never sent, to Steele!
Still he denied the Letters he had writ, And still mistook Indecency for Wit.
His very Grammar, so De Quincey cries, "Detains the Reader, and at times defies!"'
(3) Elwyn's Pope, ii. 15.
Fierce El--n thus: no Line escapes his Rage, And furious Foot-notes growl 'neath every Page: See St-ph-n next take up the woful Tale, Prolong the Preaching, and protract the Wail!
'Some forage Falsehoods from the North and South, But Pope, poor D---l, lied from Hand to Mouth; (1) Affected, hypocritical, and vain, A Book in Breeches, and a Fop in Grain; A Fox that found not the high Cl.u.s.ters sour, The Fanfaron of Vice beyond his power, Pope yet possessed'--(the Praise will make you start)-- 'Mean, morbid, vain, he yet possessed a Heart!
And still we marvel at the Man, and still Admire his Finish, and applaud his Skill: Though, as that fabled Barque, a phantom Form, Eternal strains, nor rounds the Cape of Storm, Even so Pope strove, nor ever crossed the Line That from the n.o.ble separates the Fine!'
(1) 'Poor Pope was always a hand-to-mouth liar.'
--_Pope_, by Leslie Stephen, 139.
The Learned thus, and who can quite reply, Reverse the Judgment, and Retort the Lie?
You reap, in armed Hates that haunt Your name, Reap what you sowed, the Dragon's Teeth of Fame: You could not write, and from unenvious Time Expect the Wreath that crowns the lofty Rhyme, You still must fight, retreat, attack, defend, And oft, to s.n.a.t.c.h a Laurel, lose a Friend!
The Pity of it! And the changing Taste Of changing Time leaves half your Work a Waste!
My Childhood fled your couplet's clarion tone, And sought for Homer in the Prose of Bohn.
Still through the Dust of that dim Prose appears The Flight of Arrows and the Sheen of Spears; Still we may trace what Hearts heroic feel, And hear the Bronze that hurtles on the Steel!
But, ah, your Iliad seems a half-pretence, Where Wits, not Heroes, prove their Skill in Fence, And great Achilles' Eloquence doth show As if no Centaur trained him, but Boileau!
Again, your Verse is orderly,--and more,-- 'The Waves behind impel the Waves before;'
Monotonously musical they glide, Till Couplet unto Couplet hath replied.
But turn to Homer! How his Verses sweep!
Surge answers Surge and Deep doth call on Deep; This Line in Foam and Thunder issues forth, Spurred by the West or smitten by the North, Sombre in all its sullen Deeps, and all Clear at the Crest, and foaming to the Fall, The next with silver Murmur dies away, Like Tides that falter to Calypso's Bay!
Thus Time, with sordid Alchemy and dread, Turns half the Glory of your Gold to Lead; Thus Time,--at Ronsard's wreath that vainly bit,-- Has marred the Poet to preserve the Wit, Who almost left on Addison a stain, Whose knife cut cleanest with a poisoned pain,-- Yet Thou (strange Fate that clings to all of Thine!) When most a Wit dost most a Poet s.h.i.+ne.
In Poetry thy Dunciad expires, When Wit has shot 'her momentary Fires.'
'T is Tragedy that watches by the Bed 'Where tawdry Yellow strove with dirty Red,'
And men, remembering all, can scarce deny To lay the Laurel where thine Ashes lie!
VI. To Lucian of Samosata.
In what bower, oh Lucian, of your rediscovered Islands Fortunate are you now reclining; the delight of the fair, the learned, the witty, and the brave? In that clear and tranquil climate, whose air breathes of 'violet and lily, myrtle, and the flower of the vine,'
Where the daisies are rose-scented, And the Rose herself has got Perfume which on earth is not,
among the music of all birds, and the wind-blown notes of flutes hanging on the trees, methinks that your laughter sounds most silvery sweet, and that Helen and fair Charmides are still of your company. Master of mirth, and Soul the best contented of all that have seen the world's ways clearly, most clear-sighted of all that have made tranquillity their bride, what other laughers dwell with you, where the crystal and fragrant waters wander round the s.h.i.+ning palaces and the temples of amethyst?
Heine surely is with you; if, indeed, it was not one Syrian soul that dwelt among alien men, Germans and Romans, in the bodily tabernacles of Heine and of Lucian. But he was fallen on evil times and evil tongues; while Lucian, as witty as he, as bitter in mockery, as happily dowered with the magic of words, lived long and happily and honoured, imprisoned in no 'mattress-grave.' Without Rabelais, without Voltaire, without Heine, you would find, methinks, even the joys of your Happy Islands lacking in zest; and, unless Plato came by your way, none of the ancients could meet you in the lists of sportive dialogue.
There, among the vines that bear twelve times in the year, more excellent than all the vineyards of Touraine, while the song-birds bring you flowers from vales enchanted, and the shapes of the Blessed come and go, beautiful in wind-woven raiment of sunset hues; there, in a land that knows not age nor winter, midnight, nor autumn, nor noon, where the silver twilight of summer-dawn is perennial, where youth does not wax spectre-pale and die; there, my Lucian, you are crowned the Prince of the Paradise of Mirth.
Who would bring you, if he had the power, from the banquet where Homer sings: Homer, who, in mockery of commentators, past and to come, German and Greek, informed you that he was by birth a Babylonian? Yet, if you, who first wrote Dialogues of the Dead, could hear the prayer of an epistle wafted to 'lands indiscoverable in the unheard-of West,' you might visit once more a world so worthy of such a mocker, so like the world you knew so well of old.
Ah, Lucian, we have need of you, of your sense and of your mockery!
Here, where faith is sick and superst.i.tion is waking afresh; where G.o.ds come rarely, and spectres appear at five s.h.i.+llings an interview; where science is popular, and philosophy cries aloud in the market-place, and clamour does duty for government, and Thais and Lais are names of power--here, Lucian, is room and scope for you. Can I not imagine a new 'Auction of Philosophers,' and what wealth might be made by him who bought these popular sages and lecturers at his estimate, and vended them at their own?
HERMES: Whom shall we put first up to auction?
ZEUS: That German in spectacles; he seems a highly respectable man.
HERMES: Ho, pessimist, come down and let the public view you.
ZEUS: Go on, put him up and have done with him.
HERMES: Who bids for the Life Miserable, for extreme, complete, perfect, unredeemable perdition? What offers for the universal extinction of the species, and the collapse of the Conscious?
A PURCHASER: He does not look at all a bad lot. May one put him through his paces?
HERMES: Certainly; try your luck.
PURCHASER: What is your name?
PESSIMIST: Hartmann.
PURCHASER: What can you teach me?
PESSIMIST: That Life is not worth Living.
PURCHASER: Wonderful! Most edifying! How much for this lot?
HERMES: Two hundred pounds.
PURCHASER: I will write you a cheque for the money. Come home, Pessimist, and begin your lessons without more ado.
Letters to Dead Authors Part 2
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- Letters to Dead Authors Part 1
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