Come Out of the Kitchen! Part 9

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"It is your duty to tell him at once, and get such a person out of the house."

"You think if I told him, he would dismiss her?"

"I am confident he would, unless--"

"Unless?"

[Ill.u.s.tration: _Scene from the Play_ OLIVIA HEARS OF HER FATHER'S CRITICAL ILLNESS _Act II_]



"Unless he has himself some interest in her."

"Ah," said Tucker, with a deep sigh, "that's the question."

At this moment Miss Falkener, looking very handsome in a sapphire-colored dress, came in. She, too, perhaps, had expected that somebody would be dressed a little ahead of time for the sake of a few minutes' private talk. If so, she was disappointed.

"Ah, Cora," said her mother brightly, "let us hear how the piano sounds.

Give us some of that delightful Chopin you were playing last evening."

Cora, to show her independence of spirit, sat down and began to play ragtime, but neither of her auditors noticed the difference.

"You mean," whispered Mrs. Falkener, "that you have reason to suppose that Crane himself--?"

"Why, to be candid, my dear lady," replied Tucker, "I did tell him. You may have noticed I seemed a trifle abstracted at tea time. I was considering what it was best to do. Well, when you left us, I told him.

What do you think he said? 'Lucky dog.' That was all. Just 'lucky dog.'"

"Meaning you?"

"No, no, meaning the fellow who had been kissing the cook."

"Dear me," said Mrs. Falkener, "how very light minded."

"It shocked me--to have him take it like that. And he would not hear of dismissing her. He intends merely to reprove her, so he says. But what reproof is possible? And the most alarming feature of the whole situation is that, to my opinion, he is looking forward to the interview."

"The woman must be sent out of the house immediately," said Mrs.

Falkener with decision. "I wonder if higher wages would tempt her?"

"I see your idea," answered Tucker. "You think I ought to offer a position. I would do more than that to save Burt."

"A position as cook, you mean?"

"Why, Mrs. Falkener, what else could I mean?"

"Oh, nothing, Solon, I only thought--"

The friends were still explaining away the little misunderstanding when Crane came down, and dinner was announced.

Mrs. Falkener, with of course the heartiest wish to criticize, was forced to admit the food was perfection. The soup so clear and strong, the fried fish so dry and tender, even the cheese souffle, for which she had waited most hopefully, turned out to be beautifully light and fluffy. Having come to curse she was obliged to bless; and her praise was delightful to Crane.

"Yes, isn't she a wonder?" he kept saying. "Wasn't it great luck to find any one like that in a place such as this? Tuck, here, keeps trying to poison my mind against her, but I wouldn't part with a cook like that even if she were a Messalina."

Mrs. Falkener, who couldn't on the instant remember who Messalina was, attempted to look as if she thought it would be better not to mention such people in the presence of her daughter.

"Tuck's an inhuman old creature, isn't he, Mrs. Falkener?" Crane went on. "I don't believe he ever had a natural impulse in his life, and so he has no sympathy with the impulses of others."

Tucker smiled quietly. It came to him that just so the iron reserve of the middle-aged hero was often misinterpreted during the first two acts by more frivolous members of the cast.

As they rose from table, Miss Falkener said:

"It's such a lovely night. Such a moon. Have you seen it, Mr. Crane?"

"Well, I saw it as we drove over from the station," returned Crane, a trifle absently. He had become thoughtful as dinner ended.

"Do you think," said Cora, "that it would be too cold to take a turn in the garden? I should like to see the old box and the cedars by moonlight."

"Not a bit. Let's go out. I have something to do first, but it won't take me ten minutes. But," he added, "you must not catch cold and get laid up, and miss the run to-morrow. I'm going to put you on a new Irish mare I've just bought." And they found themselves talking not about the garden, but the stable.

In the midst of it Smithfield came into the drawing-room with the coffee, and Crane said to him, in a low tone:

"Oh, Smithfield, tell the cook I'll see her now, in the little office across the hall."

Smithfield looked graver than usual.

"Beg pardon, sir," he said, "but the cook was feeling tired and has gone up to bed, sir."

Crane was just helping himself to sugar.

"She cooked this coffee, didn't she?" he said.

"Yes, sir."

"She can't have been gone very long then."

"About five minutes, sir."

"Go up and tell her to come down," said Crane.

He turned again to Miss Falkener and went on about the past performances of the Irish mare, but it was quite clear to all who heard him that his heart was no longer in the topic.

Smithfield's return was greeted by complete silence.

"Well?" said Crane sharply.

"Beg pardon, sir," said Smithfield, "Jane-Ellen says that she is very tired, and that if the morning will do--"

"The morning will not do," answered Crane, with a promptness unusual in him. "Go up and tell her that if she is not in my office within ten minutes, I'll come up myself."

Smithfield bowed and withdrew.

Come Out of the Kitchen! Part 9

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Come Out of the Kitchen! Part 9 summary

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