Man and Superman: A Comedy and a Philosophy Part 26

ANA. I most emphatically disagree as regards the Fathers of the Church; and I must beg you not to drag them into the argument.

DON JUAN. I did so purely for the sake of alliteration, Ana; and I shall make no further allusion to them. And now, since we are, with that exception, agreed so far, will you not agree with me further that Life has not measured the success of its attempts at G.o.dhead by the beauty or bodily perfection of the result, since in both these respects the birds, as our friend Aristophanes long ago pointed out, are so extraordinarily superior, with their power of flight and their lovely plumage, and, may I add, the touching poetry of their loves and nestings, that it is inconceivable that Life, having once produced them, should, if love and beauty were her object, start off on another line and labor at the clumsy elephant and the hideous ape, whose grandchildren we are?

ANA. Aristophanes was a heathen; and you, Juan, I am afraid, are very little better.

THE DEVIL. You conclude, then, that Life was driving at clumsiness and ugliness?

DON JUAN. No, perverse devil that you are, a thousand times no. Life was driving at brains--at its darling object: an organ by which it can attain not only self-consciousness but self-understanding.

THE STATUE. This is metaphysics, Juan. Why the devil should--[to the Devil] I BEG your pardon.

THE DEVIL. Pray don't mention it. I have always regarded the use of my name to secure additional emphasis as a high compliment to me. It is quite at your service, Commander.

THE STATUE. Thank you: that's very good of you. Even in heaven, I never quite got out of my old military habits of speech. What I was going to ask Juan was why Life should bother itself about getting a brain. Why should it want to understand itself? Why not be content to enjoy itself?

DON JUAN. Without a brain, Commander, you would enjoy yourself without knowing it, and so lose all the fun.

THE STATUE. True, most true. But I am quite content with brain enough to know that I'm enjoying myself. I don't want to understand why. In fact, I'd rather not. My experience is that one's pleasures don't bear thinking about.

DON JUAN. That is why intellect is so unpopular. But to Life, the force behind the Man, intellect is a necessity, because without it he blunders into death. Just as Life, after ages of struggle, evolved that wonderful bodily organ the eye, so that the living organism could see where it was going and what was coming to help or threaten it, and thus avoid a thousand dangers that formerly slew it, so it is evolving to-day a mind's eye that shall see, not the physical world, but the purpose of Life, and thereby enable the individual to work for that purpose instead of thwarting and baffling it by setting up shortsighted personal aims as at present. Even as it is, only one sort of man has ever been happy, has ever been universally respected among all the conflicts of interests and illusions.

THE STATUE. You mean the military man.

DON JUAN. Commander: I do not mean the military man. When the military man approaches, the world locks up its spoons and packs off its womankind. No: I sing, not arms and the hero, but the philosophic man: he who seeks in contemplation to discover the inner will of the world, in invention to discover the means of fulfilling that will, and in action to do that will by the so-discovered means. Of all other sorts of men I declare myself tired. They're tedious failures. When I was on earth, professors of all sorts prowled round me feeling for an unhealthy spot in me on which they could fasten. The doctors of medicine bade me consider what I must do to save my body, and offered me quack cures for imaginary diseases. I replied that I was not a hypochondriac; so they called me Ignoramus and went their way. The doctors of divinity bade me consider what I must do to save my soul; but I was not a spiritual hypochondriac any more than a bodily one, and would not trouble myself about that either; so they called me Atheist and went their way. After them came the politician, who said there was only one purpose in Nature, and that was to get him into parliament. I told him I did not care whether he got into parliament or not; so he called me Mugwump and went his way. Then came the romantic man, the Artist, with his love songs and his paintings and his poems; and with him I had great delight for many years, and some profit; for I cultivated my senses for his sake; and his songs taught me to hear better, his paintings to see better, and his poems to feel more deeply. But he led me at last into the wors.h.i.+p of Woman.

ANA. Juan!

DON JUAN. Yes: I came to believe that in her voice was all the music of the song, in her face all the beauty of the painting, and in her soul all the emotion of the poem.

ANA. And you were disappointed, I suppose. Well, was it her fault that you attributed all these perfections to her?

DON JUAN. Yes, partly. For with a wonderful instinctive cunning, she kept silent and allowed me to glorify her; to mistake my own visions, thoughts, and feelings for hers. Now my friend the romantic man was often too poor or too timid to approach those women who were beautiful or refined enough to seem to realize his ideal; and so he went to his grave believing in his dream. But I was more favored by nature and circ.u.mstance. I was of n.o.ble birth and rich; and when my person did not please, my conversation flattered, though I generally found myself fortunate in both.

THE STATUE. c.o.xcomb!

DON JUAN. Yes; but even my c.o.xcombry pleased. Well, I found that when I had touched a woman's imagination, she would allow me to persuade myself that she loved me; but when my suit was granted she never said "I am happy: my love is satisfied": she always said, first, "At last, the barriers are down," and second, "When will you come again?"

ANA. That is exactly what men say.

DON JUAN. I protest I never said it. But all women say it. Well, these two speeches always alarmed me; for the first meant that the lady's impulse had been solely to throw down my fortifications and gain my citadel; and the second openly announced that henceforth she regarded me as her property, and counted my time as already wholly at her disposal.

THE DEVIL. That is where your want of heart came in.

THE STATUE. [shaking his head] You shouldn't repeat what a woman says, Juan.

ANA. [severely] It should be sacred to you.

THE STATUE. Still, they certainly do always say it. I never minded the barriers; but there was always a slight shock about the other, unless one was very hard hit indeed.

DON JUAN. Then the lady, who had been happy and idle enough before, became anxious, preoccupied with me, always intriguing, conspiring, pursuing, watching, waiting, bent wholly on making sure of her prey--I being the prey, you understand. Now this was not what I had bargained for. It may have been very proper and very natural; but it was not music, painting, poetry and joy incarnated in a beautiful woman. I ran away from it. I ran away from it very often: in fact I became famous for running away from it.

ANA. Infamous, you mean.

DON JUAN. I did not run away from you. Do you blame me for running away from the others?

ANA. Nonsense, man. You are talking to a woman of 77 now. If you had had the chance, you would have run away from me too--if I had let you. You would not have found it so easy with me as with some of the others. If men will not be faithful to their home and their duties, they must be made to be. I daresay you all want to marry lovely incarnations of music and painting and poetry. Well, you can't have them, because they don't exist. If flesh and blood is not good enough for you you must go without: that's all. Women have to put up with flesh-and-blood husbands--and little enough of that too, sometimes; and you will have to put up with flesh-and-blood wives. The Devil looks dubious. The Statue makes a wry face. I see you don't like that, any of you; but it's true, for all that; so if you don't like it you can lump it.

DON JUAN. My dear lady, you have put my whole case against romance into a few sentences. That is just why I turned my back on the romantic man with the artist nature, as he called his infatuation. I thanked him for teaching me to use my eyes and ears; but I told him that his beauty wors.h.i.+pping and happiness hunting and woman idealizing was not worth a dump as a philosophy of life; so he called me Philistine and went his way.

ANA. It seems that Woman taught you something, too, with all her defects.

DON JUAN. She did more: she interpreted all the other teaching for me.

Ah, my friends, when the barriers were down for the first time, what an astounding illumination! I had been prepared for infatuation, for intoxication, for all the illusions of love's young dream; and lo! never was my perception clearer, nor my criticism more ruthless. The most jealous rival of my mistress never saw every blemish in her more keenly than I. I was not duped: I took her without chloroform.

ANA. But you did take her.

DON JUAN. That was the revelation. Up to that moment I had never lost the sense of being my own master; never consciously taken a single step until my reason had examined and approved it. I had come to believe that I was a purely rational creature: a thinker! I said, with the foolish philosopher, "I think; therefore I am." It was Woman who taught me to say "I am; therefore I think." And also "I would think more; therefore I must be more."

THE STATUE. This is extremely abstract and metaphysical, Juan. If you would stick to the concrete, and put your discoveries in the form of entertaining anecdotes about your adventures with women, your conversation would be easier to follow.

DON JUAN. Bah! what need I add? Do you not understand that when I stood face to face with Woman, every fibre in my clear critical brain warned me to spare her and save myself. My morals said No. My conscience said No. My chivalry and pity for her said No. My prudent regard for myself said No. My ear, practised on a thousand songs and symphonies; my eye, exercised on a thousand paintings; tore her voice, her features, her color to shreds. I caught all those tell-tale resemblances to her father and mother by which I knew what she would be like in thirty years time.

I noted the gleam of gold from a dead tooth in the laughing mouth: I made curious observations of the strange odors of the chemistry of the nerves. The visions of my romantic reveries, in which I had trod the plains of heaven with a deathless, ageless creature of coral and ivory, deserted me in that supreme hour. I remembered them and desperately strove to recover their illusion; but they now seemed the emptiest of inventions: my judgment was not to be corrupted: my brain still said No on every issue. And whilst I was in the act of framing my excuse to the lady, Life seized me and threw me into her arms as a sailor throws a sc.r.a.p of fish into the mouth of a seabird.

THE STATUE. You might as well have gone without thinking such a lot about it, Juan. You are like all the clever men: you have more brains than is good for you.

THE DEVIL. And were you not the happier for the experience, Senor Don Juan?

DON JUAN. The happier, no: the wiser, yes. That moment introduced me for the first time to myself, and, through myself, to the world. I saw then how useless it is to attempt to impose conditions on the irresistible force of Life; to preach prudence, careful selection, virtue, honor, chast.i.ty--

ANA. Don Juan: a word against chast.i.ty is an insult to me.

DON JUAN. I say nothing against your chast.i.ty, Senora, since it took the form of a husband and twelve children. What more could you have done had you been the most abandoned of women?

ANA. I could have had twelve husbands and no children that's what I could have done, Juan. And let me tell you that that would have made all the difference to the earth which I replenished.

THE STATUE. Bravo Ana! Juan: you are floored, quelled, annihilated.

DON JUAN. No; for though that difference is the true essential difference--Dona Ana has, I admit, gone straight to the real point--yet it is not a difference of love or chast.i.ty, or even constancy; for twelve children by twelve different husbands would have replenished the earth perhaps more effectively. Suppose my friend Ottavio had died when you were thirty, you would never have remained a widow: you were too beautiful. Suppose the successor of Ottavio had died when you were forty, you would still have been irresistible; and a woman who marries twice marries three times if she becomes free to do so. Twelve lawful children borne by one highly respectable lady to three different fathers is not impossible nor condemned by public opinion. That such a lady may be more law abiding than the poor girl whom we used to spurn into the gutter for bearing one unlawful infant is no doubt true; but dare you say she is less self-indulgent?

ANA. She is less virtuous: that is enough for me.

DON JUAN. In that case, what is virtue but the Trade Unionism of the married? Let us face the facts, dear Ana. The Life Force respects marriage only because marriage is a contrivance of its own to secure the greatest number of children and the closest care of them. For honor, chast.i.ty and all the rest of your moral figments it cares not a rap.

Marriage is the most licentious of human inst.i.tutions--

ANA. Juan!

THE STATUE. [protesting] Really!--

DON JUAN. [determinedly] I say the most licentious of human inst.i.tutions: that is the secret of its popularity. And a woman seeking a husband is the most unscrupulous of all the beasts of prey. The confusion of marriage with morality has done more to destroy the conscience of the human race than any other single error. Come, Ana!