Bradbury Stories 100 of His Most Celebrated Tales Part 90
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"No."
Booth's mouth jerked but he stayed silent.
"N," Bayes spelled it, "O."
He reached in, found Booth's wallet, snapped out all the ident.i.ty cards, pocketed them, and handed the empty wallet back to the a.s.sa.s.sin.
"No?" said Booth, stunned.
"No, Mr. Booth. No pictures. No coast-to-coast TV. No magazines. No columns. No papers. No advertis.e.m.e.nt. No glory. No fame. No fun. No self-pity. No resignation. No immortality. No nonsense about triumphing over the dehumanization of man by machines. No martyrdom. No respite from your own mediocrity. No splendid suffering. No maudlin tears. No renunciation of possible futures. No trial. No lawyers. No a.n.a.lysts speeding you up this month, this year, thirty years, sixty years, ninety years after, no stories with double spreads, no money, no."
Booth rose up as if a rope had hauled him tall and stretched him gaunt and washed him pale.
"I don't understand. I-"
"You went to all this trouble? Yes. And I'm ruining the game. For when all is said and done, Mr. Booth, all the reasons listed and all the sums summed, you're a has-been that never was. And you're going to stay that way, spoiled and narcissistic and small and mean and rotten. You're a short man and I intend to squash and squeeze and press and batter you an inch shorter instead of force-growing you, helping you gloat nine feet tall."
"You can't!" cried Booth.
"Oh, Mr. Booth," said Bayes, on the instant, almost happy, "I can. I can do anything with this case I wish, and I wish not to press charges. More than that, Mr. Booth, it never happened."
The hammering came again, this time on a locked door up on the stage.
"Bayes, for G.o.d's sake, let me in! This is Phipps! Bayes! Bayes!"
Booth stared at the trembling, the thundershaken, the rattling door, even while Bayes called very calmly and with an ease that was beautiful: "Just a moment."
He knew that in a few minutes this calm would pa.s.s, something would break, but for now there was this splendidly serene thing he was doing; he must play it out. With fine round tones he addressed the a.s.sa.s.sin and watched him dwindle and spoke further and watched him shrink.
"It never happened, Mr. Booth. Tell your story, but we'll deny it. You were never here, no gun, no shot, no computerized data-processed a.s.sa.s.sination, no outrage, no shock, no panic, no mob. Why now, look at your face. Why are you falling back? Why are you sitting down? Why do you shake? Is it the disappointment? Have I turned your fun the wrong way? Good." He nodded at the aisle. "And now, Mr. Booth, get out."
"You can't make-"
"Sorry you said that, Mr. Booth." Bayes took a soft step in, reached down, took hold of the man's tie and slowly pulled him to his feet so he was breathing full in his face.
"If you ever tell your wife, any friend, employer, child, man, woman, stranger, uncle, aunt, cousin, if you ever tell even yourself out loud going to sleep some night about this thing you did, do you know what I am going to do to you, Mr. Booth? If I hear one whisper, one word, one breath, I shall stalk you, I shall follow you for a dozen or a hundred or two hundred days, you'll never know what day, what night, what noon, where, when or how but suddenly I'll be there when you least expect and then do you know what I am going to do to you, Mr. Booth? I won't say, Mr. Booth, I can't tell. But it will be awful and it will be terrible and you'll wish you had never been born, that's how awful and terrible it will be."
Booth's pale face shook, his head bobbed, his eyes peeled wide, his mouth open like one who walks in a heavy rain.
"What did I just say, Mr. Booth? Tell me!"
"You'll kill me?"
"Say it again!"
He shook Booth until the words fell out of his chattered teeth: "Kill me!"
He held tight, shaking and shaking the man firmly and steadily, holding and ma.s.saging the s.h.i.+rt and the flesh beneath the s.h.i.+rt, stirring up the panic beneath the cloth.
So long, Mr. n.o.body, and no magazine stories and no fun and no TV, no celebrity, an unmarked grave and you not in the history books, no, now get out of here, get out, run, run before I kill you.
He shoved Booth. Booth ran, fell, picked himself up, and lunged toward a theater door which, on the instant, from outside, was shaken, pounded, riven.
Phipps was there, calling in the darkness.
"The other door," said Bayes.
He pointed and Booth wheeled to stumble in a new direction to stand swaying by yet another door, putting one hand out- "Wait," said Bayes.
He walked across the theater and when he reached Booth raised his flat hand up and hit Booth once, hard, a slapping strike across the face. Sweat flew in a rain upon the air.
"I," said Bayes, "I just had to do that. Just once."
He looked at his hand, then turned to open the door.
They both looked out into a world of night and cool stars and no mob.
Booth pulled back, his great dark liquid eyes the eyes of an eternally wounded and surprised child, with the look of the self-shot deer that would go on wounding, being shot by itself forever.
"Get," said Bayes.
Booth darted. The door slammed shut. Bayes fell against it, breathing hard.
Far across the arena at another locked door, the hammering, pounding, the crying out began again. Bayes stared at that shuddering but remote door. Phipps. But Phipps would have to wait. Now . . .
The theater was as vast and empty as Gettysburg in the late day with the crowd gone home and the sun set. Where the crowd had been and was no more, where the Father had lifted the Boy high on his shoulders and where the Boy had spoken and said the words, but the words now, also, gone . . .
On the stage, after a long moment, he reached out. His fingers brushed Lincoln's shoulder.
Fool, he thought standing there in the dusk. Don't. Now, don't. Stop it. Why are you doing this? Silly. Stop. Stop.
And what he had come to find he found. What he needed to do he did.
For tears were running down his face.
He wept. Sobs choked his mouth. He could not stop them. They would not cease.
Mr. Lincoln was dead. Mr. Lincoln was dead!
And he had let his murderer go.
TIME IN THY FLIGHT.
A WIND BLEW THE LONG YEARS AWAY past their hot faces.
The Time Machine stopped.
"Nineteen hundred and twenty-eight," said Janet. The two boys looked past her.
Mr. Fields stirred. "Remember, you're here to observe the behavior of those ancient people. Be inquisitive, be intelligent, observe."
"Yes," said the girl and the two boys in crisp khaki uniforms. They wore identical haircuts, had identical wrist.w.a.tches, sandals, and coloring of hair, eyes, teeth, and skin, though they were not related.
"Shh!" said Mr. Fields.
They looked out at a little Illinois town in the spring of the year. A cool mist lay on the early morning streets.
Far down the street a small boy came running in the last light of the marble-cream moon. Somewhere a great clock struck 5 A.M. far away. Leaving tennis-shoe prints softly in the quiet lawns, the boy stepped near the invisible Time Machine and cried up to a high dark house window.
The house window opened. Another boy crept down the roof to the ground. The two boys ran off with banana-filled mouths into the dark cold morning.
"Follow them," whispered Mr. Fields. "Study their life patterns. Quick!"
Janet and William and Robert ran on the cold pavements of spring, visible now, through the slumbering town, through a park. All about, lights flickered, doors clicked, and other children rushed alone or in gasping pairs down a hill to some gleaming blue tracks.
"Here it comes!" The children milled about before dawn. Far down the s.h.i.+ning tracks a small light grew seconds later into steaming thunder.
"What is it?" screamed Janet.
"A train, silly, you've seen pictures of them!" shouted Robert.
And as the Time Children watched, from the train stepped gigantic gray elephants, steaming the pavements with their mighty waters, lifting question-mark nozzles to the cold morning sky. c.u.mbrous wagons rolled from the long freight flats, red and gold. Lions roared and paced in boxed darkness.
"Why-this must be a-circus!" Janet trembled.
"You think so? Whatever happened to them?"
"Like Christmas, I guess. Just vanished, long ago."
Janet looked around. "Oh, it's awful, isn't it."
The boys stood numbed. "It sure is."
Men shouted in the first faint gleam of dawn. Sleeping cars drew up, dazed faces blinked out at the children. Horses clattered like a great fall of stones on the pavement.
Mr. Fields was suddenly behind the children. "Disgusting, barbaric, keeping animals in cages. If I'd known this was here, I'd never let you come see. This is a terrible ritual."
"Oh, yes." But Janet's eyes were puzzled. "And yet, you know, it's like a nest of maggots. I want to study it."
"I don't know," said Robert, his eyes darting, his fingers trembling. "It's pretty crazy. We might try writing a thesis on it if Mr. Fields says it's all right . . ."
Mr. Fields nodded. "I'm glad you're digging in here, finding motives, studying this horror. All right-we'll see the circus this afternoon."
"I think I'm going to be sick," said Janet.
The Time Machine hummed.
"So that was a circus," said Janet, solemnly.
The trombone circus died in their ears. The last thing they saw was candy-pink trapeze people whirling while baking powder clowns shrieked and bounded.
"You must admit psychovision's better," said Robert slowly.
"All those nasty animal smells, the excitement." Janet blinked. "That's bad for children, isn't it? And those older people seated with the children. Mothers, fathers, they called them. Oh, that was strange."
Mr. Fields put some marks in his cla.s.s grading book.
Janet shook her head numbly. "I want to see it all again. I've missed the motives somewhere. I want to make that run across town again in the early morning. The cold air on my face-the sidewalk under my feet-the circus train coming in. Was it the air and the early hour that made the children get up and run to see the train come in? I want to retrace the entire pattern. Why should they be excited? I feel I've missed out on the answer."
"They all smiled so much," said William.
"Manic-depressives," said Robert.
"What are summer vacations? I heard them talk about it." Janet looked at Mr. Fields.
"They spent their summers racing about like idiots, beating each other up," replied Mr. Fields seriously.
"I'll take our State Engineered summers of work for children anytime," said Robert, looking at nothing, his voice faint.
The Time Machine stopped again.
"The Fourth of July," announced Mr. Fields. "Nineteen hundred and twenty-eight. An ancient holiday when people blew each other's fingers off."
They stood before the same house on the same street but on a soft summer evening. Fire wheels hissed, on front porches laughing children tossed things out that went bang!
"Don't run!" cried Mr. Fields. "It's not war, don't be afraid!"
But Janet's and Robert's and William's faces were pink, now blue, now white with fountains of soft fire.
"We're all right," said Janet, standing very still.
"Happily," announced Mr. Fields, "they prohibited fireworks a century ago, did away with the whole messy explosion."
Children did fairy dances, weaving their names and destinies on the dark summer air with white sparklers.
"I'd like to do that," said Janet, softly. "Write my name on the air. See? I'd like that."
"What?" Mr. Fields hadn't been listening.
"Nothing," said Janet.
Bradbury Stories 100 of His Most Celebrated Tales Part 90
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Bradbury Stories 100 of His Most Celebrated Tales Part 90 summary
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