The Boy Scout and Other Stories for Boys Part 10

He raced between desolate-looking cornfields with bare stalks and patches of muddy earth rising above the thin covering of snow; truck farms and brick-yards fell behind him on either side. It was very lonely work, and once or twice the dogs ran yelping to the gates and barked after him.

Part of his way lay parallel with the railroad tracks, and he drove for some time beside long lines of freight and coal cars as they stood resting for the night. The fantastic Queen Anne suburban stations were dark and deserted, but in one or two of the block-towers he could see the operators writing at their desks, and the sight in some way comforted him.

Once he thought of stopping to get out the blanket in which he had wrapped himself on the first trip, but he feared to spare the time, and drove on with his teeth chattering and his shoulders shaking with the cold.

He welcomed the first solitary row of darkened houses with a faint cheer of recognition. The scattered lamp-posts lightened his spirits, and even the badly paved streets rang under the beats of his horse's feet like music. Great mills and manufactories, with only a night-watchman's light in the lowest of their many stories, began to take the place of the gloomy farm-houses and gaunt trees that had startled him with their grotesque shapes. He had been driving nearly an hour, he calculated, and in that time the rain had changed to a wet snow, that fell heavily and clung to whatever it touched. He pa.s.sed block after block of trim work-men's houses, as still and silent as the sleepers within them, and at last he turned the horse's head into Broad Street, the city's great thoroughfare, that stretches from its one end to the other and cuts it evenly in two.

He was driving noiselessly over the snow and slush in the street, with his thoughts bent only on the clock-face he wished so much to see, when a hoa.r.s.e voice challenged him from the sidewalk. "Hey, you, stop there, hold up!" said the voice.

Gallegher turned his head, and though he saw that the voice came from under a policeman's helmet, his only answer was to hit his horse sharply over the head with his whip and to urge it into a gallop.

This, on his part, was followed by a sharp, shrill whistle from the policeman. Another whistle answered it from a street-corner one block ahead of him. "Whoa," said Gallegher, pulling on the reins. "There's one too many of them," he added, in apologetic explanation. The horse stopped, and stood, breathing heavily, with great clouds of steam rising from its flanks.

"Why in h.e.l.l didn't you stop when I told you to?" demanded the voice, now close at the cab's side.

"I didn't hear you," returned Gallegher, sweetly. "But I heard you whistle, and I heard your partner whistle, and I thought maybe it was me you wanted to speak to, so I just stopped."

"You heard me well enough. Why aren't your lights lit?" demanded the voice.

"Should I have 'em lit?" asked Gallegher, bending over and regarding them with sudden interest.

"You know you should, and if you don't, you've no right to be driving that cab. I don't believe you're the regular driver, anyway. Where'd you get it?"

"It ain't my cab, of course," said Gallegher, with an easy laugh. "It's Luke McGovern's. He left it outside Cronin's while he went in to get a drink, and he took too much, and me father told me to drive it round to the stable for him. I'm Cronin's son. McGovern ain't in no condition to drive. You can see yourself how he's been misusing the horse. He puts it up at Bachman's livery stable, and I was just going around there now."

Gallegher's knowledge of the local celebrities of the district confused the zealous officer of the peace. He surveyed the boy with a steady stare that would have distressed a less skilful liar, but Gallegher only shrugged his shoulders slightly, as if from the cold, and waited with apparent indifference to what the officer would say next.

In reality his heart was beating heavily against his side, and he felt that if he was kept on a strain much longer he would give way and break down. A second snow-covered form emerged suddenly from the shadow of the houses.

"What is it, Reeder?" it asked.

"Oh, nothing much," replied the first officer. "This kid hadn't any lamps lit, so I called to him to stop and he didn't do it, so I whistled to you. It's all right, though. He's just taking it round to Bachman's.

Go ahead," he added, sulkily.

"Get up!" chirped Gallegher. "Good night," he added, over his shoulder.

Gallegher gave a hysterical little gasp of relief as he trotted away from the two policemen, and poured bitter maledictions on their heads for two meddling fools as he went.

"They might as well kill a man as scare him to death," he said, with an attempt to get back to his customary flippancy. But the effort was somewhat pitiful, and he felt guiltily conscious that a salt, warm tear was creeping slowly down his face, and that a lump that would not keep down was rising in his throat.

"Tain't no fair thing for the whole police force to keep worrying at a little boy like me," he said, in shame-faced apology. "I'm not doing nothing wrong, and I'm half froze to death, and yet they keep a-nagging at me."

It was so cold that when the boy stamped his feet against the footboard to keep them warm, sharp pains shot up through his body, and when he beat his arms about his shoulders, as he had seen real cabmen do, the blood in his finger-tips tingled so acutely that he cried aloud with the pain.

He had often been up that late before, but he had never felt so sleepy.

It was as if some one was pressing a sponge heavy with chloroform near his face, and he could not fight off the drowsiness that lay hold of him.

He saw, dimly hanging above his head, a round disk of light that seemed like a great moon, and which he finally guessed to be the clock-face for which he had been on the lookout. He had pa.s.sed it before he realized this; but the fact stirred him into wakefulness again, and when his cab's wheels slipped around the City Hall corner, he remembered to look up at the other big clock-face that keeps awake over the railroad station and measures out the night.

He gave a gasp of consternation when he saw that it was half-past two, and that there was but ten minutes left to him. This, and the many electric lights and the sight of the familiar pile of buildings, startled him into a semi-consciousness of where he was and how great was the necessity for haste.

He rose in his seat and called on the horse, and urged it into a reckless gallop over the slippery asphalt. He considered nothing else but speed, and looking neither to the left nor right dashed off down Broad Street into Chestnut, where his course lay straight away to the office, now only seven blocks distant.

Gallegher never knew how it began, but he was suddenly a.s.saulted by shouts on either side, his horse was thrown back on its haunches, and he found two men in cabmen's livery hanging at its head, and patting its sides, and calling it by name. And the other cabmen who have their stand at the corner were swarming about the carriage, all of them talking and swearing at once, and gesticulating wildly with their whips.

They said they knew the cab was McGovern's, and they wanted to know where he was, and why he wasn't on it; they wanted to know where Gallegher had stolen it, and why he had been such a fool as to drive it into the arms of its owner's friends; they said that it was about time that a cab-driver could get off his box to take a drink without having his cab run away with, and some of them called loudly for a policeman to take the young thief in charge.

Gallagher felt as if he had been suddenly dragged into consciousness out of a bad dream, and stood for a second like a half-awakened somnambulist.

They had stopped the cab under an electric light, and its glare shone coldly down upon the trampled snow and the faces of the men around him.

Gallegher bent forward, and lashed savagely at the horse with his whip.

"Let me go," he shouted, as he tugged impotently at the reins. "Let me go, I tell you. I haven't stole no cab, and you've got no right to stop me. I only want to take it to the _Press_ office," he begged.

"They'll send it back to you all right. They'll pay you for the trip.

I'm not running away with it. The driver's got the collar--he's 'rested--and I'm only a-going to the _Press_ office. Do you hear me?" he cried, his voice rising and breaking in a shriek of pa.s.sion and disappointment. "I tell you to let go those reins. Let me go, or I'll kill you. Do you hear me? I'll kill you." And leaning forward, the boy struck savagely with his long whip at the faces of the men about the horse's head.

Some one in the crowd reached up and caught him by the ankles, and with a quick jerk pulled him off the box, and threw him on to the street. But he was up on his knees in a moment, and caught at the man's hand.

"Don't let them stop me, mister," he cried, "please let me go. I didn't steal the cab, sir. S'help me, I didn't. I'm telling you the truth. Take me to the _Press_ office, and they'll prove it to you. They'll pay you anything you ask 'em. It's only such a little ways now, and I've come so far, sir. Please don't let them stop me," he sobbed, clasping the man about the knees. "For Heaven's sake, mister, let me go!"

The managing editor of the _Press_ took up the india-rubber speaking-tube at his side, and answered, "Not yet," to an inquiry the night editor had already put to him five times within the last twenty minutes.

Then he snapped the metal top of the tube impatiently, and went up-stairs. As he pa.s.sed the door of the local room, he noticed that the reporters had not gone home, but were sitting about on the tables and chairs, waiting. They looked up inquiringly as he pa.s.sed, and the city editor asked, "Any news yet?" and the managing editor shook his head.

The compositors were standing idle in the composing-room, and their foreman was talking with the night editor.

"Well," said that gentleman, tentatively.

"Well," returned the managing editor, "I don't think we can wait; do you?"

"It's a half-hour after time now," said the night editor, "and we'll miss the suburban trains if we hold the paper back any longer. We can't afford to wait for a purely hypothetical story. The chances are all against the fight's having taken place or this Hade's having been arrested."

"But if we're beaten on it--" suggested the chief. "But I don't think that is possible. If there were any story to print, Dwyer would have had it here before now."

The managing editor looked steadily down at the floor.

"Very well," he said, slowly, "we won't wait any longer. Go ahead," he added, turning to the foreman with a sigh of reluctance. The foreman whirled himself about, and began to give his orders; but the two editors still looked at each other doubtfully.

As they stood so, there came a sudden shout and the sound of people running to and fro in the reportorial rooms below. There was the tramp of many footsteps on the stairs, and above the confusion they heard the voice of the city editor telling some one to "run to Madden's and get some brandy, quick."

No one in the composing-room said anything; but those compositors who had started to go home began slipping off their overcoats, and every one stood with his eyes fixed on the door.

It was kicked open from the outside, and in the doorway stood a cab-driver and the city editor, supporting between them a pitiful little figure of a boy, wet and miserable, and with the snow melting on his clothes and running in little pools to the floor. "Why, it's Gallegher,"

said the night editor, in a tone of the keenest disappointment.

Gallegher shook himself free from his supporters, and took an unsteady step forward, his fingers fumbling stiffly with the b.u.t.tons of his waistcoat.