Friends and Helpers Part 7
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"Oh, my poor Nero!" she said. "What have they done to you?"
The lion lifted up his huge head, and listened for a moment. Then, slowly and with pain, he crawled close to the bars of his cage, where she could stroke him. About the artist and her pet there were only rough men and women and boys of the city streets, but every man's hat came off, and there was not a dry eye in the crowd.
Rosa Bonheur did not confine her tenderness to dumb animals. In her prosperity she was kind to many poor artists who were working under hard and discouraging conditions. For years before her death she lived in a village on the edge of the Forest of Fontainebleau, and here she brought the wild animals, the tame pets and the human friends whom she loved, to share her cheerful, happy life.
EXHIBITIONS OF TRAINED ANIMALS SHOULD BE DISCOURAGED.
Those who enjoy going to the circus or menagerie or to any show of wild animals ought to consider how they would like to be shut up as prisoners all their lives, and forced to do unnatural tricks. Some animal trainers try to make the public believe that tricks are taught by kindness and that the animals are comfortable and happy; but persons not in the business who have had an opportunity to watch trained animals behind the scenes say that there is a great deal of suffering among them. To all these questions we can apply the Golden Rule and deal with these creatures that are at men's mercy as we should wish to be dealt with if we were in their place.
[Ill.u.s.tration: THE KING OF BEASTS. From a Painting by Rosa Bonheur.]
THE KING OF BEASTS.
I am a great lion, and one of the strongest animals in the world. I used to live far away in Africa, and when I roared, all who heard my voice were afraid.
I hunted to get food for myself and my little ones. I never killed for fun. It is only men who kill creatures and call it sport. Wild animals are not so savage as that.
You wonder that I am in this cage when I am so strong. I am afraid of men. They are wise and cruel. They made a trap and caught me. They have made these iron bars which are stronger than I am.
I have tried my best to get out. I am weary and homesick I need the wide plains, and the deep streams, and the fresh, sweet air of the forests.
Sometimes when I am asleep I dream of my old home. I forget the crowds who stare at me, and the smell of the sawdust, and the narrow, narrow cage. I think I am once again in the great, free, open country.
Then I spring up gladly, and there are only the iron bars and the low roof. I roar with pain and grief and my keeper comes to punish me with his sharp-pointed stick. When you see me in my cage, pity me, for I am very miserable.
[Ill.u.s.tration: THE s.h.i.+P OF THE DESERT]
THE s.h.i.+P OF THE DESERT.
The home of the camel is in Arabia. In that country there are many miles of sandy desert.
We use s.h.i.+ps to carry goods and men across the sea; in Arabia the camel is used to carry goods and men across the sand. He carries heavy loads over the scorching deserts, and for this reason he is called the s.h.i.+p of the Desert.
No horse or donkey could tread where the camel does. Their hoofs would sink in the loose, dry sand. But the foot of the camel is like a broad pad or cus.h.i.+on, and it spreads out as he puts it down, so that it neither slips nor sinks. It has also a very thick sole to protect it from the burning heat of the sand.
The camel is able to go for a long time without food or water. He can do this because he carries with him a supply of both. The hump on his back is a large lump of solid fat, which the camel is able, in some strange way, to use as food. He does not bite it or take it into his mouth, but it wastes away, and grows smaller and smaller, when he is making a long journey with little to eat. If the poor camel is starved, his back becomes quite flat.
The camel stores up a supply of water in his two stomachs, a part of which is lined with ma.s.ses of cells. When the camel drinks, he fills these cells, keeping the water in them for future use so that he is not thirsty again for a long time.
The camel's sense of smell is very acute. It is said that he can detect water long before it is in sight.
When he is carrying a burden across the wild, barren places where no green thing grows, he is fed with a few dates, beans, or cakes.
Sometimes he finds a dry, th.o.r.n.y plant to browse upon, but when other food is gone he must depend upon his hump.
In a caravan there are often thousands of camels. Without them, merchants could not send their goods across the desert, for no other animal could endure so long a journey under such conditions.
A HEAVY LOAD.
One day a workman, who was helping to build a new house, saw the driver of a large cart trying to back his horses into the yard. The cart was filled with a heavy load of wood, and though the two horses seemed to be patient and willing, they could move it but a little way. Then it would roll down upon their heels again.
The driver grew angry. He shouted at the horses and gave them cruel cuts with his whip. The horses stopped pus.h.i.+ng and began to kick, without moving the cart at all.
By this time the workman had come up to the horses.
"Get down a minute," said he to the driver, "and let me see what I can do."
He went first to one horse and then to the other, stroking their necks and speaking kindly to them. Then he lifted off several heavy timbers and laid them on the ground. Finally he took from his dinner-pail a big red apple, which he cut in two, giving half to each horse.
When the horses had eaten the apple, the man mounted the cart and took up the reins.
"Come, now!" he said cheerily, giving the reins a little shake. "I am sure you can do it if you try once more. Now, then, there you go!"
The horses took new courage, and with all their might bent to their work. With a vigorous push and a great rattle of stones the cart went up into its place.
"It isn't easy to work when you are being scolded." said the workman, handing over the reins to the driver of the pair. "Try my way the next time. It pays."
FAMOUS HORSES.
The horse has been known as man's companion and helper from the earliest times. In Greek mythology horses play a very important part, as every one knows who has read the stories of Arion and the winged horse Pegasus. The most famous horse in history probably was Bucephalus (Bull Head), who belonged to Alexander the Great. Alexander was the son of Philip, king of Macedonia.
When the boy was about thirteen years of age, there was offered for sale to his father a superb white horse with a black mark, like a bull's head, on his forehead. His price was twenty thousand dollars. He was brought before the king, but no one was able to mount him. Philip was angry and was about to send the horse away when Alexander begged to be allowed to try.
He went up quietly to Bucephalus and stroked him for a few minutes with a steady, careful hand. As he did so he noticed that the horse was afraid of his own shadow dancing on the gra.s.s before him.
Turning the frightened animal with his face to the sun, the boy leaped lightly on his back, and using every means to soothe him, soon brought him under complete control.
Bucephalus became Alexander's constant companion. The horse was once taken prisoner by the barbarians against whom Alexander was fighting, but the concern shown by the great soldier was so serious that his favorite was promptly restored to him.
[Ill.u.s.tration: A NORMAN SIRE. By Rosa Bonheur.]
Friends and Helpers Part 7
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Friends and Helpers Part 7 summary
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